Picture Andy Barnes Pamela Sharrock , Denise Welch , Steven Smith Vicki Michelle ,
Back in May 2Shades writer celebrated his birthday here is the article that was held back
Pictures by Andy Barnes
Former celebrity hairdresser turned author, writer and broadcaster Steven Smith celebrated his milestone birthday in true glamorous fashion with a star-studded gathering at the much-loved Firepit Gallery in London.
The special celebration was not simply about marking another birthday — it was also held in aid of Anna Kennedy Online, the autism charity that Steven has proudly supported as a patron for the past 12 years. Friends, supporters and familiar faces from the worlds of entertainment, media and charity gathered, despite soaring temperatures, to celebrate a man many affectionately describe as a loyal friend, generous supporter and tireless champion of good causes.
Among those joining Steven for the occasion was Dr Anna Kennedy OBE, founder of Anna Kennedy Online, whose work supporting autistic people and their families has transformed countless lives. Steven has long been a passionate advocate for the charity and has supported many of its flagship events over the years, including Autism’s Got Talent, the Autism Hero Awards, and the Autism & Art Show.
The evening also became a reunion of cherished friendships spanning decades. One of the most touching appearances came from actress and presenter Denise Welch, Steven’s best friend of 45 years. Denise, who recently returned to television screens in Tip Toe, written by Russell T Davies for Channel 4, made time to celebrate the occasion with her long-time friend.
Denise Welch and Anna Kennedy OBE Picture Andy Barnes
Steven first met Denise back in Brighton, when she was appearing in the play Nigeria Falls, and the pair have remained close ever since, supporting one another through the highs and lows of both life and career.
Another familiar face lending support was actress and presenter Vicki Michelle, best known and adored for her role in the iconic comedy series ’Allo ’Allo!. A long-time friend of Steven’s and fellow patron of Anna Kennedy Online, Vicki has been an unwavering supporter of the charity for many years. Whether attending Autism’s Got Talent, judging at the Autism Hero Awards, or supporting the Autism Art Exhibition — even purchasing artwork to encourage autistic artists — her commitment has remained steadfast.
Aston Avery picture Andy Barnes .
Speaking warmly about Steven, Vicki said:
“I have known Steven for years. He is a rock to many and does so much for charity. We love him.”
Also joining the celebrations were the ever-glamorous presenter and author Wendy Turner Webster and her husband, acting favourite Gary Webster, best known for Minder and EastEnders. Long-time friends of Steven and dedicated supporters of Anna Kennedy Online, Wendy and Gary have also lent their time over the years as judges at the Autism Hero Awards, helping to champion extraordinary people making a difference within the autism community.
Picture Andy Barnes Wendy Turner Webster and Gary Webster and Steven Smith.
Guests were treated to entertainment throughout the evening, with talented singer Tilly Aston delighting attendees with a stunning live performance. Meanwhile, DJ Sumz kept the atmosphere electric, ensuring guests danced late into the evening as laughter, friendship and celebration filled the Firepit Gallery.
Picture by Andy Barnes Tilly Aston
As birthdays go, Steven Smith’s 65th was not simply glamorous — it was heartfelt, filled with friendship, and reflected the generosity and kindness of a man who has spent much of his life giving back to others while never losing his sparkle. A birthday to remember, and proof that at 65, Steven Smith still knows exactly how to throw a fabulous party.
Long term friends Marieanne Nanson In red Irene Nanson , Rachel Zisser shades money man Richard Andrews actor Matthew
The evening raised over £1,000 for Anna Kennedy Online — making the celebration not only memorable, but meaningful too.
A labyrinth of talent, colour, diversity and a little bit of fabulousness
By Steven Smith
When I walk into an art exhibition, I feel rather like a kid entering a candy shop. I want to see everything, taste everything and discover something I haven’t encountered before. My thirst for something new, exciting and slightly unexpected is endless.
That is perhaps why FLUX and I get along so well.
Lisa Gray’s wonderful magazine, FLUX Review, never disappoints. It is one of those publications that feels luxurious before you have even turned the first page. Mine sits proudly on my coffee table — not tucked away on a bookshelf — because it is as much an object to admire as it is a magazine to read.
And Lisa’s exhibitions have that same quality.
Now in its 13th edition, the FLUX Exhibition has developed into far more than simply another London art show. There is an energy surrounding it. Artists, collectors, performers, personalities and people who simply love creativity come together, and somehow the evening manages to feel glamorous without becoming stuffy.
In fact, FLUX exhibitions have become so renowned that people apparently turn up without an invitation in the hope of getting inside.
Frankly, I can understand why.
This year’s exhibition, staged at 206 Marylebone Road in London, brought together the work of 70 artists, encompassing painters, sculptors and performance artists from a mixture of established and emerging talent.
But statistics don’t really tell the story of FLUX.
You have to walk through it.
There is something around every corner. One moment you are looking at an extraordinary painting; the next you are confronted by sculpture, textiles, portraiture or something you cannot immediately put into a category at all.
That is part of the fun.
From drag queens to the who’s who of the art and social world, the evening glistened with excellence, eccentricity and individuality. There was a sense that everyone was welcome and that creativity, rather than convention, was running the show.
And I love that.
FLUX has always championed diversity, and it doesn’t feel like diversity has simply been added to satisfy a fashionable checklist. Different people, backgrounds, artistic disciplines and perspectives genuinely seem to belong together here.
Of course, in an exhibition containing so many artists, everyone will discover their own favourites.
Everyone is a star, but inevitably some stars shine particularly brightly.
For me, one of those was Gregory John Ford, whose Snow leopard immediately caught my attention.
His sculptures made me stop — and that, in an exhibition packed with work competing for your attention, is an achievement in itself.
There is something contemporary, playful and slightly rebellious about his work. It has a new-age feeling without trying too hard to announce itself as “modern art”.
Yes, there are some skeletons in his collection.
Regular readers will know my feelings about skeletons in art. I have never understood the fascination and probably never will. I spend enough time trying to avoid becoming one without wanting one staring at me from the corner of the living room.
But put my skeleton prejudice aside and there is an artist here with genuine imagination. Amongst some brilliant work, his pieces made you stop, look again and want to know more.
That, surely, is what art is supposed to do.
Then there was René Porter, who positively slays the canvas with her incredible drag portraits.
These are not timid portraits.
They have glamour, personality, theatricality and attitude. You almost expect the subjects to step out of the canvas, demand a spotlight and ask why the champagne hasn’t arrived yet.
Looking at them made me think what a tragedy it is that the legendary Madame Jojo’s no longer exists. René’s work should be adorning the walls of some fabulous, slightly decadent nightclub where drag queens, performers and assorted creatures of the night hold court until the early hours.
There is something wonderfully celebratory about the portraits. Drag has always been about transformation, exaggeration, humour and, underneath all the glitter, tremendous artistry. René captures that spirit beautifully.
Another artist who made me pause was Tayo Ayelowo, whose textile work felt wonderfully refreshing.
Textiles can sometimes be overlooked when surrounded by traditional painting and sculpture, but here they held their own. There was texture, craftsmanship and a distinctive visual language that felt different from much of the work surrounding it.
And perhaps “different” is the word that kept returning to me throughout the exhibition.
FLUX doesn’t appear interested in presenting rows of artwork that all look as though they have been selected by the same person for the same white living room.
Instead, you find contrast.
The participating artists included Neil Ashton, Annette Aspen, Rina Bakis, John Carpenter, Stuart John Cashmore, Janet Cawthorne, Catarina Diaz, Marcela Olivia Dorantes, Marina Emphietzi, Richard Eveleigh, Bushra Fakhoury, Dawn Fincham, Michael French, Karin Jolly, Gwenda Jones, Greg Kent, Rachel Le Roux, Jamal Masarwa, Caia Matheson, Olga McClelland, Iryna Miro, Holly Nerreter, Gary Nicholls, René Porter, Usha Rajagopal, Nadiia Rom, David Studwell, Wei Keong Tan, Christine Terres and Kathryn Thomas, amongst many others.
It is an extraordinary roll call and illustrates the breadth of talent involved.
Collectors were also given another little incentive: anyone purchasing artwork at the exhibition received a complimentary artwork by Catarina Diaz valued at £200. A rather lovely touch — although, knowing me, I would probably arrive intending to look and leave wondering where on earth I was going to hang everything I had fallen in love with.
But FLUX isn’t only about buying art.
For me, the greatest pleasure is discovery.
We live in an age when so much of what we see is dictated by an algorithm. Our phones decide what we might like based on what we liked yesterday. Social media serves us more of the same, and eventually our visual world can become surprisingly small.
Walking around an exhibition such as FLUX is the antidote to that.
You can turn a corner and be confronted by something you would never have searched for, never expected to like and perhaps cannot even explain why you like.
Suddenly you are having a conversation with an artist whose work you had never seen before.
That is exciting.
Lisa Gray deserves enormous credit for continuing to create a platform where established artists can sit alongside emerging talent and where painting, sculpture, textiles, performance and portraiture can all share the spotlight.
Thirteen exhibitions in, it would be very easy to play safe.
FLUX does the opposite.
It remains colourful, inclusive, occasionally eccentric and gloriously unpredictable.
My mentions of Gregory John Ford, René Porter and Tayo Ayelowo are exactly that — personal shout-outs from a labyrinth of talent. Another visitor could walk the same rooms and come away with three completely different favourites.
And that is precisely the point.
Art should divide opinion. It should make you stop. Occasionally it should make you laugh. Sometimes it should make absolutely no sense to you whatsoever.
And every now and then, something should make you think: I need that on my wall.
The 13th FLUX Exhibition gave us plenty of those moments.
Lisa Gray has once again gathered together an extraordinary collection of people who aren’t frightened of being different, and created an exhibition where individuality is something to celebrate rather than tone down.
As someone who has spent many years interviewing artists, actors, musicians and creative minds from around the world, it felt both exciting and slightly surreal to find myself on the other side of the questions.
I am absolutely delighted to be featured in the latest edition of FLUX Review, one of the UK’s most beautifully produced independent arts and culture magazines. The interview gave me the opportunity to reflect on my own journey through journalism, broadcasting and publishing, while sharing my lifelong passion for art and the incredible people I’ve been fortunate enough to meet along the way.
Art has always fascinated me because it speaks a universal language. It can inspire, challenge, comfort and bring people together regardless of background or circumstance. Throughout my career I have been privileged to interview emerging artists as well as internationally recognised names, and every conversation has reinforced my belief that creativity has the power to change lives.
In the interview I also discuss the importance of championing new talent through 2Shades Magazine, my work with Anna Kennedy Online, and why giving creative people a platform has always been one of the most rewarding aspects of my career.
A huge thank you must go to Lisa Gray, founder and editor of FLUX Review, for such a thoughtful and engaging interview. Under her guidance the magazine has become a respected showcase for artists, photographers, designers and writers from across the globe. Every issue is packed with inspiring features, outstanding photography and exceptional artwork, making it a publication to treasure rather than simply read.
If you would like to discover more about my story, my love of art and the people who have inspired me throughout my career, I hope you’ll pick up a copy. Alongside my interview you’ll find nearly 200 pages celebrating creativity in all its forms.
The latest edition of FLUX Review is available now from the official online store:The FLUX Review Store. Happy reading—and thank you, as always, for your continued support.
Once in a while comes something that is an unexpected delight
Who has not become a huge fan of Diane Morgan in Motherland and Mandy
Wonderful writer and actress animal rights activist . News of her new sitcom BBC’’s Ann Droid did make me think is this the end of the run for her. The plot sounded vauely famillair and might be a one stand joke even with the incredible Sue Johnston in it the trailer left me a little cold .
But how wrong can I be Diana Morgan has produced one of the funniest poignant and beautifully crafted comedy features to date .
The first episode just sets the tone and to be honest it is a slow start Morgan plays Android Linda after Sue Johnsons charcters sister and I was still not sold on it half way through , But then what could easlily be a corny ride a journey of lonless ness old age and life has you not just shed a tear it has you ironically in fits of laughters .
Ann Droid is a beautiful look at humans as we age but manages to bring issues of how families manage with the edelry and do we ever really go far from the play ground
Paul Ready as Sue’ son Michael plays yet another down trauden man desperate to find his mascuilnty it is possibly the week part of the show as you just want to slap him but his comic timing and acting is seemless just be nice to see him play something less sumbimsive Kathry Hunter is the cherry on the cake in this gem and steels every scene she in
The wonderful thing about the six episode is not just I could not stop watching . I complain that sometimes comedy gems should stop at one or two like Faulty towers honestly I wanted more as It ended .
Ann Droid is warm, witty, heartfelt and quietly profound. It proves that the very best comedy doesn’t just make us laugh—it makes us think, feel and perhaps look at ourselves a little differently. Diane Morgan has once again reminded us why she is one of Britain’s finest comedy talents.
★★★★★
Ride or Die – Amazon Prime ★★★☆☆
Hannah Waddingham once had a drama teacher tell her she would never work on screen.
How wonderfully wrong they were.
I first met Hannah when she was appearing in the stage production of Joey and Gina’s Wedding, and even then she had star quality written all over her. Since then she has become one of Britain’s most versatile performers, equally at home in comedy, drama and musical theatre.
In Ride or Die, she completely owns the screen as Judith, a glamorous and deadly hitwoman. Alongside her is the ever-brilliant Octavia Spencer as Debbie, an ordinary American wife married to a British MP. Together they have genuine chemistry. They’re very much the Thelma and Louise of 2026, and whenever they share the screen the series springs into life.
It’s just such a shame that they’re trapped in this turkey of a show.
The idea itself isn’t a bad one. A high-octane action comedy built around two very different women thrown together has enormous potential, and at times you can almost see the series it wanted to become. Waddingham throws herself into the role with real commitment, looking every inch the sophisticated action heroine. Her wardrobe alone deserves its own credit, and there’s more than a hint that the producers are trying to create a female James Bond.
Octavia Spencer is, as always, effortlessly likeable. She brings warmth, humour and vulnerability to Debbie, making her the emotional heart of the series. When the two actresses are together, the show crackles with energy and wit. You find yourself wishing every scene involved just the pair of them.
Sadly, the plot lets them down at almost every turn.
What begins as an entertaining premise quickly becomes an overly complicated and increasingly implausible tangle of twists, double-crosses and unlikely situations. Instead of building suspense, it becomes confusing and, ultimately, rather boring. It almost feels like a slap in the face to viewers who simply want a smart, well-written thriller with believable stakes.
Perhaps things improve later on, but I have to be honest—I gave up after two episodes. That’s something I rarely do, especially when the cast is this talented.
What a wasted opportunity. Hannah Waddingham and Octavia Spencer deserved material worthy of their considerable talents. Give these two actresses a stronger script and a sharper writer, and they could have had an absolute smash on their hands.
Instead, Ride or Die ends up being a stylish series with two wonderful performances that simply can’t overcome a story that loses its way.
My friends know just how much I love art. Over the years I’ve had the privilege of interviewing and writing about many incredibly talented artists, from those just beginning their creative journey to internationally recognised names. Art has always fascinated me because it has the power to tell stories, challenge perceptions and connect people in ways that words sometimes can’t.
That is why it was such a genuine honour to find myself on the other side of the interview, being featured in the stunning FLUX Review magazine. It felt rather surreal to be talking about my own journey, my passion for creativity and the wonderful people I have been fortunate enough to meet along the way.
Edited by the incredible Lisa Gray, FLUX Review is far more than just another magazine. It is a beautifully produced publication that celebrates artists, photographers, designers and creative thinkers from around the world. Every edition is packed with inspiring interviews, breathtaking imagery and thought-provoking features. It is one of those rare magazines that you don’t simply read—you keep, return to and proudly leave on your coffee table.
I would like to say a heartfelt thank you to Lisa for such a thoughtful interview and for all the support she gives to artists and the wider creative community. Her passion shines through every page, and it is easy to see why FLUX Review has become so highly respected.
If you’d like to know a little more about me, my work and what inspires me, I hope you’ll pick up a copy. At the same time, you’ll be discovering an exceptional magazine that champions creativity in all its forms. In a world where so much is viewed on a screen and quickly forgotten, there is something wonderfully special about holding such a beautifully produced glossy publication in your hands.
I hope you enjoy reading it as much as I enjoyed being part of it. Thank you, as always, for your continued support—it means more than you know.
Steven Viewz
“If you see something that doesn’t look right, please let us know.” It’s a phrase constantly blasted out across the London Underground. My question is… where would you like me to start?
The Tube during this recent heatwave has been nothing short of a nightmare. If the lack of air conditioning doesn’t finish you off, someone—who really should know better—forgets to carry a bottle of water, faints, and has to be helped off the train. Naturally, that means the whole line grinds to a halt while the rest of us sit there slowly cooking in what feels like a giant metal sauna.
What I simply cannot understand is this: Lisbon regularly reaches temperatures far higher than London, yet their transport system seems to cope perfectly well. We get a few days of sunshine, and the capital appears to melt faster than an ice cream on Brighton Pier. Surely, in 2026, we can do better.
Now for my second moan!
Can we please introduce a law banning people from staring at their phones while walking? Honestly, the number of people wandering around completely oblivious to everyone else is unbelievable. They drift from side to side like shopping trolleys with a wonky wheel, stop dead in the middle of busy pavements, and then look surprised when they walk straight into someone. If Andy Burnham can champion common sense in Manchester, perhaps Sir Sadiq Khan could start a campaign here. My solution? A gentle public awareness campaign first—and if that doesn’t work… maybe a few fines! It might just encourage people to look up once in a while.
Finally, on a much happier note, I’m really looking forward to the Autism & Art Show, taking place on Thursday 23rd July from 5.30 pm. It’s a wonderful evening celebrating the incredible talents of autistic artists, and I’m proud to be involved once again. If you’re able to come along, please do pop over and say hello. It would be lovely to see some familiar faces and support such an inspiring event.
Until next time… keep cool, keep looking where you’re going, and if you really do see something that doesn’t look right—well, perhaps start with the Tube!
This year’s much-anticipated Autism & Art Show, taking place on 24th July 2026, promises to be a powerful celebration of creativity, individuality and artistic expression. Presented by Anna Kennedy Online, in collaboration with Firepit Art Gallery on London’s vibrant Greenwich Peninsula, the exhibition will once again shine a spotlight on the incredible talents of autistic artists and their allies.
More than simply an art exhibition, The Autism & Art Show is a platform for voices to be heard, stories to be told and creativity to flourish. Through painting, sculpture, photography, mixed media and contemporary works, visitors will experience a diverse collection of art that reflects the unique perspectives, imagination and lived experiences of its artists.
Patron Steven Smith and Dr Anna Kennedy OBE
Presented by Anna Kennedy Online, a charity dedicated to supporting autistic people and their families, the exhibition also plays an important role in raising vital funds to help continue its life-changing work. By supporting the show, visitors are not only discovering extraordinary talent, but also helping champion inclusion, opportunity and understanding within the autism community.
Held in partnership with the much-loved Firepit Art Gallery, renowned for championing emerging and independent creatives, the exhibition promises to be an inspiring, uplifting and unforgettable event. Whether you are an art lover, collector, supporter of the autism community or simply curious to discover fresh creative voices, The Autism & Art Show 2026 is set to be one of the summer’s most heartwarming cultural highlights.
Lana Mitchell
21 Lana, who lives with autism, once feared unfamiliar environments. In 2024, she began volunteering at Shelter Crystal Palace, where her uniqueness was embraced and her creativity blossomed. She now designs themed window displays and has performed at Autism Got Talent .
Art By Connor £100
Connor is 18 years old and profoundly autistic. Although he cannot tell us where his incredible talent and passion for drawing come from, his artwork speaks for itself. Drawing entirely from memory and using only the inner cartridge of a biro pen, Connor creates stunningly detailed pieces with extraordinary focus and precision, his pen rarely leaving the page. His favourite subject is churches, and while we do not know what first inspired this fascination or how he recalls such remarkable detail, each drawing reflects a unique gift and an extraordinary way of seeing the world. Through his art, Connor expresses what words cannot, sharing his creativity, dedication, and exceptional talent with everyone who views his work
Cosmic Kat from 300
Cosmic Kat is a self-taught artist based in Hucknall, Nottinghamshire who grew up in N.Ireland. Her work features bright colours, alien worlds and fantastical creatures. She was late diagnosed Autistic aged 30 and her work explores the themes of grief, unmasking and identity that this entails.
Loveartpix offers from £1000
Loveartpix (Dez)
Loveartpix , a self-taught AudHD (Autism + ADHD) artist from Manchester, uses creativity as a vital outlet for mental health and self-expression. Diagnosed with Bipolar Disorder, Autism, and ADHD, he began his art journey in 2018 as therapy. His vibrant work often reflects the spirit of Manchester and the experiences of neurodivergence
Sun flowers by Angelo Kennedy £500
Angelo, 33, is autistic and lives with significant sensory processing disorder. On display is a vibrant painting of sunflowers he created at just 10 years old. Angelo enjoys cooking, bowling, and continues to work hard on his independent living skills. His brother, Patrick, is also on the spectrum and works at Pinewood Studios
Blanky from £50 each
Alastair Blaster Artz
Alastair McEwen, also known as BlasterArtz, is a full-time carer for both his disabled parent and autistic son. Through art, he finds a way to manage emotions, connect with loved ones, and reflect on mental health. His heartfelt piece Blanky, created with friend and writer Steven Smith, has moved many and embodies the power of art as a lifeline.
XLVII is a leading figure in the UK urban art scene, renowned for his distinctive graphic style and iconic character, SNAMUH. Combining bold pop-culture influences with the energy of street art, his work explores themes of identity and freedom of expression through vibrant colours, strong character design, and striking visual storytelling. A regular participant in painting jams, gallery exhibitions, and live art events across the country, XLVII has established himself as one of London’s most prolific contemporary urban artists. Now exhibiting at The Fire Pit Gallery, he is generously donating his featured artwork to help raise funds for Anna Kennedy Online, supporting autistic people and their families. Follow his work on Instagram: @xlvii.
Nazaraptor (NAZARAP7OR) is a highly respected figure in the UK urban art scene, known for her energetic style and iconic character, MUCHE. A member of renowned graffiti collectives including CBM, GPC, and ACC (All City Crew), her vibrant work can be seen across the UK, from city streets to galleries and public spaces. Her bold use of colour, expressive handstyles, and unmistakable visual identity have earned her a strong reputation within both street art and contemporary art circles. Currently exhibiting at The Fire Pit Gallery, Nazaraptor brings the energy and creativity of graffiti culture onto canvas. Demonstrating her commitment to giving back, she has generously donated her artwork to help raise funds for Anna Kennedy Online, supporting autistic people and their families. Follow her work on Instagram: @nazaraptor.
Sam Bickerton £50
Sam Bickerton
Sam, diagnosed with ASD and dyslexia, demonstrates resilience in the face of social and emotional challenges. From early Lego builds to his love for origami, mask-making, and boxing, Sam’s creativity offers a safe space for self-expression and calm. His journey is one of strength and self-discovery through art.
`Josh Andrade
Josh. £200
Autistic artist Josh uses his distinctive, eclectic style to tell stories that demand to be seen. Inspired by the experiences of his brother, Leo, and countless others detained in Assessment and Treatment Units (ATUs), this haunting portrait captures the fear, isolation and despair faced by many autistic people and individuals with learning disabilities. More than a work of art, it is a powerful statement on the need for compassion, dignity and a more humane approach to care, ensuring that those whose voices are often overlooked are finally heard.
Matthew “BUCKO” Buckingham is a contemporary multidisciplinary artist whose increasingly transdisciplinary practice combines contemporary art, visual communication, autism advocacy, and inclusive design. Through portraiture, printmaking, and the development of an autistic visual language, his work explores autism, identity, and social inclusion. Drawing on his personal experience as both a father and a neurodivergent artist, his practice challenges misconceptions surrounding autism while advocating for greater understanding, support, equality, and acceptance.
John Lee Bird is a multi-disciplinary artist known for his global exhibitions of paintings, collages, and sculptural work. His DOLLS project features over 2,000 hand-sewn textile sculptures celebrating idols, friends, and queer culture. Inspired by film, drag, cult TV, and music, each 13-inch doll is crafted from felt, beads, buttons, and embellishments. The project began during lockdown as a therapeutic return to textiles, starting with 69 David Bowie dolls. It has since grown into a rich portrait series spanning pop culture icons and personal heroes. John’s work is driven by obsession, emotion, and a deep love of music and storytelling. He also creates sound and film, collaborating with artists such as Simon Fisher Turner and Xiu Xiu. John co-runs the queer club night KNICKERS with musician Jemma Freeman.
Heidi Simm is an autistic, self-taught artist from Essex whose colourful acrylic paintings are inspired by the original characters and imaginative worlds she has created. Alongside her artwork, Heidi has developed Horizon Hero’s, her own collectible card game featuring heroes from the worlds of Disco City and Sci-Fi Kingdom.
For the Autism & Art exhibition, Heidi presents Local Legends, bringing together her unique characters in a vibrant story of creativity, communication and adventure. Her work celebrates the power of imagination and demonstrates how art can create entire worlds from a single idea.
“SHANK3 and autism spectrum disorder” Acrylics and nail polish on canvas. 28x23cm framed (18x13cm on canvas .
Dr Diana Dunca is a drug development scientist with a PhD in Experimental Personalised Medicine (Bioinformatics and Statistical Genetics) from University College London. Her work involves analysing genetic data to help pharmaceutical companies develop safer and more effective treatments for common complex diseases. As these conditions affect a large proportion of the UK population and continue to rise, Diana uses art as a form of expression to raise awareness and inspire hope.
As an emerging artist, Diana translates her scientific perspective into visual form, using gold, shimmer, vibrant colours and nail polish to create radiant, uplifting artworks. Through her art, she invites viewers to discover beauty and hope within disease, while connecting with the resilience, strength and humanity that lie behind scientific research
THE MAP OF LOVE by Anne-Marie Bickerton £150
Annemarie Bickerton
With over 30 years in photography and art, Annemarie specializes in editorial portraiture. As digital photography evolved, she pivoted toward headshot work, applying her skills to editorial, corporate, and artistic projects. Annemarie is also a proud mum to Sam, who lives with autism, and continues to champion neurodiverse creativity in all its forms.
Piluca Artist
Piluca: Artist. Muralist. Fashion Visionary. Street Art Queen. Born in Madrid and ignited by Brixton’s wild heart, Piluca is a published illustrator, muralist, fashion designer, and founder of I Am Here 2 Play, launched last year she is a huge supporter of Anna Kennedy on line London. Her vibrant murals and street art light up London’s iconic venues, turning the city into an open-air gallery. A WinTrade Awards finalist, she moves effortlessly across fine art, fashion, and branding with fearless, raw style. Piluca’s creative impact extends deep into communities—leading workshops, festivals, and campaigns with purpose. From fashion to neuroscience illustration, her work defies boundaries—and London proudly
Title: Levington Marina, Suffolk, 2026 Artist: David Downes Dimensions: 52cm x 80cm Medium: pen, ink and acrylic on card. Price: £1,950
David Downes – English Painter and Autism Advocate
David Downes is an acclaimed English landscape painter celebrated for his dramatic skies, seascapes and intricate architectural works. As an autistic artist with a remarkable photographic memory, he creates many of his paintings from vivid recollections of places he has visited. A graduate of the Royal College of Art, David has received prestigious commissions from organisations including the BBC, ITV and The Savoy, where his Diamond Jubilee Pageant painting remains on permanent display.
David is Vice President of the National Autistic Society and an Ambassador for Autism Anglia, using his art and public speaking to raise awareness and support for autistic people. Now based in Manningtree, Essex, where he runs the David Downes Gallery, his work beautifully combines realism and imagination, capturing landscapes and architecture with extraordinary detail and a unique perspective.
Daisy Hutchinson £50 The real Meg
Daisy Hutchinson
Daisy, 21, is autistic and a proud Young Autism Ambassador for Anna Kennedy Online. She has a passion for art, which provides a creative way to express herself and helps her feel calm when she is anxious.
Outside of creating art, Daisy enjoys reading, jogging, singing, geology, Harry Potter, Goosebumps, Toy Story, Disney, Mamma Mia! and Love on the Spectrum. She also loves spending time with her dog, family and friends, and enjoys visits to the cinema, theatre and concerts. Daisy is a friendly, kind-hearted person and is delighted to be exhibiting her artwork at the Autism & Art Show.
Niall Gaute offers £200
Niall, 30, is an artist with autism, an intellectual disability, dyspraxia, and dyslexia. He gained international acclaim after raising funds for Special Olympics GB by selling his iconic stadium drawings. Niall has exhibited at the Royal Academy Summer Exhibition, delivered a TED Talk, and received an Honorary Doctorate from Sheffield Hallam University for his work promoting inclusion through art.
Eddie Wells offers over £1000.
Eddie Wells
Eddie grew up in East London, navigating life with undiagnosed ADHD and dyslexia. Creativity was his refuge. Following his father’s death in 2013, he realized that art wasn’t just an outlet — it was his salvation. His work reflects the inner world of someone living on the spectrum and overcoming silent battles through creative expression.
Offers at £250 ” I am woman ”
Tally Nothey
This piece is deeply personal. As the mother of an autistic child, Tally has faced days that felt overwhelmingly heavy—marked by worry, exhaustion, and the deep ache of feeling misunderstood. Yet, through every challenge, it has been the support of close friends that has carried her forward. Each woman represented in this work symbolizes someone who has stood beside her, held space for her fears, celebrated the smallest victories, and reminded her of her own strength when she struggled to find it.
This image reflects that journey. It acknowledges that while friendship may not solve everything, it makes the burdens easier to bear. Together, they have cried, laughed, and lifted one another—and because of them, she never walks alone
Sadie King offers over £200
Sadie King is a 17-year-old student . She has a strong passion for character design and storytelling. Sadie hopes to build a career in creating her own animated series. Her work often explores original concepts and imaginative worlds. She is eager to share more of her art and ideas with others. Sadie welcomes feedback and is open to showing additional work
Offers over £250.
Marcus Mason-Williams
Marcus is a multi-talented autistic artist and entrepreneur. As a founding member of The Lilac Review — a government-backed campaign spotlighting disabled-led businesses — Marcus uses his business, CoolArt2021, to share wildlife-inspired storytelling and merchandise. “Art and performing set me free,” he says. “Through my stories and performances, I connect with others and the world around me.”
Pastel , charcoal, ompressed charcoal, pencil & graphite on fabriano paper Price- £1,200
LA Colella
Is a London gestural intuitive artist. Who uses music to tap into emotion for figurative works of Art. She describes the music influence as another pastel & believes she has the condition described as Synesthesia. This is an involuntary neurological trait where the stimulation of one sense automatically and consistently triggers an experience in another. She hears music and sees colours.
Lucia works in large scale drawings creating with pastel, charcoal, graphite & pencil.
Her work involves reflections on her personal life past & present.
Lucia claims that ‘Art doesn’t serve the system; it serves your soul. Through executing a piece of Art individuals of all ages can explore & express deep emotions, process complex experiences & reconnect with themselves in meaningful ways’
Artwork title- Sorrows of Liberty
Dimensions 120cm length/ 102cm width
Harvey Price’s special guest artist . Harvey’s artwork is a wonderful example of how creativity can communicate emotion beyond words. His colourful, expressive style reflects his unique way of seeing the world, with each piece celebrating individuality, imagination and self-expression. Harvey’s growing confidence as an artist has inspired many people and highlights the importance of recognising and valuing the talents of autistic artists. His work reminds us that art has the power to connect people, challenge perceptions and celebrate neurodiversity in a truly meaningful way. ( art to be announced )
Courtney Ward £100 value
Courtney is a neurodivergent pan poet, spoken word artist, visual artist, photographer, speaker, and shadow writer for Beyond the Spectrum. Using creativity to give voice to experiences that deserve to be heard, her work has been published by Steel Jackdaw, Poetic Edge Publishers, Worcestershire LitFest, and Writing East Midlands. Through talks and advocacy across the East Midlands and London, she promotes neurodiversity and inclusion, serving on the North London Learning Disability and Autism Council and her local Inclusive Steering Group while encouraging young neurodivergent people to embrace who they are
Emily Haynes,
Emily Haynes, known online as callmeshadz or ShadyShadz, has been passionate about drawing since childhood. Inspired by the beauty of nature and animals, her work celebrates the natural world through imaginative and often fantastical creations. Her artwork explores unusual creatures, the wonders of nature and her reflections on the modern world.
Diagnosed with autism while at university, Emily found that art became an important way to process and express emotions that she often struggled to put into words. Being diagnosed later in life helped her better understand her experiences growing up, and today her creativity provides both a voice and a sense of connection. Her artwork for the exhibition is titled Carnivore.
Entertainment by Lana Mitchell and George Pond
5:00–5:30 pm – Guests arrive
6:00–6:30 pm – Drinks reception
Entertainment
Anna Kennedy OBE welcomes everyone.
Anna introduces George Pond.
Anna thanks George, chats about the artists, and thanks Marcus and the team.
Anna introduces Lana Mitchell.
Ayesha thanks Lana, says a few words about Oracle, and speaks about the charity and her involvement with it.
Anna introduces Vicky Michelle MBE and Samantha Lee Howe, patrons of the charity. for the raffle
Wendy Turner Webster joins midway through the evening, takes over, and says a few words about the artwork.
8:00–9:00 pm – Mingle, network, and enjoy the evening.
Denise Welch Nearly Drowns in the Love at Mighty Hoopla
It might have been “Raining Men” with Denise Welch at Mighty Hoopla on Saturday — but the actress, presenter and beloved LGBTQ+ ally had little idea she would be positively drowned in love by thousands of adoring festival-goers.
Temperatures were soaring as the glamorous, fabulous and utterly gorgeous descended upon London’s much-loved Mighty Hoopla festival, held in Brockwell Park. Yet somehow, despite the blazing sunshine, the energy only got hotter as crowds gathered for one of the UK’s most joyful celebrations of pop culture, inclusivity and self-expression.
For those unfamiliar, Mighty Hoopla has grown into something of a cultural phenomenon since launching in 2017. Originally conceived as a playful, pop-loving alternative festival, it has blossomed into one of the UK’s biggest celebrations of queer culture and music, welcoming everyone from pop superfans to families, drag artists, celebrities and festival lovers under one glitter-covered umbrella. It sits somewhere between Pride, a giant theatrical daydream and a fabulous summer carnival — not quite Pride itself, but absolutely driven by the same spirit of love, acceptance and freedom.
The audience is wonderfully eclectic, as are the performers. Think A Midsummer Night’s Dream with sequins, cocktails and singalongs.
Celebrity spotting alone was worth the ticket price. Among those mingling were RuPaul’s Drag Race UK winner Tia Kofi, EastEnders star Natalie Cassidy, the ever-divine Kate Thornton accompanied by her lovely mother Sandra, and Smoggie Queens star Phil Dunning — who, quite frankly, deserves a BAFTA. Vanderpump Rules favourite Scheana Shay also added a touch of Hollywood sparkle to proceedings. That, however, was merely the tip of the star-studded iceberg.
People-watching at Mighty Hoopla deserves five stars in itself. From feather boas to outrageous glitter looks and fashion statements that could stop traffic, every corner offered a visual feast. Though the heat was relentless, I managed to find a shady sanctuary with my bestie Pam Sharrock, where we enjoyed a cocktail or two. A small warning — drinks are certainly not cheap — but beautifully made and served by wonderfully friendly staff.
With Pamela Sharrock she neves says no to a big Gregg’s vegan sausage roll at the Mighty Hoopla one of the sponsors .
Then, just before six o’clock, something shifted in the atmosphere.
You could feel it.
Presenter GK Barry took to the stage, jokingly warning of incoming “weather warnings” as excitement rippled through the crowd. Suddenly, phones were raised skywards, screams erupted and people began jumping up and down in delight.
The reason?
Denise Welch had arrived.
Styled impeccably by Ryan Kay, Denise looked sensational in a striking red coat, flanked by semi-clad dancers as she launched into a spirited rendition of the 1982 classic It’s Raining Men. And my goodness — did the crowd go wild.
It genuinely felt as though the festival had suddenly burst into full bloom.
Denise, now 68, was visibly emotional as she addressed the audience, telling fans: “I will always be an ally of the LGBTQ+ community and I will fight with you.”
In one of the most touching moments of the set, she paid tribute to her late father, the much-loved Vin Welch — a heterosexual Whitley Bay drag performer known as Raquell. Denise fondly recalled how, while other drama school students were being treated to McDonald’s, her father would instead take her to London’s legendary Black Cap in Camden to watch drag shows.
“How I’m not gay is beyond me,” she laughed to huge cheers from the crowd.
By the end, Denise appeared genuinely moved by the reception.
Denise and her amazing Dad Vin ,
One thing is certain — Denise Welch may have arrived as a surprise guest, but she left Mighty Hoopla absolutely drenched in love. backstage was husband 53 year old Artist Lincoln Townley. Taking a brief break from filming, her west end star son Louis Healy, 26, and Loose Women producer Mattie Jameson were amongst those waiting to congratulate her . Big shout out to Denise incredible manager Bex Elliff .
t was with palpable excitement that artist Alistair Blaster unveiled a deeply personal and touching tribute to Lisa Allen of the Pink Ribbon breast cancer charity—her very own “Blanky,” lovingly created in her image. The presentation took place at the Firepit Gallery by the O2, a vibrant creative hub that has become synonymous with championing grassroots art and meaningful causes. Surrounded by an enthusiastic and supportive crowd, the moment captured not only the spirit of artistic expression but also the profound sense of community that events like this inspire.
The evening was a celebration of both creativity and compassion, with attendees gathering to support the vital work of the Pink Ribbon charity. Alistair’s piece stood as a heartfelt acknowledgment of Lisa Allen’s tireless dedication and the impact she continues to make in raising awareness and supporting those affected by breast cancer. The “Blanky” itself—playful yet poignant—embodied warmth, comfort and resilience, echoing the very ethos of the charity it honoured.
Also on display was the striking work BustOut by artist Anne-marie Bickerton, whose bold and expressive style added another layer of depth to the evening’s artistic offering. Her work, known for its emotional intensity and fearless use of colour, complemented the tone of the event perfectly, reinforcing how art can be both visually captivating and socially powerful.
Alistair Blaster is rapidly emerging as a distinctive voice within the contemporary art scene. His unique creations—often character-driven and rich in narrative—have already attracted the attention of notable figures, including Vicki Michelle Allo Allo ” and Dr Anna Kennedy. OBE His work has also begun to cross into storytelling, inspiring children’s literature that carries the same warmth and imaginative spirit found in his visual pieces.
Speaking about the inspiration behind the “Blanky,” Alistair shared: “I am a huge supporter of Pink Ribbon, and I wanted to do something to celebrate not only the charity but Lisa Allen, who is truly inspirational in her work.” His words resonated with many in the room, underlining the importance of recognising the individuals behind charitable movements—those who quietly and consistently make a difference.
The event at Firepit Gallery was more than just an art showcase; it was a reminder of how creativity can be harnessed for good, bringing people together in support of causes that matter. With his growing reputation and heartfelt approach, Alistair Blaster is certainly an artist to watch.
Ciara Lawrence’s Pink Sparkle Podcast Celebrates Five Fabulous Years With Dr Anna Kennedy and special guests
Words: Steven Smith Pictures: Antony March
Everything was shimmering in shades of pink on Thursday evening as Ciara Lawrence took to the stage at Metropolis Epsom to celebrate the fifth anniversary of her much-loved Pink Sparkle Podcast. Dressed in a stunning pink outfit that perfectly captured the spirit of the night, Ciara embodied the warmth, glamour and resilience that have become synonymous with her brand.
The evening was more than a celebration—it was a heartfelt tribute to a journey built on courage, connection and community. Special guest Dr Anna Kennedy brought with her an inspiring lineup of performers from Autism’s Got Talent, including Ethan Stewart, Marie Gorton, , Richard Anthony ,George Pond and Callum Kirrage. Together, they helped create a vibrant, uplifting atmosphere for what was a live recording in front of an enthusiastic and deeply engaged audience.
Ethan Stewart
Anna Kennedy, clearly moved to be part of the milestone event, spoke warmly about Ciara’s journey. “Ciara, I knew the minute I met you that you were a winner, and that The Pink Sparkle Podcast was something truly special,” she said, her words met with heartfelt applause.
Marie Gorton
Ciara, ever the consummate professional, balanced emotion with humour throughout the evening. She laughed and joked with the crowd, sharing stories of past guests—including her admiration for TV personality Rob Rinder—and revealed her hope to one day welcome his friend Rylan Clark onto the show. Yet at the heart of the evening was something far more personal: her journey with Anna Kennedy.
Calum Kirrage
“Despite everything I faced, you saw me in a room, came over, and it changed my life,” Ciara said, visibly emotional at times, holding back tears as she reflected on how that moment shaped her path.
Behind the scenes, the dedicated team from Anna Kennedy Online ensured the evening ran seamlessly. Lisa Robins—often described as the woman who “oils the wheels” of the organisation—handled the sound and event logistics with her usual professionalism, while Tally Nothey captured special moments on film, including a heartfelt thank-you message to Stacey Moore for her support.
There was even a surprise appearance from yours truly, as I marked 13 years with a charity that has profoundly changed my life. I shared a few chosen words about what the journey has meant to me—though, as many will attest, stopping me talking is no easy feat.
Me with two amazing ladies Dr Anna Kennedy OBE and Ciara Lawrence
Richard Anthony also deserves special mention, not only for his ongoing charity work but for delivering a memorable performance on the night.
George Pond
Gratitude must also go to Metropolis Epsom for generously providing the venue, helping to make the evening possible.
Richard Antony walking In with Happiness charity and fund raiser performed,
Anna’s final word “Ciara, thank you for allowing me to be part of your journey. Your sparkle is not just pink—it’s powerful, inspiring, and here to stay. I’ll always be cheering you on.”
Why Piers Morgan Might Miss a Beat on Mental Health — But He Is on the Side of the LGBTQ+ Community
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“I disapprove of what you say, but I will defend to the death your right to say it.” — Voltaire
Let’s get one thing straight about Piers Morgan: he is no homophobe. I am re-running a feature I penned around the time he walked out of Good Morning Britain. No, I do not agree with his views on mental health for the most part, but he is entitled to his opinion. I was dumbfounded that he did not take Kevin Spacey to task over giving Elton John as a moral character reference. Having been a guest as a teenager at the Rocket Man’s house, I believe the truth will come out. His interview with the deluded TikTok personality HSTikkyTokky showed his stance against homophobia, and I will be writing about that in my column next month. For now, please read why Piers is, in fact, an LGBTQ+ ally.
Steven Smith takes a look at the meteoric rise of what could arguably be the ultimate school bully, Piers Morgan. He asks: as an adult society that often does not move far beyond the playground, do we actually revel in Morgan’s Machiavellian ways? Is he a friend to the LGBTQ+ community, and should he be fired from Good Morning Britain for his apparent sexist views and for questioning whether we should teach children that there are 100 genders?
Victoria Wood is about to come on stage at the Royal Albert Hall, and I am in the box, hosted by her PR, Neil Reading, with a variety of celebrities, journalists, and media types. The lovely Dale Winton is chatting away to me—fabulously bronzed, styled to perfection, charming and witty. Everyone is excited about the show when suddenly the air changes.
RIP Dale Winton
“Oh God, no!” Dale shrieks, as if Maleficent herself had appeared to cast a spell over us. Some of the other guests look uncomfortable too. No—it is not Maleficent. It is Piers Morgan, then the youngest editor of the Daily Mirror. Dale does all he can to avoid him, but Piers makes a beeline, grinning from ear to ear. “How’s that bottom doing, Dale?” Dale’s tan deepens two shades. “Fine, Piers, thanks,” he replies, avoiding eye contact. The penny drops. The Daily Mirror had splashed that Dale had been paying for colonic irrigation treatments at a clinic in London’s trendy Beauchamp Place—the same clinic frequented by Princess Diana. Somehow, they had photos of him leaving.
If Dale had turned around and said, “Oh, just great! You should try it, Piers—wash some of that rubbish you write straight out of you!” I suspect both men might have laughed, and Piers might even have offered him a column. The scenario did make me chuckle. Piers was goading his subject like a provocateur returning to the scene of the crime. It was no big deal—but Dale was private, kind, and is still sadly missed.
The next “victim” was Anthea Turner, splashed across the tabloids during her very public relationship scandal involving Grant Bovey. Piers had that unmistakable school bully energy—unable to resist the poke. Yet here’s the paradox: he also wanted to be one of them, a celebrity himself.
Let’s be clear—Piers Morgan is a genius. Rupert Murdoch made him editor of the now-defunct News of the World at just 29. He has the rare ability to remain calm while provoking others—an ability that later defined his interviewing style. Sometimes uncomfortable, often gripping, always headline-making. And when he chooses, he can be kind.
At a wedding with Barbara Windsor and her husband Scott Mitchell, Piers joined our table. He was delightful, charming, engaging. Until a PR woman confronted him. Piers remained calm while she became increasingly furious, eventually storming off. He had that effect—controlled chaos.
Under his leadership, the Daily Mirror became more progressive on gay issues, especially compared to rival tabloids. He helped elevate voices like Sue Carroll, a fierce advocate for LGBTQ+ rights and a dear friend of mine. He also co-created the Pride of Britain Awards alongside Peter Willis. But let’s not kid ourselves—we still have a long way to go before tabloids are truly safe ground for the LGBTQ+ community.
After the Abu Ghraib scandal and other controversies, which he has always denied wrongdoing in, Piers was sacked. You might expect him to disappear. Instead, like a phoenix, he came back stronger. From television appearances to America’s Got Talent, from winning The Celebrity Apprentice under Donald Trump, to taking over Larry King’s CNN slot, he rebuilt himself as a global media personality.
And here’s the key point: on LGBTQ+ issues, Piers Morgan has consistently shown support. He has challenged so-called conversion therapy advocates on air, telling one, “Shut up, you bigot.” He has supported figures like India Willoughby and publicly backed trans rights in debates. There is simply no credible evidence that he is anti-gay.
Now critics call for him to be cancelled—over gender debates, over tone, over clashes with guests. But should he be fired? No. If we silence every voice we disagree with, we risk losing something vital: dialogue, understanding, and progress.
I want to hear opposing views—even uncomfortable ones. That is how we measure how far we still have to go. We have made huge progress. Ten years ago, LGBTQ+ role models speaking in schools would have been unthinkable. But progress requires conversation, not cancellation.
Yes, Piers gets it wrong, especially on mental health. I believe he owes Denise Welch an apology. But he also reflects a segment of public opinion we cannot ignore. We must challenge hatred, but not silence debate. Because if we push dissenting voices underground, we risk something worse: backlash.
So no, I do not agree with everything Piers Morgan says. But I would still want him on my side.
And one final thought: can someone explain the “100 genders” to me? Not out of defiance, but because I want to understand. Asking questions does not make someone a bigot—it makes them human.
Big Rob: The Gentle Giant Who Became the Heart of Last One Standing
Big Rob becomes the gently sensitive giant who has emerged as the standout star of Last One Standing: Handcuffed.
Known to many through his work on OnlyFans and often described as a “gentle giant,” Rob has proven himself to be one of the most compelling and quietly powerful figures in the show. What makes his journey so impactful is not simply the contrast between his profession and the programme’s premise, but the dignity, patience, and emotional intelligence he has brought to every moment on screen. In doing so, he has not only represented himself with pride, but has also offered a refreshingly human portrayal of the LGBTQ+ community to a broad—and at times sceptical—audience.
I am a huge supporter of Andy Lee and his gang of merry, mostly straight men. After all, for years straight men have ogled and slobbered over Playboy bunnies and the like, with very little chance of ever fulfilling those fantasies. So in equal measure, why shouldn’t someone be able to make a living from fulfilling the fantasies of others?
But what this show reminds us—powerfully—is that behind labels and professions, people are human. From the outset, pairing Rob with Charlie Gray—a self-described prude, traditional housewife, and devout Catholic—could have been a recipe for conflict or caricature. On paper, they represent two vastly different worlds. Yet what has unfolded is something far more nuanced and, at times, unexpectedly moving.
Rob has consistently approached Charlie with kindness, humour, and respect. He has never mocked her beliefs or discomfort, but instead has met her exactly where she is. That, in itself, is a powerful statement: difference does not have to lead to division.
Throughout the series, viewers have witnessed moments of tension, vulnerability, and even emotional breakdowns. These are not manufactured dramas, but genuine human reactions to an intense and unusual situation. In those moments, Rob has shown remarkable emotional resilience. He has remained grounded, often acting as the calmer presence, even when the situation could easily have pushed him into frustration. This ability to hold space for another person—especially someone so different from himself—speaks volumes about his character.
The now-infamous shower scene, while played for awkward humour, actually revealed something deeper. Rob’s willingness to simply be himself, without embarrassment or bravado, contrasted with Charlie’s visible anxiety. Her decision to wear a bright yellow blindfold—despite already facing away—was both comical and telling. Yet Rob did not exploit the moment. He handled it with sensitivity, allowing the humour to exist without making Charlie feel exposed or ridiculed. In that moment, he demonstrated respect not just for her boundaries, but for the wider audience watching.
Representation matters, and what Rob has brought to the screen is a version of LGBTQ+ identity that is layered, grounded, and relatable. Too often, individuals from the community—particularly those in the adult industry—are reduced to stereotypes or dismissed entirely. Rob challenges that narrative. He shows that someone can be part of that world and still be thoughtful, kind, emotionally aware, and worthy of respect. That balance is rarely shown on mainstream television, and it is precisely why his presence feels so important.
Moreover, his journey with Charlie subtly challenges preconceived ideas on both sides. For viewers who may share Charlie’s traditional views, Rob becomes a bridge—someone who defies expectation and invites empathy. For LGBTQ+ viewers, he offers representation that is unapologetic yet deeply human. He does not try to sanitise who he is, nor does he lean into stereotype; he simply exists as himself, and that authenticity resonates.
As the competition continues and the pair remain in the running, it is clear that Rob’s contribution goes far beyond entertainment. He has brought heart, humour, and humanity to the show. In doing so, Big Rob has not only done himself proud—he has represented the LGBTQ+ community with grace, strength, and quiet brilliance.
Rob is someone you would want on your side—and someone who absolutely belongs on our screens, just as he is with his boxers up .
2Shades Magazine 