We’re thrilled to share some fantastic news — Firepit Art Gallery and Studios CIC has received our very first grant as a Community Interest Company! Thanks to the Greenwich Healthier Communities Fund, we’re able to bring an inspiring new initiative to life: FIREPIT FEELS.
This milestone marks an exciting step forward in our mission to make creativity accessible, inclusive, and nurturing for everyone. With the support of this grant, we’re launching a pilot programme of free and pay-what-you-can workshopsdesigned to foster creative health and wellbeing within our local community.
About FIREPIT FEELS
FIREPIT FEELS is a culturally-rooted series of workshops taking place in Greenwich Peninsula, created to support and uplift individuals from Global Majority, LGBTQIA+, and Neurodiverse communities, particularly those from disadvantaged backgrounds. Our aim is to offer a welcoming, affirming space where creativity, culture, and connection come together to enhance emotional and mental wellbeing.
We warmly invite you to take part in any — or all — of our upcoming sessions:
November 12th, 7–9pm – 🎨 Inhabiting Uncertainty on the Canvas — Painting Workshop
November 23rd, 1–3pm – 🧘♀️ Unfold: Movement & Meaning — Yoga & Journalling
December 14th, 1–3pm – 🧵 Chinese Knotting Jewellery & Mindfulness
January 8th, 7–9pm – ✏️ Our Art Circle — Drawing Workshop
January 22nd, 7–9pm – 📚 Queer Narrative — Collaging and Storytelling
Every aspect of FIREPIT FEELS has been developed collaboratively, with guidance from an Accessibility Consultantand a Psychotherapist, ensuring that the programme is inclusive, neurodiversity-affirming, and trauma-informed.
Each session is relaxed and supportive. We’ll provide sensory aids for those who find them helpful, and a dedicated welfare support guide will be on hand to make sure everyone feels safe, comfortable, and welcome throughout.
About Firepit Art Gallery and Studios CIC
Located in the heart of Greenwich Peninsula, Firepit Art Gallery and Studios CIC is a community-led art hub that celebrates creativity in all its forms. Our mission is to make the arts accessible, inclusive, and sustainable by hosting co-created workshops, exhibitions, and events that reflect the diverse voices of our community.
Run by local artists, we believe in the power of art to connect people, spark dialogue, and support wellbeing. Whether you’re a seasoned creative or a complete beginner, Firepit is your space to explore, express, and belong.
To stay updated on our events, projects, and exhibitions,
Together, let’s make Firepit Feels a space where creativity truly heals, connects, and inspires.
“We are all born as blank canvases; hate, racism, and a lack of understanding are learned.” How you choose to see the world and create the tapestry of your life is up to you. Blanky is here to “Make Earth Safe Again.”
Blanky told Patrick not to worry. He assured him that everything would be fine now, and encouraged him to keep shining brightly, just as he always had. Patrick’s new friends, though they noticed he was a little different, were happy to welcome him into their games. It had only taken a little time to explain how truly amazing Patrick was, and once they understood, they accepted him with open arms. “But you’re going,” said Patrick, his voice trembling as he clutched Blanky tightly. “What will I do without you?” Blanky’s gentle voice carried calm reassurance. “No, Patrick. I won’t really be gone. I am energy, and energy can never disappear—it just changes form. I’ll always be here, watching over you. If you ever really need me, just shout, and I’ll come. But please, Patrick, promise me something. Be your own unique energy. Be proud of who you are. Only call for me if it’s a true emergency. The rest of the time, I want you to stand tall and make yourself proud.” With those words, Blanky shimmered, the soft glow around him brightening before he vanished into the air like starlight carried away by the wind. Far away, 7,000 miles from Waterloo in London, lay the warm and glittering shores of the Dominican Republic. Though oceans stretched between them, Blanky could still hear faint cries for help echoing across the world. Something was wrong—deeply wrong. He could feel it in the atmosphere. The balance was shifting, and a dark presence stirred. Blanky recognised it instantly: the Olethros. They were near, and they were meddling again, leaving the planet weak and gasping for breath. His worst fears were soon confirmed. On a sandy beach, lying helplessly on its side, was a dolphin. Its sleek silver body was scratched and bruised, its breath ragged as it struggled to survive. Being made of pure energy, Blanky could communicate with all living creatures. He knelt by the suffering animal, his voice soft and kind. “Help me… help me to the water,” the dolphin squeaked weakly. First, Blanky placed his glowing hands upon the dolphin’s wounds. A gentle light poured out of him, soothing the creature’s pain and knitting torn skin. Slowly, the dolphin’s panic subsided. Then Blanky transformed—his body reshaping into that of a tall, powerful man. With strength that came not from muscle but from energy itself, he lifted the dolphin carefully and carried it back into the turquoise sea. The moment they touched the water, the dolphin raised its head and spoke clearly. “I am Stinggal,” it said, its voice now stronger, though tinged with sorrow.
As the waves lapped around them, Blanky allowed his energy to flow once more, transforming himself into a dolphin so he could swim alongside Stinggal. Their fins cut through the water with ease as they dived into the deeper blue, exploring the world beneath the surface. But there was little joy to be found there. The sea was clouded, its once-crystal depths marred by floating waste. Fish darted nervously, entangled in nets that stretched endlessly across the ocean floor. The corals, once glowing with colour, were bleached and broken. “The sea is being poisoned,” Stinggal said, his tone heavy with grief. “It is the work of the one they call the Orange Man. He cares only for money and fame. He tears down forests and scars the earth. He pours filth into the oceans and poisons the air. He does not care for life, only for power and wealth. If this continues, my kind—and many others—will soon vanish forever.” Blanky swam alongside him, listening intently as Stinggal continued. “They no longer respect the natural order. Fishing is allowed everywhere, without limit. Great nets are dragged across the seas, destroying entire habitats. The young are caught with the old. The strong are trapped with the weak. Nothing is spared. If something is not done, the oceans will become empty deserts, and the balance of the whole world will collapse.” Blanky’s heart, though made of energy, ached with sorrow. He had seen the Olethros bring destruction before, but this was different. This was not just one species in danger—this was the very foundation of the planet being eroded. He looked at Stinggal, whose bright eyes flickered with both hope and fear. “Then we must fight,” Blanky said firmly. “Not with anger, but with courage and truth. The Orange One may have power, but the Earth has a voice of its own. We will remind the world to listen.” Stinggal gave a small, hopeful leap from the water, droplets sparkling around him like diamonds. “Then perhaps there is still a chance,” he said softly. “The Orange One lives in the country of stars and stripes. He silences anyone who is different, anyone who dares to protect the planet.” “Then let’s swim,” said Blanky. Side by side, the two dolphins swam into the vast horizon, ready to face whatever darkness lay ahead. After many days, they reached the shores of Florida, where it was time to part. Stinggal nuzzled Blanky gently. “Do not worry. I’ll be back when you need me.” The Orange One—whom the world called Orangey—was guarded in a huge white house. For most, it would be impossible to reach him. He was in human form, but his skin was unnaturally orange and crispy-looking. Sitting behind a great oak desk, he shuffled papers, smirking at his own power. The heavy doors swung open, and a pale, sharp-faced woman entered. “I have some prizes for you, for being so amazing,” she said with a smile. “Thank you. Put them on the desk,” Orangey replied, barely looking up. “You’ll be impressed,” the woman continued. “We’ve just brought plastic back everywhere—no restrictions. We’ve reopened drilling for oil. And best of all, we’ve banned the words global warming from every official report.” “Fake news!” Orangey barked, slamming his hand on the desk. The blonde woman jumped up and down with excitement. “Well done! Did you also ban those who don’t speak English fluently from entering the country?” “All done,” Orangey said proudly. “Soon, we will drain this world of every resource. When it is broken and empty, we’ll move on—just like we did with Alacritas.” The woman clapped her pale hands, though her skin did not yet have the telltale orange hue of the Olethros. But Blanky knew what they were. The Olethros always revealed themselves in the end, their bodies glowing with a sickly orange light as they fed on destruction. This time, he could not allow it. Earth would not be their next victim. Blanky hovered at the window of the great white house, his body shimmering with invisible energy. He could see Orangey and his pale companion celebrating their victories, blind to the damage they had sown across the planet. It was time. The battle to save Earth was about to begin.
Steven Smith pops along to the exhibition thats a breast a head of the others.
Piluca Camino Alcon and Annemarie Bickerton who did the photography .
BUSTOUT 100: A Powerful Exhibition Raising Awareness for Breast Cancer all photography by Annemarie Bickerton
The BUSTOUT 100 exhibition, designed and executed by Anne Marie, Bickerton and Piluca Camino Alcon is a striking artistic initiative created to raise awareness of breast cancer in partnership with the Pink Ribbon Foundation. This compelling exhibition showcases a collection of 100 powerful black-and-white portraits, each capturing the essence of resilience, solidarity, and hope.
Dr Anna Kennedy amongst the guest .,
Displayed at Firepit Art Gallery (@art.firepit) in North Greenwich, this exhibition brings together individuals who have faced breast cancer firsthand, alongside those who stand in support—whether they be family members, friends, medical professionals, or advocates. The portraits serve as a testament to courage and unity, reinforcing the impact of collective strength in the face of adversity.
Through striking imagery, BUSTOUT 100 highlights the importance of breast cancer awareness, early detection, and ongoing support for those affected. Each portrait tells a story—of survival, of loss, of love, and of unwavering determination. The black-and-white aesthetic adds depth and emotion, emphasizing the raw and real experiences of those involved.
Piluca Camino Alcon and Steven Smith
The exhibition is not only an artistic endeavor but also a movement, encouraging conversations around breast cancer, breaking down stigmas, and inspiring action. It aims to remind viewers that no one fights alone and that raising awareness can lead to greater support, funding, and medical advancements in the battle against this disease.
BUSTOUT 100 is being hosted at Firepit Art Gallery (@art.firepit) on Greenwich Peninsula (@greenwich.peninsula) and runs from 7th March to 5th April. Visitors are encouraged to explore the exhibition, reflect on the stories behind the images, and show their support for the Pink Ribbon Foundation (@pinkribbonfoundation) and the incredible individuals depicted in these portraits.
Don’t miss this extraordinary display of strength, unity, and awareness.
Amongst the celebrities that attended were Dj Jojo Kelly , actor Gary Webster Wendy Webster and Victoria Ekanoye
My friend opens the door to her toasty apartment I enter and she wraps me with her warm embrace She said she needed to finish a chat with a friend on the phone So I made my way to her living room
Which was painted golden by the sweet hour of the sun My friend refuses to believe in the mechanism of her blinders Her carpet floor soaked by the heat of the day Is she preserving heat for the colder days, I constantly wondered
Her couch has a better tan than I do If I stayed any longer I would evaporate into the walls But this humorous struggle in my head didn’t stop me from lighting a cigarette I figured what’s the worst that could happen If I evaporate, at least I’ll leave my popular scent behind
So I lit my cigarette and felt the burn of regret instantly The addict in me rolled her eyes And continued to file her devilled nails
To my luck, my friend’s apartment has an inspirational view The city of London right before my eyes All of what people pay to see, carry papers and fly borders for Is right in front of me for free The trains might not be but the experience surely is
The London eye, rotating like the earth The Tower Bridge like the elephants on a chess board And the Shard, raised to the sky for a chance to launch into the ether But it never will
To us the Shard is a firm structure with a crystal tip And we fancy the possibility of offering a gentle squat from above But to the universe, all the Shard will ever be is an insignificant point And to the Shard, all we are is validation and the occasional objectification
In that moment, my peripheral vision caught a movement Familiar to the train of thought I had for the Shard In a singular cubicle of the flat opposite to my friend’s building I saw the cheeks of a man breathing heavily
Moving to and fro for a lovely time with his companion I caught no glimpse of his company But his happy movements masked my curiosity My friend finally joined me and I told her about my findings
We shared the cigarette now and witnessed an imminent climax Our heads tilted to the direction of his positions As he was leaning over his bed with his feet dangling past the edge My friend pondered the curiosity of who he was with
And just then, he moved further up the bed He was now on his back and all we could see is him from the knee down But the rays of the sun captured the dents of his muscular calves As he thrusted with an increasing pace My friend intuitively guessed that the end is near
And she was right, his legs and feet straightened and pointed Flattened by exhaustion Swaying his feet after a satisfying session
My friend gave me back the cigarette Smirking at our violation Blowing the smoke in my face for involving her in the crime
However, we were in too deep We had to put faces to this seemingly gorgeous couple So we continued to look
The man after a couple of minutes finally moved to the edge of the bed He looked back, patted his companion gently with his hand And stood up to look at them in adoration My friend and I felt the emotions between them We awed in silence
He then reached out and pulled his companion out of the bed And what we saw turned our awes into dropped jaws The man carried his doll into the shower with him Carelessly bumping and bouncing it off the walls on the way
My friend and I looked at each other with great amusement We thought his performance was at the top of the tier I then told her, in earnest, that I think his time… To which she concluded, has come.