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Culture Lifestyle People

New Book: Samantha Lee Howe’s ‘THE SOUL THIEF’

2shades Steven Smith gets down with award wining author and screen writer Samantha Lee Howe to talk about her latest venture “The Soul Thief”
Pictures by Andy Barnes and Terry Scott

Congratulations on the new book Samantha, tell us a bit about it?

The Soul Thief is a Gothic Thriller about a gentleman detective, Mitchell Bishop, in Victorian Manchester, who begins to investigate a series of bizarre murders. Along with his former fiancée, Laura Carter, Mitchell finds himself in danger and he must look back into his own past in order to inform the present and learn who and what is hurting the people around him. 

I’ve always had a fascination with gothic fiction, particularly the Victorian era, and have found the works of Mary Shelley, Bram Stoker and Sheridan Le Fanu fascinating. The Soul Thief is my tribute to 19th Century gothic fiction, but is written in the style more conducive to the modern reader. Therefore it’s very fast paced, with lots of twists and turns and a surprise ending.

Does writing horror differ from the other genre of books you pen?

Horror has always been a fascination of mine and a natural default to write into. It’s a challenging genre in many ways because you sometimes have to look deep inside yourself to really bring forth an element that scares you. It doesn’t have to be supernatural, after all, real life is full of horrible things that humans do to each other, but supernatural horror is a little less hard to take and also gives you more freedom to explore the genre.

When you’re writing in this genre you have to make many decisions about which way you want to take it and how extreme you want to go. My favourite horror to write is psychological, but I’m not afraid to be visceral if that is needed in the story and not gratuitous.

What really frightens you?

Lots of things frighten me. Enclosed spaces, heights, stalkers, people in general, as they are capable of doing terrible things to each other. One of the things I used to be really scared of was zombies – until I wrote about them a couple of times! As writing is very cathartic, it’s always good to explore the things that do frighten you the most and it takes the sting out of it immediately! 

When were you growing up what horror characters caught your attention?

Growing up I was a huge fan of staying up late with my sister, Adele, watching Hammer movies. We loved the character of Dracula. Christopher Lee was my first introduction to that. I used to lie awake worrying about vampires, but couldn’t stop watching them. When I was 16 I saw my first zombie movie, Zombie Flesh Eaters, and I couldn’t watch another one after that for about 30 years! It terrified me! I even avoided Shaun of the Dead because I just hated zombies. Eventually my husband David talked me into watching the latter film, and it’s now a favourite. But I just can’t revisit Zombie Flesh Eaters!

Films like “Terrifier” are a huge hit in the USA. Do you think slasher films rank as Horror or do they just promote sadism?

All slasher films are horror, but they have varying degrees of psychological basis. Some are described as torture porn – in other words the physical violence meted out to various characters, mainly female, is the whole point of the film – and I’m not into those at all – I don’t really understand why anyone is – but each to their own! What you don’t see can be far more terrifying to the viewer or reader than anything that is presented in graphic detail on screen.

Samatha Lee Howe with 2Shades Steven Smith

The 16 Days of Action Against Domestic Violence campaign starts on November 25th, 2024, which is the International Day for the Elimination of Violence Against Women. You are a survivor ambassador for the Yorkshire charity IDAS. How did you get involved and how do people get help?

A couple of years ago, I reached out to IDAS to see if I could help them because this is a charity very close to my heart. I felt it was important, and the right time, to tell my own story, and I hoped it would help other people. I was not surprised when some of my social media friends contacted me to say they had been victims of domestic violence, what did surprise me was just how many people have had these experiences and still do.

I advised them, as I advise anyone, to reach out and call the local Domestic Violence service near them if they feel they are being abused, manipulated, controlled, or being subjected to any form of physical abuse. Not all abuse is obvious, sometimes abusers use coercive control to cause a great deal of damage to a person’s self-esteem. 

For IDAS, they have a website (https://idas.org.uk/) and contact numbers (North Yorkshire and Barnsley: 03000 110 110 / Sheffield: 0808 808 2241), so please reach out if you need help!

Your screen version of your best-selling book “The Stranger in Our Bed” not only saw you being given countless awards, but was an international hit on the screen. Has life changed for you, and when will your next film be?

My personal life hasn’t changed at all I’m glad to say! I tend to stay very grounded. Professionally, though, the film has opened new doors and given me new and exciting opportunities. I’m currently writing a horror movie for a Hollywood-based producer – but I’m NDA’d so can’t say more than that! I’ve also written the pilot for The House of Killers TV series, which is based on my spy trilogy of the same name, and it’s with a production company. I guess I’m writing much more for screen now than I was.

But it’s a difficult industry with many hurdles, so getting something actually into production is rare. But we keep pitching the ideas, and discussing the options … and there are some smashing people that I’m working with. 

What are you doing for Christmas?

We are having a very quiet Christmas this year at home with my daughter Linzi and our friend, actor, Frazer Hines. But we’ll be partying more at New Year when we have an annual party for some of our family and friends. 

Please tell us about 2025. What plans do you have?

2025 is looking crazy already! I will be writing as always (I have several projects underway and commissioned) but I also have a few public appearances. February will see me presenting a screenwriting workshop in Scotland, March is The SciFi Weekender (a Sci-Fi/Fantasy festival which I help programme and run).

I’m running two film festivals myself (details at http://www.slhfilmfest.com), one in June and the other in October. I’ll be on panels and doing signings at the World Fantasy Convention in Brighton at the end of October … and there are so many other things in between. Busy. Very busy.

Samantha Lee Howe at the Sykehouse film festival with 70s icon Ayshea Brough and award winning actress Nina Wadia https://filmfreeway.com/SykehouseInternationalFilmFestival

Who would you like to play you in the film version of your life?

Scarlett Johansson!! I love her, wish I looked like her – she’s very talented and so beautiful! I’ve never seen a film starring her that I haven’t loved. Same for Anya Taylor-Joy – what a talent!

To pre oder

IDAS Charity https://idas.org.uk/

Categories
Culture Lifestyle People

AUTISM’S GOT TALENT 2024

Celebrating Neurodiversity: Autism’s Got Talent 2024 at the Mermaid Theatre
Steven Smith looks at the hottest show in town.

All Pictures by Terry Scott https://www.facebook.com/terry1965.scott.5836/about
Some of the team behind Autism’s Got Talent https://annakennedyonline.com/autisms-got-talent/

It is my favourite time of year, and the incredible Autism’s Got Talent is back.

Since its inception by Dr. Anna Kennedy OBE in 2012, Autism’s Got Talent has evolved into a legendary showcase that shines a spotlight on the unique talents of individuals living with autism. This one-of-a-kind event has captivated audiences and received high-profile media attention for over a decade, setting itself apart from other talent shows by offering an evening filled with surprises, inspiration, and diverse performances. Hosted at the renowned Mermaid Theatre in Blackfriars, the 2024 edition promises to be another unforgettable celebration of talent and inclusion

Steven Smith chats to 2Shades columnist and founder of Anna Kennedy on line

Unlike conventional talent competitions, Autism’s Got Talent is dedicated to celebrating neurodiversity and empowering autistic individuals of all ages. The show features a star-studded lineup of performers, including singers, dancers, actors, musicians, poets, magicians, and more. These gifted artists not only entertain but also challenge perceptions and break down barriers, demonstrating what people with autism can achieve. This event serves as a platform to replace stereotypes with messages of hope, fun, laughter, and inclusion, making it truly unique on the global stage.

The class of 2024 https://annakennedyonline.com/autisms-got-talent/

This year proved to be a show-stopping extravaganza with over 17 acts.

The show was opened by Dr. Anna Kennedy as she introduced well-wishes from Loose Women star Denise Welch, Blue band icon Anthony Costa, EastEnders actress Kacey Ainsworth, and the legendary Carol Vorderman. Celebrities such as ‘Allo ‘Allo!’s Vicki Michelle, Pet Rescue author Wendy Turner, Taino’s Christopher Hamilton, and performer Tru Blue were among some of the showbiz names that turned out to introduce the evening’s performers.

Allo Allo Vicki Michelle and the inspirational Lisa Allen from Pink Ribbon foundation

Comperes for the evening were Gateway Radio DJ and Ambassador of the charity, Aston Avery, along with former The People’s Strictly contestant and amateur dramatic theatre enthusiast Phillip Barnett.

Christopher Hamilton

Pineapple Dance studio lead by teacher Maggie Paterson who have supported the event from the start team of 40 dancers

Gateways radio DJ Aston Avery one of the presenters of AGT “Autistic and Proud ”

This year’s acts, who travelled from far and wide, did not disappoint. It kicked off with Alba Pulido Brocklebank’s stunning rendition of Burn. There were so many outstanding acts this year, it is hard to highlight them all. From guitar supremo Caydian Evans, who described the experience as an amazing, unique opportunity, to father-and-son team Aaron and Andy Clark, who said, “This is a memory that will last a lifetime, and we are deeply grateful for the opportunity.”

Caydian Evans

Northern Ireland seemed to feature prominently this year with two singers: Andrew McMurdie, who said, “There were so many uniquely talented people in one room, like I have never seen before,” and Ty Williams, who brought the house down.

Andrew McMurdie https://www.facebook.com/andrewmcmurdiemusic

Somerset singer Lianne Vessier was blown away by the diversity of the event, and the standing ovation for her performance left us all in awe.

Lianne Vessier

Stepping in at the last minute was Swaran Hayer, who dazzled the audience with his calendar skills (even revealing Anna Kennedy’s age and date of birth!). His mum, Mandy, said, “It will forever be an unforgettable and memorable experience.”

Theatre group True Colours had the audience cheering as well.

True Colours

Anna Kennedy, founder of Anna Kennedy Online and Autism’s Got Talent, shares her hopes for the event: “We aim to continue to build Autism’s Got Talent year by year. We want all those involved to have fun, do what they love, make friends, be themselves, and have one night that is all about them.” This ethos of inclusion and empowerment continues to drive the event’s growth and inspire its participants.

Tears of joy marked the end of the show, with all the wonderful performers on stage, proud parents, families, and friends in the audience.

They all had one message for the AKO family: “You’re all amazing, and we all rock!”

Roll on Autism’s Got Talent 2025—whoop!!!!!

Applications for 2025 open now https://docs.google.com/forms/d/e/1FAIpQLSc12klHOLoM8I7W8ESPDoWALA0osILmCWlRk8c8BNZkij-N2A/viewform?pli=1

Categories
Columns People

Every breath you take .


With allegations of sexual abuse against pop stars, actors and high-profile business people at an all-time high, Steven Smith looks back at his own experiences as a 16-year-old on the celebrity party circuit in the late 70s. He asks whether society at the time was just as much to blame for the exploitation of teenagers as those that are having the finger pointed at them.

It’s a Monday morning. I’m at Soho Gym in Covent Garden and I’m working out. My book It Shouldn’t Happen to a Hairdresserhas been out for a month now. It’s my autobiography and follows my journey from coming out at 16 to tending to the hair of the rich and famous around the world. Though now I work mainly in the media, I still keep my scissors handy.

The book has caused quite a stir and there’s been a lot of press. Many are asking who the pop star was that seduced me when I was 16.

Wanna buy it? Link at the bottom of this article.

I decline to answer. It was not something I wanted to talk about further, plus, having worked for the tabloids for over a decade, I knew exactly where that conversation would lead. Having been harmlessly misquoted in some of the papers (one claimed that I hung out with Madonna), I still knew that interviews were a road that needed to be trodden carefully.

My phone goes. It’s a lady agent friend of mine who has been quite supportive in promoting the book.

“Hello darling. I simply couldn’t put the book down, it’s marvellous.”

She goes on to ask how the book is doing and who could imagine how difficult Katie Price could be. We both laugh, but then we get to the reason for the call.

“Darling, who was that awful pop star that seduced an innocent 16-year-old you?”

Innocent! Back in the late 70s, 16 was more like 20. Now, it’s not something that I felt was integral to my life and I won’t be naming him. But it was important to my story in the book. The gist of the call is she thinks that I should chat with one of her clients, a gorgeous police officer called Dan Neal. It could be beneficial to us both – he had read the book and was branching into showbiz.

My agent friend had always been good to me, so I agreed. Almost immediately, Dan called. He was involved with the Jimmy Saville inquiry and was making quite a name for himself (he later went on to marry Rylan Clark). Charming and full of life. He said how much he had enjoyed the book. But then came the cough!

“The pop star who seduced you when you were sixteen, would you name him?”

“No”, I replied quickly.

Dan asked if he could hazard a guess. Judging by the tennis courts in my description, was it —– ? I had heard that they were after this particular person, and funnily enough, I had met him. And a more asexual but charming person you could not want to meet. (Although rumours of his early years hold that he was rampant – but not with young men.)

“No, it was not.”

He went on about his duty to uncover these people.

Cutting Dan off, I pointed out that I was not about to be induced to join a witch hunt. There was a big difference between boys and girls who had been groomed (or been downright taken advantage of) and the youths who attended parties and venues dressed like they were in their twenties, who were desperate to bag a pop star or anyone in the limelight. Back in the 70s, 16-years-olds were very independent, with some passing themselves off as 20-something.

Many of them only seem to have decided they were taken advantage of after the star has died or when they’re in their late 50’s, when many (I’ve found, having done research) have money problems.

In the late 70s no-one asked for ID or carried it. We grew up in an era when, as soon as you could carry a bag of newspapers, you had a job as a paperboy. I was working at ten.

Benny Hill chasing a woman dressed as a schoolgirl around the garden and Barbara Windsor being sexually harassed dressed as a nurse in the “Carry On” films was acceptable in comedy, and for many in the UK (and the US) it still is.

Your correspondent 40 years ago.

When I was 16 the club to go to was BANGS! On Tottenham Court Road on Monday nights, Donna Summer blasted from the speakers and we dressed to impress. We danced on the stage as the beautiful, gay, stylish and soon-to-be famous mingled in an electric atmosphere.

There was a whole group of lads and lasses aged 15-16 who lived for Monday night. It was not unusual to be approached, asked to come to other parties or asked out.

A young air steward invited me to a party one night. It was being held the following Sunday and he said that a car would be sent for me. He wouldn’t tell me whose home it was but said it would be great fun. He was very cute, and Sundays were boring.

I slipped out on the Sunday from my parents’ home and picked up the car at the end of the road, where the steward was waiting with the driver. As we reached the destination, I was stunned by what I saw – it was the most magnificent house, more of a mansion really, with fake butler and maid statues to greet you in the huge entrance hall. It was like nothing I had ever seen before.

We parked the car around the back of the house and went to meet our host on the tennis court. I was shocked when I saw who he was – he had played with one of my favourite bands when I was growing up and here he was, greeting me on his tennis court! He was down to earth and seemed genuinely interested in me. Before long we ended up in his disco, where the cocktails flowed. And so did some other things. Some of the other guests offered me cocaine and laughed when I refused.

Not changed a bit

“Hey, have you brought a good kid to the party?” they asked.

Nevertheless, one too many gin and tonics and as Dorothy Parker said, I ended up under the host. Still, it was a great day, and I went home with my host’s autograph. That was enough excitement for me.

As he brought me home, the steward suggested I might like to meet other friends of his and intimated that it could be quite profitable for me. But I was streetwise beyond my 16 years and said no, thanks.

So, I was somewhat surprised when I received a call from the star’s right-hand man asking me to come down again, which I did. I found myself liking the guy, who even played a song for me on his piano, across from his statues of Snow White and the Seven Dwarfs.

Really, I preferred T-Rex. He sent cars for me several times and we even watched a movie in his cinema room.

He only stopped sending for me after I told him that I’d mentioned the visits to my family. He almost passed out! After all, I was still only 16. This, despite me pointing out that I’d been in the theatre and it wouldn’t seem unusual that I was hanging out with the likes of him.

Still, much as his interest in me waned once he discovered that, he still invited me to the parties. They were great fun and he always got me home safely.

All these years later, though, whenever I smell Opium perfume, I think of him. The fragrance filled the bathrooms in his fabulous house and I even bought some for my mother that Christmas.

One of the most wonderful moments was when a famous pop manager held a boat party along the Thames for his birthday and Freddie Mercury and Kenny Everett were among the many celebrity guests. It was a dream come true and all I did was dance the afternoon away.

I was even hired briefly at the Embassy Club (in shorts).

With no age check.

Other parties were not so innocent. (Let’s not get started on the famous journalist with the three-way mirror whose parties hosted many a squaddie, some of whom went on to appear in the work of Mike Arlen (a gay photographer).

But I was lucky there was always an out. So, I never felt trapped or taken advantage of.

Of course, if I felt like playing victim I could rewrite this story in a different colour.

Many of the boys at the parties have passed on with HIV or disappeared. One or two I still bump into, and they talk of the good old times.

I’m sure that some may have regretted the follies of youth and even feel like they had been taken advantage of. But we can’t just blame the celebrities. The ’70s was a time that allowed freedom for the young and sexually promiscuous behaviour was rife.

Only when my nephew turned 16 I looked at his face. Suddenly it hit me how wrong the pop star and others were .

Luckily, we have ID now and people check. I feel great empathy with those that have been hurt. But regarding those who, in their teens, labelled themselves groupies, only to say many decades later they were victims, responsibility must lie with more than one party.

There is a difference between the casting couch, grooming – and dressing up, passing yourself off as older and consenting to things.

Otherwise, it does turn into a witch hunt.

Steven is a published author, regular radio guest

Categories
Culture Lifestyle

2Shades Big Night Out

Some of the team try “The Rising “ SE1 for a night out.

“What, a night out on a Saturday in London? Is that not just for tourists?!” This was my reaction when the 2Shades team suggested we let our hair down and party.

You can only get me out on a Saturday if it is a friend’s birthday, a wedding or some special occasion. The very idea of pushing through the crowds that descend on Soho and the likes fills me with dread.  Favouring house parties or enjoying a few select friends over for dinner would be my choice at the weekend. 

“Do not worry, leave it with me”, said 2Shades writer therapist Michael Power. “I will find somewhere different. Maybe drag brunch or somewhere new”.  Telling him I had nothing to wear elicited the reaction, “Shut up!” 

A few days later the 2Shades WhatsApp message with the venue flashed up. “The Rising” SE1. OK, that is Elephant and Castle. Sure, I go to Southwark Play House https://southwarkplayhouse.co.uk and it is not far from the tube. But let me be honest, it is not somewhere where (wrongly or rightly) partying springs to mind.  

However, the web page looked interesting, you’re allowed to bring your dog (so ten points on that!) and they advertise cabaret. Mike rarely gets it wrong, liking to do his homework on everything from holidays to special occasions.

It was the first official 2Shades night out. The Rising is a five-minute walk (even in heels) from Elephant and Castle Tube, or 15 minutes bus ride from Canda Water. The bus stops right across the road by the Express Tesco’s and the Rising is almost opposite on Harper Road.

Upon arrival it was hard to believe my eyes. Not just how stunning Adishiri, 2Shades Queen and Editor, and Mike were looking, but the vibe of The Rising. There was kind of a New York Village, Fort Lauderdale feel to it. Lots of outdoor seating and a friendly atmosphere.

A huge star was the wonderful security guard on hand, George. He is fully trained and unlike many gay venues when you’re greeted by someone who is as cold as the “ice bucket challenge”, George is gay, and blended a warm but no-nonsense approach to taking care of everyone.

Despite the football being on (this added a bit of camp to the evening), immediately we started to relax and enjoy ourselves. The bar staff are eclectic and very friendly and provide a great array of wines and beers plus some lethal cocktails and shots. There is no food, but you are welcome to order in or bring your own and they will provide cutlery. 

No sooner than the football was over, it seemed half the crowd emptied out. It filled back up over the course of the evening.  Football was replaced by live entertainment in the form of Drag Queen super star Ella Gant. Now Ella is a star performer you would pay to see. The Rising had laid her on for free.

Ella apologised at the start of the show she had not been well; her voice was not at its vocal best. Well, what a show Ella put on! She had us singing and dancing along for over and hour and if that was her voice when she was not at her finest, we all can’t wait to go back and see her full strength as we had an evening to remember

Drag Queen Ella Gant

The Rising might just be the best LGBTQQA bar we have been to in a while; it is really diverse and exciting, and you do not have to fight through the West End to get to it. It is just perfect for a group of friends to enjoy or even go on your own. Please try The Rising and see for yourself.

The Rising https://www.therisingse1.com

98 Harper Road

London

SE1 6AQ

020 3885 0990

hello@TheRisingSE1.com

Categories
People

The ‘Teenage Dream’ but at what price ?

With allegations of sexual abuse against pop stars, actors and high-profile business people at an all-time high, Steven Smith looks back at his own experiences as a 16-year-old on the celebrity party circuit in the late 70s.

He asks whether society at the time was just as much to blame for the exploitation of teenagers as those that are having the finger pointed at them.

Wanna buy it? Link at the bottom of this article.

It’s a Monday morning. I’m working out. My book It Shouldn’t Happen to a Hairdresserhas been out for a month now. It’s my autobiography and follows my journey from coming out at 16 to tending to the hair of the rich and famous around the world. Though now I work mainly in the media, I still keep my scissors handy.

The book has caused quite a stir and there’s been a lot of press. Many are asking who the pop star was that seduced me when I was 16.

I decline to answer. It was not something I wanted to talk about further, plus, having worked for the tabloids for over a decade, I knew exactly where that conversation would lead. Having been harmlessly misquoted in some of the papers (one claimed that I hung out with Madonna), I still knew that interviews were a road that needed to be trodden carefully.

My phone goes. It’s a lady agent friend of mine who has been quite supportive in promoting the book.

“Hello darling. I simply couldn’t put the book down, it’s marvellous.”

She goes on to ask how the book is doing and who could imagine how difficult Katie Price could be. We both laugh, but then we get to the reason for the call.

“Darling, who was that awful pop star that seduced an innocent 16-year-old you?”

Back in the late 70s, 16 was more like 20. Now, it’s not something that I felt was integral to my life and I won’t be naming him. But it was important to my story in the book. The gist of the call is she thinks that I should chat with one of her clients, a gorgeous police officer called Dan Neal. It could be beneficial to us both – he had read the book and was branching into showbiz.

My agent friend had always been good to me, so I agreed. Almost immediately, Dan called. He was involved with the Jimmy Saville inquiry and was making quite a name for himself (he later went on to marry Rylan Clark). Charming and full of life. He said how much he had enjoyed the book. But then came the cough!

“The pop star who seduced you when you were sixteen, would you name him?”

“No”, I replied quickly.

Dan asked if he could hazard a guess. Judging by the tennis courts in my description, was it —– ? I had heard that they were after this particular person, and funnily enough, I had met him. And a more asexual but charming person you could not want to meet. (Although rumours of his early years hold that he was rampant – but not with young men.)

“No, it was not.”

He went on about his duty to uncover these people.

Cutting Dan off, I pointed out that I was not about to be induced to join a witch hunt. There was a big difference between boys and girls who had been groomed (or been downright taken advantage of) and the youths who attended parties and venues dressed like they were in their twenties, who were desperate to bag a pop star or anyone in the limelight. Back in the 70s, 16-years-olds were very independent, with some passing themselves off as 20-something.

Many of them only seem to have decided they were taken advantage of after the star has died or when they’re in their late 50’s, when many (I’ve found, having done research) have money problems.

In the late 70s no-one asked for ID or carried it. We grew up in an era when, as soon as you could carry a bag of newspapers, you had a job as a paperboy. I was working at ten.

Benny Hill chasing a woman dressed as a schoolgirl around the garden and Barbara Windsor being sexually harassed dressed as a nurse in the “Carry On” films was acceptable in comedy, and for many in the UK (and the US) it still is.

Your correspondent 40 years ago.

When I was 16 the club to go to was BANGS! On Tottenham Court Road on Monday nights, Donna Summer blasted from the speakers and we dressed to impress. We danced on the stage as the beautiful, gay, stylish and soon-to-be famous mingled in an electric atmosphere.

There was a whole group of lads and lasses aged 15-16 who lived for Monday night. It was not unusual to be approached, asked to come to other parties or asked out.

A young air steward invited me to a party one night. It was being held the following Sunday and he said that a car would be sent for me. He wouldn’t tell me whose home it was but said it would be great fun. He was very cute, and Sundays were boring.

I slipped out on the Sunday from my parents’ home and picked up the car at the end of the road, where the steward was waiting with the driver. As we reached the destination, I was stunned by what I saw – it was the most magnificent house, more of a mansion really, with fake butler and maid statues to greet you in the huge entrance hall. It was like nothing I had ever seen before.

Not such a rocket man and for sure should not be a reference to anyones morals .

We parked the car around the back of the house and went to meet our host on the tennis court. I was shocked when I saw who he was – he had played with one of my favourite bands when I was growing up and here he was, greeting me on his tennis court! He was down to earth and seemed genuinely interested in me. Before long we ended up in his disco, where the cocktails flowed. And so did some other things. Some of the other guests offered me cocaine and laughed when I refused.

Not changed a bit

“Hey, have you brought a good kid to the party?” they asked.

Nevertheless, one too many gin and tonics and as Dorothy Parker said, I ended up under the host. Still, it was a great day, and I went home with my host’s autograph. That was enough excitement for me.

As he brought me home, the steward suggested I might like to meet other friends of his and intimated that it could be quite profitable for me. But I was streetwise beyond my 16 years and said no, thanks.

So, I was somewhat surprised when I received a call from the star’s right-hand man asking me to come down again, which I did. I found myself liking the guy, who even played a song for me on his piano, across from his statues of Snow White and the Seven Dwarfs.

Really, I preferred T-Rex. He sent cars for me several times and we even watched a movie in his cinema room.

He only stopped sending for me after I told him that I’d mentioned the visits to my family. He almost passed out! After all, I was still only 16. This, despite me pointing out that I’d been in the theatre and it wouldn’t seem unusual that I was hanging out with the likes of him.

Still, much as his interest in me waned once he discovered that, he still invited me to the parties. They were great fun and he always got me home safely.

All these years later, though, whenever I smell Opium perfume, I think of him. The fragrance filled the bathrooms in his fabulous house and I even bought some for my mother that Christmas.

One of the most wonderful moments was when a famous pop manager held a boat party along the Thames for his birthday and Freddie Mercury and Kenny Everett were among the many celebrity guests. It was a dream come true and all I did was dance the afternoon away.

I was even hired briefly at the Embassy Club (in shorts).

With no age check.

Other parties were not so innocent. (Let’s not get started on the famous journalist with the three-way mirror whose parties hosted many a squaddie, some of whom went on to appear in the work of Mike Arlen (a gay photographer).

But I was lucky there was always an out. So, I never felt trapped or taken advantage of.

Of course, if I felt like playing victim I could rewrite this story in a different colour.

Many of the boys at the parties have passed on with HIV or disappeared. One or two I still bump into, and they talk of the good old times.

I’m sure that some may have regretted the follies of youth and even feel like they had been taken advantage of. But we can’t just blame the celebrities. The ’70s was a time that allowed freedom for the young and sexually promiscuous behaviour was rife.

Luckily, we have ID now and people check. I feel great empathy with those that have been hurt. But regarding those who, in their teens, labelled themselves groupies, only to say many decades later they were victims, responsibility must lie with more than one party.

There is a difference between the casting couch, grooming – and dressing up, passing yourself off as older and consenting to things.

Otherwise, it does turn into a witch hunt. It only really sunk in to what had been done to me all those years later , When I looked at my 16 year old Nephew . The thought I would kill anyone who touched him.

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Culture

Lizzie Musical: Unmissable Cast and Unique Story at Southwark Playhouse

“You will feel homicidal if you miss this little gem!” by Steven Smith

Rating: xxxxx (Axe-wielding 5 stars!)

Having just sat through one of the worst musicals in my living memory a few nights before (The time travellers’ wife), the prospect of a rock musical based on a true crime did not exactly fill me with excitement, especially one about the notorious Lizzie Borden who allegedly killed her father and stepmother with an axe. 

Only the fact that a friend had seen the opening at, what is fast becoming the out of town must go to venue, “Hope Mill theatre” in Manchester, raised my interest. https://hopemilltheatre.co.uk (Has this team ever put anything bad on?).

“Lizzie” is now playing at the delightful Southwark Playhouse Elephant https://southwarkplayhouse.co.uk . Just to fill you in and I won’t ruin the whole story, but the musical looks at the reasons why she allegedly murdered her father and step mother. 

And at Lizzie’s defence with the help of an expensive legal team and the support of her sister Emma, maid Bridget, and friend and lover Alice.

Set in 1892 Fall River Massachusetts, the dark atmospheric set complete with an axe puts you in the mood for a something creepy quite early on. 

However, nothing can prepare you for the thrill ride that the show is about take you on: the cast of “Lizzie” are about to blow your socks off. 

This might be an old story, but the cast bring something unique and exciting to the stage. Five minutes into the performance my mouth dropped open and I had to hold myself down as I wanted to dance along with the cast. 

Directed by William Whelton and written by Steven Cheslik-de Meyer, Tim Maner, and Alan Stevens Hewitt my hat goes off to them 

Lizzie looks at some pretty dark topics such as abuse, interwoven with truly touching moments. The love story between Lizzie and Alice is beautifully handled. 

What really makes this a ‘must see’ is the cast, and there are only 4 actors plus a tremendous orchestra. Trust me “four” sure out-does “six”

With the cast raising the roof, you are forgiven for imagining you’re at the Globe theatre, watching some incredible classic acting that has been hijacked by an awesome rock concert! This is what makes the show so unique. They even manage to bring a comic element in the shape of Mairi Barclays, who plays Bridget the maid, without ever going over the top.

Lizzie is played by Lauren Drew (The Voice!), who is so tremendous in the role she deserves every award going, as do the whole cast to be honest.

Shekinah McFarlane plays Emma, her older sister who tries to be a guiding light to Lizzie. Shekinah is a powerhouse of talent you just can’t believe you’re lucky enough to watch. Her solo, “What the F**k Now, Lizzie?”, is one the highlights of the show.

Maiya Quansah-Breed is Alice, Lizzie’s lover. Again, she leaves you spellbound; the handling of the love between them felt so real it was touching. All the fab four should be at a theatre ten times the size. 

But lucky for me and you, they are not for now. 

There is not one thing I can think of that is not positive, except when it got to the interval I felt like a petulant child, “NO KEEP GOING!”. Even the clever costume designs deserve a shout out. 

For sure I will be going back to see “Lizzie” again and you should go too!

For more shows at the Southwark Playhouse in London, visit https://southwarkplayhouse.co.uk