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2026 Autism &Art Show entries

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This year’s much-anticipated Autism & Art Show, taking place on 24th July 2026, promises to be a powerful celebration of creativity, individuality and artistic expression. Presented by Anna Kennedy Online, in collaboration with Firepit Art Gallery on London’s vibrant Greenwich Peninsula, the exhibition will once again shine a spotlight on the incredible talents of autistic artists and their allies.

More than simply an art exhibition, The Autism & Art Show is a platform for voices to be heard, stories to be told and creativity to flourish. Through painting, sculpture, photography, mixed media and contemporary works, visitors will experience a diverse collection of art that reflects the unique perspectives, imagination and lived experiences of its artists.

Presented by Anna Kennedy Online, a charity dedicated to supporting autistic people and their families, the exhibition also plays an important role in raising vital funds to help continue its life-changing work. By supporting the show, visitors are not only discovering extraordinary talent, but also helping champion inclusion, opportunity and understanding within the autism community.

Held in partnership with the much-loved Firepit Art Gallery, renowned for championing emerging and independent creatives, the exhibition promises to be an inspiring, uplifting and unforgettable event. Whether you are an art lover, collector, supporter of the autism community or simply curious to discover fresh creative voices, The Autism & Art Show 2026 is set to be one of the summer’s most heartwarming cultural highlights.

Lana Mitchell

21 Lana, who lives with autism, once feared unfamiliar environments. In 2024, she began volunteering at Shelter Crystal Palace, where her uniqueness was embraced and her creativity blossomed. She now designs themed window displays and has performed at Autism Got Talent .

Art By Connor £100

Connor is 18 years old and profoundly autistic. Although he cannot tell us where his incredible talent and passion for drawing come from, his artwork speaks for itself. Drawing entirely from memory and using only the inner cartridge of a biro pen, Connor creates stunningly detailed pieces with extraordinary focus and precision, his pen rarely leaving the page. His favourite subject is churches, and while we do not know what first inspired this fascination or how he recalls such remarkable detail, each drawing reflects a unique gift and an extraordinary way of seeing the world. Through his art, Connor expresses what words cannot, sharing his creativity, dedication, and exceptional talent with everyone who views his work

Cosmic Kat from 300

Cosmic Kat is a self-taught artist based in Hucknall, Nottinghamshire who grew up in N.Ireland. Her work features bright colours, alien worlds and fantastical creatures. She was late diagnosed Autistic aged 30 and her work explores the themes of grief, unmasking and identity that this entails.



Loveartpix offers from £1000

Loveartpix (Dez)

Loveartpix , a self-taught AudHD (Autism + ADHD) artist from Manchester, uses creativity as a vital outlet for mental health and self-expression. Diagnosed with Bipolar Disorder, Autism, and ADHD, he began his art journey in 2018 as therapy. His vibrant work often reflects the spirit of Manchester and the experiences of neurodivergence

Sun flowers by Angelo Kennedy £500

Angelo, 33, is autistic and lives with significant sensory processing disorder. On display is a vibrant painting of sunflowers he created at just 10 years old. Angelo enjoys cooking, bowling, and continues to work hard on his independent living skills. His brother, Patrick, is also on the spectrum and works at Pinewood Studios

Blanky from £50 each

Alastair Blaster Artz

Alastair McEwen, also known as BlasterArtz, is a full-time carer for both his disabled parent and autistic son. Through art, he finds a way to manage emotions, connect with loved ones, and reflect on mental health. His heartfelt piece Blanky, created with friend and writer Steven Smith, has moved many and embodies the power of art as a lifeline.

XLVII is a leading figure in the UK urban art scene, renowned for his distinctive graphic style and iconic character, SNAMUH. Combining bold pop-culture influences with the energy of street art, his work explores themes of identity and freedom of expression through vibrant colours, strong character design, and striking visual storytelling. A regular participant in painting jams, gallery exhibitions, and live art events across the country, XLVII has established himself as one of London’s most prolific contemporary urban artists. Now exhibiting at The Fire Pit Gallery, he is generously donating his featured artwork to help raise funds for Anna Kennedy Online, supporting autistic people and their families. Follow his work on Instagram: @xlvii.

Nazaraptor (NAZARAP7OR) is a highly respected figure in the UK urban art scene, known for her energetic style and iconic character, MUCHE. A member of renowned graffiti collectives including CBM, GPC, and ACC (All City Crew), her vibrant work can be seen across the UK, from city streets to galleries and public spaces. Her bold use of colour, expressive handstyles, and unmistakable visual identity have earned her a strong reputation within both street art and contemporary art circles. Currently exhibiting at The Fire Pit Gallery, Nazaraptor brings the energy and creativity of graffiti culture onto canvas. Demonstrating her commitment to giving back, she has generously donated her artwork to help raise funds for Anna Kennedy Online, supporting autistic people and their families. Follow her work on Instagram: @nazaraptor.

Sam Bickerton

Sam, diagnosed with ASD and dyslexia, demonstrates resilience in the face of social and emotional challenges. From early Lego builds to his love for origami, mask-making, and boxing, Sam’s creativity offers a safe space for self-expression and calm. His journey is one of strength and self-discovery through art.

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Denise Welch Nearly Drowns in the Love at The Mighty Hoopla

Denise Welch Nearly Drowns in the Love at Mighty Hoopla

It might have been “Raining Men” with Denise Welch at Mighty Hoopla on Saturday — but the actress, presenter and beloved LGBTQ+ ally had little idea she would be positively drowned in love by thousands of adoring festival-goers.

Temperatures were soaring as the glamorous, fabulous and utterly gorgeous descended upon London’s much-loved Mighty Hoopla festival, held in Brockwell Park. Yet somehow, despite the blazing sunshine, the energy only got hotter as crowds gathered for one of the UK’s most joyful celebrations of pop culture, inclusivity and self-expression.

For those unfamiliar, Mighty Hoopla has grown into something of a cultural phenomenon since launching in 2017. Originally conceived as a playful, pop-loving alternative festival, it has blossomed into one of the UK’s biggest celebrations of queer culture and music, welcoming everyone from pop superfans to families, drag artists, celebrities and festival lovers under one glitter-covered umbrella. It sits somewhere between Pride, a giant theatrical daydream and a fabulous summer carnival — not quite Pride itself, but absolutely driven by the same spirit of love, acceptance and freedom.

The audience is wonderfully eclectic, as are the performers. Think A Midsummer Night’s Dream with sequins, cocktails and singalongs.

Celebrity spotting alone was worth the ticket price. Among those mingling were RuPaul’s Drag Race UK winner Tia Kofi, EastEnders star Natalie Cassidy, the ever-divine Kate Thornton accompanied by her lovely mother Sandra, and Smoggie Queens star Phil Dunning — who, quite frankly, deserves a BAFTA. Vanderpump Rules favourite Scheana Shay also added a touch of Hollywood sparkle to proceedings. That, however, was merely the tip of the star-studded iceberg.

People-watching at Mighty Hoopla deserves five stars in itself. From feather boas to outrageous glitter looks and fashion statements that could stop traffic, every corner offered a visual feast. Though the heat was relentless, I managed to find a shady sanctuary with my bestie Pam Sharrock, where we enjoyed a cocktail or two. A small warning — drinks are certainly not cheap — but beautifully made and served by wonderfully friendly staff.

With Pamela Sharrock she neves says no to a big Gregg’s vegan sausage roll at the Mighty Hoopla one of the sponsors .

Then, just before six o’clock, something shifted in the atmosphere.

You could feel it.

Presenter GK Barry took to the stage, jokingly warning of incoming “weather warnings” as excitement rippled through the crowd. Suddenly, phones were raised skywards, screams erupted and people began jumping up and down in delight.

The reason?

Denise Welch had arrived.

Styled impeccably by Ryan Kay, Denise looked sensational in a striking red coat, flanked by semi-clad dancers as she launched into a spirited rendition of the 1982 classic It’s Raining Men. And my goodness — did the crowd go wild.

It genuinely felt as though the festival had suddenly burst into full bloom.

Denise, now 68, was visibly emotional as she addressed the audience, telling fans: “I will always be an ally of the LGBTQ+ community and I will fight with you.”

In one of the most touching moments of the set, she paid tribute to her late father, the much-loved Vin Welch — a heterosexual Whitley Bay drag performer known as Raquell. Denise fondly recalled how, while other drama school students were being treated to McDonald’s, her father would instead take her to London’s legendary Black Cap in Camden to watch drag shows.

“How I’m not gay is beyond me,” she laughed to huge cheers from the crowd.

By the end, Denise appeared genuinely moved by the reception.

Denise and her amazing Dad Vin ,

One thing is certain — Denise Welch may have arrived as a surprise guest, but she left Mighty Hoopla absolutely drenched in love. backstage was husband 53 year old Artist Lincoln Townley. Taking a brief break from filming, her west end star son Louis Healy, 26, and Loose Women producer Mattie Jameson were amongst those waiting to congratulate her . Big shout out to Denise incredible manager Bex Elliff .

https://www.mightyhoopla.com

Denises clothes https://www.instagram.com/ryankaystyles

Make-up Toby Salvietto.

Denise Welch and her gang of loyal friends ,
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Blanky meets Pink Ribbon

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t was with palpable excitement that artist Alistair Blaster unveiled a deeply personal and touching tribute to Lisa Allen of the Pink Ribbon breast cancer charity—her very own “Blanky,” lovingly created in her image. The presentation took place at the Firepit Gallery by the O2, a vibrant creative hub that has become synonymous with championing grassroots art and meaningful causes. Surrounded by an enthusiastic and supportive crowd, the moment captured not only the spirit of artistic expression but also the profound sense of community that events like this inspire.

The evening was a celebration of both creativity and compassion, with attendees gathering to support the vital work of the Pink Ribbon charity. Alistair’s piece stood as a heartfelt acknowledgment of Lisa Allen’s tireless dedication and the impact she continues to make in raising awareness and supporting those affected by breast cancer. The “Blanky” itself—playful yet poignant—embodied warmth, comfort and resilience, echoing the very ethos of the charity it honoured.

Also on display was the striking work BustOut by artist Anne-marie Bickerton, whose bold and expressive style added another layer of depth to the evening’s artistic offering. Her work, known for its emotional intensity and fearless use of colour, complemented the tone of the event perfectly, reinforcing how art can be both visually captivating and socially powerful.

Alistair Blaster is rapidly emerging as a distinctive voice within the contemporary art scene. His unique creations—often character-driven and rich in narrative—have already attracted the attention of notable figures, including Vicki Michelle Allo Allo ” and Dr  Anna Kennedy. OBE His work has also begun to cross into storytelling, inspiring children’s literature that carries the same warmth and imaginative spirit found in his visual pieces.

Speaking about the inspiration behind the “Blanky,” Alistair shared: “I am a huge supporter of Pink Ribbon, and I wanted to do something to celebrate not only the charity but Lisa Allen, who is truly inspirational in her work.” His words resonated with many in the room, underlining the importance of recognising the individuals behind charitable movements—those who quietly and consistently make a difference.

The event at Firepit Gallery was more than just an art showcase; it was a reminder of how creativity can be harnessed for good, bringing people together in support of causes that matter. With his growing reputation and heartfelt approach, Alistair Blaster is certainly an artist to watch.

For more on Alistair’s work, visit: https://2shadesmagazine.com/2025/03/02/blanky/

Chapter 3 BLANKY

https://www.pinkribbonfoundation.org.uk

https://www.firepit.org.uk

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Ciara Lawrence’s Pink Sparkle Podcast celebrates Five years with Dr Anna Kennedy OBE .

Ciara Lawrence’s Pink Sparkle Podcast Celebrates Five Fabulous Years
With Dr Anna Kennedy and special guests

Words: Steven Smith
Pictures: Antony March

Everything was shimmering in shades of pink on Thursday evening as Ciara Lawrence took to the stage at Metropolis Epsom to celebrate the fifth anniversary of her much-loved Pink Sparkle Podcast. Dressed in a stunning pink outfit that perfectly captured the spirit of the night, Ciara embodied the warmth, glamour and resilience that have become synonymous with her brand.

https://pinksparklepod.com

The evening was more than a celebration—it was a heartfelt tribute to a journey built on courage, connection and community. Special guest Dr Anna Kennedy brought with her an inspiring lineup of performers from Autism’s Got Talent, including Ethan Stewart, Marie Gorton, , Richard Anthony ,George Pond and Callum Kirrage. Together, they helped create a vibrant, uplifting atmosphere for what was a live recording in front of an enthusiastic and deeply engaged audience.

Ethan Stewart

Anna Kennedy, clearly moved to be part of the milestone event, spoke warmly about Ciara’s journey. “Ciara, I knew the minute I met you that you were a winner, and that The Pink Sparkle Podcast was something truly special,” she said, her words met with heartfelt applause.

Marie Gorton

Ciara, ever the consummate professional, balanced emotion with humour throughout the evening. She laughed and joked with the crowd, sharing stories of past guests—including her admiration for TV personality Rob Rinder—and revealed her hope to one day welcome his friend Rylan Clark onto the show. Yet at the heart of the evening was something far more personal: her journey with Anna Kennedy.

Calum Kirrage

“Despite everything I faced, you saw me in a room, came over, and it changed my life,” Ciara said, visibly emotional at times, holding back tears as she reflected on how that moment shaped her path.

Behind the scenes, the dedicated team from Anna Kennedy Online ensured the evening ran seamlessly. Lisa Robins—often described as the woman who “oils the wheels” of the organisation—handled the sound and event logistics with her usual professionalism, while Tally Nothey captured special moments on film, including a heartfelt thank-you message to Stacey Moore for her support.

There was even a surprise appearance from yours truly, as I marked 13 years with a charity that has profoundly changed my life. I shared a few chosen words about what the journey has meant to me—though, as many will attest, stopping me talking is no easy feat.

Me with two amazing ladies Dr Anna Kennedy OBE and Ciara Lawrence

Richard Anthony also deserves special mention, not only for his ongoing charity work but for delivering a memorable performance on the night.

George Pond

Gratitude must also go to Metropolis Epsom for generously providing the venue, helping to make the evening possible.

Richard Antony walking In with Happiness charity and fund raiser performed,

Anna’s final word “Ciara, thank you for allowing me to be part of your journey. Your sparkle is not just pink—it’s powerful, inspiring, and here to stay. I’ll always be cheering you on.”

Pictures Antony March

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Why Piers Morgan is on the side of The LGBTQ+ community .

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Why Piers Morgan Might Miss a Beat on Mental Health — But He Is on the Side of the LGBTQ+ Community

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“I disapprove of what you say, but I will defend to the death your right to say it.” — Voltaire

Let’s get one thing straight about Piers Morgan: he is no homophobe. I am re-running a feature I penned around the time he walked out of Good Morning Britain. No, I do not agree with his views on mental health for the most part, but he is entitled to his opinion. I was dumbfounded that he did not take Kevin Spacey to task over giving Elton John as a moral character reference. Having been a guest as a teenager at the Rocket Man’s house, I believe the truth will come out. His interview with the deluded TikTok personality HSTikkyTokky showed his stance against homophobia, and I will be writing about that in my column next month. For now, please read why Piers is, in fact, an LGBTQ+ ally.

Steven Smith takes a look at the meteoric rise of what could arguably be the ultimate school bully, Piers Morgan. He asks: as an adult society that often does not move far beyond the playground, do we actually revel in Morgan’s Machiavellian ways? Is he a friend to the LGBTQ+ community, and should he be fired from Good Morning Britain for his apparent sexist views and for questioning whether we should teach children that there are 100 genders?

Victoria Wood is about to come on stage at the Royal Albert Hall, and I am in the box, hosted by her PR, Neil Reading, with a variety of celebrities, journalists, and media types. The lovely Dale Winton is chatting away to me—fabulously bronzed, styled to perfection, charming and witty. Everyone is excited about the show when suddenly the air changes.

RIP Dale Winton

“Oh God, no!” Dale shrieks, as if Maleficent herself had appeared to cast a spell over us. Some of the other guests look uncomfortable too. No—it is not Maleficent. It is Piers Morgan, then the youngest editor of the Daily Mirror. Dale does all he can to avoid him, but Piers makes a beeline, grinning from ear to ear. “How’s that bottom doing, Dale?” Dale’s tan deepens two shades. “Fine, Piers, thanks,” he replies, avoiding eye contact. The penny drops. The Daily Mirror had splashed that Dale had been paying for colonic irrigation treatments at a clinic in London’s trendy Beauchamp Place—the same clinic frequented by Princess Diana. Somehow, they had photos of him leaving.

If Dale had turned around and said, “Oh, just great! You should try it, Piers—wash some of that rubbish you write straight out of you!” I suspect both men might have laughed, and Piers might even have offered him a column. The scenario did make me chuckle. Piers was goading his subject like a provocateur returning to the scene of the crime. It was no big deal—but Dale was private, kind, and is still sadly missed.

The next “victim” was Anthea Turner, splashed across the tabloids during her very public relationship scandal involving Grant Bovey. Piers had that unmistakable school bully energy—unable to resist the poke. Yet here’s the paradox: he also wanted to be one of them, a celebrity himself.

Let’s be clear—Piers Morgan is a genius. Rupert Murdoch made him editor of the now-defunct News of the World at just 29. He has the rare ability to remain calm while provoking others—an ability that later defined his interviewing style. Sometimes uncomfortable, often gripping, always headline-making. And when he chooses, he can be kind.

At a wedding with Barbara Windsor and her husband Scott Mitchell, Piers joined our table. He was delightful, charming, engaging. Until a PR woman confronted him. Piers remained calm while she became increasingly furious, eventually storming off. He had that effect—controlled chaos.

Under his leadership, the Daily Mirror became more progressive on gay issues, especially compared to rival tabloids. He helped elevate voices like Sue Carroll, a fierce advocate for LGBTQ+ rights and a dear friend of mine. He also co-created the Pride of Britain Awards alongside Peter Willis. But let’s not kid ourselves—we still have a long way to go before tabloids are truly safe ground for the LGBTQ+ community.

After the Abu Ghraib scandal and other controversies, which he has always denied wrongdoing in, Piers was sacked. You might expect him to disappear. Instead, like a phoenix, he came back stronger. From television appearances to America’s Got Talent, from winning The Celebrity Apprentice under Donald Trump, to taking over Larry King’s CNN slot, he rebuilt himself as a global media personality.

And here’s the key point: on LGBTQ+ issues, Piers Morgan has consistently shown support. He has challenged so-called conversion therapy advocates on air, telling one, “Shut up, you bigot.” He has supported figures like India Willoughby and publicly backed trans rights in debates. There is simply no credible evidence that he is anti-gay.

Now critics call for him to be cancelled—over gender debates, over tone, over clashes with guests. But should he be fired? No. If we silence every voice we disagree with, we risk losing something vital: dialogue, understanding, and progress.

I want to hear opposing views—even uncomfortable ones. That is how we measure how far we still have to go. We have made huge progress. Ten years ago, LGBTQ+ role models speaking in schools would have been unthinkable. But progress requires conversation, not cancellation.

Yes, Piers gets it wrong, especially on mental health. I believe he owes Denise Welch an apology. But he also reflects a segment of public opinion we cannot ignore. We must challenge hatred, but not silence debate. Because if we push dissenting voices underground, we risk something worse: backlash.

So no, I do not agree with everything Piers Morgan says. But I would still want him on my side.

And one final thought: can someone explain the “100 genders” to me? Not out of defiance, but because I want to understand. Asking questions does not make someone a bigot—it makes them human.

END

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Big Rob The Gentle Giant who becomes the star of Last One Standing

Big Rob: The Gentle Giant Who Became the Heart of Last One Standing

Big Rob becomes the gently sensitive giant who has emerged as the standout star of Last One Standing: Handcuffed.

Known to many through his work on OnlyFans and often described as a “gentle giant,” Rob has proven himself to be one of the most compelling and quietly powerful figures in the show. What makes his journey so impactful is not simply the contrast between his profession and the programme’s premise, but the dignity, patience, and emotional intelligence he has brought to every moment on screen. In doing so, he has not only represented himself with pride, but has also offered a refreshingly human portrayal of the LGBTQ+ community to a broad—and at times sceptical—audience.

I am a huge supporter of Andy Lee and his gang of merry, mostly straight men. After all, for years straight men have ogled and slobbered over Playboy bunnies and the like, with very little chance of ever fulfilling those fantasies. So in equal measure, why shouldn’t someone be able to make a living from fulfilling the fantasies of others?

But what this show reminds us—powerfully—is that behind labels and professions, people are human. From the outset, pairing Rob with Charlie Gray—a self-described prude, traditional housewife, and devout Catholic—could have been a recipe for conflict or caricature. On paper, they represent two vastly different worlds. Yet what has unfolded is something far more nuanced and, at times, unexpectedly moving.

Rob has consistently approached Charlie with kindness, humour, and respect. He has never mocked her beliefs or discomfort, but instead has met her exactly where she is. That, in itself, is a powerful statement: difference does not have to lead to division.

Throughout the series, viewers have witnessed moments of tension, vulnerability, and even emotional breakdowns. These are not manufactured dramas, but genuine human reactions to an intense and unusual situation. In those moments, Rob has shown remarkable emotional resilience. He has remained grounded, often acting as the calmer presence, even when the situation could easily have pushed him into frustration. This ability to hold space for another person—especially someone so different from himself—speaks volumes about his character.

The now-infamous shower scene, while played for awkward humour, actually revealed something deeper. Rob’s willingness to simply be himself, without embarrassment or bravado, contrasted with Charlie’s visible anxiety. Her decision to wear a bright yellow blindfold—despite already facing away—was both comical and telling. Yet Rob did not exploit the moment. He handled it with sensitivity, allowing the humour to exist without making Charlie feel exposed or ridiculed. In that moment, he demonstrated respect not just for her boundaries, but for the wider audience watching.

Representation matters, and what Rob has brought to the screen is a version of LGBTQ+ identity that is layered, grounded, and relatable. Too often, individuals from the community—particularly those in the adult industry—are reduced to stereotypes or dismissed entirely. Rob challenges that narrative. He shows that someone can be part of that world and still be thoughtful, kind, emotionally aware, and worthy of respect. That balance is rarely shown on mainstream television, and it is precisely why his presence feels so important.

Moreover, his journey with Charlie subtly challenges preconceived ideas on both sides. For viewers who may share Charlie’s traditional views, Rob becomes a bridge—someone who defies expectation and invites empathy. For LGBTQ+ viewers, he offers representation that is unapologetic yet deeply human. He does not try to sanitise who he is, nor does he lean into stereotype; he simply exists as himself, and that authenticity resonates.

As the competition continues and the pair remain in the running, it is clear that Rob’s contribution goes far beyond entertainment. He has brought heart, humour, and humanity to the show. In doing so, Big Rob has not only done himself proud—he has represented the LGBTQ+ community with grace, strength, and quiet brilliance.

Rob is someone you would want on your side—and someone who absolutely belongs on our screens, just as he is with his boxers up .

https://www.channel4.com/programmes/handcuffed-last-pair-standing

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Why the World Has Fallen in Love with Bad Bunny

Why the World Has Fallen in Love with Bad Bunny

An amazing Super Bowl half time show with Bad Bunny and lady Ga Ga

For just over thirteen unforgettable minutes, Bad Bunny showed the world what America can be at its very best.

In an era too often dominated by division, fear and noise, the Puerto Rico–born megastar delivered something rare and precious: a performance rooted in empathy, diversity, unity and love. It was a reminder that kindness still matters. That culture still connects us. And that music, when created with honesty and heart, has the power to heal.

Watching his Super Bowl performance, I felt goosebumps ripple through me. It was one of those rare moments that catches you off guard — when entertainment quietly becomes something deeper. Tears welled in my eyes, not just because of the spectacle, but because of what it represented. When Bad Bunny, born Benito Antonio Martínez Ocasio, later handed his Grammy trophy to a young boy, it symbolised everything he stands for: generosity, humility, hope, and the belief that success means very little if you do not lift others with you.

Only a week before that performance, he had achieved another historic milestone, winning multiple Grammys and securing Album of the Year for a Spanish-language record — the first time in the ceremony’s history. It was far more than a personal triumph. It was a cultural moment. It declared, loudly and clearly, that Spanish-speaking artists, stories and voices belong at the very centre of global culture.

A Voice for Millions

Bad Bunny represents more than music. He represents identity.

Over 50 million Americans speak Spanish, and many millions more around the world share that language. For decades, their stories were often pushed to the margins. Today, through artists like Bad Bunny, those voices are finally being heard — not as niche or alternative, but as mainstream, powerful and essential.

What makes his music so extraordinary is that you do not even need to understand every word to feel its impact. I have sat in operas sung in German and Italian and been deeply moved without speaking either language. Music, at its best, transcends translation. It lives in rhythm, tone, emotion and feeling.

Bad Bunny’s songs do exactly that. They make you want to dance. They make you want to smile. They make you want to belong. They invite everyone into the room — regardless of age, background or nationality — and say, “You are welcome here.”

That sense of inclusion is no accident. It is the foundation of his work.

More Than a Performer

What truly sets Bad Bunny apart is not just his talent, but his courage.

He has consistently challenged stereotypes around masculinity, fashion and identity. He wears nail polish. He experiments with clothing. He speaks openly about mental health. He advocates for LGBTQ+ rights. He stands up for his community when injustice strikes. And he does so without preaching, without arrogance and without apology.

In doing so, he has become a role model for millions who may never have seen themselves reflected in mainstream culture before. Young men who felt pressured to hide their softness. Young people who felt different. Young artists who wondered if there was space for their voice.

Bad Bunny proves that there is.

And that authenticity is not weakness — it is strength.

A Night of Healing

His Super Bowl performance was not just entertainment. It was a tonic for the soul.

At a time when many Americans — and people across the world — are grappling with uncertainty, financial pressure, social division and emotional fatigue, the show offered something desperately needed: joy.

It reminded us what it feels like to be united by a shared moment. To laugh, cheer, sing and dance together. To forget our worries, even briefly, and simply exist in celebration.

That is the true power of culture. It builds bridges where politics builds walls.

truly beautiful as love came together Lady Ga Ga , Ricky Martin and Bad Bunny ,

Standing Among Legends

Bad Bunny was not alone in delivering that message.

Lady Gaga’s performance of Hold My Hand was another beacon of light — a moving tribute that honoured courage, compassion and resilience. Her voice carried both strength and vulnerability, reminding us that patriotism is not about shouting the loudest, but about caring the deepest.

I was lucky enough to see Lady Gaga when she was just starting out, performing at Wilton Manors’ Bill’s Filling Station. Even then, she had that unmistakable spark — that sense of destiny. Watching her now, on one of the biggest stages in the world, is proof that talent paired with integrity can take you anywhere.

Meanwhile, Ricky Martin joined Bad Bunny for a beautiful rendition of Lo Que Le Pasó a Hawaii. It was emotional, elegant and deeply symbolic — a meeting of generations, cultures and histories. Two Puerto Rican artists, united on a global stage, honouring their roots while embracing the future.

It was breathtaking.

A New Definition of Success

For years, success in the music industry was defined narrowly: English-language hits, a traditional image, predictable branding. Bad Bunny has shattered that formula.

He sings in Spanish. He blends reggaeton, trap, pop and Latin rhythms. He refuses to be boxed in. He puts his community first. And he remains grounded, despite global fame.

That is why people love him.

Not because he is perfect, but because he is real.

He celebrates his culture without excluding others. He embraces fame without losing humility. He challenges norms without seeking attention. And he gives back without seeking praise.

In a world obsessed with image, he offers substance.

Love Over Hate

Perhaps the most powerful message of all was the simplest: love wins over hate.

At a time when headlines are filled with anger and conflict, Bad Bunny’s presence said something different. It said that diversity is strength. That kindness is power. That unity is possible.

His performance was not political in the traditional sense. It was something better. It was human.

It reminded us that beneath labels and borders, we are all moved by rhythm, melody, emotion and story. We all want to feel seen. We all want to belong. We all want to hope.

And for thirteen extraordinary minutes, Bad Bunny gave us exactly that.

A Moment We Needed

Looking back, it truly was one of the finest Super Bowl halftime shows in history — not just for its production, but for its heart.

It was a celebration of heritage. A statement of inclusion. A masterclass in artistry. And a powerful reminder of why music matters.

Bad Bunny did not just perform.

He connected.
He inspired.
He healed.

And in doing so, he showed the world that greatness is not measured by charts or trophies alone, but by the lives you touch along the way.

In uncertain times, he gave us certainty.
In divided times, he gave us unity.
In weary times, he gave us joy.

And that is why the world has fallen in love with Bad Bunny.

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ART ATTACK STEVEN MEETS Ernesto Romano a name worth seeking out.

https://ernestoromano.com

https://ernestoromano.com

And now for something completely different.

If you’re looking for art that truly stands out—something with edge, intellect and a distinct Italian flavour—then Italian-born artist Ernesto Romano is a name worth seeking out.

Romano lives and works in London, where his practice reaches far beyond the surface of the body and into its very core. Based at the remarkable FirePit Gallery, just moments from The O2, he creates work that is as visually seductive as it is intellectually provocative. This is the kind of art that stops people in their tracks—the portrait no one else has, and the talking point everyone wants.

https://ernestoromano.com

At the heart of Romano’s work is an extraordinary and deeply personal source material: his own medical records. X-rays, MRIs and internal scans of his body are transformed into striking, often playful artworks that quietly ask some of life’s biggest questions. “I am progressively dissecting myself,” he says with a smile. By stripping the body of its external markers—fashion, status, wealth and adornment—Romano reveals a powerful truth: beneath it all, we are equal. Bones, organs and neural structures carry no hierarchy. Jewels mean nothing here.

https://ernestoromano.com

And yet, paradoxically, jewels and decoration frequently appear in his work. Glitter, gold leaf and even diamond dust sit alongside stark medical imagery, creating a fascinating tension between what lies beneath the skin and the sparkle we use to present ourselves to the world. Bold colour is central to his practice, an influence he traces back to Pop Art, and for Romano, colour is inseparable from life itself. It is a celebration of being alive, of being human. You can easily imagine his work echoing the iconic glamour of Andy Warhol’s portraits of Marilyn, and being sought after by collectors and celebrities alike.

https://ernestoromano.com

Research plays a vital role in his creative process. Romano spends countless hours studying historical anatomical drawings, medical imagery and scientific material. He is also deeply inspired by documentaries about the Universe. Reflecting on humanity’s origins and our place within something so vast can feel overwhelming, he admits, but it is precisely that sense of scale that fuels his creativity. Big questions, after all, lead to bold ideas.

At the core of his practice is an ongoing, almost forensic exploration of his own body. Each project focuses on a different internal element, analysed, reimagined and transformed. His most recent work centres on the brain: a three-dimensional print created from an MRI scan converted into a digital 3D file. Next, he hopes, will be the heart—both literally and conceptually.

https://ernestoromano.com

Romano cites Damien Hirst as a key influence, particularly in terms of colour, though he is careful to stress that his admiration is selective. If he could own any artwork, Guido Reni’s Ecce Homo would be high on the list, while in the contemporary world he is drawn to the visceral, energetic paintings of Riccardo Cinalli, which he describes as full of carnality and pathos.

Originally trained as an architect, Romano brings a strong sense of proportion, balance and material awareness to his art. Architecture taught him the emotional power of simplicity, the relationship between order and chaos, and the importance of restraint. “Less is more,” he says, echoing Mies van der Rohe—a philosophy that underpins even his most glittering works.

Away from the studio, his passions are quieter but no less revealing. If he weren’t an artist, he would be a botanist. He grows flowers from seed and finds the process meditative—a gentle counterpoint to the intensity of his conceptual work. Electronic music provides the soundtrack to his studio hours, while Stephen Hawking’s The Universe in a Nutshellremains his favourite book, a fitting choice for an artist fascinated by existence, origin and meaning.

Looking ahead, Romano dreams of showing his work in unconventional settings. A techno club such as Berghain, housed in a former power station, feels like a natural fit—raw, industrial and immersive. He imagines his pieces on a monumental scale, backlit like giant lightboxes, vibrating with sound and energy. He has already made an international impact, having spent three months working in Shanghai, and his ambitions continue to expand globally.

Ask him where he sees himself in ten years and the answer is simple and quietly confident: at home, making exciting new work for another exhibition somewhere in the world, tea in hand, surrounded by plants. Always moving forward. Always creating.

https://ernestoromano.com

https://www.firepit.art

https://ernestoromano.com

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Money Matters with Richard Andrews

https://www.linkedin.com/in/richardbandrews/

Money Matters: Your Questions Answered by Richard Andrews

Richard Andrews spent over ten years working for high-street banks, including time as a business manager supporting small businesses. Today, he runs his own company, coaching executives and individuals to help them achieve the outcomes they want. All of this gives him plenty of real-world insight to share with 2Shades readers.

Richard Andrews .https://www.linkedin.com/in/richardbandrews/

Q: Teaching a Teenager About Money

Brenda, Bournemouth

I want my teenage son to learn about money. He’s 16, and his grandmother gave him £5,000—against my better advice. We support him at home and with college, and he also has a part-time job. How should I advise him to use this money? He’s already talking about holidays and clothes.

A:
This is a tricky one, Brenda—because whatever approach you take, there’s a strong chance you’ll feel like the “bad guy”. That said, this is also a valuable teaching moment.

A balanced approach usually works best. Encourage him to split the money into three parts: savings, sensible future planning, and a smaller amount to enjoy now. Completely denying him any fun spending can backfire, but allowing all of it to disappear on short-term treats isn’t ideal either.

For savings, suggest putting a portion aside for something tangible and motivating—driving lessons, insurance, or even a first car. Without a clear goal, saving can feel abstract, especially to teenagers. When there’s a purpose, it suddenly becomes exciting.

There are some strong, easy-access savings options for young people. For example, the Nationwide FlexOne Saveroffers competitive interest up to a set limit, while HSBC My Savings provides tiered interest rates. Watching interest build can be a great lesson in how money works for you.

If you’re particularly worried about impulse spending, a Junior ISA could be an option. Funds are locked away until age 18, giving the money time to grow and removing temptation. Comparison sites like Money Saving Expert are useful for finding the best rates.

Ultimately, though, it is his money. If he spends more than you’d like, resist the urge to say “I told you so”. Gently guide him back towards saving and goal-setting. Those lessons tend to land better when they’re learned through experience.

Q: Buying Bitcoin as a Gift

Colin, Edinburgh

I’m thinking of buying my boyfriend Bitcoin for his birthday—he’s always talking about it. How much is too little, and how do I go about buying it?

A:
That’s a generous idea, Colin—and a very modern one. It’s worth starting with a bit of context. Bitcoin is expensive and highly volatile. You don’t need to buy a whole Bitcoin; most people purchase a fraction, depending on what they’re comfortable spending.

To buy it, you’d need to open an account with a cryptocurrency exchange such as Coinbase or Crypto.com. You transfer funds in, then place a trade for the amount you want.

However, a note of caution: cryptocurrency is not protected by the Financial Services Compensation Scheme. If the platform fails or the value drops sharply, there’s no safety net.

Personally, I tend to avoid crypto due to its price swings, so it’s not something I’d actively recommend. But as a gift, especially for someone who understands and enjoys the space, a modest amount can make sense. Think of it more as a speculative present than a traditional investment.

Q: Teaching Children to Save and Invest

Paula, Southend

What was your earliest way of saving? I want to teach my children how to save and invest.

A:
Paula, this is a brilliant question—and you’re doing your children a huge favour by thinking about this early.

I’ll be honest: I wasn’t good at saving when I was younger, and I’ve spent a lot of time catching up. The key lesson I’ve learned is that habits formed early matter enormously.

Simple methods work best. A child’s savings account, a piggy bank or jar for coins, and regular conversations about money can be incredibly effective. Counting coins, bagging them up, and taking them to the bank helps children see money as something real and manageable.

Goals are essential. Help your child save towards something—a toy, an experience, or a future plan. Saving feels far more meaningful when it leads to something tangible.

There are also child-friendly banking apps that allow kids to track savings and spending, though some come with monthly fees—so check whether they’re actually adding value. And don’t forget Junior ISAs, which lock money away until age 18 and can be a powerful long-term tool.

Q: Premium Bonds vs Lottery Tickets

Are Premium Bonds a better investment than buying lottery tickets?

A:
In short—yes, but they’re not the same thing.

Lottery tickets are gambling. Once the money’s spent, it’s gone. Premium Bonds, on the other hand, are a form of saving. You can invest from £25 up to £50,000, and you can withdraw your money if you need it.

Instead of interest, you’re entered into monthly prize draws. I’ve had a few wins myself, and in some cases they’ve outperformed traditional savings accounts. That said, for consistent growth, using your tax-free ISA allowance is often a better option.

Q: Saving for a Holiday Without Spending It

Mark Brighton

I want to save for a holiday in June, but I’m hopeless with money. How do I save and stop myself dipping into it?

A:
Mark —you’re definitely not alone. This comes down to two things: control and motivation.

Start with a simple budget planner so you know exactly what’s coming in and going out. Separate essentials from “nice-to-haves” and work out what you can realistically save each month. Many banks offer budgeting tools and savings “pots” within their apps—Monzo and Virgin Money are good examples.

If self-control is the biggest issue, you need to tackle the why. What triggers the spending? And what would you rather have more: a short-term splurge, or that holiday in June?

Another practical option is paying for holidays in instalments. easyJet holidays, for example, allows you to secure a trip with a small deposit and pay the rest over time—interest-free. TUI and others offer similar schemes.

Avoid putting holidays on credit cards if you can—the interest adds up fast. Get organised now, and you’ll enjoy your break far more knowing it’s paid for.https://www.easyjet.com/en/holidays/info/paying-for-your-holiday

https://www.linkedin.com/in/richardbandrews/

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2Shades Welcomes a Proud New Sponsor for the Autism Hero Awards

2Shades is delighted to announce the National Union of Professional Foster Cares as a sponsor of The Autism Hero Awards .

2Shades is delighted to announce the National Union of Professional Foster Carers (NUPFC) as a sponsor of this year’s Autism Hero Awards, supporting the Parent / Carer of the Year category.

The NUPFC is the only government-certified trade union in the UK dedicated exclusively to supporting foster carers, kinship carers, special guardians, and adopters. Its mission is clear: to ensure carers are informed, protected, and properly supported as they provide care for some of the most vulnerable children in society.

What sets the NUPFC apart is its depth of lived experience. Its specialist caseworkers — available 365 days a year — include current and former foster carers alongside retired social workers. This hands-on understanding allows the organisation to offer practical, empathetic guidance rooted in real-world challenges. A strong legal team further ensures members are never left navigating complex systems alone.

https://nupfc.com

Caring for children who have experienced emotional harm or additional challenges can be demanding and emotionally complex. The NUPFC works closely with professionals around each child, helping to ensure carers — and in turn, the children themselves — receive the support, advocacy, and understanding they deserve.

Many children within the care system are autistic, while many others remain undiagnosed. The NUPFC actively promotes early diagnosis, recognising that timely understanding can make a profound difference to a child’s wellbeing, access to support, and long-term outcomes.

https://nupfc.com

By sponsoring the Parent / Carer of the Year category at the Autism Hero Awards, the NUPFC is shining a light on the resilience, commitment, and quiet heroism of carers. This partnership not only celebrates individual achievement but also raises wider awareness of autism and caring within professional circles and among key decision-makers.

Robin Findlay https://nupfc.com

Robin Findlay, Founder and General Secretary of the National Union of Professional Foster Carers, said:

“Anna Kennedy’s tireless campaigning continues to raise awareness of the many strengths, talents, and contributions that autistic people bring to our communities. We are proud to support the Autism Hero Awards and to stand alongside Anna Kennedy Online in encouraging autistic people, and their parents and carers, to seek support when needed, build confidence, and achieve great things.”

Anna Kennedy OBE added:

“We are absolutely delighted to welcome the National Union of Professional Foster Carers as sponsors of the Autism Hero Awards. Their commitment to carers and families aligns closely with our values, and we look forward to working together to celebrate autistic individuals and recognise the dedication of those who support them every day.”

www.nupfc.com

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