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Culture

STOP THE WORLD I NEED TO GET OFF: A look at NFT

Steven’s Smith looks at NFT
“Stop the world I need to get off!” I hear many of you say that in this bizarre and often crazy time.
You could be forgiven for wondering if the great God (if you believe in such an entity) would reach down and reply “Sure will you be paying for that in crypto, bitcoins or the old-fashioned pound?”

He may even offer you one of his NFT signed art posters that he promises, once you re-join Earth, will have quadrupled in value making you arrive back with a bang and most certainly a millionaire…well in crypto land for sure just as Alice drops through a hole in search of it.

Well, I found myself asking what NFT is last year. I am hearing it mentioned all around at events and parties. A friend visiting LA called me and said, “Darling you are no one if you’re not doing NFT or Crypto here”. Then came the sinking feeling a bit like when someone’s trying to sell me a multi-level marketing scheme. “People felt the same about stamps when they started”, she went onto to add.

Well fair point. Great grans used to keep their money under the mattress after not trusting banks during the great depression back in 1929. Let’s not talk about Lehman Brothers, back in 2008, filing for bankruptcy leaving people penniless, robbed of their life savings. NFT (Non-Fungible Token) is a record on a blockchain which is associated with a particular digital or physical asset.

Paris Hilton worked with the artist Blake Kathryn to create a digital tribute to her chihuahua Tinkerbell. Photograph: Paris Hilton/Blake Kathryn

The ownership of an NFT is recorded in the blockchain, and can be transferred by the owner, allowing NFTs to be sold and traded. What is NFT in relation to art? An NFT is a digital asset that exists completely in the digital universe: you can’t touch it, but you can own it. An NFT can be any type of digital file, an artwork, an article, music or even a meme such as “Disaster Girl”, the original photo of which sold for $500k earlier this year. But is it the emperor’s new clothes? For every artist who champions NFT art equally there are those that just won’t touch the new way of trading. Boy George has opened his own digital platform

https://www.cryptoqueenznft.com

Though George has not sold at the auction houses such as Sotheby’s or Christies, his work has sold at charity events for large sums and he certainly has a talent.

Tracey Emin has joined the NFT arts champion digital platform as have several well-known artists, but many are totally against NFT. With Artists against NFT recently penned in Business of Business, Zilch, an Atlanta based artist is quoted as saying, “Personally, I’m against NFTs.

However we do have to acknowledge that it as a system does exist, and that system still requires regulation and is not a free-4-all, unmoderated system where all hell breaks loose. Systems get made, systems get abused then they get regulated.”

https://www.instagram.com/traceyeminstudio/?hl=en-gb

London has seen its first NFT Gallery opening early this year, the Quantus Gallery, and the star-studded opening saw the likes of Ant Middleton, model make-up artist Jodie Kidd and dashing Callum Best all mix with socialites, city boys and what looked like would-be Kray brothers. It was certainly an eclectic group and an exciting night, so, there is certainly great excitement around the concept.

Art is objective and we must remember where the words con artist came from. Get a brilliant salesman and he can sell snow to the Eskimo’s. It is the same with a painting; remember ART the award-winning play? Serge, indulging his penchant for modern art, buys a large, expensive, completely white painting.

Marc is horrified, and their relationship suffers considerable strain because of their differing opinions about what constitutes “art”. Yvan, caught in the middle of the conflict, tries to please, and mollify both. Art is what you decide it is.

Every wise boy seems to be dipping into crypto. I am absolutely 100 percent convinced that, just like in multi-level marketing, there will be those that make a mint out of it and equally there will be those that end up burnt. There was a time when my inbox was full of get rich crypto or bitcoin invitations.

I considered joining one as the cream of business were involved. However, sitting in on the meeting it became clear people were investing in something that was not there. “We are looking for the likes of Adelle, Tom Cruise joining this”.

Apparently people will pay to sit in front of a computer with NFT sunglasses on, paying thousands for the pleasure. I guess people have spent fortunes on dressing characters up on virtual games for years. Certainly, it helped the Kardashian portfolio.

But on asking what these A listers agents felt about this, their answers were vague. It was clear it was a wish list. Following my instinct, it was “No from me.” Checking a year on despite the credentials of its founders it is no further along.

Certainly, there is a strong element of the hard sell when it comes to the NFT from those that champion it. For me, I would still go with my financial advisors and stay away from something that has element of gambling attached to it, particularly if you have an addictive personality and really can´t afford to lose.

Most serious investors in high end art use highly qualified ART advisors for advice and buy at reputable auction houses or gallery’s that mentor their artist. They ask if resold to get first refusal. NFT Art is certainly something worth keeping an eye on and if you have money to spare then, as they say, fill your boots.

But in a volatile market with bitcoins and crypto up and down, for me it is not something that would make me sleep well at night. I asked a woman who is very busy promoting NFT (and doing an amazing job) how she was paid.

As she knocked back a glass of champagne, she replied “God, money darling!” That said it all to me.

Categories
Culture

Steven Smith reviews Tiano

⭐⭐⭐⭐⭐Rating: 5 out of 5

It is an almost unthinkable scenario that Liberace and Pavarotti had secret love children, let alone that those children went on to inherit their fathers’ talents!

Then they met one another, fell deeply in love and married. Well, you would be forgiven for thinking just that, as married couple Chris Hamilton (Piano) and Shimi Goodman (Tenor) take to the stage to perform to a sell-out audience of dedicated fans. 

It is not that either look  like Liberace or Pavarotti, of course. Far from it, their model-like good looks add to the pairs’ incredible stage presence.  They do channel those great icons and more when you witness their sheer talent during the performance. 

Hamilton is a classically trained piano player and songwriter, whose wit and style is from another era. It reminded me of why I love New York, often falling into off Broadway venues and The Village bars, and hearing some of the most incredible talent performing Jazz and classic Broadway tunes. Boy, do I miss that. Chris Hamilton brought it all back tonight. 

Chris Hamilton (left) and Shimi Goodman (Tenor) (left)

Goodman has appeared in many West End shows and has a degree in musical theatre. He is at his very best when he seduces the audience with songs from Tosca and reduces them to tears with others. His range is exceptional and brought me to my feet more than once during the evening. 

They brought the house down with a melody of James Bond Oscar winners. The pair do Adele, “Sky Fall”, Sam Smith, “Writing on the Wall”, and Billie Eilish, “No Time to die”.

If this is not enough, they also belt out musical theatre hits such as “Seasons of Love” from the production “Rent”. My favourite is “Losing my mind “from Follies.

Though Hamilton does not exude the campness of Liberace, he does have the show man 

quality of the Vegas legend. I could not help but think that if there were a stage musical version of “Behind the Candelabra” (I hope there is!), the producers just found their man to play Liberace.

Being a gay man, what made the evening so special for me was watching a happily married gay couple look so in love and work together in harmony, without having to resort to clichés or innuendoes. They merely relied on their genuine incredible talent and professionalism.

It won’t cost you the sometimes dizzy-making prices of the West End to see the pair perform, but you will walk away thinking that you have seen one top show and want to go back again.

For booking and information: https://www.brasseriezedel.com/events/tiano-the-piano-and-tenor-duo/

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Culture

Drag sensation Michael Marouli on “Angels of the North” Tour

[SPOILER ALERT: For anyone who hasn’t watched Drag Race UK Season 5 yet]

In conversation, Michael Marouli shares details about the upcoming tour “Angels of the North” with Ginger Johnson and Tomara Thomas after Drag Race UK Season 5.

The angels simply can’t wait to show the world what the tour has in store for us starting April 2024. So what can we expect?

Poster for the Angels of the North Tour starting April 2024

Michael said, “It’s going to be unreal. The show is going to be so slick. It’s going to be a night of incredible performances and production. There’s going to be comedy, we’re going to have our Disaster Class that we did on Drag Race. 

And we’ll be bringing our individual personalities, our own performance styles, we’re just going to take the magic we created on the drag race, on the road. All over the UK, in Australia and so much more!”

Drag Race UK season 5 released on the 28th of September 2023 and ended on the 30th of November 2023. A season that will definitely go down as one to remember.

It isn’t RuPaul’s best friend race but somehow, these queens from the north east of England, struck a balance between healthy competition and an everlasting friendship.

They knew there was something magnetic about the trio after their ‘Disaster Class’ improv on episode four. It was a true masterpiece that birthed the idea of three Geordie babes conquering the world beyond Drag Race UK.

Michael said, “It was when RuPaul introduced us for the last time on the main stage, she said, please welcome back the angels of north and we went, ding! It was at that moment where we felt like this needed to happen.

And it’s the fact that three of us from the north east were in the final, we just knew we had something magic.”

The final looks of the Top 3 queens on the main stage. Post credit: The Queer Review

As a viewer myself, I can confirm that this season was filled with so much love and warmth. All of the queens displayed their passion with such conviction, the judges were forced to go down to the nitty gritty to eliminate someone every week.

It was packed with high art, high drag, insane belly laughs and shadiness in good spirit. The top 3 queens are the perfect examples of what the season stands for. 

The winner, Ginger Johnson radiates a rare kindness and confidence in a drag queen that mesmerised RuPaul to believe that queens like her still exist. 

RuPaul was also pleasantly surprised by the second runner up queen, young Tomara. Her ability to be such a fearless yet compassionate drag queen at 25 proves that it really is her world and we’re all just living in it.

As for Michael, he served looks and performances every week and left no crumbs. Although, it was his character that really spoke to me. He has a deep sense of empathy, carefree humour and maturity that made me wonder what shaped him to be this way.

Michael said, “I went from performing for three people in a bar, learning how to speak on a microphone and all of that. And just bringing that experience and mashing it together with modern day drag aesthetic and I’ve kind of got the best of both worlds I think.”

In our interview we mutually agreed that pop culture was our saviour. For Michael the likes of George Michael, Madonna, Spice Girls and Lady Gaga were his key inspirations to elevate with his art. 

Michael’s extraordinary look for the “POOFS ON PARADE” challenge on Drag Race UK S5. Photo by Stoney Darkstone

His looks were embroidered with the inspiration he derived from his role models. His own unique touch portrayed the grace of an experienced queen and the campiness of new queen on the block.

Michael said, “You’ve got you keep growing all the time. I think that’s the beautiful thing with life, you never stop learning. With anything artistic, there’s always new inspiration. There’s always things changing. 

The world is constantly evolving. There’s always new pop cultural references. Like the lyric in my final performance, baby old school new school, I bridge that gap!”

There was a particular challenge that really brought to light Michael’s personality in real life and as a drag queen. It was the drag makeover challenge on episode 8 where Michael met the adorable LGBT support line worker, Peter, a.k.a Gezeer Manouli.

The connection between them was instant but more importantly, it was Michael’s resilience that won that challenge for him. He handed over the spotlight to Peter to let him have the moment of his life.

Michael said, “I’m like that as a person, it’s because I’m a little older, I’m like a mother/daddy. I said to Peter off camera before we went into the workroom, I told him, this is all about you.

And I’ll make sure you have the best time of your life. It’s such a high pressure environment anyway, so it was nice to kind of focus on somebody else for a change rather than thinking oh god, am I gonna do well in the challenge? I was just purely focused on Peter, to have that little bit of relief.”

Althought Michael came runner-up in the competition, he has nothing but high regards for Ginger Johnson. The energy that I received from him was that he never would have imagined that three Geordie babes would be the top 3 queens of Drag Race UK.

That seemed more like a victory to him than actually winning the crown. He was genuinely proud of Ginger for taking the crown to represent the queens of north east.

Michael said, “The fact I was in the final two is a huge achievement. I was just so proud of myself. And I know how much it meant to Ginger and to see how happy she was. That was a win in itself. It probably sounds like the pageant answer, but it’s true because we genuinely were rooting for each other. 

We have such love and respect that I was just so happy for her as well. And I can’t complain. I came second I was like the runner-up on Rupaul’s Drag Race! That happens to a handful of people in this in the universe and that happened to me. So it’s incredible. And now I can go and win all stars!”

Michael Marouli has a heart of gold, and he is an extraordinary icon in the making. And a trio of icons coming together for a tour that will win our hearts and give us the ultimate extravaganza?

The world is simply not ready, it’s an experience of a lifetime that you certainly do not want to miss.

Categories
Culture

‘George’ by Léa Des Garets in London is an artistic treasure

The play took me back to the 19th century where the protagonist, George Sand challenged gender norms by living her life as a man.

It confirms that regardless of the era, the illusion of societal norms could never tame the mind of a free soul.

George Sand, aka Amantine Lucile Aurore Dupin, was a French novelist played and written by talented young writer and actress Léa Des Garets, from France.

Léa Des Garets as George Sand. Photo by the incredible, Benjamin Graham

Léa stumbled upon the vague details of George’s story of being a pioneer for change when it came to self-expression as a woman and a writer.  

In a fascinating chat with Léa herself, she enthusiastically describes to me her introduction to George Sand. She spoke about how George didn’t have the best image and she wasn’t very well known in her lifetime. 

As Léa dug into her autobiography, she found enigmatic layers to her character. She said, “There were extracts from her autobiography where she’s saying things in the 19th century which I’m still talking about today. About equality and freedom of being yourself.”

George Sand was a pseudonym she carried to be identified as a man. It was the only way to establish herself as a writer with the likes of Victor Hugo as her contemporary.

She dressed like a man, wore trousers and jackets to blend in with the men who had the privilege to be out and about. Explored multiple romantic interests and also divorced her husband at the time.

George was unafraid, and that’s what compelled Léa to craft a story around her life and embody her presence in this world again.

Léa Des Garets as Gabriel. Photo by Benjamin Graham

Léa shares, “She’s really cool. I feel really privileged, two centuries later, to talk about the feelings she didn’t have the words for and to act as her, I love acting. I just needed other brains with me, to create together. I am a team player. So what started out as a solo journey, ended up being teams who just came together.”

Léa is supported by a wonderful team who brought George to life again. The play was directed by the kind and graceful, Rute Costa, whom I had the pleasure to meet after the showcase. 

The cast consists of  Léa Des Garets as George/Gabriel, Iniki Mariano as Marie Dorval and Conor Dumbrell, an extraordinary actor who played six different male roles effortlessly with a touch of physical comedy. 

Conor Dumbrell as the snappy editor. Phot by Benjamin Graham

Marie, played by the elegant Iniki was George’s biggest cheerleader; she was a young actress who was mesmerised by George’s way of life. 

They were quite close as friends, some believed they were lovers. Léa found the relationship between them intriguing and believed that there was an immense love between them.

She added her flair of a possible romance between them in the play. As the two seemed to share flirty banter and gentle intimacy on stage.

The intimate friendship between George and Marie. Photo by Benjamin Graham

Léa mentions, “What struck me in Marie’s letter was how strong she was, and how George was diminishing herself in a very reverential way towards Marie. George shows her how dependent she was on Marie’s affection and how much that means to her. Marie believed in George’s work, just as much as George believed in Marie’s.”

The play was primarily about Marie hyping up George to come up with her next best work. With her snappy editor, played by Conor, breathing down her neck for fresh material. 

Marie suggests that George should write a play and they both tailored the script of a prince named Gabriel, who’s actually a girl at birth.

The play split into two sections at this point, Léa created a cutaway to show the world of Gabriel. She takes on Gabriel’s role alongside Conor who brilliantly shifts roles amongst Gabriel’s grandfather, cousin and assistant.

Léa as Gabriel and Conor as Gabriel’s supportive cousin. Photo by Benjamin Graham

Gabriel, who’s an heir to the throne was brainwashed by his grandfather to believe that he was a boy. As he was the only child and successor for the inheritance of the family. 

Marie and George had a perfect exchange of ideas for the plot of Gabriel’s character. But George began to use it as more of a personal mission to speak her story.

This created conflict in their relationship as George overlooked Marie’s efforts to revive her career. Marie was to be an actress in the play but her contribution to the script became less important as George overindulged in Gabriel’s story.

Léa explained, “There’s a sense in the play that, George, to me, what I wanted to convey was that we are in George’s head. As they built it together, she found so much freedom.

She finds a platform to explore what she’s able to explore, which is kind of the defying of binary theory when it comes to gender. And I think she doesn’t realise how much she has sidelined Marie until every time Maria is the one who brings her back to reality.”

The complexities of Marie and George’s relationship really stood out in their final dialogues. After George sends in her work and forgets to sign Marie’s contract for her future, the faith of their relationship starts trembling.

The stunning Inika Mariano as Marie Dorval. Photo by Benjamin Graham

Regardless, Marie celebrates a positive response received by the editor for George’s script. But George finds the response ignorant as the editor refers to her works as “little lady stories”, questioning George’s integrity as a writer. 

While Marie thought their work was marvellous, George felt her work was reduced to the perception of women that most men carried in that generation.

Marie then delivers a powerful dialogue claiming that George who wears trousers and jackets doesn’t make her better than other women. And that there is nothing wrong to be recognised as a lady, as she is one.

However, George travelled a path where she only wanted to be seen as a writer and not a gender. She never meant to belittle anyone, she wanted only to do justice to her soul’s purpose and desires. 

George and Marie reading a letter from the snappy editor. Photo by Benjamin Graham

Léa pointed out that it was at this stage that their love languages struggled to meet. It truly was a story of desire, love and purpose between two powerful women who fought for authenticity in a world that made no sense.

The entire team have done an exceptional job to merge conversations from the past and conversations we have today around gender fluidity.

In my conversation with Léa, we discussed how we wish we didn’t have to talk about these things still. And that it’s no one’s business how one wishes to express themselves.

She beautifully envisioned how she wishes the audience to perceive her and her team’s work with me.

She passionately said, “I want people to be daring to be themselves, to be authentic, daring to deconstruct society’s expectations. For them to look inward, to look outward. To be outside of a lane that’s been built. I’ve embraced my queerness in the past few years and you can live queerly in so many ways. It doesn’t have to reflect your sexuality or the way you envisage your gender.

It’s to treat other people’s voices with compassion, their ways of being in the world and not just impose what I think is right onto them. And let fear dictate how I interact with others. And I hope they can see that through Marie and George that they were trying their best to live out of restrictions, just as we all are.”

The love George and Marie shared. Photo by Benjamin Graham

Léa, Iniki and Conor and the whole team have extraordinary talent that deserves higher accolades.

The writing, the direction, the acting and the bond they share amongst themselves radiates on stage as a group of revolutionaries.

Their showcase took place at West End’s Criterion Theatre in London on the 17th of November 2023. They were supported by the Criterion New Writing Programme, handled by Greg Mosse and host Felix Mosse

They will be performing a 3-week run of George at the Omnibus Theatre in London from 25th June to 14th June, 2024.

Grab your tickets now at https://www.omnibus-clapham.org/george-2/ and for more information.

Categories
Culture

Lizzie Musical: Unmissable Cast and Unique Story at Southwark Playhouse

“You will feel homicidal if you miss this little gem!” by Steven Smith

Rating: xxxxx (Axe-wielding 5 stars!)

Having just sat through one of the worst musicals in my living memory a few nights before (The time travellers’ wife), the prospect of a rock musical based on a true crime did not exactly fill me with excitement, especially one about the notorious Lizzie Borden who allegedly killed her father and stepmother with an axe. 

Only the fact that a friend had seen the opening at, what is fast becoming the out of town must go to venue, “Hope Mill theatre” in Manchester, raised my interest. https://hopemilltheatre.co.uk (Has this team ever put anything bad on?).

“Lizzie” is now playing at the delightful Southwark Playhouse Elephant https://southwarkplayhouse.co.uk . Just to fill you in and I won’t ruin the whole story, but the musical looks at the reasons why she allegedly murdered her father and step mother. 

And at Lizzie’s defence with the help of an expensive legal team and the support of her sister Emma, maid Bridget, and friend and lover Alice.

Set in 1892 Fall River Massachusetts, the dark atmospheric set complete with an axe puts you in the mood for a something creepy quite early on. 

However, nothing can prepare you for the thrill ride that the show is about take you on: the cast of “Lizzie” are about to blow your socks off. 

This might be an old story, but the cast bring something unique and exciting to the stage. Five minutes into the performance my mouth dropped open and I had to hold myself down as I wanted to dance along with the cast. 

Directed by William Whelton and written by Steven Cheslik-de Meyer, Tim Maner, and Alan Stevens Hewitt my hat goes off to them 

Lizzie looks at some pretty dark topics such as abuse, interwoven with truly touching moments. The love story between Lizzie and Alice is beautifully handled. 

What really makes this a ‘must see’ is the cast, and there are only 4 actors plus a tremendous orchestra. Trust me “four” sure out-does “six”

With the cast raising the roof, you are forgiven for imagining you’re at the Globe theatre, watching some incredible classic acting that has been hijacked by an awesome rock concert! This is what makes the show so unique. They even manage to bring a comic element in the shape of Mairi Barclays, who plays Bridget the maid, without ever going over the top.

Lizzie is played by Lauren Drew (The Voice!), who is so tremendous in the role she deserves every award going, as do the whole cast to be honest.

Shekinah McFarlane plays Emma, her older sister who tries to be a guiding light to Lizzie. Shekinah is a powerhouse of talent you just can’t believe you’re lucky enough to watch. Her solo, “What the F**k Now, Lizzie?”, is one the highlights of the show.

Maiya Quansah-Breed is Alice, Lizzie’s lover. Again, she leaves you spellbound; the handling of the love between them felt so real it was touching. All the fab four should be at a theatre ten times the size. 

But lucky for me and you, they are not for now. 

There is not one thing I can think of that is not positive, except when it got to the interval I felt like a petulant child, “NO KEEP GOING!”. Even the clever costume designs deserve a shout out. 

For sure I will be going back to see “Lizzie” again and you should go too!

For more shows at the Southwark Playhouse in London, visit https://southwarkplayhouse.co.uk

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Culture

Exploring LGBTQIA+ Unsung Heroes in Award Season: An Interview with Rob Falconer

With the LGBTQIA+ award season in full swing, the obvious candidates are always front runners.

Particularly in this day and age with social content and media hype playing an important part.

On location in Amsterdam for Rob’s new film Bob: Man of the Angels with two of its stars Dan Glass and Dan de la Motte

Awards are often financially driven as winning is going to put bums
on seats and entice the lucrative sponsors.

It would be good to see some of LGBTQIA’s unsung heroes, who often fly under the radar and are perhaps more deserving of an award, get some attention.

Rob used cinema in a new way to bring education about gay sex and how to keep it safe.

Steven Smith asks him ten questions:

  1. Rob, how did you get into film making?

I was originally an actor and singer (bands, not musicals). I arrived in London at 18 to train as an actor at Guildhall School of Music & Drama, literally across the street from the Barbican where we screened the 2024 version of Gay Man’s Guide.

The focus was all on serious theatre and the RSC (next door). I’m not sure if they realised they’d actually end up training a sex film director. My guns were trained only on screen acting though.

  1. When you came out was it easy for you?

Possibly not for my girlfriends when I was very young! That typically strangled, horrendously painful adolescence for closeted gay teens – a golden time for natural development and exploration you also never get back.

As I say, I arrived in London at 18, still pretty closeted. It was right in the firestorm of the AIDS pandemic and terrifying, but that was that. Instantly I was “hello, boys!” and out. Dates me but that was when button fly 501 jeans were the new thing (and Y2Ks are all wearing them again now!).

My button fly didn’t ever stay buttoned up much after that (as anyone who knows me would probably be only too quick to point out).

  1. Do you feel young gay men are still aware of HIV and safe sex?

The stats do go up and down. By 2013 or so there was a worrying spike with under 25s amongst the highest numbers of people acquiring HIV.

Thankfully that settled back, though a little bit of a rise again recently we’re hearing. A lot of young gay guys are savvy and sassy, well able to make their own minds up. The metrosexual boys in between, hmm, I’m not quite so sure.

And if you need to talk there’s an amazing network right out there waiting, the THT Direct helpline, Switchboard, Love Tank and PrEPSTER, LGBTHERO, the super-approachable teams at clinics like Mortimer Market Centre and 56 Dean Street.

  1. Are apps ruining LGBTQIA+ dating?

Probably, but not completely, I’d say. This is just who we are, where we are right now, nothing to feel shame about. It’ll change again to something else.

But for sure, hook-up apps can make it very uncomfortable indeed if you don’t feel you maybe conform to people’s expected body or gender identity types. And yes, there’s always the potential to find yourself in situations that can become very risky.

That’s the reason you need to get informed, today, just like when we made the Gay Man’s Guide films. Get accurate, unjudgmental information, from people who fuck just like you do, think about what you’re doing and then you have to make you own choices.

Sexual health information services today have made targeted, relevant messaging more easily available than ever before, and they’re making sure everyone in our community feels seen and appropriately addressed.

We’re incredibly fortunate in the UK to have that, though government still urgently needs to really back-up PrEP way more strongly.

  1. What was the first film you ever watched on the big screen?

Sean Connery as Bond in “Diamonds Are Forever”. It changed the course of my life forever…”Plenty O’Toole? Named after your father perhaps?”.

Seriously, that man had a riveting screen presence and talent no one’s ever had in quite the same way since. Cat-like grace too, for such a big guy. Cinema had me at hello and I wanted in.

Bond of course didn’t do boys – though Daniel Craig’s devastatingly good reinvention of 007 kind of prick-teased that he might have done in Skyfall.

  1. Gay Man’s Guide to Safer Sex Directors Cut has a feel of Madonna’s Sex video in places. Who do you take your inspiration from?

Steven, probably only you could come up with that one, and we’re all taking that as the biggest compliment to Gay Man’s Guide! The Lady and Legend herself is always a massive inspiration.

She just takes absolutely no shit from anyone. Ever. I’d like to say that in some of the music I’ve made too, but never shifted in those quantities…

But any artists who, for all sorts of reasons – too often money, had to get very inventive and extremely persuasive, Derek Jarman always (whose collaborators like producer James Mackay and director David Lewis were on the first 1992 GMG film of course), French-Canadian movie star Lothaire Bluteau (unforgettable in the movie of Bent),
the living legend that is Holly Johnson, James Ivory (the loveliest man and incredible director), Barbara Broccoli (“a man’s world”? Yeah. Whatever.), and the one-off human rights dynamo that is Peter Tatchell – working with Peter boots your perspective on the world into realities really quickly.

  1. What is your suggestion to people going into film making?

Er…strap yourself in. Except for the only 10-15 per cent of artists and technical craftspeople who ever really make it, (I’m not one) this is not going to be an easy path for you.

But you’re going to do it anyway, aren’t you? Art’s a collaborative process but it’s still your voice. Don’t let other people use it for you.

  1. There is still a struggle for many young men to find positive role models. Do you feel someone like Aiden Shaw (aka Aiden Brady) is a good figurehead for the community? 

Hell, yeah! You brought up Madonna and she’s definitely a fan of Aiden’s! He’s worked with her. Aiden off screen probably isn’t who many expect him to be.

Even a little shy I’d say, and doesn’t set out to be anybody’s figurehead. But he is, and what a man! An almost annoyingly multi-talented artist, drop-down beautiful too. It’s his total, unflinching honesty that really tells.

We’ll never get anywhere as LGBTQIA+ people if we don’t put the truth right out there to the rest of the world and say, “Just deal with it. Deal with who we really are.” I shot several gay sex scenes in the buff myself as an actor – I’d never ask anyone to do what I wouldn’t myself.

  1. When you are not filming what do you do for fun?

I still occasionally get to ride horses, one of the other loves of my life, (along with boys). My niece’s latest acquisition is a huge Irish thoroughbred event horse named after Parker in Thunderbirds.

I genuinely need a ladder though. He’s very gentle and tolerant with me. I’d love to roll out the stock one of ‘cooking’ but my boyfriend would shut that right down and just cry laughing. I have no talent in the kitchen. None. He might also say, “Don’t date sex film directors.”

  1. What is the one thing you would change about London if you were mayor for the day?

Give us an extremely visible LGBTQIA+ landmark like Amsterdam’s Homonument. We are (at last) getting the official London AIDS memorial though, but only thanks to the incredible work of Ash Kotak and the AIDS Memory UK Team.

Quick round:

Chinese or Japanese?

Vietnamese

Pjs or nude? 

What do you think, reading this? Nothing at all!

Ibiza or Paris?

Ibiza, I like heat (but also French boys very much indeed). 

The one thing that would put you off someone?

Cruelty to any animal (including us). 
 

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