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Celebrating Neurodiversity: Autism’s Got Talent Marks Its 15th Anniversary with an Unforgettable Night at the Mermaid Theatre

Pictures: Tally Nothey and Terry Scott

From breathtaking musical performances and dazzling dance routines to tears, laughter and standing ovations, Autism’s Got Talent celebrated its 15th anniversary in spectacular style. Steven Smith joined the sell-out audience for an extraordinary evening that proved talent knows no boundaries.

It was a night of extraordinary talent, heartfelt emotion and thunderous applause as Autism’s Got Talent celebrated its landmark 15th anniversary at London’s Mermaid Theatre. Playing to a sell-out audience, the spectacular event delivered what was arguably its most moving and memorable show to date, with performances that brought tears to the eyes one moment and had the audience cheering with delight the next. It was a glorious celebration of neurodiversity, individuality and the remarkable abilities of autistic performers, and an evening that will undoubtedly remain in the hearts of those fortunate enough to attend.

There are certain dates in my diary that I look forward to more than others, and Autism’s Got Talent has always been at the very top of that list. It is, quite simply, my favourite time of year. Having watched this extraordinary event grow and evolve, I thought I knew exactly what to expect. Yet this year’s anniversary extravaganza managed to surpass even my expectations. From the moment I entered the Mermaid Theatre in Blackfriars, there was an unmistakable sense of excitement. Families gathered, familiar faces exchanged hugs and performers prepared for their moment in the spotlight. By the end of the evening, the auditorium had witnessed something genuinely special.

Since its inception in 2012, Autism’s Got Talent, the brainchild of the indefatigable Dr Anna Kennedy OBE, has grown from an ambitious idea into an internationally recognised showcase celebrating the abilities, creativity and individuality of autistic children and adults. Over the years, it has attracted considerable media attention, celebrity support and performers from around the world, establishing itself as one of the most uplifting events in the charity calendar.

Unlike conventional talent competitions, however, Autism’s Got Talent has no judges, no eliminations and no disappointed contestants being sent home. Instead, every performer is encouraged, celebrated and given the opportunity to shine. There is no pressure to conform to anyone else’s expectations, only the freedom to express individuality through music, dance, theatre and performance. For some, stepping onto that stage represents the fulfilment of a lifelong dream; for others, it is an opportunity to build confidence, overcome personal challenges and demonstrate talents that might otherwise remain unseen. Above all, it is a celebration of what people can achieve when they are given encouragement, opportunity and the freedom to be themselves.

This year’s 15th-anniversary spectacular pulled out all the stops, bringing together more than 20 acts, including ten newcomers and ten returning favourites. The evening opened with Dr Anna Kennedy OBE welcoming the packed auditorium and introducing special messages from celebrity supporters, including Loose Women star Denise Welch, Blue singer Anthony Costa and former EastEnders actress Kacey Ainsworth. Their messages of encouragement set the tone for an evening that was as much about celebrating achievement as it was about entertaining the audience.

There was, naturally, a generous sprinkling of showbiz glamour. Among the familiar faces giving their time to introduce performers was much-loved ‘Allo ‘Allo! actress Vicki Michelle MBE, a longstanding supporter and patron of the charity. Joining her were Christopher Hamilton and Shimi Goodman of Tiano, alongside former EastEnders heart-throb Tony Discipline and actress Ionica Adriana. It was heartwarming to see established names from the entertainment industry so enthusiastically championing autistic talent. The celebrities may have brought an extra touch of sparkle, but there was never any doubt about who the real stars of the evening were: the performers themselves.

A huge supporter of Anna Kennedy Vicki Michelle MBE

Also joining the celebrations was acclaimed artist Piluca, whose striking mural at the Sidelings Tunnel pays tribute to the charity and its inspiring work. Some of the charity’s sponsors were equally involved in the proceedings, with Mandy Aulak of Talem Law and Ione Inness of SEND Tutoring taking to the stage to introduce acts and speak about the importance of creating opportunities for autistic individuals. Their support is a reminder that events of this scale depend upon the generosity and commitment of organisations and individuals who believe in the charity’s mission.

Award winning performers Tiano

Guiding the audience through the evening were two enthusiastic comperes, Gateway Radio DJ and charity ambassador Aston Avery, alongside former The People’s Strictly contestant and amateur theatre enthusiast Phillip Barnett. Aston, who recently received a prestigious BQF Patrons Award presented by HRH The Princess Royal, brought his customary warmth and infectious enthusiasm to the proceedings. Together, the pair kept the programme moving with humour, encouragement and genuine affection for the performers, ensuring that everyone received the welcome and recognition they deserved.

EastEnders Tony Discipline

And what a programme it was. Performers had travelled from across the United Kingdom and further afield, including Ireland and Hungary, each bringing their own personality, story and extraordinary abilities to the stage. One of the joys of Autism’s Got Talent is that you never quite know what is coming next. One moment you are listening to a beautiful ballad, the next you are watching a dazzling dance routine or cheering along to an energetic musical performance. The sheer variety is part of its magic.

The show opened with PPAS, whose founder, Maggie Paterson, has generously offered scholarships to previous Autism’s Got Talent performers, demonstrating how the opportunities created by the event can continue long after the final curtain falls.

Stevie Little Jays delighted the audience with singing accompanied by Makaton signing, while Lillie Rose Allan delivered a charming rendition of Grace VanderWaal’s I Don’t Know My Name, a song whose themes of individuality and self-discovery seemed particularly appropriate for the occasion. Holli Pandit brought a touch of elegance with her beautiful harp playing, while Macauley Elvin performed Benson Boone’s Momma Song, dedicating the moving number to his family. It was one of those performances that reminded everyone just how powerful music can be when it carries a deeply personal meaning.

The family spirit Anna Kennedy’s regulars the Elvin

Another familiar face was Rich Stevens, a tremendous supporter of the charity who has raised funds through his remarkable walking challenges, including a 50-mile effort this year. Rich stepped into the spotlight to perform The Great Pretender, adding another memorable musical moment to the celebrations.

Walking to West End fame Rich Stevens with his lovely wife Zoe

One of the evening’s most energetic and thought-provoking performances came from The Childish, who had previously joined Anna Kennedy OBE on Nana Akua’s GB News programme to discuss their charity single, This Has to Stop. Highlighting the devastating consequences of knife crime, the song carries an important message for young people and communities. Performing the complete single at the Mermaid Theatre, the group delivered a powerful and passionate performance that brought the house down. It was a reminder that music can be much more than entertainment; it can educate, raise awareness and give young people a voice on issues that matter.

Aaron Clarke delighted the audience by playing the melodeon alongside his father, Andy, in a touching example of the family spirit that runs through the entire event.

Holly and Hannah joined forces for a lively musical mash-up, while Xander Hall brought his acting and performance skills to the stage with Simply Red’s Fairground. Joshua Scott Crowley injected another burst of energy into the auditorium with an impressive drumming rendition of Uptown Funk, giving the audience every excuse to clap along.

Going Up Funk with Joshua

Sophia Naughton delivered a beautiful performance of Journey to the Past from the musical Anastasia. With its soaring melody and emotional lyrics, the song provided a wonderful opportunity for Sophia to showcase her voice. I was particularly charmed to learn that she also sings in her parents’ pub. Judging by her performance, the customers are certainly in for a treat.

Another performer whose story captured my imagination was award-winning dancer Leila Juhász, who travelled from Hungary to make her Autism’s Got Talent debut. Remarkably, it was not only her first appearance at the show but also her first time travelling by aeroplane. What an adventure, and what a debut! Leila delivered an incredible street-dance routine, bringing confidence, energy and impressive choreography to the stage. Her appearance was a wonderful example of how the event can create opportunities and experiences that extend far beyond the performance itself.

Leila Juhász

André Adams treated the audience to a selection of memorable film themes on the saxophone, bringing a touch of cinematic magic to the theatre, while Alfie Webster took us into the world of Broadway with a musical-theatre number.

André Adams saxophonist with patron Steven Smith Dr Anna Kennedy OBE competes Aston Avery and Philip Barnett

Returning favourite and YouTube sensation Andrew McMurdie had travelled from Ireland to take part in the anniversary celebrations, performing an original composition entitled Memories Are Pictures. During rehearsals, Andrew perfectly captured the spirit of the occasion when he remarked, “There were so many uniquely talented people in one room, like I have never seen before.” His words summed up what makes Autism’s Got Talent so extraordinary. It is not simply about stepping onto a stage and performing; it is about friendship, confidence, opportunity and being surrounded by people who celebrate you for exactly who you are.

Andrew McMurdie

Yvie Bent also impressed with her rendition of Quiet, a song by Jonathan Reid Gealt, adding another emotional moment to an evening that moved effortlessly between uplifting entertainment and heartfelt reflection.

Sadly, Kieron Lee was unable to attend because he was unwell, but he was certainly not forgotten. He sent a special message, and the audience was treated to footage of his much-discussed appearance on the BBC’s The Assembly, during which he performed for former Scottish First Minister Nicola Sturgeon. It was a lovely way of ensuring that Kieron remained part of the anniversary celebrations, even though he could not be there in person. Kieron also created a special 15th-anniversary compilation video celebrating the event.

https://www.youtube.com/watch?v=tDZhPfdRXm4

Another performer who demonstrated the remarkable diversity of talent on display was Daniel Docherty, who travelled from Ireland. A talented powerlifter with an impressive operatic voice, Daniel proved that physical strength and musical artistry can sit beautifully alongside one another. His appearance was yet another reminder of why we should never make assumptions about people’s abilities or place limitations on what they might achieve.

As the evening progressed, the atmosphere inside the theatre became increasingly emotional. There had been laughter, cheers, wonderful surprises and moments of genuine tenderness, but nothing could have prepared me for the extraordinary finale delivered by Atypical with Attitude. I have attended countless theatrical performances and charity events over the years, yet I can honestly say that their beautifully choreographed dance numbers were among the most moving I have witnessed.

Aston Avery and Philip Barnet compares with the rock of the show Lisa Robins .

The performance was dedicated to Kim Stygall, the late mother of dancer James, and what followed was a profoundly touching tribute filled with love, remembrance and emotion. Every movement seemed to carry meaning, and the sincerity of the dancers was almost overwhelming. It was not simply a display of technical skill but an expression of grief, affection and the enduring bond between a mother and her child. There was barely a dry eye in the house, and I certainly struggled to hold back the tears. As the final moments unfolded, the audience responded with heartfelt applause, recognising not only the artistry of the performance but also the courage and emotion behind it. For me, it was the defining moment of an extraordinary evening, and one I shall remember for a very long time.

At the heart of all this is, of course, the remarkable Dr Anna Kennedy OBE, whose tireless determination, passion and commitment have transformed Autism’s Got Talent into the much-loved celebration it is today. Over the years, Anna has become one of the most recognisable voices championing autistic individuals and their families, helping to create opportunities, challenge misconceptions and encourage greater understanding. Yet perhaps one of her greatest achievements is the extraordinary sense of family she has built around Anna Kennedy Online. It is a family that continues to grow, celebrates every achievement and understands the importance of allowing people to be accepted for who they are.

Super star voice

Reflecting on the event and her hopes for the future, Anna said: “We aim to continue to build Autism’s Got Talent year by year. We want all those involved to have fun, do what they love, make friends, be themselves, and have one night that is all about them.”

Those words beautifully capture the philosophy behind the event. It is not about fame, fortune or winning a trophy, but about having the opportunity to stand proudly on a stage, share your talents and be celebrated. For many performers and their families, the experience represents something far greater than a single evening of entertainment. It is a chance to build confidence, form lasting friendships and create memories that will remain long after the theatre lights have dimmed.

Piluca artist show her painting dedicated to Anna Kennedy online and talks on stage

Anna is also the first to acknowledge that none of this would be possible without the extraordinary dedication of her team, many of whom give their time voluntarily. Among them is Lisa Robins, one of the rocks of Anna Kennedy Online and Anna’s trusted right-hand woman, alongside the show’s stage manager, Fiona Shepherd, whose hard work helps transform months of preparation into the polished production audiences enjoy. A big shout-out also goes to Tally Nothey and Genna Nothey, who did the brilliant marketing for the event.

Anna Kennedy on line team .

In an entertainment industry so often dominated by competition, image and commercial success, Autism’s Got Talent offers something wonderfully refreshing. Here, success is not measured by television ratings, record sales or the opinions of a panel of judges. It is measured in smiles, confidence, friendships, personal achievements and the sheer joy of performing. It is about recognising what people can do rather than focusing on what others might assume they cannot.

As the evening drew to a close and the wonderful performers returned to the stage, the atmosphere inside the Mermaid Theatre was electric. There were beaming smiles, proud families, emotional embraces and applause that seemed to go on forever. Looking around the auditorium, I was reminded once again why I have such enormous affection for this event. It brings people together in a way that few other occasions manage, creating an atmosphere of authenticity, generosity and genuine celebration.

Fifteen years after Anna Kennedy first set out to create a platform for autistic talent, the event continues to grow, inspire and change perceptions. And if this spectacular anniversary celebration proved anything, it is that the future of Autism’s Got Talent is every bit as bright as the remarkable individuals who make it possible.

As I left the theatre, still thinking about that extraordinary finale and the many unforgettable performances I had witnessed, one thought stayed with me: the world would be a much kinder, more understanding place if we celebrated one another’s differences with the same enthusiasm and generosity that filled the Mermaid Theatre that night.

Because talent does not come in one shape, one size or one particular form. It comes from individuality, passion, determination and the courage to be yourself. And on this remarkable evening, every single performer was a star.

Fifteen years of talent, fifteen years of friendship and fifteen years of breaking down barriers. And judging by what I witnessed, the best may still be yet to come.

As the Anna Kennedy Online family would say, “You’re all amazing, and we all rock!”

Roll on Autism’s Got Talent 2027. Whoop, whoop!

Steven Smith is a journalist, author and patron of Anna Kennedy Online.

For further information about Anna Kennedy Online and Autism’s Got Talent, visit annakennedyonline.com.

Piluca Art donated to Anna Kennedy obe ,
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PLEASE BECOME A SPONSOR FOR AUTISM’S GOT TALENT

Help us put autistic talent centre stage

By Steven Smith

There are some evenings that entertain you, and there are others that remind you just how extraordinary people can be. Autism’s Got Talent does both.

This year is particularly special. On 10 October 2026, Autism’s Got Talent returns to London’s Mermaid Theatre to celebrate its 15th anniversary — fifteen years of giving autistic children and adults the opportunity to step into the spotlight and show an audience exactly what they can do. 

Created by Dr Anna Kennedy OBE and her charity Anna Kennedy Online, Autism’s Got Talent has become the highlight of the charity’s year.

Over those years, singers, dancers, musicians, magicians, poets and performers of all kinds have taken to the stage. There have been standing ovations, laughter and more than a few tears. In 2022 alone, a packed 650-seat Mermaid Theatre watched performers receive standing ovations throughout the evening. 

But putting on an event of this scale takes support — and we are looking for sponsors who would like to become part of the Autism’s Got Talent story.

Sponsorship packages start from just £500, giving businesses and individuals the opportunity not only to support this remarkable event but also to receive significant exposure.

Benefits include your logo on the Anna Kennedy Online website and in the event programme, six complimentary VIP tickets, complimentary drinks, social-media promotion to a network of more than 100,000 people, wider outreach exceeding half a million people, press promotion and excellent networking opportunities.

Most importantly, however, your sponsorship helps provide a stage where autistic performers are not defined by a diagnosis or by what somebody thinks they cannot do.

They are simply performers. And the stage belongs to them.

As Patron of Anna Kennedy Online, I have witnessed first-hand just how special Autism’s Got Talent is. I would love to see businesses, brands and individuals come forward and help us make the 15th anniversary an evening these talented performers will never forget.

Could you be one of our 2026 sponsors?

For sponsorship enquiries, please contact Lisa Robins at lisa.robins@annakennedyonline.com.

Sponsorship packages start from £500.

Please come and be part of something extraordinary.

any picture with me in it ?

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THE SCIENCE OF BECOMING: A MEDICAL APPROACH TO SELF-TRANSFORMATION

DR JOSEPH CRESPO chats to Steven Smith

THE SCIENCE OF BECOMING: A MEDICAL APPROACH TO SELF-TRANSFORMATION

By Steven Smith

DR JOSEPH CRESPO

Buy The Science of Becoming on Amazon

There are some people whose careers follow a fairly predictable path, and then there are those who take a completely different route. Dr Joseph Crespo certainly falls into the latter category.

London-based Dr Crespo has a fascinating and varied background. Before entering the world of medicine, he studied law and went on to complete an MBA in London, before working in the financial sector as a consultant and analyst. But his story didn’t end there. He made the considerable decision to change direction and retrain as a doctor — beginning a new chapter that would eventually see him working across both NHS and private healthcare.

His medical career has been equally varied, with experience ranging from GP surgeries and urgent care to walk-in centres, out-of-hours services and even HM Prisons. He has also been involved in teaching the next generation of doctors as a GP tutor and clinical examiner, alongside undertaking medical charity work in India.

It is perhaps not surprising, then, that someone who has reinvented his own life more than once should become interested in the science behind our ability to change.

That interest has now resulted in his book, The Science of Becoming: A Medical Approach to Self-Transformation. Rather than simply telling us to think positively or try harder, Dr Crespo looks at personal change through the eyes of a medical professional, exploring subjects including habits, decision-making, stress, sleep and nutrition — and asking how science can help us make changes that actually last.

At a time when social media seems to offer us a new wellness trend, miracle solution or life-changing hack almost every day, separating good advice from clever marketing has arguably never been more important.

So who better to ask than the doctor who has made transformation not only the subject of his book, but something of a feature of his own extraordinary career?

I caught up with Dr Joseph Crespo to find out more…

Dr Crespo, tell me a little about you. What was your journey into medicine, and what eventually made you want to write a book about changing our lives?

My journey into medicine was long and unorthodox, training first as a lawyer and then a financier. When I finally left it all behind to follow my passion, I trained and practise as a primary care physician, and for years my work sat at the intersection of diagnostics, chronic illness and prevention.

What struck me again and again in clinic was that the biggest lever for most people’s health wasn’t a prescription. It was the slow accumulation of daily choices: how they slept, how they handled stress, what they ate, how they thought about themselves. I kept watching patients try to change with sheer determination and fail, not because they lacked willpower but because nobody had ever given them a framework. Medicine has one. It’s called clinical reasoning, and I realised the same discipline doctors use to diagnose and treat could be turned inward, applied to the process of changing a life rather than treating a disease. That’s where the book came from.

The title is The Science of Becoming. Becoming what? Is there actually an optimum version of ourselves, or are we in danger of constantly being told that we need to improve?

Becoming isn’t about arriving at some fixed, optimised endpoint. There’s no single best version of a person waiting to be unlocked. What I mean by becoming is closer to what we mean clinically by healing: a direction, not a destination. It’s the ongoing process of reducing the gap between how you’re currently living and what your body and mind actually need to function well. I’m wary of the “optimisation” culture that treats a person like a machine to be tuned for maximum output.

That framing burns people out. The question I ask is not “how do I become the best version of myself” but “what is actually true about my biology, my history and my circumstances, and what does that call for right now.”

You argue that we rely too much on willpower. Why doesn’t willpower always work, and what should we be doing instead?

Willpower is a finite, fatiguing resource, and it’s also the wrong tool for the job. In clinic, we don’t tell a patient with a chest infection to try harder not to be infected. We diagnose, then we design an intervention suited to the underlying problem. Most of what looks like a willpower failure is actually a design failure: an environment, a routine or a belief system working against the change someone is trying to make. Instead of asking for more willpower, I encourage people to reduce the number of decisions that require willpower in the first place, by changing defaults, removing friction, and building systems that make the desired behaviour the easy and enjoyable behaviour.

You take clinical decision-making and apply it to everyday life. Can you give me a real-world example? How could I use clinical reasoning to make a better decision tomorrow morning?

Clinical reasoning follows a simple sequence: gather data, form a differential, test it, act, then reassess. Take something as ordinary as feeling constantly tired. Instead of reaching straight for caffeine or willing yourself through it, treat it like a case. What’s the data: how did you sleep, what did you eat yesterday, who did you mix with, what’s your stress load this week. What’s the differential: is this poor sleep quality, is it dehydration, is it emotional load, is it simply overtraining. Pick the most likely cause, make one small deliberate change, and observe the result over a few days rather than guessing forever. Tomorrow morning, that might be as simple as noticing what you automatically reach for and asking, briefly, what problem am I actually trying to solve with this.

We’re bombarded with wellness advice on social media — supplements, fasting, cortisol, sleep hacks, diets and longevity treatments. As a doctor, how do you separate genuine science from very clever marketing?

I look for three things. First, is the claim built on a mechanism that’s been demonstrated in humans, not just in a petri dish or a mouse. Second, does the person selling it benefit financially from your belief in it, and how large is that incentive. Third, is the advice generalised or personalised. Genuine science tends to come with caveats, uncertainty and “it depends.” Marketing tends to come with certainty, urgency and a product at the end of it. If a claim can’t survive the question “compared to what, and for whom,” I treat it with real caution.

Neuroscience has become a fashionable word in the self-help world. What do we genuinely know about changing the brain and forming new habits, and what claims do you think go beyond the evidence?

What we know reasonably well is that the brain retains plasticity throughout life, that repetition genuinely does strengthen certain neural pathways, and that habits form through consistent cues and rewards over time, typically longer than the popular twenty-one-day myth suggests. What goes beyond the evidence is the tendency to take a genuine finding from a controlled lab study and present it as a guaranteed personal transformation protocol. Dopamine, cortisol and neuroplasticity get used as marketing words rather than as the specific, conditional findings they actually are. I try to be honest with readers about where the solid ground ends and the speculation begins.

What about someone in their 60s or 70s? Can we genuinely make substantial changes to our habits, health and outlook later in life, or does change become significantly harder as we get older?

Change is absolutely still possible, and I say that as a clinician who sees it happen. What changes with age isn’t the capacity for change itself, it’s the margin for error and the starting conditions: more accumulated habits, sometimes more comorbidity, less physiological reserve to draw on. The clinical reasoning approach actually suits older patients well, because it isn’t about dramatic overhaul, it’s about identifying the one or two changes that will have the greatest effect given someone’s specific situation, and building from there patiently. I’ve seen patients in their seventies transform their sleep, their mobility and their outlook once they had a clear, individualised plan rather than a generic one.

Stress, sleep and nutrition all feature in your approach. If someone came to you and said, “I’m overwhelmed, I can’t change everything,” which one would you tackle first, and why?

Sleep, almost every time. It’s the foundation the other two rest on. Poor sleep drives stress reactivity, disrupts appetite regulation and blunts willpower and decision-making the following day. It’s also usually the most tractable of the three, because unlike stress or nutrition, sleep responds fairly quickly to specific, well-evidenced changes: consistent timing, light exposure, and a wind-down routine. Fix sleep first and the other two often become noticeably easier to address.

Self-help is an enormous industry, and every year we’re offered another formula for transforming ourselves. What makes your approach different, and what evidence is there that it can produce lasting change rather than the short burst of motivation people often get after reading a self-help book?

Most self-help sells motivation. Motivation is a mood, and moods pass. What I’m offering instead is a method: the same diagnostic, iterative process doctors are trained to use, which doesn’t depend on how inspired you feel on a given day. It assumes you will fail at points, and builds reassessment into the process rather than treating failure as proof the whole effort was doomed. Lasting change, in my clinical experience, comes from small, testable, personalised interventions rather than a single dramatic reinvention. That’s a much less glamorous story than the one the industry usually sells, but it’s the one that holds up over years rather than weeks. In addition, I offer documented medical research studies to substantiate every idea.

DR JOSEPH CRESPO

Not everyone is a reader or someone who would naturally pick up a self-help book. For those people listening to us today, what’s one simple thing they could start doing right now to make a positive change in their lives?

Pick one thing you do automatically every single day, and simply notice it for a week before you try to change anything. Don’t judge it, don’t fix it yet, just observe it the way a clinician observes a patient before making a diagnosis. Most people skip straight to changing behaviour without ever accurately understanding what they’re currently doing and why. That single week of honest observation is often the most useful health intervention I can suggest, and it costs nothing and requires no willpower at all.

Quick-fire questions

Favourite place to relax?

My home.

If you were Mayor of London for a day, what’s the first thing you’d change?

The institutionalisation of common sense, and an understanding that our individual rights end where others’ begin. Sadly, I see a growing number of entitled people imposing their views and beliefs, and condemning anybody who disagrees.

A restaurant you particularly love dining at?

Many, but if I have to choose one, Oliveto on Elizabeth Street, a proper Italian trattoria offering high quality food, friendly service, and a home feel environment. https://www.olivetolondon.uk/about

What has been the proudest moment of your life so far?

Every moment I made the decision to keep growing.

What motivates you to keep going when life gets difficult?

Difficulties are circumstantial, and overcoming them requires only a change in perspective. One thing that has helped me a great deal was when I stopped worrying about things which outcome I cannot change.

https://drjcrespo.com

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2026 Autism &Art Show entries

Screenshot

This year’s much-anticipated Autism & Art Show, taking place on 24th July 2026, promises to be a powerful celebration of creativity, individuality and artistic expression. Presented by Anna Kennedy Online, in collaboration with Firepit Art Gallery on London’s vibrant Greenwich Peninsula, the exhibition will once again shine a spotlight on the incredible talents of autistic artists and their allies.

More than simply an art exhibition, The Autism & Art Show is a platform for voices to be heard, stories to be told and creativity to flourish. Through painting, sculpture, photography, mixed media and contemporary works, visitors will experience a diverse collection of art that reflects the unique perspectives, imagination and lived experiences of its artists.

Patron Steven Smith and Dr Anna Kennedy OBE

Presented by Anna Kennedy Online, a charity dedicated to supporting autistic people and their families, the exhibition also plays an important role in raising vital funds to help continue its life-changing work. By supporting the show, visitors are not only discovering extraordinary talent, but also helping champion inclusion, opportunity and understanding within the autism community.

Held in partnership with the much-loved Firepit Art Gallery, renowned for championing emerging and independent creatives, the exhibition promises to be an inspiring, uplifting and unforgettable event. Whether you are an art lover, collector, supporter of the autism community or simply curious to discover fresh creative voices, The Autism & Art Show 2026 is set to be one of the summer’s most heartwarming cultural highlights.

Lana Mitchell

21 Lana, who lives with autism, once feared unfamiliar environments. In 2024, she began volunteering at Shelter Crystal Palace, where her uniqueness was embraced and her creativity blossomed. She now designs themed window displays and has performed at Autism Got Talent .

Art By Connor £100

Connor is 18 years old and profoundly autistic. Although he cannot tell us where his incredible talent and passion for drawing come from, his artwork speaks for itself. Drawing entirely from memory and using only the inner cartridge of a biro pen, Connor creates stunningly detailed pieces with extraordinary focus and precision, his pen rarely leaving the page. His favourite subject is churches, and while we do not know what first inspired this fascination or how he recalls such remarkable detail, each drawing reflects a unique gift and an extraordinary way of seeing the world. Through his art, Connor expresses what words cannot, sharing his creativity, dedication, and exceptional talent with everyone who views his work

Cosmic Kat from 300

Cosmic Kat is a self-taught artist based in Hucknall, Nottinghamshire who grew up in N.Ireland. Her work features bright colours, alien worlds and fantastical creatures. She was late diagnosed Autistic aged 30 and her work explores the themes of grief, unmasking and identity that this entails.



Loveartpix offers from £1000

Loveartpix (Dez)

Loveartpix , a self-taught AudHD (Autism + ADHD) artist from Manchester, uses creativity as a vital outlet for mental health and self-expression. Diagnosed with Bipolar Disorder, Autism, and ADHD, he began his art journey in 2018 as therapy. His vibrant work often reflects the spirit of Manchester and the experiences of neurodivergence

Sun flowers by Angelo Kennedy £500

Angelo, 33, is autistic and lives with significant sensory processing disorder. On display is a vibrant painting of sunflowers he created at just 10 years old. Angelo enjoys cooking, bowling, and continues to work hard on his independent living skills. His brother, Patrick, is also on the spectrum and works at Pinewood Studios

Blanky from £50 each

Alastair Blaster Artz

Alastair McEwen, also known as BlasterArtz, is a full-time carer for both his disabled parent and autistic son. Through art, he finds a way to manage emotions, connect with loved ones, and reflect on mental health. His heartfelt piece Blanky, created with friend and writer Steven Smith, has moved many and embodies the power of art as a lifeline.

XLVII is a leading figure in the UK urban art scene, renowned for his distinctive graphic style and iconic character, SNAMUH. Combining bold pop-culture influences with the energy of street art, his work explores themes of identity and freedom of expression through vibrant colours, strong character design, and striking visual storytelling. A regular participant in painting jams, gallery exhibitions, and live art events across the country, XLVII has established himself as one of London’s most prolific contemporary urban artists. Now exhibiting at The Fire Pit Gallery, he is generously donating his featured artwork to help raise funds for Anna Kennedy Online, supporting autistic people and their families. Follow his work on Instagram: @xlvii.

Nazaraptor (NAZARAP7OR) is a highly respected figure in the UK urban art scene, known for her energetic style and iconic character, MUCHE. A member of renowned graffiti collectives including CBM, GPC, and ACC (All City Crew), her vibrant work can be seen across the UK, from city streets to galleries and public spaces. Her bold use of colour, expressive handstyles, and unmistakable visual identity have earned her a strong reputation within both street art and contemporary art circles. Currently exhibiting at The Fire Pit Gallery, Nazaraptor brings the energy and creativity of graffiti culture onto canvas. Demonstrating her commitment to giving back, she has generously donated her artwork to help raise funds for Anna Kennedy Online, supporting autistic people and their families. Follow her work on Instagram: @nazaraptor.

Sam Bickerton £50

Sam Bickerton

Sam, diagnosed with ASD and dyslexia, demonstrates resilience in the face of social and emotional challenges. From early Lego builds to his love for origami, mask-making, and boxing, Sam’s creativity offers a safe space for self-expression and calm. His journey is one of strength and self-discovery through art.

`Josh Andrade

Josh. £200

Autistic artist Josh uses his distinctive, eclectic style to tell stories that demand to be seen. Inspired by the experiences of his brother, Leo, and countless others detained in Assessment and Treatment Units (ATUs), this haunting portrait captures the fear, isolation and despair faced by many autistic people and individuals with learning disabilities. More than a work of art, it is a powerful statement on the need for compassion, dignity and a more humane approach to care, ensuring that those whose voices are often overlooked are finally heard.

Matthew “BUCKO” Buckingham is a contemporary multidisciplinary artist whose increasingly transdisciplinary practice combines contemporary art, visual communication, autism advocacy, and inclusive design. Through portraiture, printmaking, and the development of an autistic visual language, his work explores autism, identity, and social inclusion. Drawing on his personal experience as both a father and a neurodivergent artist, his practice challenges misconceptions surrounding autism while advocating for greater understanding, support, equality, and acceptance.

John Lee Bird is a multi-disciplinary artist known for his global exhibitions of paintings, collages, and sculptural work.
His DOLLS project features over 2,000 hand-sewn textile sculptures celebrating idols, friends, and queer culture.
Inspired by film, drag, cult TV, and music, each 13-inch doll is crafted from felt, beads, buttons, and embellishments.
The project began during lockdown as a therapeutic return to textiles, starting with 69 David Bowie dolls.
It has since grown into a rich portrait series spanning pop culture icons and personal heroes.
John’s work is driven by obsession, emotion, and a deep love of music and storytelling.
He also creates sound and film, collaborating with artists such as Simon Fisher Turner and Xiu Xiu.
John co-runs the queer club night KNICKERS with musician Jemma Freeman.

Heidi Simm is an autistic, self-taught artist from Essex whose colourful acrylic paintings are inspired by the original characters and imaginative worlds she has created. Alongside her artwork, Heidi has developed Horizon Hero’s, her own collectible card game featuring heroes from the worlds of Disco City and Sci-Fi Kingdom.

For the Autism & Art exhibition, Heidi presents Local Legends, bringing together her unique characters in a vibrant story of creativity, communication and adventure. Her work celebrates the power of imagination and demonstrates how art can create entire worlds from a single idea.

“SHANK3 and autism spectrum disorder” Acrylics and nail polish on canvas. 28x23cm framed (18x13cm on canvas .

Dr Diana Dunca is a drug development scientist with a PhD in Experimental Personalised Medicine (Bioinformatics and Statistical Genetics) from University College London. Her work involves analysing genetic data to help pharmaceutical companies develop safer and more effective treatments for common complex diseases. As these conditions affect a large proportion of the UK population and continue to rise, Diana uses art as a form of expression to raise awareness and inspire hope.

As an emerging artist, Diana translates her scientific perspective into visual form, using gold, shimmer, vibrant colours and nail polish to create radiant, uplifting artworks. Through her art, she invites viewers to discover beauty and hope within disease, while connecting with the resilience, strength and humanity that lie behind scientific research

THE MAP OF LOVE by Anne-Marie Bickerton £150

Annemarie Bickerton

With over 30 years in photography and art, Annemarie specializes in editorial portraiture. As digital photography evolved, she pivoted toward headshot work, applying her skills to editorial, corporate, and artistic projects. Annemarie is also a proud mum to Sam, who lives with autism, and continues to champion neurodiverse creativity in all its forms.

Piluca Artist

Piluca: Artist. Muralist. Fashion Visionary. Street Art Queen.
Born in Madrid and ignited by Brixton’s wild heart, Piluca is a published illustrator, muralist, fashion designer, and founder of I Am Here 2 Play, launched last year she is a huge supporter of Anna Kennedy on line London.
Her vibrant murals and street art light up London’s iconic venues, turning the city into an open-air gallery.
A WinTrade Awards finalist, she moves effortlessly across fine art, fashion, and branding with fearless, raw style.
Piluca’s creative impact extends deep into communities—leading workshops, festivals, and campaigns with purpose.
From fashion to neuroscience illustration, her work defies boundaries—and London proudly


Title: Levington Marina, Suffolk, 2026
Artist: David Downes
Dimensions: 52cm x 80cm
Medium: pen, ink and acrylic on card. 
Price: £1,950 

David Downes – English Painter and Autism Advocate

David Downes is an acclaimed English landscape painter celebrated for his dramatic skies, seascapes and intricate architectural works. As an autistic artist with a remarkable photographic memory, he creates many of his paintings from vivid recollections of places he has visited. A graduate of the Royal College of Art, David has received prestigious commissions from organisations including the BBC, ITV and The Savoy, where his Diamond Jubilee Pageant painting remains on permanent display.

David is Vice President of the National Autistic Society and an Ambassador for Autism Anglia, using his art and public speaking to raise awareness and support for autistic people. Now based in Manningtree, Essex, where he runs the David Downes Gallery, his work beautifully combines realism and imagination, capturing landscapes and architecture with extraordinary detail and a unique perspective.

Daisy Hutchinson £50 The real Meg

Daisy Hutchinson

Daisy, 21, is autistic and a proud Young Autism Ambassador for Anna Kennedy Online. She has a passion for art, which provides a creative way to express herself and helps her feel calm when she is anxious.

Outside of creating art, Daisy enjoys reading, jogging, singing, geology, Harry Potter, Goosebumps, Toy Story, Disney, Mamma Mia! and Love on the Spectrum. She also loves spending time with her dog, family and friends, and enjoys visits to the cinema, theatre and concerts. Daisy is a friendly, kind-hearted person and is delighted to be exhibiting her artwork at the Autism & Art Show.

Niall Gaute offers £200

Niall, 30, is an artist with autism, an intellectual disability, dyspraxia, and dyslexia. He gained international acclaim after raising funds for Special Olympics GB by selling his iconic stadium drawings. Niall has exhibited at the Royal Academy Summer Exhibition, delivered a TED Talk, and received an Honorary Doctorate from Sheffield Hallam University for his work promoting inclusion through art.

Eddie Wells offers over £1000.

Eddie Wells

Eddie grew up in East London, navigating life with undiagnosed ADHD and dyslexia. Creativity was his refuge. Following his father’s death in 2013, he realized that art wasn’t just an outlet — it was his salvation. His work reflects the inner world of someone living on the spectrum and overcoming silent battles through creative expression.

Offers at £250 ” I am woman ”

Tally Nothey

This piece is deeply personal. As the mother of an autistic child, Tally has faced days that felt overwhelmingly heavy—marked by worry, exhaustion, and the deep ache of feeling misunderstood. Yet, through every challenge, it has been the support of close friends that has carried her forward. Each woman represented in this work symbolizes someone who has stood beside her, held space for her fears, celebrated the smallest victories, and reminded her of her own strength when she struggled to find it.

This image reflects that journey. It acknowledges that while friendship may not solve everything, it makes the burdens easier to bear. Together, they have cried, laughed, and lifted one another—and because of them, she never walks alone

Sadie King offers over £200

Sadie King is a 17-year-old student .
She has a strong passion for character design and storytelling.
Sadie hopes to build a career in creating her own animated series.
Her work often explores original concepts and imaginative worlds.
She is eager to share more of her art and ideas with others.
Sadie welcomes feedback and is open to showing additional work

Offers over £250.

Marcus Mason-Williams

Marcus is a multi-talented autistic artist and entrepreneur. As a founding member of The Lilac Review — a government-backed campaign spotlighting disabled-led businesses — Marcus uses his business, CoolArt2021, to share wildlife-inspired storytelling and merchandise. “Art and performing set me free,” he says. “Through my stories and performances, I connect with others and the world around me.”

Pastel , charcoal, ompressed charcoal, pencil & graphite on fabriano paper
Price- £1,200

LA Colella

Is a  London gestural intuitive artist. Who uses music to tap into  emotion for figurative works of Art. She describes the music influence as another pastel & believes she has the condition described as  Synesthesia. This is an involuntary neurological trait where the stimulation of one sense automatically and consistently triggers an experience in another. She hears music and sees colours.

Lucia works in  large scale drawings creating  with pastel, charcoal, graphite & pencil.

Her work involves reflections on her personal life past & present.

Lucia  claims that ‘Art doesn’t serve the system; it serves your soul. Through executing a piece of Art individuals of all ages can explore & express deep emotions, process complex experiences & reconnect with themselves in meaningful ways’

Artwork title- Sorrows of Liberty

Dimensions 120cm length/ 102cm width

Harvey Price’s special guest artist . Harvey’s artwork is a wonderful example of how creativity can communicate emotion beyond words. His colourful, expressive style reflects his unique way of seeing the world, with each piece celebrating individuality, imagination and self-expression. Harvey’s growing confidence as an artist has inspired many people and highlights the importance of recognising and valuing the talents of autistic artists. His work reminds us that art has the power to connect people, challenge perceptions and celebrate neurodiversity in a truly meaningful way. ( art to be announced )

Courtney Ward £100 value

Courtney is a neurodivergent pan poet, spoken word artist, visual artist, photographer, speaker, and shadow writer for Beyond the Spectrum. Using creativity to give voice to experiences that deserve to be heard, her work has been published by Steel Jackdaw, Poetic Edge Publishers, Worcestershire LitFest, and Writing East Midlands. Through talks and advocacy across the East Midlands and London, she promotes neurodiversity and inclusion, serving on the North London Learning Disability and Autism Council and her local Inclusive Steering Group while encouraging young neurodivergent people to embrace who they are

Emily Haynes,

Emily Haynes, known online as callmeshadz or ShadyShadz, has been passionate about drawing since childhood. Inspired by the beauty of nature and animals, her work celebrates the natural world through imaginative and often fantastical creations. Her artwork explores unusual creatures, the wonders of nature and her reflections on the modern world.

Diagnosed with autism while at university, Emily found that art became an important way to process and express emotions that she often struggled to put into words. Being diagnosed later in life helped her better understand her experiences growing up, and today her creativity provides both a voice and a sense of connection. Her artwork for the exhibition is titled Carnivore.

Entertainment by Lana Mitchell and George Pond

5:00–5:30 pm – Guests arrive

6:00–6:30 pm – Drinks reception

Entertainment

  • Anna Kennedy OBE welcomes everyone.
  • Anna introduces George Pond.
  • Anna thanks George, chats about the artists, and thanks Marcus and the team.
  • Anna introduces Lana Mitchell.
  • Ayesha thanks Lana, says a few words about Oracle, and speaks about the charity and her involvement with it.
  • Anna introduces Vicky Michelle MBE and Samantha Lee Howe, patrons of the charity. for the raffle
  • Wendy Turner Webster joins midway through the evening, takes over, and says a few words about the artwork.

8:00–9:00 pm – Mingle, network, and enjoy the evening.

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2Shades Standing Against Antisemitism in London

What is happening on our streets and across the world right now is deeply unsettling, and for many of my Jewish friends, it’s not just something they’re reading about—it’s something they’re feeling, living, and navigating every single day. In a city like London—a place that prides itself on diversity, tolerance, and community—there is simply no excuse for hatred to rear its head in any form. Whether it’s whispered prejudice, online abuse, or something far more frightening, it chips away at the very fabric of who we are supposed to be. What happened in Golders Green this week was, quite simply, horrific. A community shaken, people frightened, and a stark reminder that hate is not something happening “somewhere else”—it’s here, and it needs calling out.

Let’s be absolutely clear: standing against antisemitism is not a political statement, it’s a human one. Nobody should feel unsafe because of their faith, their heritage, or who they are. And in the same breath, we need to start drawing a line when it comes to how we allow global tensions to spill into spaces that are meant to unite us. Take the Eurovision Song Contest—a celebration of music, creativity, and shared culture. It is not, and should never become, a battleground for political or religious division. At 2Shades, we proudly support Israel’s participation in Eurovision, just as we support every artist who takes to that stage to share their talent. Music is meant to bring people together, not tear them apart.

The arts, in all their forms, should be a sanctuary—a place where differences are not just accepted but celebrated. Actors, performers, musicians—whatever their background or belief—should feel safe to express themselves without fear of hostility or intimidation. The idea that someone could be targeted or made to feel unsafe simply for their identity is not only unacceptable, it’s a betrayal of everything the creative world stands for. From the West End to grassroots venues, the message must be consistent: there is no room for hate here.

At 2Shades, we’ve always championed voices, celebrated difference, and stood firmly on the side of inclusion—and that doesn’t waver when times get tough. Terror, in any form, is designed to divide, to instil fear, and to make people retreat into silence. But silence is not an option. We stand with our Jewish community—today and always—with solidarity, compassion, and a refusal to let hate win. Because if we allow fear to dictate how we treat one another, then we’ve already lost something far more valuable than we realise.

This is about unity. It’s about dignity. And it’s about remembering that London—our London—is strongest when it stands together, not apart.

Noam Bettan, Israel’s 2026 Eurovision contestant, poses for a photo in Neve Ilan, near Jerusalem, January 21, 2026. (Yael Abas Guisky/Flash90)

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Blanky meets Pink Ribbon

https://www.kellyreeves-photography.com/?utm_source=ig&utm_medium=social&utm_content=link_in_bio&fbclid=PAZXh0bgNhZW0CMTEAc3J0YwZhcHBfaWQMMjU2MjgxMDQwNTU4AAGn5kxkJnQ03Yg_crPiLjcu4019zUHvk0kKcZfx9EcR4QfoV_4CwLSaKXHdUqM_aem_-vQUDLOmYKVCs8ChcR18tw

t was with palpable excitement that artist Alistair Blaster unveiled a deeply personal and touching tribute to Lisa Allen of the Pink Ribbon breast cancer charity—her very own “Blanky,” lovingly created in her image. The presentation took place at the Firepit Gallery by the O2, a vibrant creative hub that has become synonymous with championing grassroots art and meaningful causes. Surrounded by an enthusiastic and supportive crowd, the moment captured not only the spirit of artistic expression but also the profound sense of community that events like this inspire.

The evening was a celebration of both creativity and compassion, with attendees gathering to support the vital work of the Pink Ribbon charity. Alistair’s piece stood as a heartfelt acknowledgment of Lisa Allen’s tireless dedication and the impact she continues to make in raising awareness and supporting those affected by breast cancer. The “Blanky” itself—playful yet poignant—embodied warmth, comfort and resilience, echoing the very ethos of the charity it honoured.

Also on display was the striking work BustOut by artist Anne-marie Bickerton, whose bold and expressive style added another layer of depth to the evening’s artistic offering. Her work, known for its emotional intensity and fearless use of colour, complemented the tone of the event perfectly, reinforcing how art can be both visually captivating and socially powerful.

Alistair Blaster is rapidly emerging as a distinctive voice within the contemporary art scene. His unique creations—often character-driven and rich in narrative—have already attracted the attention of notable figures, including Vicki Michelle Allo Allo ” and Dr  Anna Kennedy. OBE His work has also begun to cross into storytelling, inspiring children’s literature that carries the same warmth and imaginative spirit found in his visual pieces.

Speaking about the inspiration behind the “Blanky,” Alistair shared: “I am a huge supporter of Pink Ribbon, and I wanted to do something to celebrate not only the charity but Lisa Allen, who is truly inspirational in her work.” His words resonated with many in the room, underlining the importance of recognising the individuals behind charitable movements—those who quietly and consistently make a difference.

The event at Firepit Gallery was more than just an art showcase; it was a reminder of how creativity can be harnessed for good, bringing people together in support of causes that matter. With his growing reputation and heartfelt approach, Alistair Blaster is certainly an artist to watch.

For more on Alistair’s work, visit: https://2shadesmagazine.com/2025/03/02/blanky/

https://www.pinkribbonfoundation.org.uk

https://www.firepit.org.uk

Picture

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Scenes with Girls

Scenes with Girls — Sass, Spark and a Slice of London Life ⭐️⭐️⭐️⭐️

If you like your theatre sharp, stylish and just a little bit chaotic, then Scenes with Girls at the Union Theatre is one to put firmly on your cultural radar.

Presented by Two Souls Productions and penned by the brilliantly observant Miriam Battye, this deliciously modern piece throws us headfirst into the tangled web of female friendship, dating disasters and the emotional rollercoaster that is being a young woman in London. It’s witty, it’s raw, and at times it cuts a little too close to the bone — just how we like it.

Now let’s talk talent.

Imogen Peck is, quite simply, one to watch. She owns the stage with a confidence that feels entirely natural, never forced. There’s a magnetism about her — that elusive “it factor” — and you find yourself drawn in every time she speaks. Mark my words, this is a rising star in the making.

Imogen Peck

Eleanor Hague, meanwhile, brings a different flavour. With a face absolutely destined for the camera, she has that cinematic quality casting directors dream about. Her performance is a little more acting alone in places in other she commands the stage , but there’s a quiet intrigue there — the kind that suggests, given time, she could be a real force both on stage and screen.

Eleanor Hague,

The script? Oh, it’s clever. Very clever. Battye captures the rhythm of modern conversation with razor-sharp precision — the awkward pauses, the brutal honesty, the humour that masks something deeper. It’s brilliantly written and packed with moments that will have you wincing in recognition.

That said — and we keep it honest at 2Shades — acting is reacting, and in places the connection between performers doesn’t quite land. There are moments where the energy dips slightly, where you want that extra spark, that sharper exchange. But here’s the thing: this is exactly what makes the production exciting. With a little more time, a little more polish, this could be exceptional.

And let’s not forget the unsung heroes — the technical team. Slick, seamless and quietly impressive, they support the piece beautifully without ever overshadowing it.

As for the venue, the Union Theatre remains one of London’s best-kept secrets. Intimate, atmospheric and full of charm, it’s the kind of place where theatre feels alive. Pro tip: arrive early, grab a drink, and soak up the vibe — the staff are as fabulous as the performances.

All in all, Scenes with Girls is a bold, funny and promising showcase of emerging talent. It may not be perfect, but darling, it absolutely has potential — and that’s far more exciting.

Go. Watch. And say you saw them before they were stars. 

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Award-Winning Author Samantha Lee Howe Announced as New Patron of Anna Kennedy Online https://annakennedyonline.com


All pictures by Andy Barnes

Award-Winning Author Samantha Lee Howe Announced as New Patron of Anna Kennedy Online

Samantha Lee Howe with Dr Anna Kennedy OBE at the FirePit Gallery . Picture by Andy Barnes photography .


All pictures by Andy Barnes

It was an evening filled with celebration, inspiration and heartfelt surprises at the stylish Firepit Gallery in London, where award-winning author Samantha Lee Howe officially launched her latest novel, A Thorn in the Rose. Yet while guests gathered to honour what many are already calling her most compelling work to date, it was a very special announcement that truly captured the spirit of the night.

During the event, Dr Anna Kennedy OBE revealed that Samantha Lee Howe would become a Patron of the autism charity Anna Kennedy Online — news that was met with warmth, applause and genuine emotion from the packed audience.

The evening, held in aid of the charity, was more than a literary celebration. Funds raised from the raffle and book sales were generously donated to Anna Kennedy Online, reinforcing the strong connection between Samantha’s creative work and her commitment to supporting the autism community.

Picture by Andy Barnes Dr Anna Kennedy OBE collects her signed book from Samantha Lee Howe .

Among the distinguished guests were fellow patrons of the charity, Steven Smith and beloved ‘Allo ‘Allo!’ star and national treasure Vicki Michelle MBE. Their presence added to the celebratory atmosphere, reflecting the close-knit and passionate support network that surrounds the charity.

For Samantha, the announcement was deeply personal. Recently diagnosed with ADHD and her daughter with autism, her connection to the charity’s work is both heartfelt and authentic. Speaking at the event, she shared:

“I have been supporting Anna’s charity for over five years now and have just finished being one of the judges for the Autism’s Hero Awards. I honestly cannot wait to do more for the charity.”

Her words resonated strongly with the audience, many of whom understand first-hand the importance of advocacy, representation and community.

Samantha then treated guests to a reading from her new novel, A Thorn in the Rose, the latest instalment in the Mel Greenway Investigates series. The book is a twisty post-World War II crime mystery layered with themes of class, secrets and second chances. With her trademark precision and emotional depth, Samantha brought her characters to life, holding the room in rapt attention as she read. The atmosphere was electric — a perfect blend of literary sophistication and intimate storytelling.

Award winning writer Samatha Lee Howe in conversation with national treasure Vicki Michelle MBE . Picture Andy Barnes .

But the evening did not end there.

Following the reading, Samantha took to centre stage once more for an engaging “in conversation” segment with Vicki Michelle MBE, who herself was announced earlier this year as a Patron of Anna Kennedy Online. The two shared a natural chemistry as Vicki interviewed Samantha about her journey as an author and her life. This was followed by a Q&A session open to the audience.

Dr Anna Kennedy OBE spoke warmly about Samantha’s appointment as Patron:

“Samantha takes everything she does seriously and gives her all. She will fit in perfectly with the Anna Kennedy Online small but fierce family. We are lucky to have her.”

The phrase “small but fierce” perfectly captures the essence of the charity — a dedicated organisation that continues to make a powerful impact through awards ceremonies, community events and tireless advocacy for autistic individuals and their families.

The Firepit Gallery provided a fitting backdrop for such an occasion. Known for its vibrant atmosphere and creative energy, it has become a hub for inclusive cultural events in London. On this particular evening, it felt less like a gallery and more like a community united by storytelling, compassion and purpose.

picture Andy Barnes .

As guests left the gallery clutching signed copies of A Thorn in the Rose, it was clear that this was more than just a book launch.

With Samantha Lee Howe now officially joining as a Patron, Anna Kennedy Online strengthens its growing network of passionate advocates committed to championing autistic voices and celebrating neurodivergent achievement.

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Columns Health and Fitness Lifestyle

GET NOMINATING FOR THE ANIMAL BOND AWARD

At the Autism Hero Awards

https://docs.google.com/forms/d/e/1FAIpQLScK1NsP01yyMpE26lOKlmRrI256MVurhaj-UnNfIf6Q7oTeZw/viewform

The Animal Bond Award at the Autism Hero Awards, organised by Anna Kennedy Online, is one of the most heart-warming and meaningful categories in the programme. It celebrates the profound and often life-changing relationships between animals and autistic individuals, shining a light on how these unique bonds enrich lives in extraordinary ways.

For many autistic people, animals provide comfort without judgement, routine without pressure, and companionship without expectation. Whether it is a loyal dog offering emotional regulation, a cat providing quiet reassurance, or another cherished animal companion helping to reduce anxiety and build confidence, these relationships can be transformational. The Animal Bond Award recognises those stories that demonstrate empathy, connection, and mutual understanding between humans and animals.

This special category is judged by a compassionate and experienced panel, including pet rescue star Wendy Turner Webster, alongside model and actress Victoria Featherstone Peace, and the talented Tess Eagle Swan who brings insight and authenticity to the judging process as ambassador of the charity. and her idea to add the category .

Tess with Kratu

Together, they celebrate stories that remind us how powerful kindness, trust, and unconditional love can be—proving that sometimes the strongest bonds are formed without words.

Please Nominate and come join us on the night the details below

https://annakennedyonline.com/category/autism-hero-awards/

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SABRAGE at Lafayette: Champagne, Circus, and Controlled Chaos

Finding the perfect birthday experience for someone special is no small task—especially when expectations are high and the guest of honour is flying in from Lisbon with friends in tow. A month before the big day, my phone rang.

“Steven,” my best friend said, “I really want to do something fun for Hernando’s birthday. Something exciting. A show. There’ll be ten of us. What do you suggest?”

I’d been hearing whispers—more like delighted murmurs—circulating through my social circle about a production with just the right amount of cheeky X-factor. A show called SABRAGE. The reviews were glowing, bordering on evangelical, and once I looked further, the decision was made.

Described as an intoxicating collision of circus artistry, vintage glamour, high-octane acrobatics, and mischievous humour, SABRAGE promised far more than a conventional night out. It billed itself not merely as a show, but as an experience. And it 

delivers—spectacularly.

On Saturday evening, we headed to King’s Cross, an area that has undergone one of London’s most impressive transformations over the past decade. Once gritty and utilitarian, it’s now a cultural and social hub buzzing with confidence. Lafayette, located just four minutes’ walk from the station, sits discreetly behind the main thoroughfare—an architectural gem that immediately sets the tone.

From the moment you arrive, the welcome is warm and efficient. Even security manages to be charming—no small feat. Before entering the theatre space, there are a few house rules. Chief among them: no photographs of nudity. This might raise an eyebrow or two, but rest assured—nothing here is gratuitous. Everything is artfully staged, elegant, playful, and firmly in good taste. If you’re easily offended, this may not be your night—but if you appreciate sensuality delivered with wit and intelligence, you’re in safe hands.

One of SABRAGE’s most impressive feats—aside from the performers themselves—is the seamless audience experience. Drinks and food can be ordered directly from your seat via a simple scan, and every member of staff we encountered was genuinely helpful, friendly, and clearly proud of the production.

The show opens with a theatrical pop—a sword cleanly slicing the cork from a champagne bottle—setting the mood instantly. Our hosts glide onstage, equal parts ringmaster and rogue, and from that moment, the audience is completely seduced.

Then comes the talent.

Almost immediately, the room developed a collective crush on Flynn Miller, whose high-flying aerial act is nothing short of breathtaking. There is a rare beauty in watching someone so utterly in command of their body, defying gravity with elegance, strength, and apparent effortlessness. His performance alone would be worth the ticket price.

But SABRAGE is far more than a one-man triumph. The cast—drawn from the very best international circus and acrobatic talent—deliver a relentless parade of jaw-dropping moments. There is danger, precision, laughter, and an undercurrent of delicious rebellion throughout. Vintage glamour collides with modern irreverence, and the result is electric.

What makes SABRAGE truly special is its balance. It knows exactly how far to push without tipping into excess. The humour is cheeky rather than crude. The sensuality is teasing, never tawdry. The spectacle is bold but controlled. Every act feels curated, every transition intentional.

By the end of the evening, our table of ten—birthday boy included—was unanimous. This wasn’t just a successful celebration; it was a night none of us will forget. SABRAGE doesn’t simply entertain—it exhilarates.

If you’re looking for something genuinely different in London, whether for a birthday, celebration, or simply because life deserves more champagne-fuelled circus brilliance, SABRAGE at Lafayette should be at the very top of your list.

Rating: ★★★★★
A dazzling, decadent triumph.
 🥂🎪