Dr Anna Kennedy OBE artist Matthew Bucko and newest Patron of the charity award winning writer Samantha Lee Howe at Autism &Art
Autism & Art 2026 Opens to Packed Gallery and Inspiring Celebration
There was a wonderful atmosphere at the Firepit Art Gallery on Thursday 23 July as visitors packed the venue for the official opening of Autism & Art 2026, an inspiring exhibition celebrating the extraordinary creativity of autistic artists and their families.
Now in its second year, the exhibition has quickly established itself as one of the highlights of the Anna Kennedy Online calendar. More than simply an art exhibition, Autism & Art provides a platform for autistic creatives to showcase their talents, tell their stories and demonstrate that art has the power to break down barriers, challenge misconceptions and bring people together.
The exhibition also raises vital funds for Anna Kennedy Online (AKO), the charity founded by Dr Anna Kennedy OBE, which has spent more than two decades campaigning for greater understanding, inclusion and opportunities for autistic people and those with learning disabilities.
Opening the evening, Dr Anna Kennedy OBE welcomed guests and reflected on just how far the event has come in only two years.
“When the idea was first suggested, I remember thinking, ‘Can this really be done?’ But then someone reminded me that’s exactly what people said when we launched Autism’s Got Talent and so many of our other events. Seeing this become such a success for a second year makes me incredibly proud.”
The Firepit gallery before the crowd .
Joining Anna was the charity’s newest patron, bestselling and award-winning author and screenwriter Samantha Lee Howe, who had travelled down from Yorkshire especially for the evening. Samantha spent time meeting the artists, chatting with guests and hosted the evening’s popular charity raffle, bringing her trademark warmth and enthusiasm to the event.
The entertainment was every bit as impressive as the artwork. Singer-songwriter Lana Mitchell captivated the audience with a beautiful performance that perfectly complemented the creative atmosphere of the evening. Lana is not only a talented musician but also an accomplished artist, with her artwork featured in the exhibition. One of her pieces has previously been purchased by beloved ‘Allo ‘Allo! actress Vicki Michelle MBE, highlighting the quality of her artistic talent.
Adding even more energy to the evening was George Pond, one of the stars of Autism’s Got Talent, whose powerful performance had the audience cheering and demonstrated once again why he has become such a popular performer within the autism community.
George Pond brought the house down with his performance.
The charity auction was hosted by television presenter, author and passionate animal welfare campaigner Wendy Turner Webster, who was accompanied by her husband, actor Gary Webster. Together they brought humour and warmth to proceedings while helping to raise valuable funds for Anna Kennedy Online.
One of the exhibition’s greatest strengths is the incredible diversity of the artists taking part. Visitors were treated to an exciting mix of painting, sculpture, mixed media and contemporary artwork, each piece reflecting a unique perspective and personal story.
Lisa Allen from Pink Ribbon was on hand with me Steven Smith ,Ayesha Baig Oracle Magazine Juliet Morrison from Pink Ribbon and model Brigitte Suligoj
Among the featured artists was Matthew “BUCKO” Buckingham, who travelled to London to exhibit his work. Matthew is a contemporary multidisciplinary artist whose increasingly transdisciplinary practice combines contemporary art, visual communication, autism advocacy and inclusive design. Through portraiture, printmaking and the development of an autistic visual language, his work explores autism, identity and social inclusion. Drawing on his own experiences as both a neurodivergent artist and a father, his artwork challenges misconceptions surrounding autism while promoting understanding, acceptance, equality and inclusion. His thought-provoking work attracted considerable interest throughout the evening.
Art By Bucko
Also making the journey from Wales was artist Josh, whose distinctive artwork continues to earn admiration for its originality and creativity. His contribution added another exciting dimension to an already varied exhibition.
Wendy Turner Webster with Lana
Returning for a second consecutive year was the hugely popular Blaster Artz, whose legendary Blanky sculptures once again proved to be one of the talking points of the exhibition. Their instantly recognisable style drew crowds throughout the evening, with collectors eager to secure one of the much-loved creations. Just as they did last year, the sculptures proved to be an outstanding success.
The invasions of the Blanky hugely popular art made a return for a second year.
The exhibition also featured work from an impressive range of talented artists, including Emily Haynes (ShadyShadz), whose fantastical creatures and nature-inspired artwork captured the imagination of visitors; David Downes, whose detailed work reflects both technical skill and emotional depth; Dr Diana Dunca, whose vibrant creativity celebrates individuality and expression; Heidi Simm, whose colourful pieces offered warmth and optimism; Naz, whose distinctive artistic style drew plenty of attention; XLVII, whose contemporary work encouraged conversation and interpretation; and Daisy, whose artwork demonstrated creativity, imagination and confidence. Together they showcased the extraordinary diversity of autistic artistic talent currently flourishing across the UK.
The evening would not have been possible without the support of Marcus Jake, owner of the Firepit Art Gallery, who once again opened his unique venue for the exhibition.
Speaking during the evening, Marcus said he was delighted to host Autism & Art for a second year.
“I’m thrilled that we’ve been able to bring everyone together again. The standard of work is exceptional, and it’s wonderful to see so many people discovering these incredible artists.”
Art by Josh
The Firepit Art Gallery itself deserves special mention. Unlike many traditional galleries, it offers an intimate, welcoming environment where visitors are encouraged to slow down, reflect and truly connect with the artwork. It feels less like a conventional gallery and more like a creative sanctuary—a place where artists are celebrated and everyone feels welcome.
Acting Royalty Gary Webster meets Art Royalty Alistair Blaster
Adding to the exhibition’s significance were two very special contributions. Harvey Price, whose artistic talent has inspired many people, had artwork on display that attracted considerable interest from visitors throughout the evening. His participation highlighted the importance of providing creative opportunities for autistic artists of every background and profile. Also exhibiting was acclaimed artist John Lee Bird, whose distinctive work has earned admiration for its originality and expressive style. His contribution further strengthened an already exceptional collection of artwork and demonstrated the remarkable breadth of talent showcased throughout Autism & Art 2026.
Dez Loveartpix continues to make a powerful impression with his vibrant and thought-provoking artwork. Following his recent feature in FLUX Review magazine, Dez’s growing reputation as a creative force highlights the talent and diversity of autistic artists making their mark on the contemporary art scene.
As guests mingled throughout the evening, there was a genuine sense of pride, friendship and community. Conversations flowed easily between artists, collectors, families and visitors, many of whom were attending an autism-focused exhibition for the very first time. Events such as Autism & Art do far more than display beautiful artwork—they create understanding, open minds and provide opportunities that many autistic artists have historically found difficult to access.
Dez Loveartpix
If the opening night is anything to go by, Autism & Art 2026 is an outstanding success. The exhibition continues throughout most of August and is highly recommended for anyone with an interest in art, creativity or simply discovering something different.
Whether you are an experienced collector, a casual visitor or someone wanting to support autistic artists, this is an exhibition not to be missed. You will leave inspired by the remarkable talent on display and reminded that art truly is a universal language.
When news broke that Lubaina Himid RA, CBE would represent Britain at the 2026 Venice Biennale, the art world let out a collective cheer. At 72, the pioneering British artist—born in Zanzibar, based in Preston—has earned a place among the most influential voices of her generation. Her work, a dazzling blend of history, storytelling, and social critique, has long challenged the narratives that dominate Western culture, shining a light on the contributions of Black figures who have too often been overlooked.
Himid is no stranger to breaking ground. In the 1980s and 1990s, she curated trailblazing exhibitions like Five Black Women (1983) at London’s Africa Centre and The Thin Black Line (1985) at the ICA, putting Black female artists firmly on the map at a time when mainstream galleries barely noticed. Her daring vision earned her the Turner Prize in 2017, and a CBE followed in 2018, honours that recognise not just her artistry but her remarkable influence on the British cultural landscape.
And yet, Himid remains delightfully down-to-earth. On hearing of her Biennale invitation, she laughed, “with both disbelief and pleasure,” before reflecting on the opportunity:
“It is such a great honour and at the same time a brilliant and exciting opportunity to make something particularly special, which resonates with multiple audiences, communicates with complex histories, and looks to a more collaborative future.”
The Path to Venice
Being chosen to represent Britain in Venice is no small feat. The British Council, which manages the UK’s pavilion, conducts a rigorous selection process. Artists are nominated and assessed by curators, critics, and cultural institutions from across the country. Their proposals are scrutinised for artistic excellence, innovation, and international significance—a combination that signals not just mastery of craft, but an ability to spark conversation on a global stage. The final decision rests with the Pavilion Commissioner and the Visual Arts Advisory Group.
It’s a recognition that places an artist at the very pinnacle of contemporary British art, transforming their career and showcasing their vision to a global audience. For Himid, whose work thrives on dialogue, this platform offers a chance to create a profound, immersive experience in Venice’s historic spaces.
Reimagining the British Pavilion
Himid is renowned for pushing the boundaries of painting, sculpture, and installation, fusing textures, narratives, and sound to construct spaces that feel alive, vivid, and socially urgent. Emma Dexter, Director of Visual Arts and the British Council Collection, describes Himid’s approach as “a radical optimism combined with incisive social critique,” noting that her exhibition will transform the Pavilion into a journey of discovery.
For Venice 2026, Himid’s work promises to be both playful and profound, intimate yet expansive—a conversation across centuries and continents, a reminder that history is never neutral, and that art can illuminate the stories we have forgotten.
From her early curatorial triumphs to her recent global recognition, Lubaina Himid has always worked at the intersection of history, identity, and imagination. Venice will be the latest—and most spectacular—stage for her audacious vision, a moment that promises to resonate far beyond the gilded canals and crowded pavilions of Italy’s floating city.
In 2026, the British Pavilion will not just exhibit art—it will tell a story, vibrant and urgent, through the eyes of one of Britain’s most brilliant and fearless artists.
Dr Anna Kennedy with the legendary John Lee Bird Gallery owner Marcus Jake .
In a city as vast and ever-evolving as London, it’s becoming increasingly rare to stumble upon a space that immediately feels like you’ve entered somewhere truly special. Tucked away on the Greenwich Peninsula, just a stone’s throw from the O2 Arena, The Firepit Gallery isn’t just another art venue — it’s a living, breathing community. The moment you step inside, you are immersed in a kaleidoscope of colour, creativity, and character. It feels like a sanctuary, a hive of inspiration and warmth, especially for those with an eye for flair, originality, and a desire for genuine connection.
Recently, Firepit Gallery played host to the closing night of The Autism & Art Show, a vibrant and inclusive celebration of neurodiverse talent. The event brought together an eclectic mix of artists and creatives, showcasing a dynamic range of work that broke boundaries and challenged perceptions. On hand to mark the occasion were some of the most exciting and diverse voices in the art world. Spanish-born street artist Piluca, known for her bold murals and graffiti-inspired work, joined celebrated photographer and artist Annemarie Bickerton. Also exhibiting was Alistair Blaster Artz, whose bold, futuristic pieces drew crowds.
Dt Anna Kennedy OBE with the acting royalty Vicki Michelle
The legendary John Lee Bird made a much-anticipated appearance, arriving just in time to greet Dr. Anna Kennedy OBE, a champion of autism awareness and inclusion. It’s moments like these — the spontaneous meetings, the shared laughs, the applause and admiration — that make the Firepit feel like much more than just a gallery. It’s a place where emerging and established talents mingle with activists, celebrities, and visitors from all walks of life. A kind of creative salon, echoing the golden age of artistic gatherings in Paris and London, where art wasn’t just displayed — it was lived.
Firepit is a home for Annemarie Bickerton celebrity photographer and artist .
I once described The Firepit as “the Willy Wonka of the art world,” and the comparison still holds true. There’s a sense of wonder in every corner, from the ever-changing exhibitions to the vibrant murals, installations, and sculptures that inhabit the space. It’s a gallery, yes, but also a home — one with a full-stocked bar, laughter in the air, and a real sense of belonging. It feels like stepping into a dreamscape where the lines between artist, viewer, and friend gently blur.
At the heart of it all is Marcus Jake, the visionary behind The Firepit Gallery. Marcus isn’t just the founder — he’s the soul of the place. Equal parts curator, host, mentor, and mischief-maker, Marcus has created something rare: a truly inclusive, vibrant, and welcoming environment where everyone feels seen. Whether you’re a collector, a curious wanderer, or someone simply seeking a safe and inspiring space, Marcus will greet you with open arms and infectious enthusiasm.
Gallery owner Marcus Jake
His vision for Firepit goes far beyond traditional art world boundaries. The gallery regularly hosts workshops, talks, performances, and community events. It’s a beacon of light for the LGBTQ+ community, a space where self-expression isn’t just accepted — it’s celebrated. From drag evenings to life-drawing classes, from vinyl DJ nights to panel discussions about mental health and inclusion, Firepit’s calendar is as diverse and electric as its art.
One of the gallery’s standout features is its monthly wine-tasting and dinner evenings. These events are less about formality and more about connection. Attendees gather around a long communal table, sampling wines and sharing stories while surrounded by stunning artwork. The conversations flow freely, from art and culture to politics, identity, and everything in between. These evenings have become a cherished ritual for many — a time to pause, reflect, and feel part of something bigger.
There’s also something very special about the way the gallery bridges the gap between high art and community. Too often, galleries can feel cold or elitist, but Firepit is the opposite. Here, art is accessible, emotional, and rooted in lived experience. Visitors are encouraged to talk to the artists, share their responses, and engage with the work on a personal level. Whether you’re buying your first print or attending your tenth show, you’re treated as part of the Firepit family.
The gallery’s physical space mirrors this ethos. With its industrial-chic aesthetic, vivid lighting, and rotating displays, it feels ever-changing yet instantly familiar. The bar is often the social centre of the room, where Marcus and his team are on hand not only to pour drinks but also to engage in meaningful conversation. There’s a nostalgia to the place — a reminder of the old salons and cabarets of Paris and Soho, where people came not just for the art, but for the dialogue, the inspiration, and the community.
Hanging out at The Firepitt with artists and friends
As London changes and gentrification continues to reshape its cultural spaces, The Firepit stands as a powerful counterpoint — fiercely independent, passionately inclusive, and gloriously vibrant. It’s a place where stories are shared, identities are embraced, and creativity flows freely.
In many ways, The Firepit Gallery is more than just a hidden gem. It’s a movement. A space that proves that art still has the power to unite, to challenge, and to heal. Whether you’re attending an exhibition, joining a wine tasting, participating in a workshop, or simply popping in for a chat, you leave feeling uplifted, seen, and inspired.
And perhaps that’s the greatest magic of all — not just what you find at The Firepit, but what it awakens in you.
So next time you find yourself near the O2, take a detour. Step into this creative haven where art, community, and a touch of magic collide. You may just discover your new favourite place in London.
The Firepit Gallery No.2, Upper Riverside 10 Cutter Ln, Ground Floor Unit Greenwich Peninsula London SE10 0XX 📧 info@firepit.art 🌐 www.firepit.art
Flux opens with a bang international artists Lisa Izquirado shows her work to moving art celebrity drag queens Liquorice Black , Anna Phylactic .
Steven meets one of the leading lights of THE FLUX exhibition Lisa Izquirado .
“The true strength of a woman is our ability to allow ourselves to be vulnerable.”
Lilli – artist
Even without meeting an artist, a great artist’s work talks to you. For me, I walk in and am almost immediately hypnotised by the story or emotion they are transferring to canvas. Sometimes I can even feel their pain or trauma running through my veins for a moment, as well as the joy and happiness.
A devotee of S and M, Francis Bacon´s brilliant work can never be copied. Not just because of the magnitude of skill, but also due to the parts of Bacon´s often tortured soul that he liberally poured into his work. I remember his sold out exhibition at the Philadelphia Museum of Art. A news anchor interviewed various attendees about Bacon’s work, among them a psychologist who commented, “I would love to have had a chance to counsel him!” I could not have laughed harder and wanted to retort “Really my dear, he would have wiped the floor with you”.
It is what makes Frida Kahlo so unique too, not just the skill, but you can feel her energy and fight for life through her work; you just cannot tear your eyes away. It is almost a shame she has become a fashionable artist associated with style. Her story is so much more powerful than anything linked to fashion. But in the same breath it has to be said (thanks to Madonna and others) it has brought Kahlo´s work to the masses and encouraged many who may not have sat at the art table before to explore what it has to offer.
I am always on the lookout for exciting new artists . There is no better place than to take yourself to one of The FLUX Exhibitions https://www.fluxexhibition.com/flux-exhibitions/ created by Lisa Gray her presence commands great art to surround her there is something for everyone’s taste and these events are well worth looking out for
With Lisa Gray creator of FLUX magazine and Exhibition.
My personal favourite that stood out was by an artist called Lilli. Full name Lisa Lilli Izquierdo. Knowing my art, I was not surprised that the Cheshire born former model
was also showing in New York and Madrid. There is something about her work that is almost haunting. To be frank, on first impressions I almost felt it was a little too commercial for my tastes and saw it as an inferior designer´s dream, with pieces sought in Dubai, Cyprus and USA for its stylish quality. But first impressions can be wrong and the more I delved into Lilli´s work, the more it spoke to me. There is however a story that makes her work so much more valuable and sitting down with her confirmed just that.
Do you remember the very first thing you ever drew as a child?
I have always been creative. My sister was the academic, so my mum encouraged my artistic side. My earliest memory of creating art was when I was three years old. I drew a picture of two flowers. I coloured them with different colour crayons. The teacher told me off as I had used the same colour in each flower. Looking back, I use a lot of monochrome in my work.
It makes me giggle that I got scolded for.
What other artists have inspired you?
Oh, without a doubt Monet. I can see his use of texture has a huge influence on me as a grown artist. I draw a lot of energy from other artists, and I can appreciate those that depict suffering or hurt. But when it comes to my personal taste, Monet´s calmness and beauty
fill me with a beautiful energy,
What demographic does your art appeal to?
A lot of women buy my art. From an early age I have been fascinated by the female form.
I used to draw a lot of elfin kind of women. There is something I think women see – the beauty of the female form in my art – and relate to it. Being pushed to look a certain way as model was not healthy and I am careful to depict woman as real now, not nymph like.
Music seems to play a part in art. Who are your favourite musicians? What does sound bring to your art?
Honestly a huge influence and my tastes are so diverse. As soon as I am in the studio
I pop the headphones on, and I am blasting Mozart or Snoop Dog. Vivaldi’s four seasons
is one of my favourites.
How do you feel about the growing trend of crypto art, and is it something you would consider?
Steven I am so badly informed about the trend it is hard for me to comment; I am not sure how it would transfer with the high amount of texturing in my art. I realise that the world moves on and I will keep an eye on it, but I took bitcoins for a print and that did not work out too well for me.
Your art is almost haunting in its affect. How much does it mirror your own life?
Very much so. My piece “The Kiss” may seem very abstract, but it is about the unity
of two people in love. It could be any two people. For me I have found love perhaps later in life, but I plan to marry next year.
I found great solace in my art; it has helped me heal from the modelling industry I entered at the age of 15. Eager to become a success I took off to Madrid on my own. However, it was not long until the dream became somewhat traumatic, as pressures to look a certain way and the sheer competitiveness at a young age began to take its toll on my mental health.
Eventually I had enough and turned to my family business of hairdressing. My father is from Valencia in Spain, He worked with the likes of Vidal Sassoon and Teasy Weasy. I found
using my skills as an artist, plus having lived a little more than most at an early age, gave me an empathetic ear for clients. I still do hairdressing now and combine my time between my art studio and the salon.
If you could buy one piece of Art, what would it be?
Irises in Monet´s Garden. It personifies calmness with an almost heavenly feel. Those little purple flowers hit you with an amazing feel.
If you could invite four people to dinner, dead or alive, who would they be, and why?
Ricky Gervais. I just love him he is hysterical, and life should be about love and laugher.
My financé as he and Ricky would get on. Michelle Obama. I love a strong woman in any event and she is captivating. Someone like Elvis would shake things up!
What is your favourite city to spend a day in looking at art?
Madrid or Barcelona. When I was modelling, we used maps to get around then and the architecture just blew me away as does Barcelona.
What is the one common misconception about you?
That I am a bitch! I was working in a salon and some of the female hairdressers seemed off- hand. When I got chatting to one, she suddenly went, “You know you’re really nice. We all thought you were a bitch.” God, talk about putting people in boxes. There is also the idea that I am super confident. If people knew the real me, I am quite shy. Do not get me wrong, I am a strong woman when I need to be.
What is the one thing you would like to change about the UK if you were prime minster for a day?
The homeless problem. It has become truly shocking in the UK, not just London, but all over.
We are a civilised country, yet we have way too many people sleeping on the streets.
What is the next project we can expect from you?
It takes around 80 hours to create each piece. I am going to be spending more time in the studio over the coming year, working on a new collection.
2Shades Magazine 