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ART ATTACK

Let the power of art lift you up in these troubling times.

Re print from 2022 by Steven Smith.

Read time:7 minute, 52 seconds 

Art is subjective; arguably anything could be described as art. It has been said that as long as an artist says “what I have made is art” then it is art. Pulling a partially burnt door from the rubble of a derelict building and hanging it on your wall, then spray painting it, could pass as art. In fact, that’s exactly what one artist confessed to me that they once did, and it sold for a good price. But what makes a successful artist? 

Experts in the art world often say that, unless you are represented by a prestigious gallery and have sold your pieces at one of the reputable auction houses for a hefty price, you cannot begin to describe yourself as a leading British or international artist. But in these days of spin and false news, many artists grandly describe themselves as just that – even if it is just on their own web page. That is why an artist being represented by a leading gallery is so important, it protects the consumer and cradles the artist. It is like good management for actors.

Your correspondent with actor and Loose Woman Denise Welch supporting her husband Lincoln Townley art https://lincolntownley.com

For me, if I walk into an exhibition and instantly see that an artist’s inspiration is another artist then I am not excited about their work. I am fine with artists being influenced by other artists’ work but if an artist recognisably channels legends such as Warhol, Bacon, Tracey Emin and Damien Hirst perhaps they need to rethink …

Hearing a truly talented, unique artist’s voice call out from their work is what captures me. It can send goosebumps up my neck when a crafted artist’s work is powerfully on display.

Take inspiration from the masters by all means but when your art is the equivalent to an X-factor contestant belting out someone else’s song, and a poor version of it at that, a great artist you are not. You may well be on the path to becoming one as long as, like many in the craft, you dedicate yourself to finding your own voice.

This is usually my favourite time of year as Frieze comes to town and the best galleries from around the world showcase their finest artists. Held in Regents Park, you can submerge yourself in an orgy of talented modern artists. Along with Frieze Masters, it feels like Christmas has come.

Sadly, Frieze, like many other events has moved online, but has offered lectures and courses and hopefully further experiences for art enthusiasts. It is be back in its typical glory now when this is all over. 

The landmark Venice art festival “La Biennale” is still set to go ahead next year, with the British entry selected by the Hayward Gallery and British Art Council. Next year, we are represented by curators Manijeh Verghese and Madeleine Kessler, who are bringing a diverse range of art to the British tent. La Biennale shows every two years, with the last showing in 2019, represented by British artist Cathy Wilkes. It’s the cream of the art shows, and I was lucky to attend in 2017 as a guest of Israeli artist Michele Cole. I still get excited about my trip; it is a memory that will stay with me for life. It is well worth going.

At the 2017 Biennale – artist Michal Cole https://www.meijler.com/michal

The arts have suffered grievously during the pandemic, with many galleries and exhibition halls still closed. It was a ray of light to be invited by LGBTQ+ international artist, Pedro Sousa Louro, to the opening of START at the Saatchi Gallery. His work received rave reviews when he showed at the Kunstmesse art fair in Germany. Pedro, originally from Portugal, resides in Chelsea and has a studio in Wimbledon. Pedro was educated at the Chelsea College of Arts in London. Among his army of fans are celebrities such as Frankie Goes to Hollywood’s Holly Johnson. 

Holly Johnson (l) with Pedro Sousa Louro

Holly says of Pedro’s work “I like the fact that his art does not mean anything in particular. It is geometry for the sake of geometry “ 

Going into its seventh year, START showcases new and established artists, attracting international exhibitors, although the artists at START must pay to show their work. START gives voice to artists hoping to make a name for themselves on a global stage while providing the perfect platform for new collectors to discover talent that might otherwise have gone unseen. 

Included in this year’s programme is Korean Eye 2020, a teaser exhibition that gives an insight into the work of some of Korea’s most exciting young artists. 

START founders, David and Serenella Ciclitira, were determined to support artists and push ahead with this year’s show, despite many sceptics. They recognise the difficulties faced by the art world during these tumultuous times. They appreciate that many people are not ready to return to galleries amidst the ongoing pandemic. They have made START a world leader that combines both online and physical reality. The Ciclitiras are aiming to make START a leader in the ‘phygital’ world, which marries both the physical environment and the online digital world at the same time

‘Serenella and I are committed to playing our part in supporting artists and galleries, and in getting the art-world as a whole back open for business.’ 

David Ciclitira

2020 has been a challenging year, to say the least. It is a time when we must adapt and innovate; we must come together, united, for the greater good of all our fellow artists and galleries. 

The Saatchi gallery is one of the great London venues and brings a beautiful addition to the trendy Kings Road. My date for the open day was our Editor, Rob Harkavy. He was all suited and booted for the occasion. You can’t help but love the gallery the minute you walk in. For me, it is my dream home; it has been my fantasy to live in a gallery since I studied art as a teenager.

The celebrities were out in force. Anthea Turner was on hand to support David Bowie 20/20 Vision; a collection of photographs by Tony McGee, award-winning British photographer and friend of Bowie. This unique collection of never-before-seen images were hand-selected ‘on set’ by Bowie himself as a reflection of his own inner image, and are as powerful as they are poignant, beautifully capturing the essence of the shapeshifting, beguiling, enigmatic superstar. It blew me away. Anyone looking to buy me something for Christmas at £4k, one of these, please! 

Loose Woman and award-winning actress, Denise Welch, was chatting to people at her husband’s section, the former PR-man-turned-artist, Lincoln Townley. Welch’s son, Louis Healy (star of Emmerdale) was also in attendance. Michael Caine has previously shared that he is a fan of Townley’s work. 

The beautiful Gail Porter was also present and chatted to us. She was just charming.

START is well worth going to. The atmosphere is exciting, and there are one or two gems, depending on your taste. START also has a great bar on the third floor, where the Korean exhibition is, and there is some stunning work there.

Also open is the Brighton Museum; a hidden gem, but trust me, a must for everyone visiting the legendary gay seaside town. Among the exhibitions is Queer on the Pier. This community-curated display peers into local LGBTQ+ history. Celebrating the lives of the writers, artists, performers, activists and ordinary people who have made Brighton & Hove so fabulous, their stories are brought to life with film and photography, fashion and drag and oral histories. It is part of Be Bold, a series of collaborative exhibitions and events, programmed with Brighton & Hove’s LGBTQ+ communities.

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Culture

Art Exhibition: The Places We Carry – Healing Through Arabic Art and Poetry

An an evening scroll on Eventbrite turned out to be the most holistic and heroic experience I’ve ever been to.
Pioneers of peace from Arabic lands gathered to remind us how art can heal us and speak our prayers.
Grand Junction at Warwick Avenue

In pursuit of my next cultural experience in London, I happened to tap my finger on a poetry and prose event at a church in Warwick Avenue. 

It was the closing day of an exhibition called, ‘The Places We Carry‘ and something about that made me raise an eyebrow. 

I went through the description and found out that the guest speakers were Arabic poets and artists from Syria, Iraq, Lebanon, Libya and Palestine. 

My heart instantly went out for the Palestinian guests and how gut-wrenching it must be witness the ongoing brutality against their homeland.

My body moved without hesitation to go to this event. I had to know how immigrants from these countries translated their sorrows into extraordinary pieces of art.

When I arrived, Dima Karout, the curator of the exhibition, was giving the visitors a tour of all the art displayed in the basement. 

She graciously walked us through the artwork put together by her team that focused on immigrant lives in the UK ever since they moved here. And shared stories of their journey of finding a home away from home through artistic expression.

Dima Karout (left) giving us a tour of all the artwork

There were paintings, sketches and clay art that portrayed various Arabic cultures. Tools and artefacts used in households and agriculture that reminded me of my country in many ways.

The name of the event suddenly struck me then, ‘The Places We Carry’. The whole exhibition was a reflection of the emotions and attachments we have to objects and places that will always remind us of home and never leave us.

Each picture had a simple yet moving story that resonated with me like a warm hug. With unique narratives on how they adjusted to the lifestyle and the difficulties of they faced in terms of belonging.

An art piece that stood out to me was about siblings scattered across the world knowing they might never live in the same city or country.

I felt a rush of acceptance and resolution for a lingering sadness I felt over the years. I hadn’t quite faced the truth that I might never live in the same country as my brother or my cousin ever again until that moment.

As immigrants we make bold career and financial decisions to move away from our families to build new roots on a foreign soil. 

We have our own reasons to do it and to each their own. Some flee the horrendous political and economic climate of their country in search of better opportunities. And others move with a sense of purpose to become more expansive as an individual.

But a sweet energy surrounded the exhibition like a silent acknowledgement for everyone’s journey. That no matter the reason, we were all there to recognise our own growth.

Sibling Bond by Nabilah

I made my way into a shrine that was dedicated to Palestinians. I noticed an art piece made of paper kites with names written on the strings. I soon found out they were names of innocent children whose lives were taken away as a result of genocide.

It grappled my heart and made me silently weep. It was overwhelming to look at this piece of art and admire the heart behind it but I couldn’t help but catch a glimpse of the horror those children had to face. I felt terrified for the state of humanity.

I suddenly became aware of the location we were at. I prayed to Jesus for a permanent ceasefire more than I usually do but I also prayed for any kind of divine intervention to bring softness to the world.

There were letters of love and consolation laid on what looked like a burial cloth. As I read each letter I was grateful for the humanity we as people cling so hard to while people in power seem to have lost theirs.

Paper kites by Helen Alzhar

We were allowed to write words of compassion of our own and I wrote mine without flinching. Words from the heart flow easily when you stop worrying about who might read it, it doesn’t matter anymore. When the purpose is beyond measure, every contribution is invaluable.

I placed it next to the other cards people had also written letters of support. I looked around and the faces I saw weren’t strange to me anymore. I felt a sense of unity without conversation, the language of our emotions seemed to be aligned.

Letters of love and consolation laid out on a cloth

We made our way up to the church to be seated for the second part of the exhibition. Dima and her team had gathered a few artists who read poetry, extracts, performed music and spoken word pieces.

Rama Alcoutlabi is a passionate musician, a dedicated scholar and an activist from Syria. She opened the performances with a soothing song in an ancient language called Aramaic using a traditional percussion instrument called the Daf.

She gave me the release I was seeking after all the heaviness I felt. Her angelic voice compelled me to close my eyes and listen intently to a language I had never heard before, yet harmonised perfectly with the emotions emanating from her melody. 

She also closed the show with three beautiful pieces on her Syrian stringed instrument called Oud, that wrapped the entire evening with such grace and warmth.

Rama Alcoutlabi performing with her Oud

Hafiza Ibrahim is a Palestinian poet who settled down in the UK after her graduate degree and is now an English language teacher, translator and interpreter (Arabic-English).  Her poetry emphasised on the longing of migrated residents of Palestine who wish to return to their land and reunite with their people. She gave us an imagery of a beautiful life lived in Palestine before genocide took away their simplicity of being.

Sarona Abuaker Bedwan is a Palestinian-American writer and Outreach & Programmes manager at Makan, a Palestinian led educational organisation. She read two poems from her book, “Why so few women on the street at night” and her narration reflected the ardent activist that she is. She has a strong voice and a powerful presence that made me want to listen to her every word. With short sentences compiled into a chronological sequence of emotions, she took me on a rhythmic vision to paint a picture of how human rights are being manipulated and criminalised by perpetrators who lack any awareness of themselves.

Laith Elzubaidi is a British-Iraqi TV/Film writer and producer based in London. His unserious and impactful presence on the stage made me adore him. I could see the comedy and drama writer in him bouncing out as he read an extract about his trip to Iraq with his mum after 30 years. He was unafraid to share his confusion about his dual ethnicity as he explained how Iraq is not how imagined it would be. And how his mum tried to rat him out to the airport security for not knowing the language. He was hilarious, I needed a good laugh and I could hear people around me snorting and gagging. But he also highlighted a lot of real emotions 2nd generation children face when they experience the other half of their culture for the first time. 

Hassan Abdulrazzak is an award-winning Iraqi writer who settled down in the UK and continues to pursue his passion as a playwright. He read extracts from his play so charmingly, I hardly believed he’s not a performer even if he said so. His extracts were humorous and sweet, with a touch of purity to it. Particularly the, ‘Enemy Of The Sun’, a very vulnerability piece where he spoke of the citizens who will continue to fight no matter how hard other nations try to take away their land. And that “They will not compromise, till the last pulse in their veins” in his own words.

Hassan Abdulrazzak

Lisa Minerva Luxx is a poet, playwright, essayist and political activist of British-Syrian heritage. In the three poems she read, I could see a halo forming over her head for how persistently she advocates for peace in the world. A true warrior and empath who not only helped permanently shut down manufacturing companies in the UK who supply drones to Israel out of the law, but also speaks with such depth in her poems about the lives lost in her country and the bombing in Beirut.

She performed her pieces in a spoken word style with gestures that tempted me to sway with her. Her ability to be a voice for the suffering of many people, her family and herself was sensational and deeply inspiring. 

I fetched two lines from her poems that made me connect to my own life. One of them being “If it feels impossible, you are going the right way.” And the other which isn’t really a line but an important reason for why we face the injustice that we do, “Bone collectors in cufflinks.”

It’s fascinating how a tap of the finger on an event page lead me towards heroes who make remarkable movements for a reformed world.

The exhibition reinstated my faith that if I continue to do my bit to spread the message of kindness and peace, I can help in the construction of a safer destination for future generations to arrive at.

Dime Karout and her team organise several art exhibitions, go here for more information and explore the tapestry of cultures that reside in London