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Blanky meets Pink Ribbon

https://www.kellyreeves-photography.com/?utm_source=ig&utm_medium=social&utm_content=link_in_bio&fbclid=PAZXh0bgNhZW0CMTEAc3J0YwZhcHBfaWQMMjU2MjgxMDQwNTU4AAGn5kxkJnQ03Yg_crPiLjcu4019zUHvk0kKcZfx9EcR4QfoV_4CwLSaKXHdUqM_aem_-vQUDLOmYKVCs8ChcR18tw

t was with palpable excitement that artist Alistair Blaster unveiled a deeply personal and touching tribute to Lisa Allen of the Pink Ribbon breast cancer charity—her very own “Blanky,” lovingly created in her image. The presentation took place at the Firepit Gallery by the O2, a vibrant creative hub that has become synonymous with championing grassroots art and meaningful causes. Surrounded by an enthusiastic and supportive crowd, the moment captured not only the spirit of artistic expression but also the profound sense of community that events like this inspire.

The evening was a celebration of both creativity and compassion, with attendees gathering to support the vital work of the Pink Ribbon charity. Alistair’s piece stood as a heartfelt acknowledgment of Lisa Allen’s tireless dedication and the impact she continues to make in raising awareness and supporting those affected by breast cancer. The “Blanky” itself—playful yet poignant—embodied warmth, comfort and resilience, echoing the very ethos of the charity it honoured.

Also on display was the striking work BustOut by artist Anne-marie Bickerton, whose bold and expressive style added another layer of depth to the evening’s artistic offering. Her work, known for its emotional intensity and fearless use of colour, complemented the tone of the event perfectly, reinforcing how art can be both visually captivating and socially powerful.

Alistair Blaster is rapidly emerging as a distinctive voice within the contemporary art scene. His unique creations—often character-driven and rich in narrative—have already attracted the attention of notable figures, including Vicki Michelle Allo Allo ” and Dr  Anna Kennedy. OBE His work has also begun to cross into storytelling, inspiring children’s literature that carries the same warmth and imaginative spirit found in his visual pieces.

Speaking about the inspiration behind the “Blanky,” Alistair shared: “I am a huge supporter of Pink Ribbon, and I wanted to do something to celebrate not only the charity but Lisa Allen, who is truly inspirational in her work.” His words resonated with many in the room, underlining the importance of recognising the individuals behind charitable movements—those who quietly and consistently make a difference.

The event at Firepit Gallery was more than just an art showcase; it was a reminder of how creativity can be harnessed for good, bringing people together in support of causes that matter. With his growing reputation and heartfelt approach, Alistair Blaster is certainly an artist to watch.

For more on Alistair’s work, visit: https://2shadesmagazine.com/2025/03/02/blanky/

https://www.pinkribbonfoundation.org.uk

https://www.firepit.org.uk

Picture

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Columns Culture Uncategorized

Scenes with Girls

Scenes with Girls — Sass, Spark and a Slice of London Life ⭐️⭐️⭐️⭐️

If you like your theatre sharp, stylish and just a little bit chaotic, then Scenes with Girls at the Union Theatre is one to put firmly on your cultural radar.

Presented by Two Souls Productions and penned by the brilliantly observant Miriam Battye, this deliciously modern piece throws us headfirst into the tangled web of female friendship, dating disasters and the emotional rollercoaster that is being a young woman in London. It’s witty, it’s raw, and at times it cuts a little too close to the bone — just how we like it.

Now let’s talk talent.

Imogen Peck is, quite simply, one to watch. She owns the stage with a confidence that feels entirely natural, never forced. There’s a magnetism about her — that elusive “it factor” — and you find yourself drawn in every time she speaks. Mark my words, this is a rising star in the making.

Imogen Peck

Eleanor Hague, meanwhile, brings a different flavour. With a face absolutely destined for the camera, she has that cinematic quality casting directors dream about. Her performance is a little more acting alone in places in other she commands the stage , but there’s a quiet intrigue there — the kind that suggests, given time, she could be a real force both on stage and screen.

Eleanor Hague,

The script? Oh, it’s clever. Very clever. Battye captures the rhythm of modern conversation with razor-sharp precision — the awkward pauses, the brutal honesty, the humour that masks something deeper. It’s brilliantly written and packed with moments that will have you wincing in recognition.

That said — and we keep it honest at 2Shades — acting is reacting, and in places the connection between performers doesn’t quite land. There are moments where the energy dips slightly, where you want that extra spark, that sharper exchange. But here’s the thing: this is exactly what makes the production exciting. With a little more time, a little more polish, this could be exceptional.

And let’s not forget the unsung heroes — the technical team. Slick, seamless and quietly impressive, they support the piece beautifully without ever overshadowing it.

As for the venue, the Union Theatre remains one of London’s best-kept secrets. Intimate, atmospheric and full of charm, it’s the kind of place where theatre feels alive. Pro tip: arrive early, grab a drink, and soak up the vibe — the staff are as fabulous as the performances.

All in all, Scenes with Girls is a bold, funny and promising showcase of emerging talent. It may not be perfect, but darling, it absolutely has potential — and that’s far more exciting.

Go. Watch. And say you saw them before they were stars. 

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Columns Lifestyle People

Award-Winning Author Samantha Lee Howe Announced as New Patron of Anna Kennedy Online https://annakennedyonline.com


All pictures by Andy Barnes

Award-Winning Author Samantha Lee Howe Announced as New Patron of Anna Kennedy Online

Samantha Lee Howe with Dr Anna Kennedy OBE at the FirePit Gallery . Picture by Andy Barnes photography .


All pictures by Andy Barnes

It was an evening filled with celebration, inspiration and heartfelt surprises at the stylish Firepit Gallery in London, where award-winning author Samantha Lee Howe officially launched her latest novel, A Thorn in the Rose. Yet while guests gathered to honour what many are already calling her most compelling work to date, it was a very special announcement that truly captured the spirit of the night.

During the event, Dr Anna Kennedy OBE revealed that Samantha Lee Howe would become a Patron of the autism charity Anna Kennedy Online — news that was met with warmth, applause and genuine emotion from the packed audience.

The evening, held in aid of the charity, was more than a literary celebration. Funds raised from the raffle and book sales were generously donated to Anna Kennedy Online, reinforcing the strong connection between Samantha’s creative work and her commitment to supporting the autism community.

Picture by Andy Barnes Dr Anna Kennedy OBE collects her signed book from Samantha Lee Howe .

Among the distinguished guests were fellow patrons of the charity, Steven Smith and beloved ‘Allo ‘Allo!’ star and national treasure Vicki Michelle MBE. Their presence added to the celebratory atmosphere, reflecting the close-knit and passionate support network that surrounds the charity.

For Samantha, the announcement was deeply personal. Recently diagnosed with ADHD and her daughter with autism, her connection to the charity’s work is both heartfelt and authentic. Speaking at the event, she shared:

“I have been supporting Anna’s charity for over five years now and have just finished being one of the judges for the Autism’s Hero Awards. I honestly cannot wait to do more for the charity.”

Her words resonated strongly with the audience, many of whom understand first-hand the importance of advocacy, representation and community.

Samantha then treated guests to a reading from her new novel, A Thorn in the Rose, the latest instalment in the Mel Greenway Investigates series. The book is a twisty post-World War II crime mystery layered with themes of class, secrets and second chances. With her trademark precision and emotional depth, Samantha brought her characters to life, holding the room in rapt attention as she read. The atmosphere was electric — a perfect blend of literary sophistication and intimate storytelling.

Award winning writer Samatha Lee Howe in conversation with national treasure Vicki Michelle MBE . Picture Andy Barnes .

But the evening did not end there.

Following the reading, Samantha took to centre stage once more for an engaging “in conversation” segment with Vicki Michelle MBE, who herself was announced earlier this year as a Patron of Anna Kennedy Online. The two shared a natural chemistry as Vicki interviewed Samantha about her journey as an author and her life. This was followed by a Q&A session open to the audience.

Dr Anna Kennedy OBE spoke warmly about Samantha’s appointment as Patron:

“Samantha takes everything she does seriously and gives her all. She will fit in perfectly with the Anna Kennedy Online small but fierce family. We are lucky to have her.”

The phrase “small but fierce” perfectly captures the essence of the charity — a dedicated organisation that continues to make a powerful impact through awards ceremonies, community events and tireless advocacy for autistic individuals and their families.

The Firepit Gallery provided a fitting backdrop for such an occasion. Known for its vibrant atmosphere and creative energy, it has become a hub for inclusive cultural events in London. On this particular evening, it felt less like a gallery and more like a community united by storytelling, compassion and purpose.

picture Andy Barnes .

As guests left the gallery clutching signed copies of A Thorn in the Rose, it was clear that this was more than just a book launch.

With Samantha Lee Howe now officially joining as a Patron, Anna Kennedy Online strengthens its growing network of passionate advocates committed to championing autistic voices and celebrating neurodivergent achievement.

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Columns Health and Fitness Lifestyle

GET NOMINATING FOR THE ANIMAL BOND AWARD

At the Autism Hero Awards

https://docs.google.com/forms/d/e/1FAIpQLScK1NsP01yyMpE26lOKlmRrI256MVurhaj-UnNfIf6Q7oTeZw/viewform

The Animal Bond Award at the Autism Hero Awards, organised by Anna Kennedy Online, is one of the most heart-warming and meaningful categories in the programme. It celebrates the profound and often life-changing relationships between animals and autistic individuals, shining a light on how these unique bonds enrich lives in extraordinary ways.

For many autistic people, animals provide comfort without judgement, routine without pressure, and companionship without expectation. Whether it is a loyal dog offering emotional regulation, a cat providing quiet reassurance, or another cherished animal companion helping to reduce anxiety and build confidence, these relationships can be transformational. The Animal Bond Award recognises those stories that demonstrate empathy, connection, and mutual understanding between humans and animals.

This special category is judged by a compassionate and experienced panel, including pet rescue star Wendy Turner Webster, alongside model and actress Victoria Featherstone Peace, and the talented Tess Eagle Swan who brings insight and authenticity to the judging process as ambassador of the charity. and her idea to add the category .

Tess with Kratu

Together, they celebrate stories that remind us how powerful kindness, trust, and unconditional love can be—proving that sometimes the strongest bonds are formed without words.

Please Nominate and come join us on the night the details below

https://annakennedyonline.com/category/autism-hero-awards/

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Columns Lifestyle People

SABRAGE at Lafayette: Champagne, Circus, and Controlled Chaos

Finding the perfect birthday experience for someone special is no small task—especially when expectations are high and the guest of honour is flying in from Lisbon with friends in tow. A month before the big day, my phone rang.

“Steven,” my best friend said, “I really want to do something fun for Hernando’s birthday. Something exciting. A show. There’ll be ten of us. What do you suggest?”

I’d been hearing whispers—more like delighted murmurs—circulating through my social circle about a production with just the right amount of cheeky X-factor. A show called SABRAGE. The reviews were glowing, bordering on evangelical, and once I looked further, the decision was made.

Described as an intoxicating collision of circus artistry, vintage glamour, high-octane acrobatics, and mischievous humour, SABRAGE promised far more than a conventional night out. It billed itself not merely as a show, but as an experience. And it 

delivers—spectacularly.

On Saturday evening, we headed to King’s Cross, an area that has undergone one of London’s most impressive transformations over the past decade. Once gritty and utilitarian, it’s now a cultural and social hub buzzing with confidence. Lafayette, located just four minutes’ walk from the station, sits discreetly behind the main thoroughfare—an architectural gem that immediately sets the tone.

From the moment you arrive, the welcome is warm and efficient. Even security manages to be charming—no small feat. Before entering the theatre space, there are a few house rules. Chief among them: no photographs of nudity. This might raise an eyebrow or two, but rest assured—nothing here is gratuitous. Everything is artfully staged, elegant, playful, and firmly in good taste. If you’re easily offended, this may not be your night—but if you appreciate sensuality delivered with wit and intelligence, you’re in safe hands.

One of SABRAGE’s most impressive feats—aside from the performers themselves—is the seamless audience experience. Drinks and food can be ordered directly from your seat via a simple scan, and every member of staff we encountered was genuinely helpful, friendly, and clearly proud of the production.

The show opens with a theatrical pop—a sword cleanly slicing the cork from a champagne bottle—setting the mood instantly. Our hosts glide onstage, equal parts ringmaster and rogue, and from that moment, the audience is completely seduced.

Then comes the talent.

Almost immediately, the room developed a collective crush on Flynn Miller, whose high-flying aerial act is nothing short of breathtaking. There is a rare beauty in watching someone so utterly in command of their body, defying gravity with elegance, strength, and apparent effortlessness. His performance alone would be worth the ticket price.

But SABRAGE is far more than a one-man triumph. The cast—drawn from the very best international circus and acrobatic talent—deliver a relentless parade of jaw-dropping moments. There is danger, precision, laughter, and an undercurrent of delicious rebellion throughout. Vintage glamour collides with modern irreverence, and the result is electric.

What makes SABRAGE truly special is its balance. It knows exactly how far to push without tipping into excess. The humour is cheeky rather than crude. The sensuality is teasing, never tawdry. The spectacle is bold but controlled. Every act feels curated, every transition intentional.

By the end of the evening, our table of ten—birthday boy included—was unanimous. This wasn’t just a successful celebration; it was a night none of us will forget. SABRAGE doesn’t simply entertain—it exhilarates.

If you’re looking for something genuinely different in London, whether for a birthday, celebration, or simply because life deserves more champagne-fuelled circus brilliance, SABRAGE at Lafayette should be at the very top of your list.

Rating: ★★★★★
A dazzling, decadent triumph.
 🥂🎪

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Columns Lifestyle People

A NEW YEAR MESSAGE FROM DR ANNA KENNEDY OBE.

Dr Anna Kennedy OBE  New Year Speech . 

By Steven Smith.

By Sue Crawford https://annakennedyonline.com

As we step into 2026, I want to begin by thanking every single reader of 2Shades for your continued support, compassion, and commitment to inclusion. Each year brings its own challenges, but it also brings fresh opportunities to listen, to learn, and to act — and it is that collective spirit which continues to drive the work my husband Sean and I are so proud to be part of, with the help of an incredible team of unpaid volunteers at Anna Kennedy Online.

One of the highlights already firmly marked in my diary is the Autism Hero Awards, taking place on 9 May. These awards are incredibly close to my heart. They exist to celebrate the unsung heroes within the autism community — parents, carers, professionals, advocates, and autistic individuals themselves — whose dedication so often goes unnoticed. The Autism Hero Awards are not about red carpets or grand gestures; they are about recognition, visibility, and gratitude. They remind us that change is driven by people who show up every day, quietly and consistently, to make life better for others.

Creativity and self-expression will also take centre stage this year with the Autism and Art Show, opening in July at the FirePit Gallery. Art has always been a powerful vehicle for communication, particularly for autistic individuals who may find traditional forms of expression limiting. This exhibition is not only a celebration of artistic talent, but a statement: autistic voices deserve to be seen, valued, and taken seriously in cultural spaces. The Autism and Art Show continues to challenge outdated perceptions and offers audiences the chance to engage with autism through creativity rather than cliché.

Anna and her team of trusted volunteers https://annakennedyonline.com

February also brings an exciting and meaningful moment with the book launch by Samantha Lee Howe, taking place on 28 February, in aid of Anna Kennedy Online. Samantha’s work is deeply personal and profoundly resonant, and this launch is a wonderful example of how storytelling can build empathy while directly supporting autism advocacy. Events like this remind us that awareness and action must always go hand in hand. Samantha is also a judge at the Autism Hero Awards, which we are delighted about.

This year also marks the 15th anniversary of Autism’s Got Talent, a milestone that fills me with immense pride. Over the past fifteen years, Autism’s Got Talent has provided a platform for autistic people to shine on their own terms — celebrating ability, ambition, and individuality. It has been a joy to witness so many participants grow in confidence and self-belief, and to see audiences rethink what talent truly means.

Anna with the owner of the Firepit gallery who host Autism & Art Marcus Jake and the legendery artist that is John Lee Bird. https://www.firepit.art/. http://johnleebird.com

Beyond events and milestones, ongoing conversation remains vital.

I am delighted to continue co-hosting  my radio show on Gateway Radio, alongside Aston Avery. The programme gives us space to discuss disability, inclusion, mental health, and real-world challenges honestly and accessibly. Radio remains a powerful medium for reaching people who may feel isolated, unheard, or overlooked — and those conversations matter more than ever.

https://annakennedyonline.com

However, alongside hope and celebration, there are serious concerns that cannot be ignored. One of the most pressing is the future facing younger autistic people as they grow into adulthood — particularly what happens when parents or primary carers are no longer there. Too many families live with quiet fear about long-term support, independence, housing, and care. Systems are often fragmented, under-resourced, and slow to respond. As a society, we must do better at planning for lifelong autism support, not short-term solutions.

Sean and I remain committed to fighting for diversity, inclusion, and practical change. Advocacy does not end with awareness campaigns; it continues in policy discussions, education, employment, healthcare, and community support. We will continue to challenge inequality wherever we see it and to stand alongside those who feel marginalised or forgotten.

As we move forward into this new year, my hope is simple: that compassion leads action, that listening leads understanding, and that inclusion becomes the norm rather than the exception. Thank you for being part of this journey. Together, we can — and will — continue to make a difference.

With warmest wishes for a hopeful, inclusive, and empowering year ahead.

END 
https://annakennedyonline.com

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Columns Culture People

Anna and Steven joined Wendy and Anthea Turner at the festive launch of their latest book, A Covent Garden Christmas.

It was a celebrity-packed afternoon on London’s iconic King’s Road as guests gathered for the launch of A Covent Garden Christmas, the latest festive children’s book from the ever-popular duo Wendy Turner and Anthea Turner. The event took place at the chic White Coco store, which proved the perfect setting for an afternoon brimming with seasonal cheer, literary sparkle, and familiar faces.

From the moment the doors opened, there was a palpable buzz as fans clambered for signed copies, eager to exchange a few words with the authors and soak up the festive atmosphere. The King’s Road, already alive with Christmas energy, felt even more special as the boutique filled with laughter, conversation, and the unmistakable excitement that only a book launch can bring.

Anna and Wendy

Among those lending their support were 2Shades columnists Dr Anna Kennedy OBE and Steven Smith, both warmly welcomed as they joined the celebrations. Their presence added to the sense that this was not just a publishing event, but a gathering of friends, creatives, and supporters coming together to celebrate storytelling and imagination.

A Covent Garden Christmas is the latest instalment in the much-loved Underneath the Underground series and marks the fourth adventure to delight young readers. This time, the story unfolds with deliciously eccentric flair: a bald Christmas tree, a missing butler, and a runaway red bus ensure that the festive season begins in anything but ordinary fashion. When King Charles and Queen Camilla find their royal Christmas plans descending into chaos, the pair are forced to improvise decorations, shop in disguise, and navigate a series of comic mishaps that will keep children giggling from page to page.

Steven Joins in the festive fun ,

Running parallel to this royal mayhem is a tender and imaginative story set beneath the streets of London. Snowball, a lonely white mouse, escapes his neglectful owner and stumbles into a secret underground world where theatre mice rehearse a magical pantomime at the spectacular London Palladium. It is here that friendship, creativity, and courage come to the fore. When Snowball is suddenly snatched away and the Underground’s handmade Christmas presents mysteriously disappear, it falls to the daring Special Mouse Services to save the day. With teamwork, bravery, and a sprinkling of festive magic, Christmas Day itself hangs in the balance.

Friends join Wendy and Anthea to celebrate their book launch ,

Brimming with humour, heart, and festive adventure, the book introduces a host of delightful new mousy characters while welcoming back many familiar favourites who have already captured the imagination of children everywhere. It is a story that celebrates kindness, resilience, and the joy of working together—timeless messages wrapped up in a thoroughly modern and mischievous Christmas tale.

The guest list reflected the book’s broad appeal. Among the celebrities in attendance were Loose Women panellist Jane Moore, renowned hairdresser Nicky Clarke, and Minder star and acting royalty Gary Webster. Each took time to congratulate Wendy and Anthea, praising the warmth and imagination that have become hallmarks of their writing.

Lisa Allen from the Pink Ribbon charity joins the fund with Anthea and Wendy .

No festive launch would be complete without seasonal treats, and guests were duly indulged with glasses of bubbly and delicious vegan mince pies—an inclusive touch that reflected the thoughtful spirit behind the book itself. Conversations flowed easily as attendees browsed the boutique, thumbed through freshly signed copies, and posed for photographs amid tasteful Christmas décor.

As the afternoon drew to a close, it was clear that A Covent Garden Christmas is set to become a firm festive favourite. With its blend of gentle satire, heartfelt storytelling, and London-centric magic, the book captures the very essence of Christmas—proving that whether you are royal, mouse, or somewhere in between, friendship and imagination can make the season truly unforgettable.

For more information, visit White Coco and Splendid Publications. https://www.splendidpublications.co.uk/blog/sisters-anthea-and-wendy-turner-on-the-same-page-once-more-as-they-enjoy-a-hello-magazine-photoshoot-and-discuss-their-new-book-the-kings-coronation-and-the-kohinoor-diamond

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Columns Culture Poetry

Morley Opera School Presents: Opera Scenes: CONSEQUENCESJohnny Harris Theatre Studio, Morley College London – Waterloo Centre December 11–13, 2025

By Steven Smith. https://www.morleycollege.ac.uk/event/morley-opera-school-presents-opera-scenes-consequences/

This December, Morley Opera School invites audiences to an evening of passion, wit, and reflection with Opera Scenes: CONSEQUENCES, a vivid exploration of human choices and their inevitable aftermath. Under the expert direction of William Kerley and musical direction by Panaretos Kyriatzidis, this production offers a captivating journey through some of opera’s most powerful and emotionally charged moments. With Nicholas Bosworth at the piano and Conor Costelloe crafting evocative lighting design, the performance promises to be both musically and visually enthralling.

The program brings together a diverse range of works, from the Classical elegance of Gluck and Mozart to the modern intensity of Britten and Poulenc. Each scene has been carefully chosen to highlight the theme of consequences—how human decisions, driven by love, pride, fear, or faith, shape the fates of individuals and societies alike.

The evening opens with Gluck’s Paride ed Elena, a lyrical portrayal of the mythic lovers whose choices ignite the Trojan War. Through Gluck’s graceful yet emotionally charged score, the audience witnesses how desire can lead to destiny’s most devastating turns. The theme of secrecy and consequence continues in Domenico Cimarosa’s Il Matrimonio Segreto(The Secret Marriage), where comic misunderstandings and clandestine vows lead to both hilarity and heartbreak. Cimarosa’s sparkling ensemble writing and elegant wit remind us that even the most humorous situations often conceal real emotional stakes.

From there, the performance moves to Mozart’s Idomeneo, a masterwork of the Classical era that delves into the tension between duty and compassion. When the Cretan king must sacrifice his own son to appease the gods, Mozart’s music swells with moral anguish and divine intervention—a striking depiction of how promises made in desperation can lead to unbearable consequences.

The evening then shifts to the haunting world of Benjamin Britten’s The Rape of Lucretia, a twentieth-century chamber opera that reimagines an ancient Roman tragedy. Britten’s sparse, evocative score and stark moral commentary confront audiences with questions of innocence, violation, and redemption. It is one of the evening’s most profound explorations of consequence—where an individual act of violence reverberates through history.

Finally, the performance concludes with scenes from Francis Poulenc’s Les Dialogues des Carmélites, a deeply moving account of faith, fear, and courage during the French Revolution. In this extraordinary work, a community of nuns faces execution for their beliefs, and each character must decide how to confront mortality with dignity. Poulenc’s luminous harmonies and spiritual depth offer a fitting conclusion to a night that examines the human condition in all its complexity.

Opera Scenes: CONSEQUENCES is more than a showcase of operatic talent—it is a reflection on the moral and emotional choices that define us. Presented by the students of Morley Opera School, it demonstrates the artistry, discipline, and dramatic insight cultivated within this renowned institution. Among its talented performers is Jadwiga, a classically trained singer and music graduate who offers private singing lessons in classical, opera, and musical theatre styles https://www.morleycollege.ac.uk/event/morley-opera-school-presents-opera-scenes-consequences/

Performances take place on Thursday, December 11 at 7:30 PMFriday, December 12 at 7:30 PM, and Saturday, December 13 at 2:00 PM at the Johnny Harris Theatre Studio, Morley College London, 61 Westminster Bridge Road, SE1 7HT. Tickets are priced at £10.00 (plus booking fee £11.55 online).

An evening of beauty, reflection, and emotional truth, Opera Scenes: CONSEQUENCES is an essential event for opera lovers and newcomers alike—a reminder that every choice, whether divine or human, carries its echo.

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Columns Lifestyle People

Autism’s Got Talent Returns to London’s Mermaid Theatre with a Dazzling Global Line-up


On Saturday the 11 October, the spotlight shines on extraordinary talent as Autism’s Got Talent takes centre stage at the Mermaid Theatre in London. Organised by the award-winning charity Anna Kennedy Online, this uplifting and inclusive event brings together over 24 performers from around the world, including the United States, for an evening that promises inspiration, celebration, and unforgettable entertainment.

With doors opening at 6:00 PM and the show starting at 7:00 PM, this year’s event is set to be one of the biggest yet — showcasing not only incredible talent but also the power of inclusion and acceptance.

Dr Anna Kennedy OBE

A Stage That Changes Lives

Unlike traditional talent shows, Autism’s Got Talent isn’t about competition — it’s about celebration. It provides a rare and empowering platform for performers who are autistic or neurodivergent, allowing them to share their unique voices, stories, and creative gifts.

Founded by autism ambassador and campaigner Anna Kennedy OBE, the event was born out of a desire to challenge stereotypes, raise awareness, and offer meaningful opportunities for those often overlooked in mainstream media and entertainment.

“This is not just a show — it’s a movement,” says Anna Kennedy. “Autism’s Got Talent is about breaking down barriers and giving people a chance to shine. Every performer brings something special to the stage, and the audience leaves inspired and moved.”

From singers and dancers to poets, musicians, magicians and comedians, the show highlights the diverse range of talentwithin the autism community. Many of the performers have never had the chance to appear on a professional stage before — making the experience deeply personal and empowering.

Award winning presenter Aston Avery

Star-Studded Presenters & World-Class Venue

Hosting this year’s spectacular event are award wining  Gateway DJAston Avery, and youth theatre organiser  Phil Barnett , a dynamic trio known for their charisma, warmth, and dedication to the autism community. Their presence helps create a relaxed, friendly atmosphere where performers feel supported and celebrated.

The iconic Mermaid Theatre — a central London venue known for its stunning acoustics and accessibility — is the perfect backdrop for the evening. Its state-of-the-art stage and welcoming environment make it ideal for a show of this scale and heart. Visit: www.the-mermaid.co.uk


What to Expect

With over two dozen acts from across the UK, Europe, and America, audiences can expect an exciting mix of performances filled with energy, passion, and originality. No two acts are alike, and every moment of the show is infused with authenticity and emotion.

The audience is encouraged to cheer, clap, and support every performer — creating an atmosphere of celebration rather than judgment. The focus is on ability, creativity, and joy.

Whether it’s a powerful vocal performance, an emotional poem, a jaw-dropping dance routine, or a surprise act that defies genre, every artist takes the stage with courage and pride.

Anna Kennedy and her dedicated team behind Anna Kennedy on line

More Than Just a Show

Proceeds from the event go directly to Anna Kennedy Online, a UK charity that provides vital support, resources, and advocacy for individuals and families diagnosed by autism. The charity works year-round to raise awareness, run workshops, support networks, and create opportunities like Autism’s Got Talent.

“This event shows what’s possible when we give people the space and support to thrive,” says Anna Kennedy. “It’s about changing perceptions, building confidence, and proving that being different is something to be celebrated.”


some of the shows past acts

Event Details

  • Date: Saturday the , 11 October 2025
  • Venue: The Mermaid Theatre, London
  • Doors Open: 6:00 PM
  • Show Starts: 7:00 PM
  • Tickets & Infowww.annakennedyonline.com

Final Word

In a world where neurodiverse individuals often face barriers to expression, Autism’s Got Talent offers something truly special: a night where every voice matters, every performance is met with applause, and talent is judged not by convention — but by heart.

Whether you’re a long-time supporter of the autism community or simply looking for an evening of uplifting entertainment, this is one event you won’t want to miss.

In particular, Anna Kennedy on Line would like to thank their sponsors Mermaid Theatre, The Harley Street Skin Clinic, Orange Orchid, Talem Law, SEND Tutoring, and SEN Tutoring for their invaluable support. Without you, we simply could not continue to do what we do.

https://www.harleystreetskinclinic.com

https://orange-orchid.co.uk

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Columns Health and Fitness Uncategorized

How to Grow, Maintain & Style Your Moustache

By Mike the Barber

Listen, up Mike is back . You’re thinking about growing a Moustache? Maybe for November  Good call. Nothing changes your look quicker than a solid ’stache. But here’s the thing: if you want it to look sharp and not like you’ve just crawled out of a cave, you’ve got to know how to grow it right, keep it clean, and style it like a pro. Lucky for you, I’m here to give you the lowdown . https://uk.movember.com

Step 1: Growing Your Moustache

Be patient

Rome wasn’t built in a day, and neither is a proper Moustache. Depending on your hair type, it can take three to six weeks before it really starts to take shape. Don’t rush it — let nature do its thing.

Barber’s Tip: Forget that old wives’ tale about shaving making it grow back thicker. Doesn’t work. What does help? Eating well, getting sleep, staying active, and keeping your skin clean. Healthy body, healthy hair.

Grow the tach  first

Here’s the trick: instead of letting just the lip fuzz sit there looking lonely, grow your whole beard out. Once the mustache thickens up, then shave the beard. That way, you dodge the awkward “half-grown” look.

Invest in a trimmer

Trust me, a good trimmer is worth its weight in gold. Scissors are fine for touch-ups, but if you want precision, get yourself a rechargeable trimmer with adjustable guards. Or come see me once a week 

Celebrity client Nick Nevern

Define the shape

Most Moustaches run to the corners of your mouth and stop there. Keep the lip hair, shave the cheeks, chin, and jaw. Once you’ve carved out the shape, leave it alone and just keep the rest of your face tidy.

Keep it clean

Facial hair traps oil, sweat, and the crumbs from last night’s sandwich. Wash it a couple times a week with a mild shampoo and conditioner. Softer hair = less itch. If you’re fancy, a little beard oil won’t hurt. After all that tach can bring all the boys or gals to the yard but if it isn’t clean they will run right back 

yes thats 70’s who’s your daddy ? looks is back and Mike here to show you how to get it and maintain ,

Step 2: Maintaining the ’Stache

Keep it neat

Even the wildest Mustache needs a little discipline. Snip stray hairs with scissors or lightly buzz the ends with your trimmer. How often depends on your style — could be daily, could be weekly.

Wash and groom

A good foaming face wash in the morning and before bed keeps your skin clear and your mustache fresh. Nobody likes a greasy upper lip.

Train it with wax

If you’re going for anything beyond “basic lip rug,” you’ll need wax. Warm a little between your fingers, rub it through, then comb it from the middle outward. Beard combs work best — small teeth, good control.

Mikes work the ultimate in 1920s tach

Step 3: Styling Ideas

Now for the fun part. What kind of moustache guy are you?

  • The Pencil: Thin, sharp, clean lines. Think old-school film star or John Waters.
  • The Boxcar: A neat rectangle above the lip, stopping before the corners. Straightforward and tidy.
  • The Fu Manchu: Hair extends down past the jawline. Bold move — not for the faint-hearted.
  • The Handlebar: Grow it long, curl the ends up with wax. Victorian gent or modern hipster, your pick.
  • The Walrus: Big, bushy, covers the top lip. Think Teddy Roosevelt chopping wood.
  • The Selleck: Full, strong, classic. You’ve seen it a thousand times — it never goes out of style.

And here’s the truth: you don’t need to stick to just one. Mix, match, experiment. Worst case? You don’t like it, you shave it off. Best case? You find your signature look.

Looks like a star .

Final Words from the Barber’s Chair

A Mustache isn’t just hair on your face — it’s a statement. Take the time to grow it right, keep it clean, and wear it with confidence. Remember: a man doesn’t just grow a Mustache. He earns getting to ask “Who’s Your Daddy? “ 

Find Mike at .

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