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Steven’s Viewz: April“Go Mickey”

There is no doubt that Mickey Rourke has been the best thing to happen to Celebrity Big Brother this year. He is a fascinating mix of Victor Meldrew’s grumpy bluntness and Keith Richards’ wild, unpredictable charm. Arriving with no filter whatsoever and the wide-eyed confusion of Alice falling through the looking glass, he often seems unsure of exactly where he is. It’s not only comedy gold; it’s also a stark reminder of how hypersensitive our society has become — many ready to cry into their decaf almond milk lattes at the slightest provocation.

I had the pleasure of meeting Mr. Rourke many years ago at The Abbey Coffee Shop in West Hollywood, back when he was dating Carrie Otis. The Abbey, a famous LGBTQ+ venue, was buzzing as usual. Rourke, accompanied by his two beloved dogs, stopped me to ask about mine. We chatted briefly (I’ll admit I was a little starstruck — Angel Heart remains one of my all-time favourite films). My point is this: Mickey Rourke is not homophobic. He simply comes from a different time. The man is 72 years old. Perhaps, unlike some of the more publicity-hungry contestants, he doesn’t feel the need to self-censor or meticulously filter every word he utters.

My instinct tells me that JoJo might have handled the situation differently had she not been so consistently stunned — she often wore the look of a “rabbit in the headlights.” Fortunately, Chris Hughes, the charming and grounded contestant every parent would approve of, stepped in calmly to defend her. He restored order with dignity and compassion, providing a rare and refreshing moment of true humanity in a show increasingly dominated by outrage culture.

Chris Hughes the man you want your son or daughter to bring home

Let’s be honest: in the real world, prejudice and inappropriate comments are unfortunate realities many people will face. Mickey’s comments weren’t right, but they also didn’t merit his removal from the house. What’s needed is guidance and understanding, not instant condemnation and cancellation. We must be able to differentiate between malice and ignorance, between true harm and clumsy missteps.

Predictably, it wasn’t long before others saw an opportunity to capitalize on the situation. Donna Preston, a comedian by profession, was told by Rourke — while he lounged under an LED face mask — “You are what you eat.” Rather than respond with wit or humor, she ran crying to her team. For someone who makes a living out of comedy, it was a surprising reaction. Where was the banter, the quick retort that a seasoned performer should deliver with ease?

Donna Preston easily offended .

At this point, I began to feel genuinely sorry for Rourke. Things only deteriorated further when Patsy Palmer took offense at a mild comment about her cooking and ended up in tears. It begs the question: where has resilience gone? Life is full of difficult people who speak bluntly or unkindly. If we are reduced to tears by every offhand remark, how will we cope with the harsher realities that life inevitably throws our way?

Patsy non chewable broccoli leads to tears

As many know, I am a strong advocate for mental health awareness. I have faced my own battles with depression and anxiety. However, one of the most important lessons I have learned is the value of resilience. The only way to overcome bullies and unkind individuals is to develop inner strength. If we allow their words to break us, then they have won.

In my childhood, my imagination became my sanctuary. It helped me navigate bullying at both school and home, allowing me to rise above it rather than be crushed by it. Today, while mental health education is crucial, it is equally important that we teach children and young adults how to endure adversity. Bullying and cruelty will never disappear entirely. Learning how to manage, respond, and thrive despite them is essential.

Celebrity Big Brother has, perhaps unintentionally, become a mirror reflecting today’s cultural fragility. And frankly, it’s worrying.

We need a generation that can distinguish between genuine harm and an ill-judged comment. We need young people who can face challenges head-on, who can understand intent rather than automatically assuming the worst, and who can survive — and even thrive — in a world that will not always be kind.

Toughness doesn’t mean lacking empathy or kindness. It means having the inner strength to pick yourself up after a setback, to laugh off the jibes, and to rise above the noise. Without it, we risk raising a generation ill-equipped for real life.

Mickey Rourke’s stint on CBB might just end up being more than television entertainment. It might serve as a wake-up call about where we are heading — and a reminder of the resilience we so desperately need to reclaim.

Massive props to Danny Beard — he’s not just bringing the yeast to the bread, he’s practically baking a whole bakery at this point! As for Trisha… well, I’ll spare you the rant, but let’s just say Michael Fabricant and I are singing from the same hymn sheet.

Now, if Mikey manages to hang on much longer, he might just sneak a win — stranger things have happened! That said, my money’s still firmly on Chris or Danny to take the crown.

Danny Beard bringing the laughs to the CBB House .

https://www.itv.com/watch/celebrity-big-brother/10a5342

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STEVEN LOOKS AT THE BRITS 2025

The legendary Charliexcx

WHY I JUST LOVED THE BRIT AWARDS THIS YEAR

Yes, the BRIT Awards can sometimes be a cringe-fest, and let’s be honest—Jack Whitehall is no Ricky Gervais, no matter how hard he tries. But, without a doubt, he’s a far better choice than some of the past hosts. One thing is certain: the BRITs always pack a punch.

Who could forget 1996, when Jarvis Cocker crashed the stage during Michael Jackson’s Earth Song? Jarvis, who was arrested for the stunt, is sadly remembered more for that moment than his music. And Michael? Well… let’s leave that discussion for another time. Then, of course, there was Madonna’s infamous tumble off the stage in 2015—proof that even the Queen of Pop isn’t immune to a high-fashion mishap or falling iff her high horse.( we all love her )

But as I settled in to watch the 2025 BRIT Awards, it dawned on me just how much incredible talent we have in this country. How the hell do we not run away with the Eurovision crown every year? It took a Canadian to win last time, though, let’s be honest, the brilliant Sam Ryders  was robbed.

This year’s BRITs, however, were a whole new ball game. From start to finish, it was pure magic, and I realized just how out of touch I am with some of today’s hottest artists.

THE HIGHLIGHTS

JACK WHITEHALL—ACTUALLY FUNNY?

Two tea bags or three ? Jack Whitehall does a great job .you almost want to teabag him

Believe it or not, Jack Whitehall was actually hilarious this year. From start to finish, he nailed it. His monkey joke about snorting PG Tips? Priceless. And his parents on the red carpet? Pure comedy gold.

Equally amusing was Danny Dyer’s voice—so artificially butch you’d think he’d accidentally wandered into a gay orgy and slipped on the lube and was trying to convince everyone he was straight.

THE PERFORMANCES

The real magic, though, was in the performances. There wasn’t a single act I watched that didn’t blow me away—and I say that as someone with pretty eclectic taste in music.

The production was simply stunning. Kicking off with Sabrina Carpenter was a bold choice, even if she visually borrowed inspiration of 90% of her act from Madonna (who, let’s not forget, also did the kilted guards routine a while back).

Jade Thirlwall, after winning Best Pop Act, delivered an iconic performance of Angel of My Dreams. Though, who on earth thought turning her into Gemma Collins with a blonde wig was a good idea? It distracted from what was her first solo BRITs performance since stepping away from Little Mix.

Jade gives an iconic performance but ditch the blonde wig .

The undeniable star of the night was Charli XCX. I’ll admit, I only really knew of her because she’s engaged to George Daniel from The 1975 (don’t scream at me), but after doing some homework—wow. What an exciting and uniquely talented artist. Her album BRAT is already shaping up to be legendary. It’s a shame she didn’t perform, but honestly, watching her down espresso martinis, sip bubbly, and cuddle up to a hunk? A girl after my own heart.

An expresso martini and bubbly and a hunk on her arm my kind of gal Charliexcx

THE SHOW-STEALERS

Teddy Swims could wear his old bedding on stage, and I’d still be mesmerised by that voice. #Awesome. The award for humility, however, goes to Myles Smith—definitely one to watch.

Teddy Swims a mesmerising voice .

Stormzy who did not perform Ezra Collective delivered brilliant performance, proving yet again why they’re some of the best musicians out there. But guys, let’s dial down the God talk a bit—unless, of course, He can explain why Trump is still looming over the White House and why the world is in the state it’s in. A simple “ta” would suffice.

Sam Fender? What a Northern powerhouse. Pure talent, down-to-earth, and humble—just what we love to see. The Last Dinner Party also delivered an incredible performance, proving they are a force to be reckoned with.

And last, but certainly not least, a shoutout to the absolutely addictive Lola Young, who performed Messy—a song that will no doubt become an anthem for a generation. I truly cannot wait to see what she does next; she’s got me hooked.

A. Star is born Lola Young we are all addicted to you .

FINAL THOUGHTS

This year’s BRITs were, without a doubt, the best yet. A true celebration of the sheer amount of talent we have in this country. We are incredibly lucky to have these artists pushing the boundaries of music and performance.

Here’s to 2026!

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Unleash Confidence through Acting: A Women & Non-Binary Workshop

Louise Osbourne is set to conduct an ‘Act As If You‘ workshop in Birmingham and London in March to bring a fresh perspective to acting
Who knew you could perform your way into reclaiming the real you?
Louise Osbourne with a student in her class, Acting For Screen in Birmingham

Actor and acting coach, Louise Osbourne has combined the art of acting with building self-confidence into a workshop called ‘Act As If You’ specifically for women and non-binary people.

The course focuses on nurturing the inner self and gathering communication tools to thrive in personal and professional environments.

Louise seems to have cracked the code with her expertise to empower women and non-binary people to find their voice through acting and improv.

Louise said, “For 14 years I’ve been doing acting classes in Birmingham for people from 16 upwards all levels of ability and what I noticed was that men and women but definitely mainly women would come to my class not necessarily to go down the path of trying to get an agent and trying to book acting jobs and auditions, but they had lost their identity. Whether that was from marriage or children, and Birmingham is a very Asian multicultural city so a lot of it’s from marriage and not working anymore, they’d have their children or their children would be a little bit older and they’d come to my acting class, not thinking about acting but actually because they gain confidence.”

Before she came back to Birmingham in 2011 to become an acting coach, she had a blistering career in the States as an actor and worked with several award-winning actors.

During this time she noticed that some pretty big names in Hollywood were still nervous first day on the set and found it interesting.

Louise said, “I’ve worked with Catherine Zeta-Jones and Warren Beatty and Diane Keaton and Goldie Hawn and everybody’s nervous, everybody! It was mind-blowing for me because I was like, there’s no way these seasoned Oscar winning actors are nervous but everybody’s afraid they’re not gonna be believable. I think sometimes it’s almost harder for them because they’ve got to do better than their last best show, because they’ve already reached a level and your next thing has to top it or else you’re gone.”

Louise Osbourne

This helped her identify that a more holistic approach was needed to uplift one’s confidence to play any role in life.

As a founder herself and an advocate for inclusion, Louise felt called to blend her experience to help women and non-binary people become strong leaders.

Her friend, Samantha Grierson, who has contributed generously through her art to the LGBTQIA+ and neurodivergent communities in Birmingham, saw great potential in Louise’s mission to build a safe environment for women and non-binary people to express themselves freely.

She helped Louise bring her vision to life and continues to support and set up this acting workshop with her.

The primary aim of this workshop is to go beyond acting and dig deeper, let the soul’s voices dance and acknowledge the core identity. 

Louise added, “It’s not even about the acting it’s about taking the mind off the inhibitions and you can get that through playing say improv games, I’ll give them really interesting fun scenarios and I’d roll the camera, they’d have no scripts and they just have to play along. Sometimes at the beginning they’d be very quiet, let other people do the talking and then after a couple of weeks they’d find their place, find their voice and then they’d interject. And then I’d say to the rest of the class that improvisation is about giving and taking. You don’t need to fill every silence, silence is real life, let the silence be. Silence is where things brew from.”

Louise’ students in Birmingham

The last line couldn’t be more true as we all prepare in our silence to present our “best’ selves on various occasions.

It’s almost like an inner dialogue or conflict that needs to stretch out thin until our minds can finally be satisfied with a fitting approach. So much of this is caused by overthinking, social anxiety and in some cases, cultural upbringing and sexual identity as well.

Women and non-binary people have struggled to assert their voices in male dominant environments. They feel dismissed, overlooked and often forgotten. 

Louise’s workshop provides the perfect platform for participants to train their inner voice and not feel ashamed to speak up. And to become comfortable with the idea of voicing out their needs and wants to the fullest.

Louise continued, “We have had so much stuff holding us back as females and non-binary that it’s time to kind of step up and speak for ourselves. My belief is that if we all have that inner confidence that we do deserve a seat at this table and feel important from within, it won’t feel like we’re there just to tick a box.

I think that’s what we need to get our heads around, we need to make sure that we are not sitting at that table because they have promised the shareholders that they’re more inclusive. It’s like oh yeah we’ve got a non-binary, tick! We’ve got a woman, tick! But no voice? Screw that. We need to make sure that if we’ve got a place at the table that our voice is just as heard as everybody else around that board.”

Louise brings a rather powerful yet light-hearted approach to trigger a change that women and non-binary people can utilise as a launch-pad to acquire any position in our society or the corporate world.

Acting isn’t always a piece of cake but what is capitalism without a little performance? In the famous words of a TED talker I don’t remember, “You have to fake to not only make it, but become it.”

The art of performance is used to churn out versions of oneself that were suppressed, Louise intends to unwrap those gifts that reside within. 

By urging her audience to create their own compelling narrative, uniqueness comes to life with a little artistic direction, reassurance and a whole lot of fun.

Behind the scenes of Acting For Screen

Louise added, “There’s got to be a lot of laughs in my class, I want people to leave feeling confident but have fun. It’s also about using the fear, switching the fear to be excited about the story you want to tell. So you switch the fear to what you’re pitching about, what your journey is, why should I be telling this story. Why now? At the beginning of the classes I will definitely ask everybody what they want to get out of it and then work with them individually on creating a monologue that’s going to fit into their pitch about their journey. For the first half of the day it’s just going to be improv, it’s just going to be exercising, not thinking about business or anything.

In LA, I’d tell them yeah you’re a teacher, you’re the boys in the class, you’re casting for Matilda. And one of the little boys in the class nailed Matilda, he knew all the songs, he knew everything. He told me he wants to be Matilda but his dad doesn’t want him to be so and then I’ll just roll the camera and it’s really interesting because they have to act. Whether they feel that way or not they still have to go with it and take on that character. Afterwards there’s such a big sigh because it’s not who they are, it’s a different character. Sometimes I make them play two businessmen, and they both end up crying. It’s funny the stuff it brings up. They go, I can’t believe I was crying! A lot of stuff comes to the surface and then you’re way more relaxed and you get more involved in it. I think fear is something, if you switch it, it’s something that can be propelled by you.”

Louise Osbourne mentoring her students

As humans we have a tendency to overestimate the power of fear in our lives. We almost think it’s superior to us and without even trying, we admit defeat and live out our lives not knowing what could’ve been.

Acting as an art-form in general requires an individual to become friends with the chaos lingering inside. There’s a lot of emotional release; you laugh, cry, scream, howl and it almost becomes essential that you feel. 

Louise aims to purge all of these emotions out to make women and non-binary people rediscover themselves as leaders of their own lives.

The purpose of ‘Act As If You’ is to break free from the ordinary constructs of gender roles and eliminate the limiting voices that were given to them without their permission.

For more information about the workshop, go here: https://www.actasifyou.com

A glimpse into Act As If You
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New Book: Samantha Lee Howe’s ‘THE SOUL THIEF’

2shades Steven Smith gets down with award wining author and screen writer Samantha Lee Howe to talk about her latest venture “The Soul Thief”
Pictures by Andy Barnes and Terry Scott

Congratulations on the new book Samantha, tell us a bit about it?

The Soul Thief is a Gothic Thriller about a gentleman detective, Mitchell Bishop, in Victorian Manchester, who begins to investigate a series of bizarre murders. Along with his former fiancée, Laura Carter, Mitchell finds himself in danger and he must look back into his own past in order to inform the present and learn who and what is hurting the people around him. 

I’ve always had a fascination with gothic fiction, particularly the Victorian era, and have found the works of Mary Shelley, Bram Stoker and Sheridan Le Fanu fascinating. The Soul Thief is my tribute to 19th Century gothic fiction, but is written in the style more conducive to the modern reader. Therefore it’s very fast paced, with lots of twists and turns and a surprise ending.

Does writing horror differ from the other genre of books you pen?

Horror has always been a fascination of mine and a natural default to write into. It’s a challenging genre in many ways because you sometimes have to look deep inside yourself to really bring forth an element that scares you. It doesn’t have to be supernatural, after all, real life is full of horrible things that humans do to each other, but supernatural horror is a little less hard to take and also gives you more freedom to explore the genre.

When you’re writing in this genre you have to make many decisions about which way you want to take it and how extreme you want to go. My favourite horror to write is psychological, but I’m not afraid to be visceral if that is needed in the story and not gratuitous.

What really frightens you?

Lots of things frighten me. Enclosed spaces, heights, stalkers, people in general, as they are capable of doing terrible things to each other. One of the things I used to be really scared of was zombies – until I wrote about them a couple of times! As writing is very cathartic, it’s always good to explore the things that do frighten you the most and it takes the sting out of it immediately! 

When were you growing up what horror characters caught your attention?

Growing up I was a huge fan of staying up late with my sister, Adele, watching Hammer movies. We loved the character of Dracula. Christopher Lee was my first introduction to that. I used to lie awake worrying about vampires, but couldn’t stop watching them. When I was 16 I saw my first zombie movie, Zombie Flesh Eaters, and I couldn’t watch another one after that for about 30 years! It terrified me! I even avoided Shaun of the Dead because I just hated zombies. Eventually my husband David talked me into watching the latter film, and it’s now a favourite. But I just can’t revisit Zombie Flesh Eaters!

Films like “Terrifier” are a huge hit in the USA. Do you think slasher films rank as Horror or do they just promote sadism?

All slasher films are horror, but they have varying degrees of psychological basis. Some are described as torture porn – in other words the physical violence meted out to various characters, mainly female, is the whole point of the film – and I’m not into those at all – I don’t really understand why anyone is – but each to their own! What you don’t see can be far more terrifying to the viewer or reader than anything that is presented in graphic detail on screen.

Samatha Lee Howe with 2Shades Steven Smith

The 16 Days of Action Against Domestic Violence campaign starts on November 25th, 2024, which is the International Day for the Elimination of Violence Against Women. You are a survivor ambassador for the Yorkshire charity IDAS. How did you get involved and how do people get help?

A couple of years ago, I reached out to IDAS to see if I could help them because this is a charity very close to my heart. I felt it was important, and the right time, to tell my own story, and I hoped it would help other people. I was not surprised when some of my social media friends contacted me to say they had been victims of domestic violence, what did surprise me was just how many people have had these experiences and still do.

I advised them, as I advise anyone, to reach out and call the local Domestic Violence service near them if they feel they are being abused, manipulated, controlled, or being subjected to any form of physical abuse. Not all abuse is obvious, sometimes abusers use coercive control to cause a great deal of damage to a person’s self-esteem. 

For IDAS, they have a website (https://idas.org.uk/) and contact numbers (North Yorkshire and Barnsley: 03000 110 110 / Sheffield: 0808 808 2241), so please reach out if you need help!

Your screen version of your best-selling book “The Stranger in Our Bed” not only saw you being given countless awards, but was an international hit on the screen. Has life changed for you, and when will your next film be?

My personal life hasn’t changed at all I’m glad to say! I tend to stay very grounded. Professionally, though, the film has opened new doors and given me new and exciting opportunities. I’m currently writing a horror movie for a Hollywood-based producer – but I’m NDA’d so can’t say more than that! I’ve also written the pilot for The House of Killers TV series, which is based on my spy trilogy of the same name, and it’s with a production company. I guess I’m writing much more for screen now than I was.

But it’s a difficult industry with many hurdles, so getting something actually into production is rare. But we keep pitching the ideas, and discussing the options … and there are some smashing people that I’m working with. 

What are you doing for Christmas?

We are having a very quiet Christmas this year at home with my daughter Linzi and our friend, actor, Frazer Hines. But we’ll be partying more at New Year when we have an annual party for some of our family and friends. 

Please tell us about 2025. What plans do you have?

2025 is looking crazy already! I will be writing as always (I have several projects underway and commissioned) but I also have a few public appearances. February will see me presenting a screenwriting workshop in Scotland, March is The SciFi Weekender (a Sci-Fi/Fantasy festival which I help programme and run).

I’m running two film festivals myself (details at http://www.slhfilmfest.com), one in June and the other in October. I’ll be on panels and doing signings at the World Fantasy Convention in Brighton at the end of October … and there are so many other things in between. Busy. Very busy.

Samantha Lee Howe at the Sykehouse film festival with 70s icon Ayshea Brough and award winning actress Nina Wadia https://filmfreeway.com/SykehouseInternationalFilmFestival

Who would you like to play you in the film version of your life?

Scarlett Johansson!! I love her, wish I looked like her – she’s very talented and so beautiful! I’ve never seen a film starring her that I haven’t loved. Same for Anya Taylor-Joy – what a talent!

To pre oder

IDAS Charity https://idas.org.uk/

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“Lights, camera, action!” The first ever Sykehouse Film festival comes to Goole 

Glitz and Glamour hit the Yorkshire town of Goole on the 29th June at the first ever Sykehouse Film Festival.

Actors and celebrities joined film makers and writers at this sold-out red-carpet event held at the “Old George Inn” Sykehouse. 

Award winning actress Nina Wadia OBE with Champion charity ambassador Pink Ribbons Lisa Allen

There was great excitement as Nina Wadia OBE (Eastenders), Gary Webster straight from starring in the action thriller ‘Bermondsey Tales, his wife presenter turned author Wendy Turner Webster, acting legend Frazer Hines (celebrating 70 years in show business), local royalty rugby ace turned Hollywood actor Keith Mason, and presenter Danielle Broadbent and actress Michelle Jeram (Granite Harbour BBC ) were amongst the celebrity guest.

One of the surprises of the festival was a guest appearance by zoom from Tom Hank’s brother Jim Hanks.

Acting Legend Frazer Hines receives a life time achievement award

There were tears in the room as the evening was dedicated to the Irish song bird Rose-Marie who was meant to presenting but sadly passed on a few weeks before the event.

The entry films were shown during the day. This included a selection of short and feature films submitted to the festival which had all been commended by the judges.

The festival was the brainchild of USA Today bestselling author and multiple-award winning screenwriter Samantha Lee Howe.

“I wanted to create an event which celebrated the art of film, and which rewarded filmmakers by getting their work in front of an appreciative audience”, she explained.

The evening was presented by David Howe and winner of the night were Taunya Gren from the USA, who had submitted three of her films to the festival: two shorts and one feature.

She ended up scooping seven awards in total, including the Best Director, Best Horror Feature and Best Short Film, while Seanna Ladd, Gren’s daughter, who appeared in all three films, was awarded Best Actress.

Celebrity hairdresser turned author Steven Smith Joins presenter Danielle Broadbent as they rock the red carpet

Comedy was provided by top comedians George Coppen and Alex Leam, while Linzi Gold sang three of her own songs to an appreciative audience. 

There was a raffle in aid of the Yorkshire charity IDAS with some amazing prizes. Award-winning winery Nyetimber provided Champagne for the guests as they arrived.

The whole event was an incredible success with people coming from all over the UK, and even from America, to attend.

Police woman turned actress Michelle Jeram joined by the team of her film headed by director Samantha Grierson https://filmfreeway.com/TheProgramme2024

Samantha Lee Howe with two of the big winners who flew in from LA to receive their awards Seanna Ladd and Tanya Gren

A full list of 2024 winners can be found on the Awards Website at www.slhfilmfest.com  and tickets for the 2025 event are also available.

https://oldgeorgeinnsykehouse.co.uk

https://idas.org.uk

https://samanthaleehowe.co.uk

In memory of Rose-Marie