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GOING UNDERGROUND


Steven’s Viewz

Going Underground

It was hard not to stifle a chuckle when I spotted the old familiar sign on the London Underground: “DO NOT STARE.”Really? How is it even possible to avoid making eye contact—no matter how hard you try—when there’s a man across from you mining his nose with such vigour that you worry his fingers might pop out through his eyeball? Or that couple in the corner, so utterly absorbed in each other that you’re not quite sure where to look—especially when she takes a break from kissing to slide her tongue into his ear. lets not start on ” If you see something that does not look right please report it ”

But that’s London for you. A glorious, bustling, cosmopolitan city teeming with people from every walk of life, each more stylish or eccentric than the last. The Tube isn’t just a means of transportation—it’s a rolling reality show. Every trip, every change of line, brings a new cast of characters and a fresh episode of human theatre.

Personally, I’ve always loved the art of people-watching. Airports were once my favourite stage. I’d arrive early just for the chance to observe humanity in transit. Back when loudspeakers used to blare out dramatic announcements—“Mrs Jones, please come to Desk Seven. You have an urgent message.” I never followed to see who Mrs Jones was, but oh, how my imagination ran wild. Maybe she was running away with a lover who’d had a sudden change of heart. Maybe she was being lured back to a secret double life. Most likely, it was something terribly dull—but still, it was enough to get the mental movie reels spinning.

Imagination has always been my saving grace. It’s carried me through life’s best and worst moments. The joy of observing life and its never-ending cast of characters continues to fuel me. As Shakespeare said:
“All the world’s a stage, and all the men and women merely players;
They have their exits and their entrances,
And one man in his time plays many parts.”

But let’s return to the Underground, which has been whisking Londoners beneath the city’s streets since 1863. That “DO NOT STARE” sign, upon closer inspection, had smaller print I hadn’t noticed before:
“INTRUSIVE STARING OF A SEXUAL NATURE IS SEXUAL HARASSMENT AND IS NOT TOLERATED.”
Fair point—and an important one.

Over a decade ago, I interviewed twelve Page 3 models about their experiences with dating and sex. Shockingly—but sadly not surprisingly—every single one of them had experienced some form of sexual harassment on the Tube. From groping in crowded carriages to lingering, uncomfortable touches during rush hour, it was a grim reminder of the darker side of commuting. Everyone deserves to travel safely, without fear of violation or discomfort.

Yes, let’s stamp out intrusive behaviour. But while we’re putting up signs, how about a few more reminders—common courtesies that could make life better for all of us packed into those rolling metal sausages?

Here’s my updated list of suggested announcements for the London Underground, to be posted right alongside “DO NOT STARE”:

  • Uncross your legs. No one wants your muddy footprint on their trousers when the train jerks to a stop.
  • Remove your backpack. Place it between your feet—don’t swing it around like a medieval weapon during rush hour.
  • Move your bags. That seat is not reserved for your handbag. Let others sit down.
  • Offer your seat. A little kindness never goes out of fashion. If you see someone elderly, pregnant, or visibly struggling, give up your seat. Don’t pretend to be engrossed in your phone or suddenly blind. But again… DO NOT STARE.
  • Leave the snacks at home. This isn’t the Orient Express. No one wants to arrive smelling like a bucket of fried chicken or a spicy chow mein from Mr Wok.
  • Escalator etiquette matters. DO NOT stop dead at the top to check your phone or sort your shopping. Move clear—or risk being shoved, bumped, or bruised.
  • If someone touches you inappropriately, report it immediately. We all have a right to feel safe.

London’s Underground is legendary around the world for good reason. It’s fast, far-reaching, and, if you ask me, oddly charming. Yes, the fares could be more reasonable—please, Sadiq Khan, no more price hikes—but it remains one of the most efficient and fascinating ways to travel.

So let’s respect it. Let’s love it. And let’s all do our bit to keep the journey pleasant for everyone.

And remember—DO NOT STARE.
Even if that Colin Farrell lookalike in rugby shorts gets on at Clapham.

https://tfl.gov.uk/modes/tube

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Culture Lifestyle People Poetry Uncategorized

“Everything You Need to Know About Headshot Photography”

With celebrity photographer Annemarie Bickerton by Steven Smith

https://www.annemariebickerton.co.uk

https://www.annemariebickerton.co.uk

A great headshot can open doors — whether you’re an actor, a creative, or a professional. Choosing the right photographer, preparing properly, and understanding the process can make all the difference.
In this guide, I answer some of the most common questions about headshot photography, share tips from my personal experience, and offer advice for anyone considering a career behind the camera.

https://www.annemariebickerton.co.uk

1. What should I look for when searching for a photographer to do my headshots?
Recommendations and word-of-mouth referrals are a great place to start.
Always review a photographer’s previous work by browsing their website and social media profiles. Pay attention to the style and quality of their photography.
Check if they specialize in headshots or if they have broader experience in different types of photography — both can be beneficial.
Most importantly, ask yourself: Do you like their work? Trust your instinct and choose someone whose style resonates with you.

2. If I am an actor looking to use the headshots for my “Spotlight” profile, are there specific rules I should follow?
Yes, there are a few important guidelines to keep in mind:

  • The photograph must look like you — authenticity is key.
  • It should be a close-up of your face, typically from the shoulders upwards, and usually in portrait orientation (standard size is 10”x8”).
  • Submit a selection of no more than six images, showcasing slightly different looks — for example, hair styled up and down, smiling and serious expressions. There’s no need for exaggerated acting in your photos.
  • Keep makeup minimal and natural. Simple is best.
  • Your headshot should invite the viewer to want to know more about you, sparking curiosity.
  • If you have facial hair, it’s a good idea to show options both with and without it, helping casting directors visualize you in various roles.
https://www.annemariebickerton.co.uk

3. Is there anything I should avoid before a photoshoot, like spray tans or getting a new haircut?
Absolutely!
Avoid making drastic changes to your appearance just before the shoot.
Skip the heavy spray tans or any extreme fake tanning — you don’t want to look “Tango’d”!
Stay true to your natural look, as the photos need to reflect how you appear in person.

4. What should I do to prepare before the shoot?
Stay in touch with your photographer beforehand. They can offer advice on what clothes to bring and what styles work best.
Connecting with the photographer ahead of time will also help you feel more relaxed and confident on the day.
Plan your journey carefully. Know your route and allow plenty of time so you can arrive calm and not rushed.

https://www.annemariebickerton.co.uk

5. On the big day, how should I arrive at the shoot?
Aim to arrive early.
Give yourself time to settle in, organize your clothes, and make final choices about what you’ll wear.
The more prepared and calm you are, the better your photos will turn out.

6. If I’m not used to posing for the camera, do you have any tips?
Yes!
Most importantly, trust your photographer.
Follow their guidance and instructions — they know how to get the best out of you.
Relax and be yourself. A good photographer will help you feel comfortable and confident.

https://www.annemariebickerton.co.uk

7. How did you become a photographer?
I went straight from school into studying photography at college. After graduating, I joined a small business studio in Victoria called The Downstairs Studio, where I quickly gained valuable experience in headshots and corporate photography.
At just 18 years old, it was both challenging and exciting to find myself covering press releases and presentations, even venturing into the House of Commons!
I made a point of looking up to photographers whose work I admired and started assisting them to gain real-world experience.
Soon after, I joined a studio full-time, using every opportunity to learn about lighting, observe different shoots, and build my own portfolio.
At the time, it was common practice to take your physical portfolio to magazine picture editors and pitch yourself directly.
My first commission came from The Mirror Magazine, and from there, many doors opened.
That was over 30 years ago — and the journey continues!

Annemarie Bickerton in the studio at work https://www.annemariebickerton.co.uk

8. Do you have any tips for those wanting to get into photography?
Assisting established photographers is one of the best ways to break into the industry. Learning directly from professionals is invaluable.
Working as a studio assistant is another great way to meet photographers and build connections.
Be enthusiastic, be helpful, and ask lots of questions!
These days, you also have an incredible range of online resources at your fingertips. Platforms like YouTube offer endless technical guidance.
Research photographers whose work you admire and learn from their approach and style.

https://www.annemariebickerton.co.uk

9. Which photographers do you admire?
David Bailey — an incredible inspiration, especially his approach to portraiture and fashion.
Henri Cartier-Bresson — a master of capturing moments in time and a true storyteller through reportage photography.
Helmut Newton — I loved how he challenged norms and pushed boundaries through his striking portraits.
Of course, there are many others, but these are some of the greats who have shaped my vision.

https://www.annemariebickerton.co.uk

10. You are exhibiting at “Autism and Art” in May. Are you looking forward to it?
Absolutely!
Photography and art offer wonderful ways to communicate and express oneself.
They can also be incredibly therapeutic.
Exhibitions like “Autism and Art” are so important because they inspire others to challenge themselves, find their own creative outlets, and perhaps discover a new passion.
I’m very excited to be part of it and to see how art can continue to open doors and touch lives.

Contact Annemarie https://www.annemariebickerton.co.uk
07968 178885

press media Steven Smith 07969106222 spman@btinternet.com