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From Horror to Heart: Steven Smith Talks ‘Killer Queen’, Writing Risks, and What Comes Next Interview by Adishri Chengapa for 2Shades

Steven Smith with the head of Pink Ribbon Lisa Allen all the profits from Criminal Pursuits got to the Pink Ribbon .https://telos.co.uk/shop/crime-mystery-and-thriller/criminal-pursuits/criminal-pursuits-this-is-me/

With his hotly anticipated new novel The Hacking on the horizon, author Steven Smith is showing no signs of slowing down. Always one to surprise, he’s taken an exciting detour into chilling new territory with his latest work — a darkly gripping short story titled Killer Queen. The tale features in the spine-tingling anthology Criminal Pursuits, edited by award-winning writer Samantha Lee Howe and created in support of the Pink Ribbon breast cancer charity.

Marking his first foray into the horror genre, Killer Queen promises suspense, social commentary, and a twist of the macabre. And if the glowing early reviews are anything to go by, this debut dip into horror certainly won’t be his last.

In this exclusive feature, 2Shades’ very own Queen of Conversations, Adishri Chengapa, sits down with Steven to talk twisted tales, creative risks, mental health, and what really scares him — beyond the page.

Adishri and Steven picture by Annemarie Bickerton .https://www.annemariebickerton.co.uk

Adishri: Steven, what is Killer Queen about — without giving too much away?

Steven: In a nutshell, it’s a horror story, yes — but also a reflection on society and the illusionary nature of fame and show business. We live in a time where, if The Emperor’s New Clothes were written today, the boy shouting, “He’s naked!” would probably be sued or cancelled. The victims in Killer Queen see only what they want to see — and that’s ultimately their downfall.

Adishri: How did you get involved with Criminal Pursuits?

Steven: I was chatting with my great friend, Samantha Lee Howe — who is, quite frankly, the queen of horror stories — and she mentioned this anthology she was curating in support of the Pink Ribbon breast cancer charity. As soon as I heard about it, I jumped at the chance to be involved. I’d had the idea for Killer Queen bubbling in the back of my mind for a while, and Sam, as both an editor and an author, is incredibly encouraging. Once I got started, the hard part was actually keeping it short!

https://telos.co.uk/shop/crime-mystery-and-thriller/criminal-pursuits/criminal-pursuits-this-is-me/

Adishri: Your first book, Powder Boy, was quite the shocker. Do people see you differently now?

Steven: People often ask me that. Powder Boy was about a womanising, coke-dealing charmer. Honestly, maybe because I’m a gay man, some people assumed I couldn’t have written it — particularly because it features a lot of heterosexual erotica. That’s almost insulting. One of my strengths as a writer is observing and listening. Many of my male friends are what they call straight, and I don’t find it difficult to see things from their perspective. Most of the “conquests” in Powder Boy are based on real stories I’ve been told! If people see me in a different light because of it, so be it. If they genuinely think I am that character — then they’re probably not the kind of people I need in my life anyway.

https://www.amazon.com/Powder-Boy-Steven-Smith/dp/B09L4KJ5VS

Adishri: Have you always wanted to write?

Steven: Always. I was writing little plays and short stories from a very young age. I’m slightly dyslexic, but no one really noticed. I have an O-level in English Literature and Oral English — but I failed English Language. I was labelled “careless” and “stupid,” and that kind of trauma kept me away from writing for years. In today’s world, the way I was treated to help with things like homework would probably be considered abusive.

I respond best to encouragement — being lifted up, not torn down. It was journalist Jane Moore who changed my life. She asked me to write a column, and I tried every excuse to get out of it, but she wouldn’t take no for an answer. Thanks to predictive text and writing tools, being dyslexic isn’t the barrier it once was. Jane gave me the push I needed, and it turns out I had a flair for writing and interviewing. Helen Galley, a brilliant teacher of journalism, taught me the technical side of freelance writing — and I’ve never looked back.

Picture Annemarie Bickerton https://telos.co.uk/shop/crime-mystery-and-thriller/criminal-pursuits/criminal-pursuits-this-is-me/

Adishri: You write often about mental health. Do you feel men are opening up more about how they feel?

Steven: Not enough. Society still expects men to be these stoic John Wayne types — never showing emotion, never being vulnerable. That attitude is changing slowly, but there’s still a long way to go. We need to teach kids from an early age that it’s okay not to be okay — and also equip them with the tools to cope with real life, including bullying and rejection. Especially if you’re creative or different in any way, you’re going to stand out — and be a target

“Big boys don’t cry” is one of the most harmful phrases ever invented. I know someone with severe anxiety who would rather say they had an incurable disease than admit what they were really struggling with. That’s tragic.

Steven with award winning writer Samantha Lee Howe . https://telos.co.uk/shop/crime-mystery-and-thriller/criminal-pursuits/criminal-pursuits-this-is-me/

Adishri: You’re 64 now. Do you have any regrets?

Steven: That makes it sound like I’m dying! [laughs] But yes, I’m 64. And sometimes when I look in the mirror, I still see that scared little boy looking back. Regret, to me, is a self-indulgent emotion. I’ve had some amazing experiences and opportunities, but I’ve also endured things that would make most people wonder how I’m still here. I treat them as life lessons. I move on.

Maybe I regret not pursuing certain relationships — a few people made offers I didn’t take up. But overall? I’m lucky to be me.

Picture Anne Marie Bickerton. https://telos.co.uk/shop/crime-mystery-and-thriller/criminal-pursuits/criminal-pursuits-this-is-me/

Adishri: What are you working on next?

Steven: My sister Karen read Killer Queen and said it was “smart, dark, and totally captivating.” She’s not one for false praise — she’s very no-nonsense — and she thinks it would make a great full-length book. So that’s something I’m exploring.

I’m also putting the finishing touches on a very personal project — a book about my late partner, titled Annand and Me. And I’ll be launching a podcast later this year.

Quickfire Round

Sushi or steak?
Sushi. I don’t eat red meat or pork.

Favourite films?
Blade RunnerBreakfast at Tiffany’s, and All About My Mother.

Biggest turn-off?
People who think it’s okay to fart in public. Honestly.

If you were mayor for a day?
I’d fine people who walk while texting or staring at their phones. And I’d get to work immediately on helping the thousands of homeless people in London and across the UK.

What do you find romantic?
I haven’t been on a date in ten years. Even my First Dates date cancelled on me! But to me, romance can be something simple — like walking through a park or sharing lunch with someone you love.

Madonna or Lady Gaga?
Madonna — all the way. I know as a gay man I’m supposed to go wild for Kylie’s Padam Padam or Lady Ga Ga’s Abracadabra — but I find them irritating. I like Charlie XCX, but I’m more of a Lou Reed and Bowie fan at heart.

End. 

https://telos.co.uk/shop/crime-mystery-and-thriller/criminal-pursuits/criminal-pursuits-this-is-me/
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People

Unleash Confidence through Acting: A Women & Non-Binary Workshop

Louise Osbourne is set to conduct an ‘Act As If You‘ workshop in Birmingham and London in March to bring a fresh perspective to acting
Who knew you could perform your way into reclaiming the real you?
Louise Osbourne with a student in her class, Acting For Screen in Birmingham

Actor and acting coach, Louise Osbourne has combined the art of acting with building self-confidence into a workshop called ‘Act As If You’ specifically for women and non-binary people.

The course focuses on nurturing the inner self and gathering communication tools to thrive in personal and professional environments.

Louise seems to have cracked the code with her expertise to empower women and non-binary people to find their voice through acting and improv.

Louise said, “For 14 years I’ve been doing acting classes in Birmingham for people from 16 upwards all levels of ability and what I noticed was that men and women but definitely mainly women would come to my class not necessarily to go down the path of trying to get an agent and trying to book acting jobs and auditions, but they had lost their identity. Whether that was from marriage or children, and Birmingham is a very Asian multicultural city so a lot of it’s from marriage and not working anymore, they’d have their children or their children would be a little bit older and they’d come to my acting class, not thinking about acting but actually because they gain confidence.”

Before she came back to Birmingham in 2011 to become an acting coach, she had a blistering career in the States as an actor and worked with several award-winning actors.

During this time she noticed that some pretty big names in Hollywood were still nervous first day on the set and found it interesting.

Louise said, “I’ve worked with Catherine Zeta-Jones and Warren Beatty and Diane Keaton and Goldie Hawn and everybody’s nervous, everybody! It was mind-blowing for me because I was like, there’s no way these seasoned Oscar winning actors are nervous but everybody’s afraid they’re not gonna be believable. I think sometimes it’s almost harder for them because they’ve got to do better than their last best show, because they’ve already reached a level and your next thing has to top it or else you’re gone.”

Louise Osbourne

This helped her identify that a more holistic approach was needed to uplift one’s confidence to play any role in life.

As a founder herself and an advocate for inclusion, Louise felt called to blend her experience to help women and non-binary people become strong leaders.

Her friend, Samantha Grierson, who has contributed generously through her art to the LGBTQIA+ and neurodivergent communities in Birmingham, saw great potential in Louise’s mission to build a safe environment for women and non-binary people to express themselves freely.

She helped Louise bring her vision to life and continues to support and set up this acting workshop with her.

The primary aim of this workshop is to go beyond acting and dig deeper, let the soul’s voices dance and acknowledge the core identity. 

Louise added, “It’s not even about the acting it’s about taking the mind off the inhibitions and you can get that through playing say improv games, I’ll give them really interesting fun scenarios and I’d roll the camera, they’d have no scripts and they just have to play along. Sometimes at the beginning they’d be very quiet, let other people do the talking and then after a couple of weeks they’d find their place, find their voice and then they’d interject. And then I’d say to the rest of the class that improvisation is about giving and taking. You don’t need to fill every silence, silence is real life, let the silence be. Silence is where things brew from.”

Louise’ students in Birmingham

The last line couldn’t be more true as we all prepare in our silence to present our “best’ selves on various occasions.

It’s almost like an inner dialogue or conflict that needs to stretch out thin until our minds can finally be satisfied with a fitting approach. So much of this is caused by overthinking, social anxiety and in some cases, cultural upbringing and sexual identity as well.

Women and non-binary people have struggled to assert their voices in male dominant environments. They feel dismissed, overlooked and often forgotten. 

Louise’s workshop provides the perfect platform for participants to train their inner voice and not feel ashamed to speak up. And to become comfortable with the idea of voicing out their needs and wants to the fullest.

Louise continued, “We have had so much stuff holding us back as females and non-binary that it’s time to kind of step up and speak for ourselves. My belief is that if we all have that inner confidence that we do deserve a seat at this table and feel important from within, it won’t feel like we’re there just to tick a box.

I think that’s what we need to get our heads around, we need to make sure that we are not sitting at that table because they have promised the shareholders that they’re more inclusive. It’s like oh yeah we’ve got a non-binary, tick! We’ve got a woman, tick! But no voice? Screw that. We need to make sure that if we’ve got a place at the table that our voice is just as heard as everybody else around that board.”

Louise brings a rather powerful yet light-hearted approach to trigger a change that women and non-binary people can utilise as a launch-pad to acquire any position in our society or the corporate world.

Acting isn’t always a piece of cake but what is capitalism without a little performance? In the famous words of a TED talker I don’t remember, “You have to fake to not only make it, but become it.”

The art of performance is used to churn out versions of oneself that were suppressed, Louise intends to unwrap those gifts that reside within. 

By urging her audience to create their own compelling narrative, uniqueness comes to life with a little artistic direction, reassurance and a whole lot of fun.

Behind the scenes of Acting For Screen

Louise added, “There’s got to be a lot of laughs in my class, I want people to leave feeling confident but have fun. It’s also about using the fear, switching the fear to be excited about the story you want to tell. So you switch the fear to what you’re pitching about, what your journey is, why should I be telling this story. Why now? At the beginning of the classes I will definitely ask everybody what they want to get out of it and then work with them individually on creating a monologue that’s going to fit into their pitch about their journey. For the first half of the day it’s just going to be improv, it’s just going to be exercising, not thinking about business or anything.

In LA, I’d tell them yeah you’re a teacher, you’re the boys in the class, you’re casting for Matilda. And one of the little boys in the class nailed Matilda, he knew all the songs, he knew everything. He told me he wants to be Matilda but his dad doesn’t want him to be so and then I’ll just roll the camera and it’s really interesting because they have to act. Whether they feel that way or not they still have to go with it and take on that character. Afterwards there’s such a big sigh because it’s not who they are, it’s a different character. Sometimes I make them play two businessmen, and they both end up crying. It’s funny the stuff it brings up. They go, I can’t believe I was crying! A lot of stuff comes to the surface and then you’re way more relaxed and you get more involved in it. I think fear is something, if you switch it, it’s something that can be propelled by you.”

Louise Osbourne mentoring her students

As humans we have a tendency to overestimate the power of fear in our lives. We almost think it’s superior to us and without even trying, we admit defeat and live out our lives not knowing what could’ve been.

Acting as an art-form in general requires an individual to become friends with the chaos lingering inside. There’s a lot of emotional release; you laugh, cry, scream, howl and it almost becomes essential that you feel. 

Louise aims to purge all of these emotions out to make women and non-binary people rediscover themselves as leaders of their own lives.

The purpose of ‘Act As If You’ is to break free from the ordinary constructs of gender roles and eliminate the limiting voices that were given to them without their permission.

For more information about the workshop, go here: https://www.actasifyou.com

A glimpse into Act As If You