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The ‘Teenage Dream’ but at what price ?

With allegations of sexual abuse against pop stars, actors and high-profile business people at an all-time high, Steven Smith looks back at his own experiences as a 16-year-old on the celebrity party circuit in the late 70s.

He asks whether society at the time was just as much to blame for the exploitation of teenagers as those that are having the finger pointed at them.

Wanna buy it? Link at the bottom of this article.

It’s a Monday morning. I’m working out. My book It Shouldn’t Happen to a Hairdresserhas been out for a month now. It’s my autobiography and follows my journey from coming out at 16 to tending to the hair of the rich and famous around the world. Though now I work mainly in the media, I still keep my scissors handy.

The book has caused quite a stir and there’s been a lot of press. Many are asking who the pop star was that seduced me when I was 16.

I decline to answer. It was not something I wanted to talk about further, plus, having worked for the tabloids for over a decade, I knew exactly where that conversation would lead. Having been harmlessly misquoted in some of the papers (one claimed that I hung out with Madonna), I still knew that interviews were a road that needed to be trodden carefully.

My phone goes. It’s a lady agent friend of mine who has been quite supportive in promoting the book.

“Hello darling. I simply couldn’t put the book down, it’s marvellous.”

She goes on to ask how the book is doing and who could imagine how difficult Katie Price could be. We both laugh, but then we get to the reason for the call.

“Darling, who was that awful pop star that seduced an innocent 16-year-old you?”

Back in the late 70s, 16 was more like 20. Now, it’s not something that I felt was integral to my life and I won’t be naming him. But it was important to my story in the book. The gist of the call is she thinks that I should chat with one of her clients, a gorgeous police officer called Dan Neal. It could be beneficial to us both – he had read the book and was branching into showbiz.

My agent friend had always been good to me, so I agreed. Almost immediately, Dan called. He was involved with the Jimmy Saville inquiry and was making quite a name for himself (he later went on to marry Rylan Clark). Charming and full of life. He said how much he had enjoyed the book. But then came the cough!

“The pop star who seduced you when you were sixteen, would you name him?”

“No”, I replied quickly.

Dan asked if he could hazard a guess. Judging by the tennis courts in my description, was it —– ? I had heard that they were after this particular person, and funnily enough, I had met him. And a more asexual but charming person you could not want to meet. (Although rumours of his early years hold that he was rampant – but not with young men.)

“No, it was not.”

He went on about his duty to uncover these people.

Cutting Dan off, I pointed out that I was not about to be induced to join a witch hunt. There was a big difference between boys and girls who had been groomed (or been downright taken advantage of) and the youths who attended parties and venues dressed like they were in their twenties, who were desperate to bag a pop star or anyone in the limelight. Back in the 70s, 16-years-olds were very independent, with some passing themselves off as 20-something.

Many of them only seem to have decided they were taken advantage of after the star has died or when they’re in their late 50’s, when many (I’ve found, having done research) have money problems.

In the late 70s no-one asked for ID or carried it. We grew up in an era when, as soon as you could carry a bag of newspapers, you had a job as a paperboy. I was working at ten.

Benny Hill chasing a woman dressed as a schoolgirl around the garden and Barbara Windsor being sexually harassed dressed as a nurse in the “Carry On” films was acceptable in comedy, and for many in the UK (and the US) it still is.

Your correspondent 40 years ago.

When I was 16 the club to go to was BANGS! On Tottenham Court Road on Monday nights, Donna Summer blasted from the speakers and we dressed to impress. We danced on the stage as the beautiful, gay, stylish and soon-to-be famous mingled in an electric atmosphere.

There was a whole group of lads and lasses aged 15-16 who lived for Monday night. It was not unusual to be approached, asked to come to other parties or asked out.

A young air steward invited me to a party one night. It was being held the following Sunday and he said that a car would be sent for me. He wouldn’t tell me whose home it was but said it would be great fun. He was very cute, and Sundays were boring.

I slipped out on the Sunday from my parents’ home and picked up the car at the end of the road, where the steward was waiting with the driver. As we reached the destination, I was stunned by what I saw – it was the most magnificent house, more of a mansion really, with fake butler and maid statues to greet you in the huge entrance hall. It was like nothing I had ever seen before.

Not such a rocket man and for sure should not be a reference to anyones morals .

We parked the car around the back of the house and went to meet our host on the tennis court. I was shocked when I saw who he was – he had played with one of my favourite bands when I was growing up and here he was, greeting me on his tennis court! He was down to earth and seemed genuinely interested in me. Before long we ended up in his disco, where the cocktails flowed. And so did some other things. Some of the other guests offered me cocaine and laughed when I refused.

Not changed a bit

“Hey, have you brought a good kid to the party?” they asked.

Nevertheless, one too many gin and tonics and as Dorothy Parker said, I ended up under the host. Still, it was a great day, and I went home with my host’s autograph. That was enough excitement for me.

As he brought me home, the steward suggested I might like to meet other friends of his and intimated that it could be quite profitable for me. But I was streetwise beyond my 16 years and said no, thanks.

So, I was somewhat surprised when I received a call from the star’s right-hand man asking me to come down again, which I did. I found myself liking the guy, who even played a song for me on his piano, across from his statues of Snow White and the Seven Dwarfs.

Really, I preferred T-Rex. He sent cars for me several times and we even watched a movie in his cinema room.

He only stopped sending for me after I told him that I’d mentioned the visits to my family. He almost passed out! After all, I was still only 16. This, despite me pointing out that I’d been in the theatre and it wouldn’t seem unusual that I was hanging out with the likes of him.

Still, much as his interest in me waned once he discovered that, he still invited me to the parties. They were great fun and he always got me home safely.

All these years later, though, whenever I smell Opium perfume, I think of him. The fragrance filled the bathrooms in his fabulous house and I even bought some for my mother that Christmas.

One of the most wonderful moments was when a famous pop manager held a boat party along the Thames for his birthday and Freddie Mercury and Kenny Everett were among the many celebrity guests. It was a dream come true and all I did was dance the afternoon away.

I was even hired briefly at the Embassy Club (in shorts).

With no age check.

Other parties were not so innocent. (Let’s not get started on the famous journalist with the three-way mirror whose parties hosted many a squaddie, some of whom went on to appear in the work of Mike Arlen (a gay photographer).

But I was lucky there was always an out. So, I never felt trapped or taken advantage of.

Of course, if I felt like playing victim I could rewrite this story in a different colour.

Many of the boys at the parties have passed on with HIV or disappeared. One or two I still bump into, and they talk of the good old times.

I’m sure that some may have regretted the follies of youth and even feel like they had been taken advantage of. But we can’t just blame the celebrities. The ’70s was a time that allowed freedom for the young and sexually promiscuous behaviour was rife.

Luckily, we have ID now and people check. I feel great empathy with those that have been hurt. But regarding those who, in their teens, labelled themselves groupies, only to say many decades later they were victims, responsibility must lie with more than one party.

There is a difference between the casting couch, grooming – and dressing up, passing yourself off as older and consenting to things.

Otherwise, it does turn into a witch hunt. It only really sunk in to what had been done to me all those years later , When I looked at my 16 year old Nephew . The thought I would kill anyone who touched him.

Categories
Culture

Mamma Mia we all need a little ABBA right now

Steven Smith gets his dancing shoes on and reviews ABBA Voyage
Yes, we certainly need a tonic right now for all. Prices are going through the roof and with a summer of elections it is going to be season of discontent.

What we need to take our minds off things is something that, long after you watched it, leaves you with a smile and lifts you. That is why entertainment was so important during the war and let’s face it, we are all battling every day.

“If you can make people laugh you give them a little vacation.” Winston Churchill. 

What needs to be prescribed is ABBA Voyage at the Queen Elizabeth Olympic Park. For weeks before I went to see this immersive experience, terribly gifted writers and those in the arts seemed to struggle to vocalise what they had seen.  

But whatever it was, rave reviews and statements like “The best night of my life” were being posted all over social media.

As I walked the fifteen minutes from Stratford station through the Olympic Park certainly no one ruined the surprise.

On your journey you are confronted by a sea of people steeped in ABBA Hysteria, many dressed as their heroes: Agnetha Falskog, Bjorn Ulvaeus, Benny Andersson and Anni-FridLyngstad.

Approaching the actual arena (specially made for the show), even if you’re not an ABBA fan, you’re not human if you’re not starting to smile a little. It is as if everyone has taken a happy pill. Even the security and arena staff are very friendly. 

Safely inside, the excitement and energy was accelerating to the level of an explosion, as if your eyes were not able to take any more of this visual feast of the actual arena and those that paid to come see the show.

Your brain goes straight into explode mode when the lights dim and the Swedish forest screen lifts and four virtual ABBAtars take to the stage. So convincing is the entire thing I was left breathless for a moment as I was not sure what was real and what was not. A little like the “The Houses of Parliament”. 

ABBA last played in London for seven nights in 1979. I promise you truly it could not have been better than this. Stunning light affects dazzle the 3000 capacity room. A very much real 10-piece band dazzle the filled room.

This is so real they even have short interlude videos for the band to change. Andersson, Fältskog, Björn Ulvaeus and Anni-Frid Lyngstad danced across the giant stage, embraced each other.

They laughed about their 1974 Eurovision outfits and the UK giving them zero points. When they appeared in huge proportions on the big screens they had the mildest plasticine quality, but otherwise they were astonishingly real.

They did most of the hits, of course, and the best two from last year’s surprise comeback album. As you would expect, the arena erupted when “Dancing Queen” was performed.

 Just as you thought there were no more surprises left, ABBA walks on as they are now, as they did on opening night. I think it might have been holograms a few weeks in.

For days afterwards this extraordinary experience had me smiling. God knows we all need that right now. There is only one problem with prescribing ABBA Voyage to everyone. The price this venture needs to rake in is £140 million to break even, with some tickets at £195.

“Money, Money, Money” it is rich man’s show. Dance floor tickets at £50 are more affordable but sell like hot seats. To be honest I never sat down for long enough that night, being a real “Dancing Queen”. 

It is fast becoming a world of advanced technology. Just think, with the ABBA voyage, we can not only tell our grand kids how good some bands were, we can actually show them, and dear old dame Elton can take a rest. 

Categories
Culture

THE CHOIR OF MAN

Review by Steven Smith

⭐⭐⭐⭐⭐Rating: 5 out of 5

As I was complaining to a regular theatre going friend about the West End prices of some shows and my need to see one show, he replied “It’s twice as good as it is hyped, The Choir of Man, easily the best show in the West End and does not cost a King’s ransom to see.” 

Truth be told it was a show that was not on my radar and hadn’t appealed to me. One rainy Saturday we took a chance and managed to grab the last two seats with my room- mate. The atmosphere seemed exciting enough on arrival with an eclectic audience. Many were repeat viewers; sitting next to me was an excited lady who had seen the show 12 times and was there with her friend, who was quoted as a “virgin” to the whole thing. 

This is the second time around in the West End for “The Choir of Man” and playing at one of my favourite theatres, The Arts. There is something about this show that makes you smile from the minute you sit down. Audience members are even asked pre-show to join the 9 cast members on the stage set, a pub called “The Jungle”.  

There is no complicated plot to the “The Choir of man “. It is this simple: 9 of the regular customers come together to tell stores and sing songs. 

I know, it does not sound like my cup of tea (or pint of bitter) either. 

However, there is a lot more to this gem of a show that will have you shouting “no” to closing time. It challenges stereo-types and pulls you into a really feel-good show that will have you not only smiling but wanting to go back for more. In fact, my roommate went back a few weeks later. 

The 9 man cast of Choir of Man

Each of the 9 cast members has a story to tell and as the show goes on, they unravel more of their tales with names like the Romantic and the Beast; you quickly identify with them.  This gives a sense of intimacy which allows you to enjoy the show but also get to know the real people behind the roles and champion them.

The Choir of Man title might be a little misleading as it not religious or that type of music.  It is the very best of vocal talent brought together. 

It is hard to sit in your seat as you want to jump up and join in with numbers such as Queen’s “Somebody to love” and Paul Simon’s “5O Ways to Leave your Lover”.

 The song and dance number will simply blow you away.  The absolute highlight was the ‘a cappella’ rendition of Adele’s “Hello”. If there was ever a reason to go back this was it. It even has a feel of immersed theatre with audience members pulled up to join in.

What makes this show so special is that it challenges what we may think a man is which I really appreciated, having written a lot recently about breaking the “Boys do not cry” mould. This is a show that presents all aspects of men and serves it up in a pint glass for all to see. For sure I will be getting another round in at “The Jungle “soon,

Choir of Man.  Get your tickets https://www.choirofmanwestend.com/book-tickets#/?month=2024-06