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People

Narcissistic men in India: Demons in a lost society

I feel sick to the stomach for the state of women and children’s lives in my country and in disbelief of the atrocities currently taking place
The issue is far more deep-rooted than we can imagine -the dark undertones of our society and revealing the evil in our own lives
[Trigger warning: Sexual/child abuse]
Citizen rally in Kolkata asking for justice. Picture credit: The Hindu

I’ve witnessed shady inconsistencies in men my whole life. It pains me to say that most people I know have encountered some form of abuse by men. Whether they were girls, boys, women or men, they’ve all been victims of perverted men in our society.

At the age of 7, I was walking to my school bus stop and I noticed my brother was lagging behind. I stopped for a brief moment to chuckle at his clumsiness when all of a sudden, a man in a grey tracksuit stopped jogging and stood in front of me.

He looked at me and said, “Have you seen a rocket?” and pointed to the sky. I looked up in confusion and when I looked back down he said, “Do you want to see a banana?” and pulled his trouser down and laughed. I started pacing towards the bus stop, numb from what I had just witnessed but completely aware that my innocence was stolen.

At school I was always curious to befriend the opposite gender. I wanted to know the boys that existed outside of my brother. 

In attempts to form a bond with them, I was giggled at, pointed at and fat shamed by boys who thought I was ugly. 

At 26 now I can understand that those boys were immature and classic bullies but when I put together the “father figures” in my life who objectify their own wives and sisters, the behaviour of those boys suddenly became very clear to me.

I’ve observed men in my own life who are actually moodier than the women they call dramatic. 

One moment they’re bringing in platters of sweets and savouries and hampers of gifts for the women of the house.

The next an abusive sentence flows out of their mouth effortlessly for a woman anchor who wore her dress too short at a sports presentation.

As if that wasn’t confusing enough, I’ve been made to sit on laps of men who beat up their wives after a drunken expedition. 

And the same men stuffed notes of money and chocolates in my tiny hands to mask the blood on their inhuman palms. 

The emphasis on family, traditions and patriarchal roles is where the crime breeds. I cannot speak of the perpetrators in my own family because I will be a threat to the foundation of the society that “shaped” us.

I live with the guilt of knowing the names and the faces of men who have abused their power. I am forced to continue to keep a cordial relationship with them for the sake of family.

I’ve swallowed excuses for these men who rest their hands behind their heads refusing to change. 

Who become possessed with anger when cornered, throw their arms aimlessly at any living being holding a gentle candle to enlighten them. 

Picture credit: Al Jazeera

These are men who will say women and children are fragile and wreak havoc at the sight of it. These are the same men who fetishize fragility and inflict a satanic blasphemy to eradicate it from the world. 

What’s worse, these men are all around. It’s a universal problem, hiding behind distinguished suits and pristine whites, deluding themselves to believe they know what’s right for people.

They call themselves leaders while exploiting a minor or threatening a female intern to pleasure them for career growth.

Not all men but always a man” is a quote I came across as I was reading responses from the public. I think men who get triggered by this statement miss the forest for the trees, I don’t think the purpose was to say all men are criminals.

It’s true that violence and injustice can come from any gender but a majority of it happens to be men who hide behind their indecencies.

My hatred towards these specific men is layered with concern for the innocent lives who become subjects of their trauma.

And I wonder why?


Imagine this scenario:

A young boy watches his parents fight everyday. His mind is innocent and exposed to the first representation of a man and woman in his life. The parents were forced to have him to continue their legacy, the marriage was an arrangement/transaction to silence the society. 

The young boy watched his father stumble into the house drunk every night, opening the door to find a strange woman he was forced to marry. The mother feeds the son she never wanted to have, with a man she met once before they were sentenced together for life. 

The young boy believes he’s safe until the drunk father starts yelling at the mother’s incompetency to serve him as a housewife while he slaves all day. With no real evidence, the drunk father unleashes his anger towards the mother till she bleeds and verbally abuses her existence. She endures the pain without a choice, hopes to stay out of the way and continues to nurture the child as a mother but as a woman, she’s been killed. 

The young boy’s mind picks up on a new behaviour, he’s confused as to why his mother who feeds him must be punished. He’s frightened of his father, his instinct of survival is to never be in his sight. But he accidentally falls prey to his father’s violence when his mother’s not around which transforms his fear into anger. His father seeks opportunities to belittle him for being a burden in their lives and is never truly shown love.

Over the years the young boy is now introduced to girls in his school. He sees girls who laugh, play and treated as equals. A girl scores a higher grade than him in class and is celebrated. The father hears about the girl scoring higher than his son, he mocks his son for being useless in comparison and maybe even beats him to a pulp for embarrassing the family. The mother stays silent, she fears speaking up to save herself from being assaulted, she cleans the wounds but the boy pushes her away. 

He’s now a teenager and his hormones take over his ability to discern between love and finding a woman to control. He watches movies about how to acquire a woman for his needs, and feels tempted to watch adulterated movies to comprehend his sexual drive. He finds a woman interesting and targets her as an obsession outside of his miserable life at home.

He tries to get her attention, the girl is timid and prefers a gentle approach. Impatience and ignorance fuels the teenage boy and he cannot control himself, the behaviour he consumed as a child itches him towards harmful gratification. He wants to punish her for questioning him, he senses his mother’s weakness in her and wishes to destroy it…and so he does.


This is a scenario to display a collection of common storylines I’ve witnessed over the years. Multiply this into millions of similar stories and the problem becomes quite apparent. I could point out the obvious issues like forced arranged marriages, traditions, societal pressure, extremely poor mental health, lack of services to offer therapy or education, poverty, lack of sex education and much more. 

But the core of the issue is the blatant disregard for accepting women as equals and the incompetence to take accountability. These men find pleasure in ignorance rather than sitting with the simplicity of acceptance and equality.

How could they when they believe they’ve had it the hardest? That the world has been unfair to only them? This is what they think, they function from a place of ego and rejection, it’s how their genes tell them to be and trauma takes the narcissistic steering wheel.

Picture credit: EveningStandard.

We’re nothing but cattle in their big bad wolf fantasies. And the tamers of these big bad wolves are wolves in disguise themselves.

The wolves can continue rotting in their imminent doom, but as cattle, when will we break free from our self-imposed herd mentality?

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Culture People

Taylor Swift: Lyrics I love as a neutral Swiftie

I’m deeply sad I’ve missed my chance to go to the Eras Tour in London, but I’m not mad.
Her lyricism will stay close to my hopeless romantic heart but I wonder, do the haters even bother listening to her music before they attempt to annihilate her?

Unlike some people out there who drool over their screens with a fool’s smile to let their hatred towards her be known.

I love that Taylor Swift is so insanely popular, good on her for being a smart businesswoman but also an incredibly clever artist.

What must it feel like to achieve something so revolutionary through art that it brings you everlasting fame and wealth?

I feel slightly envious as an artist myself sometimes and I think we all do when we see her on our socials at least two times a day.

However, the jarring hatred she receives baffles me to bits. I wouldn’t call myself a hardcore Swiftie but I love her music, I can acknowledge an artist’s journey to this point and choose to be inspired rather than project my insecurities onto her.

I have a sense of humour and I’ll admit, some of the memes are actually funny. If it’s in good humour and the creativity of the shade makes me gag, I’ll have a laugh or two.

She has cats but that’s funny

But if it’s down bad cruel and insensitive, I fail to understand the purpose behind it. What’s worse, it comes from her own fans occasionally.

Social media has become such a hotspot for people to help someone rise to fame, be proud of them when they do but also find reasons to drag them down when they get “too famous’.

The irony is ridiculous. What do people really achieve when they type negative comments about someone, to express a moment of anger on a complete stranger and call it a job well done?

They actually don’t realise that their hateful interaction is probably adding more digits to her bank account so, continue I guess?

Taylor Swift has had a target on her back the day she turned famous. She’s heard it all, she abandoned country music for pop, she’s boy-crazy, she’s way too opinionated, her music is average and she doesn’t deserve the recognition she gets.

I’m coming from a neutral Swiftie perspective when I say so much of what the media has fed us has made us believe she’s not a worthy artist at all. Which is FAR from the truth.

It takes away from the beautiful songwriter and producer she actually is. Her remarkable vocals, captivating stage presence and how she never fails to put on a fabulous show for her fans.

I’ve watched videos of her performances and heard a lot about how thrilling she is on stage from a few friends who pounced at the opportunity to see her.

I admire the passion her true fans have for relentlessly standing by who she is. She knows how to provide for them and they receive all that she has to give with open arms.

Isn’t that the point of loving an artist anyway? Aren’t we all in some way shape or form emotionally attached to that one artist or band that we just want to see conquer the world?

My loyalty lies with Lady Gaga and always will but when I see artists like Taylor Swift who has a palm on the world, I’m thoroughly impressed by the sheer guts it takes to achieve such a thing.

I’m not a marketing expert to tell you what she’s doing and state the facts on how exactly she became a billionaire after the Eras Tour commenced.

But what I can say as a writer is the consistency of her talent in all her songs. She takes me on a journey from what was perhaps a sad portion of her life and makes me see how she struggled but prevailed in a just a few minutes.

Her songwriting dances on the fine line between, “Oh my god did this really happen? Who is she talking about?” and “Oh wow that must have been so painful and confusing but good for her breaking out of it.” She is a genius storyteller.

The sister albums, Folklore and Evermore made me completely fall in love with her artistry for life. I can’t begin to tell you how brilliant these two albums are in terms of variety as an artist.

She piqued my interest most when she entered her villain era with Reputation. I was re-introduced to her as an artist gone rogue and I loved it. The release she found through that album was I’m sure, cathartic for her but also for the confused teenage me.

Taylor Swift in her Reputation era. Picture credit: The Hollywood Reporter

And she just didn’t stop after that, did she? She recorded Lover, she had the drama with her toxic ex-producers mooching off of her. She re-recorded all of the songs from her older albums while simultaneously working on new material for Lover, Folklore, Evermore and Midnights.

She works HARD for her art and her brand. This is a woman who knows her worth and will fight tooth and nail to stand up for herself while delivering exquisite pieces of music. 

I didn’t entirely listen to the Midnights album but I have a few songs that I will listen to for the rest of my life. Anti-Hero being one of them that really helps me put things into perspective. When she says, “Must be exhausting always rooting for the anti-hero” that hits deep. I smile at the thought of being my own worst enemy so I truly ‘Shake It Off‘ and return to myself.

I’m still working on the Tortured Poets Department because let’s be real, 30 songs?? I love her but I don’t love her All Too Well (okay I’m going to stop with the Taylor puns).

I’m taking it day by day and listening to perhaps 1-2 songs, giving them all of my attention so I can fully take in what she’s trying to say.

But this is what I mean when I say, she feeds her fans and she feeds them WELL. I’ve never once heard a Swiftie tell me they’ve had enough. This woman is making her fans tweak the tectonic plates! That kind of energy is monumental.

I’ve had conversations with my Swiftie friends recently, we’re all kind of on the same page with how much we love her. We agreed that as much as we adore her, we want to see more and not just the break-ups or the boy troubles. For instance, when she spoke about how she dealt with her mum’s cancer in ‘Soon You’ll Get Better‘, that was an invite into another side of her vulnerability that we were aching to see. 

She goes into intricate details about relationships which could either be real or fictional, who knows? And the boy-crazy songs may not be entirely for me but the way she sees love and how she heals after a separation resonates with me on a human level. 

Ultimately an artist’s purpose is to feel seen through their work and hope for people to find themselves in it. Taylor Swift has done precisely that on an enormous scale and it was not overnight.

She has been around for over a decade, her growth was erratic but she continued to wear her heart on her sleeve. I mean let’s not forget she has 14 Grammys to her name.

Unfortunately the dark side of the internet will find reasons to dehumanise her relevance in the world. Scrutinising her relationships, the private planes, the snot coming down her nose and the list goes on. 

But this is a message from a neutral Swiftie who sees and appreciates her art for what it is and promises to not shame her for what I don’t know. 

She makes the teenage girl in me very happy and the woman in me sees the woman in her. She’s a girl’s girl but not just any girl, she’s a woman who stands on business and is a legend in her 30s, that’s pretty iconic to me.

Here’s a few of my favourite Taylor Swift lyrics that I appreciate as a fellow poet:

  • Song: Exile by Taylor Swift and Bon Iver. “I think I’ve seen this film before, and I didn’t like the ending. You’re not my homeland anymore, so what am I defending now? You were my town, now I’m in exile, seein’ you out.” (Excuse me miss Taylor and Bon Iver, you’re not allowed to know how I see separation, get out of my head but stay in my heart)
  • Song: My Tears Ricochet. “And you can aim for my heart, go for blood. But you would still miss me in your bones. And I still talk to you (when I’m screaming at the sky), and when you can’t sleep at night (you hear my stolen lullabies)” (Sobbing, I’m glad I’m not the only one who feels this deep)
  • Song: Cowboy Like Me. “Now you hang from my lips, like the Gardens of Babylon. With your boots beneath my bed, forever is the sweetest con.” (How does she manage to take me on such a dreamy, romanticised journey and snaps me back to reality at the same time? It’s simply sensational)
  • Song: False God.“But we might just get away with it, religion’s in your lips, even if it’s a false god. (We’d still worship..) We might just get away with it, the altar is my hips, even if it’s a false god, we’d still worship this love. (I didn’t ask for this biblical sensuality but okay, take me to CHURCH)
  • Song: Guilty as Sin? “What if I roll the stone away? They’re gonna crucify me anyway. What if the way you hold me, is actually what’s holy? If long suffering propriety is what they want from me, they don’t know how you’ve haunted me so stunningly. I choose you and me…religiously.” (The way she makes biblical references is intriguing because that’s how much she views love, like a union of two souls praying for harmony against forces that try to tear them apart)

I might be a total Swiftie in denial but it’s against my morals as a little monster to exclusively call myself one.

The haters can hate all they want but Taylor Swift will continue to serve exceptional music, poetry, love, entertainment and pure talent as always and we will always be, ready for it. (I had to)

Here’s a link to the rest of her Eras Tour dates around the world if you can make it https://www.taylorswift.com/tour/

Don’t tell me about it, thank you.

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Culture

Don’t be a drag just be a doll

John Lee Bird’s brings solo exhibition to The Crypt, London from 9th-29th August
This intimate display of John’s creative imagination through small-scale textile dolls will wow you.
‘You are a doll! exhibition by John Lee Bird

Tucked away in an underground pub is a doll exhibition by the genius, John Lee Bird.

I was greeted warmly by him before I could step into his lair of imagination. He was a piece of artwork himself with a campy-gothic paint dripping down his head. I could not wait to dive into his world of art, knowing the person behind it has such a lovely yet intriguing presence.

I may have taken five or six rounds to completely capture the essence of each doll in the exhibition. They were all dolls of friends and celebrity idols who are an inspiration to him.

I think my favourite would have to be the doll Scarlet Johansson’s ‘Under The Skin‘. I’m a huge fan and John’s doll is the perfect representation of such an underrated film.

It was then that I realised that each of the dolls had intricate details that told a story. Some were statement dolls, others were silly, goofy and absolutely out of this world. No really, there were aliens and predators.

The entire display was an enigma and the depths of John’s mind made me wonder, how does he do it? And why?

I asked him a few questions to understand the purpose behind his explorative, niche art.


  1. When did the creation of your dolls begin? What sparked the idea?

I had a little accident and slipped, ended up in hospital and diagnosed with a spinal problem. I could barely walk or do anything so confined to my kitchen table I looked down at my art/craft stash of materials and spotted some sheets of black and white felt and a ball of orange wool and for some crazy reason (or just because I’m a Bowie nut) decided I’d make a David Bowie doll; the look from the LOW album and THE MAN WHO FELL TO EARTH.

Twelve hours of messing around later it was done. All the little movements, reaching out to pick up cotton, stretch to grab some stuffing or some beads…it was a form of exercise and relief from the pain I was in. Plus hand stitching takes time so it filled the day of boredom trapped at home and distracted me from the pain I was in. So that night I ordered a whole bunch of felt. I’d made one Bowie so now I surely had to make 69, because he died when he was 69. Thankfully Amazon did next day delivery so my project was born. For 69 days I made a new Bowie doll each day. It was an excuse to dive deep into each album and outtakes and live recordings. To play things on loop as I stitched. I used stitching and Bowie as therapy.

  1. How long does it take to make one of them? 

About 12 hours of constant sewing. Minus quite a few roll-up breaks when my brain is boggling over how to fold or roll or cut a piece of felt to conjure it into an outfit. Working out tiny pattern cutting isn’t really a thing I’d done before. Problem solving tailoring conundrums sort of motivate me while I’m stitching the boring bits like legs and arms. The fun bit is at the end when all the details start flowing into place.

  1. Do you feel like this helped you find your calling as an artist? 

I still draw and cut lino prints and make music. But making these ‘doll’ sculptures does give me focus. It’s become a daily practice, something that had never been on the horizon for something I wanted to do. I actually still have no idea why it’s consumed me so much, other than those odd stretches and problem solving bits that I mentioned earlier. I guess it really is just about me being so locked away from socialising, so I’m trying to document my heroes and friends.

To show them how much I appreciate them and how they inspire and motivate me. It’s a way to say hi and remind people that they’re important. Dolling up my iDOLLS.

John Lee Bird captured by Suey Sue
  1. Which doll/collection of dolls do you have a deeper connection to? Any favourites? 

Bowie, Alien, Derek Jarman, Simon Fisher Turner, Xiu Xiu, the ones of my cabaret and performance friends. Especially the ones that I’ve roped in to bring their dolls to life at this exhibition.

The ones I’ve made silly videos for: there’s a whole playlist on my YouTube channel where I’ve recreated trailers or made little promo videos for songs. Silly, humble tributes. Fully felted from my heart.

  1. What do you hope for people to experience throughout this exhibition?  

I hope people will look at their own inspirations and idols. Mix it all up like I do. Place their family and friends in the same rightful position with their heroes of stage and screen. To work out their own web…and maybe point out some idols I may have missed from my own obsessions along the way. My fingers still need to be busy!


John has a wonderful community of friends who support him. I was invited to the opening night with performances by his dearest friends and icons Sukie Smith, Dusty Limits and Jemma Freeman and The Cosmic Something.

The energy in the room was friendly, warm and full of laughter. If you’re looking for a cozy bar with vibrant people and a mind-bending exhibition in London, this is your sign to be a part of John’s brilliant way of existing.

For tickets, visit https://www.ticketsource.co.uk/null/t-vvdokkz

Categories
People

Michelle Jeram: From Police Officer to Actress | Insights on Neurodiversity

In conversation with Michelle Jeram who discusses career shifts and the infinite spectrums of neurodiversity
After a casual arrest gone painfully wrong, Michelle reflects on a series of changes that opened up her life
Michelle Jeram as Monty on BBC’s Granite Harbour

Michelle said, “You know as a police officer, you always have this sort of authoritative nature about you. Every job you go to, you have to be a different person. Delivering a death message, or making an arrest, my voice will have to change, it’s a different persona. 

A lot of it is listening and communication. The listening part is also in acting because you’re reacting to what is being said to you. It’s kind of transferable skills that way”

After facing a tragic incident whilst making an arrest resulting in 5 knee surgeries, Michelle was forced to end her career as a copper.

She continued as a consultant with the police after her recovery but she had an inkling that she had more to life than this.

Michelle decided to relive her childhood dream of becoming an actress. Urging her to train herself through acting classes online during the pandemic. 

After a year and a half, she secured the role of DS Simone ‘Monty’ Montrose on BBC’s Granite Harbour as an investigator in the series.

While this was a breakthrough moment for her acting career, she enlightened us on the conditions faced in the acting industry.

Michelle said, “As an actor, we audition for way more than we ever get. It’s just ridiculous the amount of no’s and or the amount of you don’t hear anythings. You can audition for 20 roles and just get one and I think coming into the industry later in life, I can handle that.

If I was 18 or in my 20s, I’d probably find the constant rejection really difficult. It’s very competitive, not everyone can afford a ticket to London for an audition, put a day aside just for that. I do this full time now but there are so many people who have other jobs and have to take time off for this.”

I could feel the amount of empathy she holds for people. Having been a police officer and now an actress, she wishes to do her job with conviction and not for any kind of recognition.

Michelle Jeram the set of Granite Harbour

I imagine being a police officer is far from easy and the unpredictability requires a lot of courage to deal with every day.

I sensed a grimness as she said the words, “There are some things you should never see.”

It transported me briefly to the times she might’ve had to go back home and process the horror she witnessed. 

The mental health of police officers is frequently overshadowed by the government’s control over them. There are a handful who seem to exploit their powers to fulfil a demonic agenda.

But for the good ones who are human beings just like the rest of us, they have to play a role that provides a thankless service to others and hardly for themselves. 

Michelle said, “When I joined in 1991, there wasn’t any counselling support. You’d sort of have this dark humour, not demeaning but to sort of cope with it yourself. There is counselling and things like that now but I think it’s the numbers in policing that are so few that they’re being single-crewed it shouldn’t be like that.

It’s a sorry state of affairs unfortunately but, I loved my 23 years and I’m very proud of it.”

Her enthusiasm as a police officer reflects greatly on screen as she now takes on detective roles to structure her brand as a newbie in the industry.

She dives into research and curates a background story for each of her characters to bring them to life. 

She draws inspiration from her experience as a copper to understand the depth of her character. Which helps her react to her coworkers cues and mediate the necessary emotion.

Her personal experience also helped with roles where she was required to improvise and be as authentic as she could be. 

She said, “Granite Harbour allowed us to do that for example, and I’m like, I don’t think Monty would actually say it like that so I might change it slightly. Similarly with Queen At Sea, the director wanted me to be as authentic as possible. He didn’t care if the person had acting experience, he preferred someone who knew the procedure.

For instance a rape incident, if you’ve never dealt with that, you don’t know the process and what’s being said, it would be quite difficult.”

We both agreed that it’s not to say that actors don’t have the capability to tap into those raw emotions required for a scene, but a past experience could definitely provide an edge.

As we continue to speak, I was curious to know how being autistic blended with such contrasting careers.

However, Michelle is a doer and for her the process of creation and the contribution of each soul towards the art mesmerised her.

Michelle explained, “You know that’s what fascinates me I think, the whole process of how a show is really put together. The set design, sound, electricians, the runners, everything. I remember on my first week in Granite Harbour in series one, when it was appropriate, I went around to everyone and asked them what they did. To tell me exactly what they did.

I remember watching Charlie and the Chocolate Factory and Bugsy Malone, you know the original one with Jodie Foster. I was fascinated, it stayed with me. And I think what it is about acting for me is the whole creative process. And you see the finished product, you’re like, cool!”

The creation of art can sometimes be viewed from a superficial lens, I personally forget that it takes a collective of talent to put together a refined piece of work.

The creative choices, the artistic direction, the lines, the emotions everyone face through the day in the process of making it. 

Michelle said it perfectly when she said to me that a good crew can always help make the process easier. She added, “You have better chances if you’re nice to the people you work with and it helps if you’re not a d*ck.”

She adores the cast of Granite Harbour and whoever she has worked with so far. Sharing a bond beyond the set aided in finding a flow for a seamless production and on screen chemistry.

We delved a little deeper into the networking and socialising aspect of being a neurodivergent actor and former police officer. 

She said, “As a police officer, I realised after a while that nothing really bothered me. I’d see horrific things and go okay, then on to the next job. I felt quite unfazed by things. I’m still unfazed, I don’t particularly get emotional. I don’t remember the last time I cried, I’m quite a black and white person. There are no grey areas with me and that obviously served me well as a police officer.”

Neurodiverse individuals are often misunderstood as emotionless or apathetic. Or that they’re rude and unappreciative of the world around them.

It’s quite an unfair assumption that seems to be getting a lot more attention now, to reeducate people on their innate ability to feel.

As someone who struggled with social anxiety, I did feel like I played a role to feel accepted. Social gatherings can be overwhelming, you either love it, learn how to love it or hate it.

I’ve felt disconnected on multiple occasions whilst trying to build meaningful connections spontaneously. It takes time for me to truly connect but it can often be misunderstood as aloofness.

Michelle said, “When it comes to social gatherings, I never really love it. I’m quite a solitary person, I find the social side of it quite difficult but I understand the necessity of it because we need to work together and when we hang out, we learn a lot more about each other and that shows on screen. There’s a shorthand when it comes to who you’re acting with because they’re your friend.”

The cast of Granite Harbour

It makes me wonder if we’ve followed a society that depends on instant gratification and phrases to fit in. And how it’s often a recycle and reuse behaviour that keeps us afloat.

It’s hard to find connections that sustain in the world we live in where the walls within us are higher than a tower.

Attempting to narrow an infinite spectrum of neurodiverse people and urging them to be ‘normal’ only pushes them further away from their truth.

Michelle said, “A friend of mine called Sam Grieson wrote and directed a short film called “The Programme” to smash down barriers to say that it’s actually just a different way of processing. It’s a film about Drum, my character being interviewed by this robot in order to train the future AI on how to respond to human emotions. It’s about identity grief and how one deals with an autistic mind because we’re always told that we don’t feel, which is not true.”

I’ve had the opportunity to watch The Programme before it’s launch in October and it worries me for the future.

Emotions are such an individual and private journey- it’s not shaped to be predictable, it’s meant to be unique.

The AI robot in the film in many ways reflects the mentality of some people who box neurodivergent individuals as “odd”.

But have we as human beings wondered if the system of normalcy provided to us has perhaps limited the expansive view of our species?

Pushing us towards judgement of the other for their inability to match up to the standards of what is expected?

Michelle Jeram at the premiere night of The Programme

We arrived at an intriguing discussion soon after that reaffirmed my spirituality. We talked about how spiritual language can help us cope and focus on our vision towards our dreams.

In the age of spirituality where everyone seems to be talking about growth, we find ourselves using manifestations to align us to a vision. Michelle confidently said, “The weird think about Granite Harbour was, I knew I was going to get it. I read a lot about manifestations and it’s not just about visualising it, I also put it into action.”

Awareness of ones presence and potential can help structure a foundation to start with but there’s a certain amount of hard work and determination that needs to support it.

Michelle agreed and added, “I do hear people give advice to actors, they say ‘Stick with it! Your time will come!’ But I don’t think that’s entirely true. You have to know how to act as well, And there are a lot of people that I’ve done acting classes with or seen. And you know, it’s almost like I’m sure that they can act with the right guidance.

Telling somebody, keep going, keep going. Well, if nothing changes, nothing changes. You know, there’s got to be a change if you’re not getting anywhere.”

We do require a system upgrade even as human beings. Adding new skills, renewing a resume, whatever it may be, it gives us an opportunity to present ourselves as proactive and seeking growth in our reality. 

Michelle continued, “They might be new headshots. Do you still look like your headshots? It might be a new show. It might be creating your own work. It might be getting some acting coaching. And a lot of these things cost money. But you know, one job will pay for that.You can reinvest and then go, right, I’m going to get some more acting coaching and get a job, reinvest.

And I think that just telling somebody to keep going on the same line that they’re on, if they’re getting anywhere, I’m not entirely sure that that’s the best advice to give. It’s no good your nan telling you she thinks you’re fantastic. Because my mum loves everything that I’ve done. And I’m like, mum, it was rubbish. Mums and dads, they just see you as this beautiful child. And they’ll say everything is amazing. But it’s not always helpful. It’s not constructive.”

At the end of the day, everyone deals with life in a way that makes sense to them. We are habituated to function from a place of safety and protection of our energy to identify the roles we play in our lives that feels most fullfilling.

The reality is that change is constant, the methods of achieving it are endless and the inspiration is subjective. Resistance to change breeds contempt and embracing all kinds of change can open pathways that achievers like Michelle have openly invited into their existence.

To reach out to Michelle for enquires, go here.

To connect with her, this is her Instagram.

For more information about The Programme by Sam Grieson, visit https://www.crabandbull.com/theprogramme

Categories
Culture

Art Exhibition: The Places We Carry – Healing Through Arabic Art and Poetry

An an evening scroll on Eventbrite turned out to be the most holistic and heroic experience I’ve ever been to.
Pioneers of peace from Arabic lands gathered to remind us how art can heal us and speak our prayers.
Grand Junction at Warwick Avenue

In pursuit of my next cultural experience in London, I happened to tap my finger on a poetry and prose event at a church in Warwick Avenue. 

It was the closing day of an exhibition called, ‘The Places We Carry‘ and something about that made me raise an eyebrow. 

I went through the description and found out that the guest speakers were Arabic poets and artists from Syria, Iraq, Lebanon, Libya and Palestine. 

My heart instantly went out for the Palestinian guests and how gut-wrenching it must be witness the ongoing brutality against their homeland.

My body moved without hesitation to go to this event. I had to know how immigrants from these countries translated their sorrows into extraordinary pieces of art.

When I arrived, Dima Karout, the curator of the exhibition, was giving the visitors a tour of all the art displayed in the basement. 

She graciously walked us through the artwork put together by her team that focused on immigrant lives in the UK ever since they moved here. And shared stories of their journey of finding a home away from home through artistic expression.

Dima Karout (left) giving us a tour of all the artwork

There were paintings, sketches and clay art that portrayed various Arabic cultures. Tools and artefacts used in households and agriculture that reminded me of my country in many ways.

The name of the event suddenly struck me then, ‘The Places We Carry’. The whole exhibition was a reflection of the emotions and attachments we have to objects and places that will always remind us of home and never leave us.

Each picture had a simple yet moving story that resonated with me like a warm hug. With unique narratives on how they adjusted to the lifestyle and the difficulties of they faced in terms of belonging.

An art piece that stood out to me was about siblings scattered across the world knowing they might never live in the same city or country.

I felt a rush of acceptance and resolution for a lingering sadness I felt over the years. I hadn’t quite faced the truth that I might never live in the same country as my brother or my cousin ever again until that moment.

As immigrants we make bold career and financial decisions to move away from our families to build new roots on a foreign soil. 

We have our own reasons to do it and to each their own. Some flee the horrendous political and economic climate of their country in search of better opportunities. And others move with a sense of purpose to become more expansive as an individual.

But a sweet energy surrounded the exhibition like a silent acknowledgement for everyone’s journey. That no matter the reason, we were all there to recognise our own growth.

Sibling Bond by Nabilah

I made my way into a shrine that was dedicated to Palestinians. I noticed an art piece made of paper kites with names written on the strings. I soon found out they were names of innocent children whose lives were taken away as a result of genocide.

It grappled my heart and made me silently weep. It was overwhelming to look at this piece of art and admire the heart behind it but I couldn’t help but catch a glimpse of the horror those children had to face. I felt terrified for the state of humanity.

I suddenly became aware of the location we were at. I prayed to Jesus for a permanent ceasefire more than I usually do but I also prayed for any kind of divine intervention to bring softness to the world.

There were letters of love and consolation laid on what looked like a burial cloth. As I read each letter I was grateful for the humanity we as people cling so hard to while people in power seem to have lost theirs.

Paper kites by Helen Alzhar

We were allowed to write words of compassion of our own and I wrote mine without flinching. Words from the heart flow easily when you stop worrying about who might read it, it doesn’t matter anymore. When the purpose is beyond measure, every contribution is invaluable.

I placed it next to the other cards people had also written letters of support. I looked around and the faces I saw weren’t strange to me anymore. I felt a sense of unity without conversation, the language of our emotions seemed to be aligned.

Letters of love and consolation laid out on a cloth

We made our way up to the church to be seated for the second part of the exhibition. Dima and her team had gathered a few artists who read poetry, extracts, performed music and spoken word pieces.

Rama Alcoutlabi is a passionate musician, a dedicated scholar and an activist from Syria. She opened the performances with a soothing song in an ancient language called Aramaic using a traditional percussion instrument called the Daf.

She gave me the release I was seeking after all the heaviness I felt. Her angelic voice compelled me to close my eyes and listen intently to a language I had never heard before, yet harmonised perfectly with the emotions emanating from her melody. 

She also closed the show with three beautiful pieces on her Syrian stringed instrument called Oud, that wrapped the entire evening with such grace and warmth.

Rama Alcoutlabi performing with her Oud

Hafiza Ibrahim is a Palestinian poet who settled down in the UK after her graduate degree and is now an English language teacher, translator and interpreter (Arabic-English).  Her poetry emphasised on the longing of migrated residents of Palestine who wish to return to their land and reunite with their people. She gave us an imagery of a beautiful life lived in Palestine before genocide took away their simplicity of being.

Sarona Abuaker Bedwan is a Palestinian-American writer and Outreach & Programmes manager at Makan, a Palestinian led educational organisation. She read two poems from her book, “Why so few women on the street at night” and her narration reflected the ardent activist that she is. She has a strong voice and a powerful presence that made me want to listen to her every word. With short sentences compiled into a chronological sequence of emotions, she took me on a rhythmic vision to paint a picture of how human rights are being manipulated and criminalised by perpetrators who lack any awareness of themselves.

Laith Elzubaidi is a British-Iraqi TV/Film writer and producer based in London. His unserious and impactful presence on the stage made me adore him. I could see the comedy and drama writer in him bouncing out as he read an extract about his trip to Iraq with his mum after 30 years. He was unafraid to share his confusion about his dual ethnicity as he explained how Iraq is not how imagined it would be. And how his mum tried to rat him out to the airport security for not knowing the language. He was hilarious, I needed a good laugh and I could hear people around me snorting and gagging. But he also highlighted a lot of real emotions 2nd generation children face when they experience the other half of their culture for the first time. 

Hassan Abdulrazzak is an award-winning Iraqi writer who settled down in the UK and continues to pursue his passion as a playwright. He read extracts from his play so charmingly, I hardly believed he’s not a performer even if he said so. His extracts were humorous and sweet, with a touch of purity to it. Particularly the, ‘Enemy Of The Sun’, a very vulnerability piece where he spoke of the citizens who will continue to fight no matter how hard other nations try to take away their land. And that “They will not compromise, till the last pulse in their veins” in his own words.

Hassan Abdulrazzak

Lisa Minerva Luxx is a poet, playwright, essayist and political activist of British-Syrian heritage. In the three poems she read, I could see a halo forming over her head for how persistently she advocates for peace in the world. A true warrior and empath who not only helped permanently shut down manufacturing companies in the UK who supply drones to Israel out of the law, but also speaks with such depth in her poems about the lives lost in her country and the bombing in Beirut.

She performed her pieces in a spoken word style with gestures that tempted me to sway with her. Her ability to be a voice for the suffering of many people, her family and herself was sensational and deeply inspiring. 

I fetched two lines from her poems that made me connect to my own life. One of them being “If it feels impossible, you are going the right way.” And the other which isn’t really a line but an important reason for why we face the injustice that we do, “Bone collectors in cufflinks.”

It’s fascinating how a tap of the finger on an event page lead me towards heroes who make remarkable movements for a reformed world.

The exhibition reinstated my faith that if I continue to do my bit to spread the message of kindness and peace, I can help in the construction of a safer destination for future generations to arrive at.

Dime Karout and her team organise several art exhibitions, go here for more information and explore the tapestry of cultures that reside in London

Categories
Columns

An overarching view as an International Student in the UK

Let’s talk about the courage it takes as an immigrant student to settle down in a different country.
Having an overseas graduate degree is surely a badge of honour but it doesn’t even begin to encapsulate the mental strength it takes to feel like you belong.
Picture credit: Shalanda Shannon via Pinterest

When I came to the UK to do my masters, I hardly knew what to expect. I was mesmerised by the lush scenery and the landscape of the country. 

I was intrigued by the way people communicated with each other. The politeness made me feel safe but it took me a while to readjust my tone.

I discovered my knowledge of English (which I’ve studied since I was a child) was so different from the way natives speak the language. 

It was fascinating to learn but I must say that there is an invisible dialect barrier that can sometimes be confusing.

While my mind thinks in 3-4 different languages and the emotions that come with it, a native English speaker carries the simplicity of the one language they’ve mastered since birth. 

Isn’t Richmond Park in London just breathtaking?

I thought about it and realised, wait a minute, I’m in England right now, they speak English here. This is THEIR language. Of course they’ll have more of a command over it than I ever will. To them, I will always be multilingual even though technically, English is my first language too.

Once I set my pride of knowing a deluxe version of the language aside, I observed the different mannerisms, lifestyles and attitudes people from all backgrounds have towards life.

This is where the hard part took over, it all went downhill really quickly but eventually, I made it to the summit of change.

Growing up, I was pampered and kept away from chores and cleaning for most of my life. 

This is a typical household situation for any middle-class family in India, I was not a princess. I certainly felt like it was a princess treatment when I got to DIY-England though.

As a student, trying to comprehend a new education system coupled with the responsibility of cooking and cleaning for myself, I hate to say it but it was not easy.

Picture credit: Alisa Vartazarian

It was like being thrown into an ocean after being in a hot-spring my entire life. However, I never complained, thankfully whining is not a part of my gene. And I understood that someday I will have to learn these tasks anyway so I may as well do it now. It’s just wild deep diving into it for the first time with no practice.

A lot of growth took place for me in learning these experiences. I celebrated when I cooked my first ever chicken curry, I cried when I had to deep clean my room after a soul-sucking assignment.

The introduction of these building blocks towards adulthood at the age of 23 was daunting at first. But when I finally got to see the results of my labour and looked outside my window, I realised I had made it.

I refused to let the challenges of being on my own in a new country, meeting new people and graduating consume me. I allowed this new way of living to consume and empower me instead.

Day by day I was evolving into a person I hardly recognised but in the greatest way. It wasn’t just about being in the UK or finishing my masters, it was about saying yes to turning over a new leaf in the plot of my own life, irrespective of where I was.

When it comes to attitudes, I sat in the observer’s seat for quite a while. To understand the kind of connections I would make with such a diverse crowd.

I honestly felt deeply lonely for the first year after university and living in an intimidating city like London.

I would still take myself on dates, solo-trips, museums, parks and movies. I tried the hyper-independent lifestyle for a while but at some point, everyone needs companionship.

My solo trip to Cornwall

And it’s not like I haven’t tried, they just never seemed to stick. I’d reach out to them on their socials the next day and they never replied.

I would assume the worst and think they didn’t want an Indian friend, they didn’t find me interesting enough or that they probably forgot my existence.

Whatever the reason was, I just found it odd how I know their childhood traumas and how I’m just one of their Instagram followers now.

I developed a radar over time as to who has had more exposure to people of different nationalities in their intimate circles. 

I’ve encountered situations where people would pick up on my accent and put me in a box for a one-time interaction and say, “You’re from India aren’t you?” and I would never see them again.

I’ve encountered people who mean well when they say, “Oh I’ve had these Indian friends who I absolutely loved, incredible food!” and then I’d never see them again. 

But I’ve also encountered people who say nothing at all about where I’m from and deeply engage in human conversations that thrill me (finally). I learn something new, they learn something new and I would think they’d be added as a new friend and yet, I’d never see them again. 

I found it strange and it almost made me believe that something was wrong with me. 

I could consider some of it as ignorance and the others as unlucky encounters but no, that was easy, something felt off.

It wasn’t in these self-deprecating explanations that I found my answer. The answer was in my passion and the purpose behind why I came here in the first place.

I reflected on the emotional and physical investment of me walking the roads of a foreign land. 

I took my worries and doubts to therapy so I could tilt the arrow from external validation of belonging to the internal awareness of recognising my own talents and potential.

Picture credit: Alair Christensen

The seeds I wanted to plant in this country weren’t just about the exciting, free and eventful life I wanted to live in London. 

I wanted to blossom into a version of myself that was intentional about the direction I was taking towards the four pillars of my life, career, finances, health and love. 

The more energy I spent on self-development, the more I attracted people who fell in support of that alignment.

No matter the nationality, race, gender and sexuality, they were lovely souls who came in the form of angels to push me higher in my elevation. 

These angels are the reason I am able to sustain the foundation I’ve built in a new country. A foundation for self-love, building meaningful connections and taking a positive approach towards my dreams. 

Picture credit: Chrissy Knight

There’s an air of inspiration that I start to breathe whenever I meet people who tell me stories about their relationship with hard work. When they share their equations of how they deal with the four pillars of their lives. 

It became crucial for me to understand that not everyone has the same journey. The concept of hard work is not linear and I had to decode the ego I attached with my definition of it and be empathic towards other definitions.

It truly is enriching when I look back and see how far I’ve come to recognise myself and remind myself to cherish the small victories.

Picture credit: Meg Dillion

My homeland India provided the canvas for my dreams. The UK gave me the tools I needed to paint the vision for it. But it’s me who gets to play around with the colours and wave the brush to be the creator of my own life.

Categories
Culture

The QUEENZ show throw an entertainment jamboree in Soho

Theatre and Broadway meets drag excellence at the QUEENZ show in Underbelly Boulevard, Soho.
They served unimaginable vocals, fierce choreography and a stellar production overall by David Griego and team.

I didn’t really know what to expect when I walked in but the atmosphere at the Underbelly Boulevard was bougie to say the least.

Flutes of champagne, prosecco and wine sat cosy at the entrance for the guests who put on their best outfits for the night.

I wasn’t ready to walk into a festival on a Tuesday evening but the energy in the room made me believe the weekend had arrived.

There was a press wall for all of the guests to take pictures with the gorgeous Summer Stone who was an absolute vision in fluorescent. 

Summer Stone with guests at the press wall https://www.queenztheshow.com/

It was press night and the room was crawling with media moguls like myself who just wanted to have a good time, professionally…maybe.

I made my way up to the theatre to find my seat in the VIP box (a subtle flex). The first thing I noticed was the word QUEENZ bedazzling and glimmering on stage. 

It didn’t take long for all of the seats to be occupied, everyone was eager to watch the QUEENZ waltz onto the stage.

They certainly didn’t waltz, they strutted onto the stage with a gracious stride to let us know they’ve arrived in power.

The energy these queens brought to the show with their incredible vocals lifted me to a high vibration state in seconds.

The command they had over the stage reflected the attitude of seasoned drag queens who have been doing it for years. 

And these are young queens, who have taken their experience as theatre/broadway artists and poured it into drag to create an astounding form of high art.

Bella DuBall carries the aura of being the mother of the group who draws the audience in with just her eyes. With her golden corset and fiery wig, she had the whole theatre in the palm of her hands and her irresistible gaze. 

She was unafraid to show us exactly how limitless her vocal registry was but it was her personality that held me hostage. She was witty, naughty and oozed goddess fantasy. 

Speaking of personality, Zeze Van Cartier was a big one with her moustache butch drag realness. Who devoured the stage with her voice and left no crumbs.

Her animated expressions kept me in the loop the entire time. She was the epitome of entertainment throughout the show with her magnificent presence.

She also enlightened us on a little history on drag as an art form and how it’s been around for over 2000 years. Which was quite interesting for me to learn as someone who thought RuPaul Charles was the start of it all.

One of the QUEENZ stole my heart with her vocals in a manner that made me believe she was the Cher or the Celine Dion of drag. 

Dior Montay had no business being that extraordinary but I’m not mad about it. And if that wasn’t enough repertoire, she also made us chuckle with some cheeky comedy. 

They were all comedy queens with a touch of theatre and exciting themes/concepts of characters for each of the queens.

Billie Eyelash was a fireball on the stage who was the ditsy sultry queen who was fearless and funny and an absolute treat to watch.

She brought a sense of lightheartedness to the show that was a breath of fresh air from all of the intense energy we were adsorbing.

Her comedy was refreshing and her vocals were stunning. And she could definitely be the girl next door you have a laugh and go reckless shopping with. She’s the loveable queen of the lot.

Candy Caned was the silly girl from Essex and the doll of the group. She pranced around the theatre and blessed me with a charming touch on my hand that made me weak in the knees even though I was sat. She slayed the high notes but it was the rap queen in her that made me gag for her more.

However, I was deceived towards the end when she nearly cried from the standing ovation we owed them for putting on an incredible show.

It was in her soft sobs that I realised that this was a team of lovely queens who have worked so hard in the past three years to get to where they are now.

Candy Caned made me see the heart behind the art and the sisterhood amongst them as they held hands to make sure she was okay. The queens then huddled after singing ‘True Colours’ to receive the love they so rightfully deserve.  

I would be wrong not to mention Jayce, an icon disguised as a member of the crew backstage. Who surprised us with their hilarious cameos as part of the bit. Death-dropping into our lives with snazzy silver boots and became the 6th member of the QUEENZ without breaking a sweat.

David Michael Productions have outdone themselves by putting on such an exquisite show with a production that was out of this world.

The lighting, the sound, the design and all of the colours on the stage were all extravagant, opulent and beyond extraordinary. 

This a show of a lifetime with the perfect group of talented queens who love each other and made us all fall in love with ourselves.

“I am a QUEEN” we all were made to say in unison and for a moment I felt like I was a part of the QUEENZ family. Which was truly a safe place for everyone to feel like they belong, feel loved and inspired.

Book your tickets NOW at https://www.queenztheshow.com/tour-dates/

Th QUEENZ will continue to perform from 11th July-18th August at the Underbelly Boulevard. Treat yourself to this magical show, we at 2Shades vouch for the QUEENZ to spice up your life.

Categories
Columns

Come over, it’s Friday

A Poem

My friend opens the door to her toasty apartment
I enter and she wraps me with her warm embrace
She said she needed to finish a chat with a friend on the phone
So I made my way to her living room

Which was painted golden by the sweet hour of the sun
My friend refuses to believe in the mechanism of her blinders
Her carpet floor soaked by the heat of the day
Is she preserving heat for the colder days, I constantly wondered

Her couch has a better tan than I do
If I stayed any longer I would evaporate into the walls 
But this humorous struggle in my head didn’t stop me from lighting a cigarette 

I figured what’s the worst that could happen
If I evaporate, at least I’ll leave my popular scent behind

So I lit my cigarette and felt the burn of regret instantly 
The addict in me rolled her eyes
And continued to file her devilled nails


To my luck, my friend’s apartment has an inspirational view
The city of London right before my eyes
All of what people pay to see, carry papers and fly borders for 
Is right in front of me for free
The trains might not be but the experience surely is

The London eye, rotating like the earth
The Tower Bridge like the elephants on a chess board
And the Shard, raised to the sky for a chance to launch into the ether 
But it never will

To us the Shard is a firm structure with a crystal tip 
And we fancy the possibility of offering a gentle squat from above
But to the universe, all the Shard will ever be is an insignificant point
And to the Shard, all we are is validation and the occasional objectification 

In that moment, my peripheral vision caught a movement 
Familiar to the train of thought I had for the Shard
In a singular cubicle of the flat opposite to my friend’s building
I saw the cheeks of a man breathing heavily

Moving to and fro for a lovely time with his companion 
I caught no glimpse of his company 
But his happy movements masked my curiosity 
My friend finally joined me and I told her about my findings 

We shared the cigarette now and witnessed an imminent climax 
Our heads tilted to the direction of his positions
As he was leaning over his bed with his feet dangling past the edge
My friend pondered the curiosity of who he was with


And just then, he moved further up the bed
He was now on his back and all we could see is him from the knee down 
But the rays of the sun captured the dents of his muscular calves 
As he thrusted with an increasing pace 
My friend intuitively guessed that the end is near

And she was right, his legs and feet straightened and pointed 
Flattened by exhaustion 
Swaying his feet after a satisfying session


My friend gave me back the cigarette
Smirking at our violation 
Blowing the smoke in my face for involving her in the crime

However, we were in too deep
We had to put faces to this seemingly gorgeous couple
So we continued to look 

The man after a couple of minutes finally moved to the edge of the bed
He looked back, patted his companion gently with his hand
And stood up to look at them in adoration 
My friend and I felt the emotions between them
We awed in silence 

He then reached out and pulled his companion out of the bed 
And what we saw turned our awes into dropped jaws
The man carried his doll into the shower with him 
Carelessly bumping and bouncing it off the walls on the way

My friend and I looked at each other with great amusement 
We thought his performance was at the top of the tier
I then told her, in earnest, that I think his time…
To which she concluded, has come. 

Categories
Culture

GEORGE the play: A portal to the past and a token for the future

In a cozy theatre in Clapham Common, a timeless production awaits you for a thought provoking journey.
GEORGE is a theatrical masterpiece with illusions of drama, emotions and real-time comedy.
GEORGE at the Onmibus Theatre, Clapham Common, London till 14th July

GEORGE is about a revolutionary french author in the 1800s named Amantine Lucile Aurore Dupin, best know for her pen name George Sand. The play uncovers days in the life of George Sand and her friend/lover, Marie Dorval who motivates George to write again. Several male characters intervene their intimate relationship in the form of obstacles, naysayers and well, a snappy editor.

I arrived on time (luckily) to watch GEORGE at the Omnibus Theatre after panicking about getting off at the wrong stop. 

I entered a nearly full theatre which made me smile for Léa des Garets, writer of the play and her team for the growth they’ve had since the first time I saw them at the Criterion in November 2023.

I looked around at all the happy faces and envied the glasses of wine dancing on their fingertips. I was too comfortable to get up and I didn’t want to miss a minute of the show. Too late for that but perfectly ready to watch GEORGE again.

An intriguing background score engulfed the theatre, it excited me because I don’t think they had it the first time I watched the play. And there they were, Léa des Garets as George Sand, Iniki Mariano as Marie Dorval and Conor Dumbrell as all of the male characters back to steal my presence for the next 95 mins, I delightfully surrendered. 

I felt a rollercoaster of emotions for George Sand. Léa portrays her as an enigmatic character who seems to be on the same planet as us but isn’t. Drawing parallels to relevant issues in our current world from a period play is something I can talk about endlessly if I wanted to but there’s more to it in my eyes. 

As an observer I can say Léa, whether she knows it or not, explores complex layers as an actress to show George Sand’s personality in her own genius way. Sand is recognised as an established author in the history books but Léa’s talent truly shines when I saw no replica of research on the stage. Léa found fragments of herself in George, capitalised on them and made it her own. 

She made me feel resentment and admiration towards George. Who quite honestly was an obsessive pick-me-up girl, but had an abundance of talent as a writer and was unlucky to be born in an era that was ruled by men. 

Léa des Garets as George Sand

Léa breathed life into her stance as an infinite energy that questioned a system that laid limitations on gender, gender roles, sexuality and practical freedom.

I found myself relating to George more as a woman who wore men’s clothing simply because she could. It’s definitely more freeing and cheaper on my skin, I feel more at peace with my body and it helped me redefine comfort as a woman. 

If I could have George at my dinner table scenario, I would definitely talk to her about how women wearing men’s clothing, or “looking like a man” doesn’t mean they want to be a man, it’s more fluid and colourful than that. Style has no gender if people realise their eyes can see more than just black and white. 

The same goes for Iniki who played the innocent companion/lover, Marie Dovral. I believe George was attracted to Marie’s pure feminine energy that she yearned to have herself. Iniki’s portrayal of Marie made me want to be best friends with her and tell her she deserves better as a girl’s girl. But Marie saw hope in George as the future for women and admired her deeply for that.

However, the complexities of life as a woman at the time held them back from exploring a lifetime of romance together. They reflected the same mission as advocates for women in the generations ahead, but the odds were against them at an age where women’s fingers were metaphorically chopped if they dared to raise a doubt against the system.

Léa and Iniki’s chemistry and purpose on stage weren’t the only bits that drew me in, they had humorous exchanges and physical comedy that made me grunt-laugh. They were just two young girls at the end of the day trying to figure out the meaning of life, we’ve all been there. 

When it comes to humour and seamless transitions between characters, I’ve never seen anyone do it like Conor Dumbrell. He played all of the male roles and there were at least five or six of them. That’s a lot! 

Léa des Garets and Conor Dumbrell

He truly let his multiple personalities shine, it’s beyond me to even fathom how he pulled off such versatility, like it was no big deal. I had a grin on my face whenever he appeared on stage. I was mystified and hypnotised, he turned out to be the sticky notes on the pages of a book that I will go back to read again and again as the best parts. 

There was Q&A session at the end of the show where I heard Rute Costa talk about her vision as a director for GEORGE. She has a very profound way of thinking that proves she was the catalyst that curated such a harmonious team.

A silent leader who tailored the strings of a vintage set, chic wardrobe, intimate lighting and a gripping background score. But more importantly, she is their biggest cheerleader as she watches the play every night like she’s watching it for the first time.

The production team of this play carefully orchestrated every move in a manner that was both melancholic and serene. When you separate each element to bits, you will see the heart in every detail and the genuine love amongst the colleagues. 

Lèa des Garets and Conor Dumbrell

Conor surprised me with his humble attitude as he explained what this play means to him, and how unique it feels to him. He wilfully plays the “little man” roles, which is such an interesting parallel to how the world has changed now where men like him no longer find false pleasure in false power.

And Iniki who embodies a very poised and elegant aura spoke of how rewarding it has been to be part of such an essential story. She stitched Marie to my heart is so many ways, her skills as an actress are paving paths that she may not see now, but will see very soon.

After the Q&A session, I hopped down the stairs to go meet Léa who is the loveliest soul I’ve ever met. I also had the pleasure of talking to Conor and members of the production team who radiate such warmth and joy that I just didn’t want to leave.

Unrealistically, I didn’t want the play to end. Realistically, it was a play that left an everlasting impression in my mind. They are an astounding team of time travellers who gently remind us that our souls are timeless, the issues we face are unjust and that art will always be the answer.

They are currently in their last week of shows at the Omnibus theatre in Clapham Common, London.

Go here https://www.omnibus-clapham.org/george-2/ to book your tickets now and witness this team of revolutionaries in their element to expand your mind.

Here’s a peak at my interview with Léa des Garets who talks about her creative process leading up to the play, her wonder colleagues and her as a incredibly talented artist and human being.

Categories
People

‘My world in my words’ says Bobby Latheron who talks about his life as an autistic artist

Bobby wants his story to be heard after facing an unfair side of the society that mishandled his autism.
He brushes it off with 2Shades as he shares how his artistic expression gave him life.
Bobby Latheron’s book, “My World In My Words”

Bobby said, “I have written a book called ‘My world, in my words’. It’s a book which explains my life growing up with autism before asking people about their thoughts on autism, then at the end I have a crazy script which shows the audience my imagination through a crazy love story.

It is important for me to share my experience of living with autism to support people to understand my thinking processes and the difficulties individuals with autism can face in mainstream society.”

For me personally, as a journalist and more importantly, a human being, I felt a bit sad hearing about the struggles Bobby had to face in school. 

Not all teachers in the education sector are equipped to understand neurodiverse children. In Bobby’s experience, he was forced to move schools quite often from feeling threatened to just learn everybody else.

Bobby said, “When I went to my first secondary school I had to go to a hall and do an exam for a week in front of everyone, I had panic attacks and I used to run out crying. None of the teachers understood, they just thought I was a naughty child, they moved me from year 4 work to year 7 work so no one read anything about me in my reports from school.

I felt like I was getting bullied by more staff than students and I used to come home crying like I didn’t want to be here anymore.” 

As Bobby was narrating his life to me, I could see how much the people in his life have rushed him to adjust to a world that apparently knows what “normal behaviour” means.

I wanted to reach into my laptop and give him a big hug for the kind of injustices he had to endure as a child. 

It’s not about being sympathetic towards his hard life, I felt his pain of being treated as a misfit for being different in a controlled education system. 

Bobby said, “I used to get detention for not doing my own shoelace you know? Back then I couldn’t even do my own shoelace, so how could I even tie it? And the homework as well, it was all so hard, I had no support and I wasn’t happy with myself. 

However, when I was in year 8, I got diagnosed with autism and didn’t really understand what it meant till I went to an autism school.”

Bobby Latheron

He raised an important point here, he said that autism schools are lovely to feel supported but they felt a bit laidback to him.

The difficulty isn’t about learning the subjects sometimes, it just takes a good teacher to make a difference. To feel included and safe.

Every child has a few subjects they’re either really good at or fail in, but that doesn’t mean they need to tagged as an outcast. 

Bobby said, “Why can’t there be a room just for autistic children in secondary school so they can study on their own?” and I agreed because all it takes is a compassionate teacher who understands different learning capabilities. 

Bobby had a few more disappointments in his college life but he met an angel in disguise in the form of a music teacher called Carl Pemberton

Bobby Latheron with Carl Pemberton and Beth Miller

Carl encouraged Bobby to write a book about his life story and also explore songwriting as a way to express his emotions. 

They’ve collaborated on a few songs together and published videos on YouTube, hoping to reach a wider audience as time passes. 

He also performed with his friend, Beth Miller, in the Autism’s Got Talent show 2023, which took place in the north east of England. The show was organised by superwoman/autism activist, Dr. Anna Kennedy OBE who relentlessly advocates for autism awareness and rights.

Bobby Latheron at the 2023 Autism’s Got Talent Show

Bobby said, “Music has always been a big part of my life. When my dear friend Ziggy passed away, I didn’t know how to process those emotions. For people with autism processing emotions is difficult, one way that I could express mine, and that of the autism matters group was through music.

In my mind as I was walking one day and thinking of Ziggy song verses started to form. I then worked with Carl to get those emotions out to form the tribute song. I wrote the lyrics but the wonderful Karl Pemberton and Beth Miller sang it.”

This is a story that proves how important it is to find good people who accept you for who you are along the way. The right people can bring out the best in you.

Bobby’s life has taken a turn for the better and he will continue to express his art and feel like he finally belongs.

His book is available to purchase at Waterstones in Middlesbrough or online as well as Amazon.

Here are a few of his songs with his lovely companions:

This song is about moving on from a bad relationship or a bad friendship

Carl Pemberton featuring Beth Miller missing you this song is about my friend who passed away a year ago.

This is my dance song called ex sang by Beth Miller 

This song is called Nobody Knows by Carl Pemberton. This is about his mental health and that he didn’t want to reach out to people 

This song is called One, sung by Carl Pemberton and it’s about the Manchester bombing