“Pride” means self-esteem, self-respect, and the joy that comes from being who you are. It’s a celebration of identity and community—and it’s also a protest, because the fight for equality is far from over.
How far we’ve come. In the 1970s, the only LGBTQ+ publication I knew of was Gay News—a paper I used to smuggle into my family home as a teenager. Mainstream magazines rarely showed gay people in a positive light, and doing so could sink a publication. In the entertainment industry, being openly gay could mean career suicide. Even being suspected of homosexuality could get you thrown out of the armed forces.
GAY NEWS IN THE 70S
I came out at 15, creating scandal at school and chaos at home. When my mum discovered my hidden copy of Gay News, she screamed, “There’s no such thing as ‘Gay News’, only bad news.” While she’s now a proud LGBTQ+ ally, back then it was a different story. Only my 13-year-old sister offered comfort—squeezing my hand and saying, “I always knew. I love you.”
My parents, desperate to “understand,” took me to the Samaritans, where I was introduced to a man who had been in the merchant navy who “knew about gays.” I remember his pale-blue jumper and the awkwardness in his voice. He warned me that not all gay men looked like David Bowie or Marc Bolan—who, I pointed out, were bisexual. He added, “If you go to Portsmouth, there are big, hairy men on bikes looking for young lads.”
Once back in the car, I asked, “Where’s Portsmouth—and how do I get there?”
Coming out still shocks some families. I’ve seen parents devastated by something they must have known deep down. In It’s A Sin, Keeley Hawes’ character, Valerie Tozer, denies her son’s truth even as he dies of AIDS. Another mother asks her pointedly: “What were you looking at when he was six? Ten? Fifteen?”
Today, LGBTQ+ teens are still being thrown out of their homes. Others are allowed to stay—but endure silence, shame, or abuse. All for the “crime” of loving someone, or being themselves.
Meanwhile, the same parents hand their kids toy guns and cheer them on during war games—yet recoil at a same-sex kiss. The hypocrisy is astonishing.
I cried watching Heartstopper on Netflix. When Nick comes out to his mum, played with grace by Olivia Colman, she simply thanks him and checks he’s okay. That’s the world we need. Fewer traumas. More love.
Yes, things are better. But the LGBTQ+ community is still under attack. Survival requires strategy—and education is key. We need LGBTQ+ role models in schools. We need to support young people who don’t fit gender norms. We need to tell our stories and make space for others to tell theirs.
I recently had a woman say to me, “You don’t seem that gay. My hairdresser Eduardo is gay—he’s a scream! He does drag on Tuesdays.” I replied, “The Kray twins were gay.” She went quiet, then apologised. I wasn’t offended—but I had made her think.
Positive role models matter. Jake Daniels, the first openly gay footballer, recently made headlines. So have Gareth Thomas and Tom Daley. But the fact that coming out still makes headlines shows how far we’ve yet to go.
Jake Daniels super star ,
It was heartening to see David Beckham support Jake Daniels—but disappointing to see him promote the World Cup in Qatar, where homosexuality is punishable by death. Allies must not sit on the fence when human rights are at stake.
Let’s not forget: the gay community isn’t immune to internal bias. Flamboyant men are often sidelined. Some fear being labelled “camp” or “too much.” But icons like Quentin Crisp, Boy George, David Bowie, and Marc Bolan showed us that difference is not a weakness—it’s a strength.
Boy George daring to be different with Pride.
If an alien asked to meet a “typical gay person,” we couldn’t comply. There’s no such thing. Just like there’s no one image of a straight man—despite the stereotype of a pint-wielding football fan in a Union Jack tee.
People ask me, “Why do you need Pride? There’s no Straight Pride.” My answer: “Be grateful you don’t need one.”
There are also calls to give Pride Month over to Veterans’ Day. I believe veterans deserve honour every day—but not at the expense of Pride or any other group or organisation One doesn’t cancel the other.
We’re living in frightening times. In countries like Argentina and the U.S., governments are trading human rights for promises of prosperity. In the UK, I fear the rise of Reform UK. We must not just defend our rights—we must be louder, prouder, and more visible than ever.
Peter Tatchell we all have to admire ,
At the premiere of Legendary Children: All of Them Queer, activist Peter Tatchell said that change comes from entering non-LGBTQ+ spaces and being a shining example. I believe that. I hope one day I can hold my boyfriend’s hand in public without fear. I hope one day, every child who comes out is embraced by their parents, not shunned.
We’ve made progress. But we’re not there yet.
And if we don’t act now, we risk going back to the bad old days.
Hello darlings! It’s time for David’s Book Club Reviews, and I’m absolutely thrilled to be joining the fabulous folks at 2SHADES this month. What a dazzling array of reads we’ve had!
From a sSmelly kid who defies the odds to become a number-one porn star and entrepreneur (yes, really!) to a stylish serial killer stalking London’s high society and showbiz darlings—this month’s selection did not disappoint. And let’s not forget the gripping Bleeding Fabulous: The Life of a Haemosexual—a memoir bursting with sequins, survival, and serious heart.
There’s also a gorgeously dark gothic horror set in Victorian London that sent shivers down my spine and had me clutching my feather boa in suspense. Plus, 13 other twisty, chilling, and utterly addictive short stories in Criminal Pursuits 2—each one more devious than the last.
Yes, my loves, they all get five stars from me. Call me generous if you will, but I had an absolutely fabulous time reading every single one. Drama, danger, glamour, grit—and always a twist in the tail. What more could a queen ask for?
If you’re looking for thrills, spills, and a few cheeky chills, these are the books to curl up with (preferably with a cocktail in hand).
Until next time, Love, David 💋
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Review ofCriminal Pursuits 2: This Is Me– 14 Dark Gems of Crime Fiction ⭐️⭐️⭐️⭐️⭐️
Criminal Pursuits 2: This Is Me is a superbly curated anthology of fourteen dark, twisted, and utterly engrossing short stories from some of the sharpest minds in contemporary crime fiction. As with the first volume, this second instalment delivers diverse voices and inventive plots, drawing readers into a variety of shadowy worlds where justice is murky, morality bends, and the human psyche is pushed to the brink.
Each story offers a unique lens into the criminal mind—ranging from psychological thrillers to revenge tales, noir romance, dystopian pacts, and unnerving hauntings. From the man teetering on the edge of a high building, to the woman whose inheritance turns deadly, the anthology brims with tension, clever twists, and haunting imagery. There’s a satisfying blend of styles, from hard-boiled grit to eerie suspense, that keeps the pacing lively and the reader guessing.
But the undeniable standout isKiller Queenby Steven Smith. Stylish, razor-sharp, and steeped in a deliciously dark sense of camp, Killer Queen turns the serial killer trope on its head. Smith’s flair for the dramatic meets a gritty crime plot as he introduces a killer with charisma, vengeance, and unrelenting flair. The story pulses with queer energy and glittering menace, without ever losing sight of its emotional core. It’s daring, provocative, and gloriously subversive—exactly the kind of story crime fiction needs more of.
This powerful collection includes a heartfelt foreword by Lisa Allen, CEO of Pink Ribbon, who reminds us of the real-life battles many face every day. Fittingly, all profits from this anthology go to the breast cancer charity Pink Ribbon, making this both a gripping read and a meaningful cause.
An absolute must-read—for your bookshelf and your heart.
Review ofSmelly Kidby Andy Lee
Smelly Kid by Andy Lee (with Dave Taylor) is a raw, unflinching memoir that grips you from the first page and never lets go. With a title that hints at both humour and hardship, the book plunges readers into the unforgiving world of a poverty-stricken Dublin childhood, where abandonment, hunger, and homelessness were part of daily survival.
By the age of twelve, Andy had already experienced more loss than many do in a lifetime—left without parents and living on the margins of society. What makes Smelly Kid so compelling, however, is not just the depth of suffering, but the incredible resilience that rises from it. Through heartbreak, Andy never loses his fighting spirit, and his story becomes one of transformation and hope.
Lee’s voice is honest, gritty, and disarmingly humorous. He recounts harrowing moments with clarity and purpose, but also with surprising warmth. Whether it’s finding brief refuge in the kindness of a stranger or navigating the chaotic streets of inner-city Dublin, his story resonates with a raw authenticity. His later journey into the adult entertainment industry is told with the same candid honesty, showing how unexpected paths can lead to reinvention and, ultimately, self-empowerment.
Smelly Kid is not your typical rags-to-riches tale. It’s more than a memoir—it’s a testament to human endurance and the possibility of hope in even the bleakest circumstances. Gritty, heartbreaking, and ultimately inspiring, this is a story that lingers long after the final page.
For anyone who believes that the past defines the future, Andy Lee proves otherwise. Smelly Kid deserves its glowing 4.8-star rating—it’s bold, unforgettable, and deeply moving.
⭐️⭐️⭐️⭐️⭐️
The Soul Thiefby S.L. Howe –
Samantha Lee Howe’s The Soul Thief is a deliciously dark slice of gothic horror that plunges readers into the chilling depths of Victorian Manchester. A haunting and atmospheric tale, this novel is perfect for fans of Sarah Waters, Carly Reagon, and anyone who enjoys eerie mysteries by candlelight.
Set in 1888, the story follows the weary Dr. Warren Carter as he navigates long, gruelling nightshifts at a hospital cloaked in shadows. When the enigmatic and beautiful young nurse Rosie vanishes without a trace after a late-night drink, the unsettling tone is set. More disappearances follow, and soon, a private investigator is drawn into a web of creeping dread and escalating horror.
Howe masterfully conjures a fog-soaked world where danger flickers just beyond the reach of gaslight. The novel’s strength lies in its brooding atmosphere, tight pacing, and an undercurrent of psychological unease. From the moment Dr. Carter’s carefully ordered world begins to unravel, readers are drawn into a nightmare that feels both timeless and intensely personal.
The writing is richly evocative, and the characters are sharply drawn—each with secrets that deepen the mystery. The blend of supernatural elements with the harsh realism of Victorian medicine creates a visceral contrast that heightens the suspense. The twists are deftly delivered and genuinely surprising, with the final chapters veering into thrilling, pulse-pounding territory.
With glowing praise from readers and reviewers alike, The Soul Thief delivers on every gothic promise: a crumbling setting, spectral threats, and a slow-burn horror that lingers. This is a novel to savour on stormy nights, ideally with a flickering candle and a cup of something strong.
Dark, twisty, and utterly absorbing, The Soul Thief is Victorian horror at its finest.
⭐️⭐️⭐️⭐️⭐️
Review ofBleeding Fabulousby Mark Ward –
Bleeding Fabulous: The Life of a Haemosexual is a powerful and unapologetically bold memoir by Mark Ward—a man whose life defies the odds, the stigma, and the silence surrounding one of the darkest chapters in UK medical history. With extraordinary candour, wit, and resilience, Ward recounts his journey from an ordinary boy in Letchworth to becoming the world’s first LGBTQ+ Ambassador for Haemophilia.
Infected with blood-borne viruses through contaminated NHS blood products, Ward faced not one, but multiple death sentences. Yet, as he puts it, “Faced daily with my own mortality, I chose to live fabulously.” And live fabulously he does—feather boas and all—delivering a narrative that is as heartbreaking as it is uplifting.
Far more than a personal story, Bleeding Fabulous is a searing indictment of the Infected Blood Scandal, a tragedy that devastated thousands. Ward’s role in campaigning for justice, including his instrumental work toward securing the long-awaited public inquiry, demonstrates his tireless courage and commitment to others affected by bleeding disorders, regardless of their sexuality.
What sets this memoir apart is its fearless humour, warmth, and emotional honesty. Ward invites readers into the rawest parts of his life, without ever losing his sense of style or spirit. His writing is elegant, often funny, and always deeply human. With a foreword by Sam Stein KC and praise from leading legal and medical voices, this memoir is both a personal triumph and a vital historical record.
Bleeding Fabulous is, quite simply, remarkable—a testimony to survival, to living boldly, and to fighting for truth and dignity in the face of systemic injustice.
⭐️⭐️⭐️⭐️⭐️ A beautifully written, fiercely important, and undeniably fabulous read.
Dr Anna Kennedy with the legendary John Lee Bird Gallery owner Marcus Jake .
In a city as vast and ever-evolving as London, it’s becoming increasingly rare to stumble upon a space that immediately feels like you’ve entered somewhere truly special. Tucked away on the Greenwich Peninsula, just a stone’s throw from the O2 Arena, The Firepit Gallery isn’t just another art venue — it’s a living, breathing community. The moment you step inside, you are immersed in a kaleidoscope of colour, creativity, and character. It feels like a sanctuary, a hive of inspiration and warmth, especially for those with an eye for flair, originality, and a desire for genuine connection.
Recently, Firepit Gallery played host to the closing night of The Autism & Art Show, a vibrant and inclusive celebration of neurodiverse talent. The event brought together an eclectic mix of artists and creatives, showcasing a dynamic range of work that broke boundaries and challenged perceptions. On hand to mark the occasion were some of the most exciting and diverse voices in the art world. Spanish-born street artist Piluca, known for her bold murals and graffiti-inspired work, joined celebrated photographer and artist Annemarie Bickerton. Also exhibiting was Alistair Blaster Artz, whose bold, futuristic pieces drew crowds.
Dt Anna Kennedy OBE with the acting royalty Vicki Michelle
The legendary John Lee Bird made a much-anticipated appearance, arriving just in time to greet Dr. Anna Kennedy OBE, a champion of autism awareness and inclusion. It’s moments like these — the spontaneous meetings, the shared laughs, the applause and admiration — that make the Firepit feel like much more than just a gallery. It’s a place where emerging and established talents mingle with activists, celebrities, and visitors from all walks of life. A kind of creative salon, echoing the golden age of artistic gatherings in Paris and London, where art wasn’t just displayed — it was lived.
Firepit is a home for Annemarie Bickerton celebrity photographer and artist .
I once described The Firepit as “the Willy Wonka of the art world,” and the comparison still holds true. There’s a sense of wonder in every corner, from the ever-changing exhibitions to the vibrant murals, installations, and sculptures that inhabit the space. It’s a gallery, yes, but also a home — one with a full-stocked bar, laughter in the air, and a real sense of belonging. It feels like stepping into a dreamscape where the lines between artist, viewer, and friend gently blur.
At the heart of it all is Marcus Jake, the visionary behind The Firepit Gallery. Marcus isn’t just the founder — he’s the soul of the place. Equal parts curator, host, mentor, and mischief-maker, Marcus has created something rare: a truly inclusive, vibrant, and welcoming environment where everyone feels seen. Whether you’re a collector, a curious wanderer, or someone simply seeking a safe and inspiring space, Marcus will greet you with open arms and infectious enthusiasm.
Gallery owner Marcus Jake
His vision for Firepit goes far beyond traditional art world boundaries. The gallery regularly hosts workshops, talks, performances, and community events. It’s a beacon of light for the LGBTQ+ community, a space where self-expression isn’t just accepted — it’s celebrated. From drag evenings to life-drawing classes, from vinyl DJ nights to panel discussions about mental health and inclusion, Firepit’s calendar is as diverse and electric as its art.
One of the gallery’s standout features is its monthly wine-tasting and dinner evenings. These events are less about formality and more about connection. Attendees gather around a long communal table, sampling wines and sharing stories while surrounded by stunning artwork. The conversations flow freely, from art and culture to politics, identity, and everything in between. These evenings have become a cherished ritual for many — a time to pause, reflect, and feel part of something bigger.
There’s also something very special about the way the gallery bridges the gap between high art and community. Too often, galleries can feel cold or elitist, but Firepit is the opposite. Here, art is accessible, emotional, and rooted in lived experience. Visitors are encouraged to talk to the artists, share their responses, and engage with the work on a personal level. Whether you’re buying your first print or attending your tenth show, you’re treated as part of the Firepit family.
The gallery’s physical space mirrors this ethos. With its industrial-chic aesthetic, vivid lighting, and rotating displays, it feels ever-changing yet instantly familiar. The bar is often the social centre of the room, where Marcus and his team are on hand not only to pour drinks but also to engage in meaningful conversation. There’s a nostalgia to the place — a reminder of the old salons and cabarets of Paris and Soho, where people came not just for the art, but for the dialogue, the inspiration, and the community.
Hanging out at The Firepitt with artists and friends
As London changes and gentrification continues to reshape its cultural spaces, The Firepit stands as a powerful counterpoint — fiercely independent, passionately inclusive, and gloriously vibrant. It’s a place where stories are shared, identities are embraced, and creativity flows freely.
In many ways, The Firepit Gallery is more than just a hidden gem. It’s a movement. A space that proves that art still has the power to unite, to challenge, and to heal. Whether you’re attending an exhibition, joining a wine tasting, participating in a workshop, or simply popping in for a chat, you leave feeling uplifted, seen, and inspired.
And perhaps that’s the greatest magic of all — not just what you find at The Firepit, but what it awakens in you.
So next time you find yourself near the O2, take a detour. Step into this creative haven where art, community, and a touch of magic collide. You may just discover your new favourite place in London.
The Firepit Gallery No.2, Upper Riverside 10 Cutter Ln, Ground Floor Unit Greenwich Peninsula London SE10 0XX 📧 info@firepit.art 🌐 www.firepit.art
There is no doubt that What It Feels Like for a Girl is one of the bravest, boldest, and most emotionally charged dramas the BBC has aired in recent memory. Dark, funny, and deeply moving, it doesn’t pull punches — and nor should it. In today’s climate, where LGBTQ+ rights are often politicised and marginalised, this series dares to dig into the raw truth of what it can feel like to grow up queer, different, and determined in an often hostile world.
At the heart of the drama is Byron — a teenager who doesn’t so much come out as leap flamboyantly out of the closet in heels and an acrylic wig. It’s a bold characterisation, and one that instantly divides viewers between admiration and concern. Byron is played with remarkable energy and vulnerability by the talented Elis Howard, whose performance captures both the sass and sadness behind a young person trying to define themselves on their own terms. Byron is no victim — he’s fierce, intelligent, witty — but the world he moves through doesn’t always treat him with the same kindness or understanding.
The series is packed with dynamic performances, but none more compelling than Jake Dunn as the chilling and unpredictable Liam. Liam is, quite frankly, terrifying — a young man full of rage, confusion, and violence, embodying a dangerous masculinity that feels all too familiar. Dunn’s performance is nothing short of remarkable, tapping into a deep well of menace and vulnerability. It would not be surprising to see this role lead to awards recognition — it’s a BAFTA-worthy turn from a young actor in complete control of his craft.
Jake Dunn as Liam has to be up for BAFTA
Just as striking is Michael Socha as Byron’s dad, Steve. Socha — one of the UK’s brightest acting talents, known for his powerful work in Big Boys Don’t Cry — brings incredible depth and complexity to a role that could easily have slipped into cliché. Steve is a working-class father trying to love and protect his child while also wrestling with his own fears, prejudices, and sense of masculinity. He isn’t perfect, but he tries — and that attempt, that effort to understand, is what gives the performance its emotional weight. Socha makes Steve both gruff and tender, occasionally heartbreaking, and always utterly human.
The supporting cast is also excellent, rounding out a story that never feels one-note. Each character serves as a window into different facets of LGBTQ+ identity, family dynamics, and the brutal realities of adolescence. The script, while occasionally unflinching in its language and choices, never feels exploitative. Instead, it invites the viewer to sit in discomfort, to examine their assumptions, and to witness the daily negotiations and dangers that queer teens may face.
However, it would be dishonest to pretend the series is perfect — or without controversy.
In a time where LGBTQ+ and particularly trans communities are under increasing attack — in the media, in politics, and in public life — there is a growing call for stories that offer more balance, more hope, and more variation. While What It Feels Like for a Girl is undeniably powerful, it risks reinforcing some deeply damaging tropes. The depiction of young gay men becoming involved in sex work or aggressively pursuing unavailable straight men plays into harmful stereotypes that many activists and members of the LGBTQ+ community have spent decades working to dismantle.
There is a danger that a show like this, no matter how well-crafted, could be misinterpreted by those looking for ammunition to further vilify queer lives. It’s a delicate balance — representing the reality of some without suggesting it’s the reality for all. And in this case, that balance feels slightly off. Yes, some young people do struggle in these ways. But others do not. Some grow up in supportive families, thrive at school, fall in love safely, and live joyfully. Those stories matter too.
In many ways, this series is a reminder of the importance of representation — and the challenges that come with it. Authentic queer storytelling is vital, but so is diversity within that storytelling. Not every queer teen is a tragedy, and not every narrative needs to be soaked in trauma. What we need now, more than ever, is nuance. The right to be messy, yes — but also the right to be happy.
Despite these concerns, What It Feels Like for a Girl remains compelling, necessary viewing. The direction is confident and unflinching, the writing brutally honest, and the performances — particularly from Dunn, Howard, and Socha — are unforgettable. The series asks difficult questions and offers no easy answers. And perhaps that is its greatest strength.
This isn’t a show that ties everything up in a bow or gives us a neat resolution. It leaves viewers unsettled, maybe even angry. But it also invites conversation. It asks us to sit in the discomfort of the truth and to consider how we might do better — as parents, as friends, as a society.
In the end, What It Feels Like for a Girl doesn’t pretend to speak for everyone. It tells one version of the truth — raw, messy, painful, and defiant. It may not be the perfect flag-bearer for LGBTQ+ representation, but it doesn’t need to be. What it does do is open the door. It gets us talking. It reminds us that behind every label is a life — complicated, beautiful, and worthy of understanding.
With his hotly anticipated new novel The Hacking on the horizon, author Steven Smith is showing no signs of slowing down. Always one to surprise, he’s taken an exciting detour into chilling new territory with his latest work — a darkly gripping short story titled Killer Queen. The tale features in the spine-tingling anthology Criminal Pursuits, edited by award-winning writer Samantha Lee Howe and created in support of the Pink Ribbon breast cancer charity.
Marking his first foray into the horror genre, Killer Queen promises suspense, social commentary, and a twist of the macabre. And if the glowing early reviews are anything to go by, this debut dip into horror certainly won’t be his last.
In this exclusive feature, 2Shades’ very own Queen of Conversations, Adishri Chengapa, sits down with Steven to talk twisted tales, creative risks, mental health, and what really scares him — beyond the page.
Adishri:Steven, what is Killer Queen about — without giving too much away?
Steven: In a nutshell, it’s a horror story, yes — but also a reflection on society and the illusionary nature of fame and show business. We live in a time where, if The Emperor’s New Clothes were written today, the boy shouting, “He’s naked!” would probably be sued or cancelled. The victims in Killer Queen see only what they want to see — and that’s ultimately their downfall.
Adishri:How did you get involved with Criminal Pursuits?
Steven: I was chatting with my great friend, Samantha Lee Howe — who is, quite frankly, the queen of horror stories — and she mentioned this anthology she was curating in support of the Pink Ribbon breast cancer charity. As soon as I heard about it, I jumped at the chance to be involved. I’d had the idea for Killer Queen bubbling in the back of my mind for a while, and Sam, as both an editor and an author, is incredibly encouraging. Once I got started, the hard part was actually keeping it short!
Adishri:Your first book, Powder Boy, was quite the shocker. Do people see you differently now?
Steven: People often ask me that. Powder Boy was about a womanising, coke-dealing charmer. Honestly, maybe because I’m a gay man, some people assumed I couldn’t have written it — particularly because it features a lot of heterosexual erotica. That’s almost insulting. One of my strengths as a writer is observing and listening. Many of my male friends are what they call straight, and I don’t find it difficult to see things from their perspective. Most of the “conquests” in Powder Boy are based on real stories I’ve been told! If people see me in a different light because of it, so be it. If they genuinely think I am that character — then they’re probably not the kind of people I need in my life anyway.
Steven: Always. I was writing little plays and short stories from a very young age. I’m slightly dyslexic, but no one really noticed. I have an O-level in English Literature and Oral English — but I failed English Language. I was labelled “careless” and “stupid,” and that kind of trauma kept me away from writing for years. In today’s world, the way I was treated to help with things like homework would probably be considered abusive.
I respond best to encouragement — being lifted up, not torn down. It was journalist Jane Moore who changed my life. She asked me to write a column, and I tried every excuse to get out of it, but she wouldn’t take no for an answer. Thanks to predictive text and writing tools, being dyslexic isn’t the barrier it once was. Jane gave me the push I needed, and it turns out I had a flair for writing and interviewing. Helen Galley, a brilliant teacher of journalism, taught me the technical side of freelance writing — and I’ve never looked back.
Adishri:You write often about mental health. Do you feel men are opening up more about how they feel?
Steven: Not enough. Society still expects men to be these stoic John Wayne types — never showing emotion, never being vulnerable. That attitude is changing slowly, but there’s still a long way to go. We need to teach kids from an early age that it’s okay not to be okay — and also equip them with the tools to cope with real life, including bullying and rejection. Especially if you’re creative or different in any way, you’re going to stand out — and be a target
“Big boys don’t cry” is one of the most harmful phrases ever invented. I know someone with severe anxiety who would rather say they had an incurable disease than admit what they were really struggling with. That’s tragic.
Steven: That makes it sound like I’m dying! [laughs] But yes, I’m 64. And sometimes when I look in the mirror, I still see that scared little boy looking back. Regret, to me, is a self-indulgent emotion. I’ve had some amazing experiences and opportunities, but I’ve also endured things that would make most people wonder how I’m still here. I treat them as life lessons. I move on.
Maybe I regret not pursuing certain relationships — a few people made offers I didn’t take up. But overall? I’m lucky to be me.
Steven: My sister Karen read Killer Queen and said it was “smart, dark, and totally captivating.” She’s not one for false praise — she’s very no-nonsense — and she thinks it would make a great full-length book. So that’s something I’m exploring.
I’m also putting the finishing touches on a very personal project — a book about my late partner, titled Annand and Me. And I’ll be launching a podcast later this year.
Quickfire Round
Sushi or steak? Sushi. I don’t eat red meat or pork.
Favourite films? Blade Runner, Breakfast at Tiffany’s, and All About My Mother.
Biggest turn-off? People who think it’s okay to fart in public. Honestly.
If you were mayor for a day? I’d fine people who walk while texting or staring at their phones. And I’d get to work immediately on helping the thousands of homeless people in London and across the UK.
What do you find romantic? I haven’t been on a date in ten years. Even my First Dates date cancelled on me! But to me, romance can be something simple — like walking through a park or sharing lunch with someone you love.
Madonna or Lady Gaga? Madonna — all the way. I know as a gay man I’m supposed to go wild for Kylie’s Padam Padam or Lady Ga Ga’s Abracadabra — but I find them irritating. I like Charlie XCX, but I’m more of a Lou Reed and Bowie fan at heart.
Picture Annemarie Bickerton The brilliant Maggie Oliver pointed this out years ago , She should be made a Dame.,
Please stop using the phrase “Asian grooming gang” when referring to the perpetrators of certain crimes. This terminology is inaccurate, misleading, and deeply harmful. Asia is a vast continent made up of 49 countries, including China, India, Japan, Thailand, and many others. The term “Asian” encompasses a wide and diverse range of ethnicities, cultures, and nationalities. Using such a broad and general label unfairly tarnishes millions of innocent people and communities who have no connection whatsoever to the crimes being discussed.
In fact, 99 percent of the perpetrators in these high-profile grooming cases are groups of men who are almost all of British-Pakistani heritage. It is important to be precise and responsible in the language we use, especially when discussing sensitive topics like criminal behaviour and ethnicity. Referring to them simply as “Asian” is not only factually incorrect but also fuels prejudice and racial stereotyping against a much broader group of people. If we are serious about justice and protecting victims, we must also be committed to accuracy and fairness in how we speak about perpetrators. Let’s challenge harmful generalisations and work towards more honest and respectful conversations.
Is anyone else watching the Sean Combs trial and having mixed feelings about what’s really going on here? On the surface, it’s easy to say he’s a misogynist, a sex addict, and someone with serious control and ego issues. From the evidence and stories that have come out, it seems very likely that he was physically abusive to his partner, and there’s no doubt that he treated women terribly and surrounded himself with yes-people who enabled his behavior. There are, unfortunately, a lot of men in power who behave this way. But the real question is: is he actually guilty of the specific criminal charges being brought against him right now?
What strikes me is the timing and context of these allegations. Many of the so-called “victims” being interviewed attended his parties multiple times — not just once. They were around him, in his world, apparently of their own choice. Then, after his lawsuit with Cassie was suddenly and quietly settled, more people rushed forward. It feels less like a search for justice and more like a feeding frenzy. My guess is that Combs paid Cassie off in hopes of burying the scandal and keeping his chaotic lifestyle — which included drugs, sex parties, and power games — out of the public eye. But ironically, that move seems to have backfired. It may have opened the floodgates for others who saw an opportunity to cash in, whether or not they were truly victims.
Another strange point is how the prosecution is painting every decision he made in the worst possible light. They even suggested that asking children to leave his famous White Party was done to make way for a dark and sinister after-party. But when he said his own children were in bed, it sounded to me like a parent being responsible. Not everything has to be spun into something criminal. Yes, he’s no role model. He’s not boyfriend of the year, or a gentleman by any means, and he clearly has a serious problem with self-control. But does he really deserve to spend life in prison? He is clearly a great dad and son.
To be clear, I’m not defending his past behavior or saying he’s a good man. . But this trial seems to be built on a very shaky foundation. It feels more like a pile-on driven by money, media attention, and opportunism rather than a solid case based on undeniable evidence. It’s also hard not to notice how quickly public opinion can turn — one moment he’s a powerful mogul, and the next he’s being torn to pieces before a verdict has even been reached.
There’s a lot about this case that doesn’t sit right with me. It’s messy, full of contradictions, and seems more about dollars than truth. If he’s truly guilty of a crime, then justice should absolutely be served. But right now, it feels like the court of public opinion is doing more talking than the actual courtroom.
Do not be fooled by the smiling face .
In a very clever PR move, the Reform Party has put Sarah Pochin forward as a candidate in Runcorn and Helsby, and she won by just six votes from Labour. Sarah is attractive, clean-cut, and comes across as wonderfully composed.
Runcorn is an area with ongoing issues surrounding immigration, and many locals are uneasy. But let’s not forget the real face of Reform in its female form: Ann Widdecombe. She may have called it right on the Meghan Markle saga long before our brief national love affair with her was over, but let’s not pretend she represents progress. Widdecombe is staunchly anti-LGBT, deeply religious, and belongs more in The Handmaid’s Tale than modern British politics.
Reform UK boldly claims it will “sort out the migrant crisis.” Will they?
Let’s be honest—none, and I mean none, of the main political parties have come up with one sensible idea about how to handle the Channel crossings. From deporting so-called illegals to Rwanda (at huge cost to the taxpayer), to the absurd idea of sending the army to patrol beaches—none of it amounts to a workable plan.
Some might suggest, sarcastically, stationing the army on the coast to shoot migrants as they arrive. Or even going full medieval—beheading them and putting their heads on poles as a warning. That would surely deter others, right?
Of course not. We do not live in the Dark Ages.
But look around the world. In places like Singapore, simply overstaying your visa can get you locked up and caned. Unsurprisingly, they have very little trouble with illegal immigration. In Denmark, the government banned the burka, denied benefits to migrants who fail to integrate, and charged newcomers for public services. The result? A sharp drop in new arrivals.
To be clear, I’m not suggesting we copy Singapore or Denmark. My point is this: where is the clear, practical plan from any UK party? Even listening to Ann Widdecombe, all we hear is bluster—Reform will “sort it out”—but with no explanation of how.
The truth is, we need immigration. Not just highly educated professionals, but hard-working labourers too. After Brexit, I listened to developers across the country who were stuck because their brilliant, dedicated Eastern European workers had gone home. Let’s welcome those people back. But if they commit a crime—out they go.
At its core, this is not just a British problem. The real issue lies in the countries people are fleeing. Until we help fix the root causes—war, poverty, corruption—the tap won’t turn off.
Reform UK won’t stop immigration. What they will do is damage the rights of LGBTQ people and harm the arts and culture sectors in this country.
So don’t be fooled by Sarah’s smiling face. Remember her friend Ann—she is the real face of Reform UK.
My dream job.
I can. not wait for The Autism and Art show my this week.
A true gay icon blows into town this October with her one-woman show. No, I’m not talking about Madonna — this icon of the stage won’t charge you hundreds to see her and will be on time. Frances Barber will be reviving her role as Billie Trix, the washed-up, drug-taking pop star who will have you howling with laughter. Steven Smith chats with Frances ahead of the show.
You appeared in ‘Closer to Heaven’ at the Arts Theatre in 2001, written by Jonathan Harvey with music by the Pet Shop Boys. It’s said that ‘MUSIK’ was written especially for you. How did you get together, and what makes the collaboration work so well?
It seems like yesterday that Closer to Heaven opened to savage reviews. It was ahead of its time — the critics just didn’t know what to make of it. Most of them had no idea about clubs like Heaven or the gay scene and drug culture. But one thing they did take to was Billie Trix, the washed-up, drug-taking German singer I was lucky enough to play.
Jonathan Harvey is a brilliant writer, and the Pet Shop Boys’ music is superb. It’s been 19 years since the show opened and we’ve remained friends. One night at dinner we just said, “We have to do it.” We’re all passionate about what we do, so it works well.
I was lucky enough to see ‘MUSIK’ the first time around — it was simply genius! What were your musical influences growing up, and what about now?
Well, you might be surprised by how eclectic my taste is. Being one of six children, I had diverse music coming at me from all angles. My older siblings were into Eric Clapton, Cream and The Beatles, while Mum and Dad liked Sinatra and Shirley Bassey. My mum would’ve been bowled over if she’d seen me at her 80th birthday!
For me, Northern Soul, Punk, and David Bowie’s Aladdin Sane were huge influences.
If you had actually met Andy Warhol, what two questions would you have asked him?
Oh gosh! First, how did he come up with the idea for the Campbell’s soup images? Was he under the weather, opened a tin, and thought, “Here’s an idea”?
And second, the obsession he seemed to have with Marilyn — the four images he created: victim, survivor, manipulator, glamour. I’ve always wondered what he really thought of her.
Your character in ‘MUSIK’, Billie Trix, transitions from music to art. If you could spend one day at any gallery in the world, where would it be? Whose artwork do you find most inspiring?
To be straight with you, I’m not an art connoisseur myself. I just know what I like, and I enjoy going to galleries and looking at art. The Rijksmuseum in Amsterdam is one of my favourites — the lighting there is beautiful, and The Night Watch is so powerful.
Peter Greenaway brings art to his films in so many ways, but it’s his lighting that’s truly magical. Filming A Zed & Two Noughts was just a beautiful experience.
Billie Trix amusingly appears to inhale half of Peru during the show! Drugs are increasingly prevalent in the UK and LGBTQ+ party community — especially ‘Ket’ and ‘GHB’, which are sadly linked to deaths. Do you think ‘MUSIK’ will spark conversations about drug use or glamorise it? Is there enough public information about these newer drugs?
Look, what people do is none of my business — we’re all grown-ups and live our lives. But yes, this new trend does worry me, especially for young people. I only became aware of chem-sex parties while I was working in LA.
People can do what they like, but when you read that someone has raped over 170 people using one of these popular drugs, you really think: it’s time for more education and awareness.
You’re a gay icon and also a passionate supporter of LGBTQ+ rights. Are you concerned that these rights might be affected by the current political climate, those who voted against gay marriage and LGBTQ+ education in schools without parental consent?
My feeling is that Boris Johnson is more liberal than his predecessors. He has a little crazy streak in him and I don’t think he’ll allow LGBTQ+ rights to be rolled back — at least I hope he won’t. But let’s not forget, there are people in all parties who don’t exactly wave the rainbow flag.
You resigned from the Labour Party and criticised Jeremy Corbyn. Were you surprised by the election results? Would you consider returning under a new leader, and do you see any strong candidates emerging?
I joined the Jewish Labour Movement, so I still have a vote. Like many others, I was expecting a hung parliament — it was a bit of a wake-up call. Lisa Nandy is getting my attention as a potential leader, though.
You appeared alongside Annette Bening, Jamie Bell, Vanessa Redgrave and Julie Walters in Film Stars Don’t Die in Liverpool. Have you ever considered moving to Los Angeles? Do you feel more passionate about film or theatre?
Oh, I’ve done the LA thing! A few years ago, I gave it a go and it was… interesting. I’m glad I waited until later in life — I’m not sure the younger me would’ve coped with it, to be honest. It’s not as exciting as you’d think.
Who would you love to work with that you haven’t yet had the chance to?
There are so many wonderful people I’ve had the pleasure of working with — from Dame Judi Dench to Vanessa Redgrave. But Helen Mirren? She’d be a dream. She’s just superb.
You famously dated legendary director Danny Boyle. Are you in a relationship now?
Oh dear, Danny! It’s wonderful how well he’s done. Yes, we’re still in touch — I called him when he won the Golden Globe to congratulate him. And yes, I am in a relationship. Silence! (laughs) — They’re not in the business, but I’m happy.
Quickfire Round
City or beach break? Oh, beach break.
Your favourite place in London? The Tate Modern — I just love it there.
What film would you take your partner to see? Without a doubt, Some Like It Hot — Jack Lemmon, Tony Curtis, Marilyn Monroe. It’s perfect in so many ways.
Chinese or Japanese food? Japanese.
If you were Mayor for a day, what one thing would you change about London? This won’t make me popular, but I don’t care — get rid of those cycle lanes! They make the roads worse.
The stylish boutique White Coco at 227 Kings Road, SW3 5EJ, was abuzz with excitement on a recent spring evening as sisters Wendy Turner Webster and Anthea Turner celebrated the launch of their enchanting new children’s book, Finding Treasure in Kew Gardens. The glittering event, held in the heart of Chelsea, drew an eclectic crowd of fans, celebrities, and literary enthusiasts to mark the release of the third book in their imaginative series, Underneath The Underground.
Dr Anna Kennedy OBE joins Anthea and Wendy at the launch of their 3rd book ,
This latest title follows the ongoing adventures of two brave and curious mice, inspired by Wendy’s own rescue pets. The charming tale blends fantasy and nature, taking young readers beneath the iconic Kew Gardens to discover hidden worlds and environmental treasures. As with the previous instalments, the story is filled with heart, whimsy, and a deeper message about friendship, courage, and conservation.
Joining the sisters in celebrating this milestone were several notable guests, including Loose Women and I’m a Celebrity… Get Me Out of Here! star Jane Moore and actor Gary Webster, best known for his roles in Minder and EastEnders husband to Wendy . Their presence added an extra sparkle to the occasion, and both expressed admiration for the book’s themes and its accessibility for young readers. Jane Moore commented on how refreshing it was to see a story that mixes adventure with an environmental conscience and has a character named after her , while Gary Webster praised the blend of “nostalgia and novelty” in a children’s book series that also appeals to the adults reading along. Dr Anna Kennedy OBE was on hand and thought the books would appeal to children living on the spectrum.
Acting Legend Gary Webster and husband to Wendy was on fine form.
Wendy Turner Webster, known for her animal welfare work and as a former television presenter, spoke warmly about the origins of the book. “I was inspired by my own pet mice and their enormous personalities,” she said. “We wanted to create a world where the tiniest creatures are the biggest heroes. Finding Treasure in Kew Gardens is all about reminding children that magic and meaning often lie just beneath the surface—literally!”
Anthea Turner, TV presenter and lifestyle author, brought her usual charm and enthusiasm to the event. She shared how the sisterly bond has strengthened through the writing process. “Working with Wendy has been such a joy. We both bring different energies to the project, and I think that’s reflected in the depth of the story. Kew Gardens is a special place for both of us, and we wanted to celebrate its wonder while also encouraging a sense of adventure in our young readers.”
2Shades Steven Smith Joins Wendy Turner to celebrate the book launch ,
The boutique setting of White Coco was an inspired choice for the event. Known for its chic, curated collections and warm atmosphere, the store transformed into a literary lounge for the evening,
The Underneath The Underground series has already gained a loyal following, praised for its creativity and ecological awareness. Each book takes readers to a different iconic location beneath London, where talking animals, hidden societies, and thrilling quests unfold. The series subtly promotes values of kindness, courage, and respect for the environment—lessons seamlessly woven into exciting plots that keep children (and their parents) turning the pages.
Matt Goss with Anthea Turner and Lee Murray
The launch concluded with a book signing session, where both Wendy and Anthea took time to engage with readers and young fans, many of whom were keen to talk about their favourite animals and adventures. There was a shared sense of nostalgia among the adults present too, especially those who remember the Turners from their many appearances on British television over the decades.
Finding Treasure in Kew Gardens is now available on Amazon and in selected bookstores. As the third book in a growing series, it promises even more excitement for young adventurers. Wendy hinted that the next instalment may take readers beneath another iconic London landmark, though she remained tight-lipped about exactly where. “Let’s just say,” she smiled, “the mice are not done exploring yet.”
New Romantic King Rusty Egan with girl friend Georgina Ballie
For now, fans can delight in this latest chapter—a story that blends family, fantasy, and flora in one beautifully illustrated package. The Turners have struck gold once again—this time, underneath the green wonders of Kew Gardens.
“For people on the autism spectrum, art is a powerful medium that encourages self-expression.”
Anna Kennedy Online, in collaboration with the Firepit Art Gallery , is proud to present the first-ever “Autism & Art Show. “This exciting event showcases incredible artwork from autistic artists and their allies, with all profits supporting the charity Anna Kennedy Online. Art is more than just a passion—it serves as a therapeutic outlet, offering solace and joy to many individuals on the autism spectrum. With great enthusiasm, Anna Kennedy OBE, charity patron Steven Smith, and Firepit Art Gallery founder Markus Jake invite you to celebrate and support these talented artists. Ar) Event Location: Firepit Art Gallery CIC Firepit Gallery No.2, Upper Riverside, 10 Cutter Ln, Ground Floor Unit, Greenwich Peninsula London SE10 0XX Learn More & Support the Charity
jacket not for sale Aladdin Sane £200.
The Autism & Art Show — 22nd May 2025
Join us for a celebration of creativity, resilience, and neurodiverse voices at The Autism & Art Show, showcasing a rich tapestry of work by autistic artists from across the UK. Each participant brings a unique story and style, making this event a powerful tribute to the talents of individuals on the spectrum.
Featured Artists
Angelo Kennedy
Angelo, 32, is autistic and lives with significant sensory processing disorder. On display is a vibrant painting of sunflowers he created at just 10 years old. Angelo enjoys cooking, bowling, and continues to work hard on his independent living skills. His brother, Patrick, is also on the spectrum and works at Pinewood Studios.
£500 pounds by Angelo Kennedy for offers contact spman@btinternet 07969016222
Lana Mitchell
Lana, who lives with autism, once feared unfamiliar environments. In 2024, she began volunteering at Shelter Crystal Palace, where her uniqueness was embraced and her creativity blossomed. She now designs themed window displays and, to celebrate her one-year anniversary, created a striking punk-style denim jacket.
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Collette Sherriffs
Collette, 47, from Kincardine, Scotland, has loved art since childhood. Despite working hard to earn a place at art school, her dreams were crushed when her mother told her she was “too stupid” to succeed. Heartbroken, she gave up art—until recently. One of the pieces on display is from her original portfolio, which her mother once threw away but was fortunately saved. Now a devoted mum of two, Collette champions her children’s creativity with pride and encouragement.
Offers over £250 inbox spman@btinternet.com
Niall Guite
Niall, 30, is an artist with autism, an intellectual disability, dyspraxia, and dyslexia. He gained international acclaim after raising funds for Special Olympics GB by selling his iconic stadium drawings. Niall has exhibited at the Royal Academy Summer Exhibition, delivered a TED Talk, and received an Honorary Doctorate from Sheffield Hallam University for his work promoting inclusion through art.
A collector piece offers over £250 inbox spman@btinternet.com
Piluca Artist
Piluca: Artist. Muralist. Fashion Visionary. Street Art Queen. Born in Madrid and ignited by Brixton’s wild heart, Piluca is a published illustrator, muralist, fashion designer, and founder of I Am Here 2 Play, launching this May at Hypezeus, London. Her vibrant murals and street art light up London’s iconic venues, turning the city into an open-air gallery. A WinTrade Awards finalist, she moves effortlessly across fine art, fashion, and branding with fearless, raw style. Piluca’s creative impact extends deep into communities—leading workshops, festivals, and campaigns with purpose. From fashion to neuroscience illustration, her work defies boundaries—and London proudly wears her name.
Offers above £350
Chris Wild
Chris is an author, artist, actor, care home consultant, government advisor, youth advocate, and charity patron. A passionate voice for young people in care, Chris’s first book, Damaged, shares his personal story. His second, The State of It, challenges the systemic failures affecting vulnerable youth. Through art and writing, he continues to inspire change and awareness.
Chris Wild painting offers over £500
Artism by Jake
Jake, 20, finds joy in painting. As a young man on the autism spectrum, his artwork offers a distinct and captivating perspective. All profits from his prints are donated to charitable causes.
Offers over £150
Heidi Simm
At 17, Heidi is the creative mind behind Disco City, a fusion of Disney characters and her own original creations. With a strong, determined spirit, she uses her art to express herself, manage her mental health, and explore new techniques. Her inquisitive nature and unique imagination make her work stand out.
Fabulous fun £250 please inbox me at spman@btinternet.com
Dr. Ian Hale
Based in Bristol, Dr. Ian Hale is an author, poet, autism specialist, and certified Master of Photography. His book, Asperger’s, Autism and You: Is the Epidemic Real and Are Vaccines the Cause?, blends personal insight with clinical research. Ian, who is autistic himself, shares his journey through media, public speaking, and art. His photography — praised by brands like Chanel and Vogue — offers a profound glimpse into his neurodiverse worldview.
Offers over £200 please .
Loveartpix (Dez)
Loveartpix , a self-taught AudHD (Autism + ADHD) artist from Manchester, uses creativity as a vital outlet for mental health and self-expression. Diagnosed with Bipolar Disorder, Autism, and ADHD, he began his art journey in 2018 as therapy. His vibrant work often reflects the spirit of Manchester and the experiences of neurodivergence.
Loveartpix with the wonderful art he will be showing offers over £1000 please .
Annemarie Bickerton
With over 30 years in photography and art, Annemarie specializes in editorial portraiture. As digital photography evolved, she pivoted toward headshot work, applying her skills to editorial, corporate, and artistic projects. Annemarie is also a proud mum to Sam, who lives with autism, and continues to champion neurodiverse creativity in all its forms.
£500 by Annemarie Bickerton
Sam Bickerton
Sam, diagnosed with ASD and dyslexia, demonstrates resilience in the face of social and emotional challenges. From early Lego builds to his love for origami, mask-making, and boxing, Sam’s creativity offers a safe space for self-expression and calm. His journey is one of strength and self-discovery through art.
an example of Sam work the will be. bigger one on the night offers from £150 message me spman@btinternet.com
Jenny Robinson
Jenny is a self-taught digital artist and graphic designer with a love for Freddie Mercury. Her standout piece is a digital portrait of Freddie in a custom outfit inspired by the I Want to Break Free video. Although not included in her solo exhibition, Jenny has pledged to donate 100% of the sale proceeds to the Anna Kennedy charity. Diagnosed with autism a year ago, she now explores digital art as a core part of her creative identity.
Jenny Robinson £250 inbox spman@btinternet.com
Marcus Mason-Williams
Marcus is a multi-talented autistic artist and entrepreneur. As a founding member of The Lilac Review — a government-backed campaign spotlighting disabled-led businesses — Marcus uses his business, CoolArt2021, to share wildlife-inspired storytelling and merchandise. “Art and performing set me free,” he says. “Through my stories and performances, I connect with others and the world around me.”
Offers over £250 message Steven Smith 079069106222
AlastairBlasterArtz
Alastair McEwen, also known as BlasterArtz, is a full-time carer for both his disabled parent and autistic son. Through art, he finds a way to manage emotions, connect with loved ones, and reflect on mental health. His heartfelt piece Blanky, created with friend and writer Steven Smith, has moved many and embodies the power of art as a lifeline.
BLANKY offers over £200
Eddie Wells
Eddie grew up in East London, navigating life with undiagnosed ADHD and dyslexia. Creativity was his refuge. Following his father’s death in 2013, he realized that art wasn’t just an outlet — it was his salvation. His work reflects the inner world of someone living on the spectrum and overcoming silent battles through creative expression.
Offers over £2000. e-mail spman@btinternet.com
Shayla Curtis
At just 18, Shayla is already a passionate advocate for children with autism and complex needs. Diagnosed with autism herself, she struggled in most subjects at school — except for art. Encouraged by a supportive GCSE teacher, Shayla flourished creatively and now uses her skills to design activities that help young people express themselves, build confidence, and develop life skills.
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Tally Nothey
This piece is deeply personal. As the mother of an autistic child, Tally has faced days that felt overwhelmingly heavy—marked by worry, exhaustion, and the deep ache of feeling misunderstood. Yet, through every challenge, it has been the support of close friends that has carried her forward. Each woman represented in this work symbolizes someone who has stood beside her, held space for her fears, celebrated the smallest victories, and reminded her of her own strength when she struggled to find it.
This image reflects that journey. It acknowledges that while friendship may not solve everything, it makes the burdens easier to bear. Together, they have cried, laughed, and lifted one another—and because of them, she never walks alone.
work in progress £500 .
Darren Chapman – Actor & Artist
Darren Charman – Visual Artist & Storyteller
Darren Charman is a British visual artist and actor, originally from Hastings in Sussex. His creative journey began in the world of performance, training in the Meisner technique at The Actors Temple in London, where he developed a deep sensitivity to emotion, narrative, and human expression—qualities that now echo powerfully through his artwork.
Drawing on his background in character-driven storytelling, Darren’s art is bold, imaginative, and often laced with wit. Each piece invites viewers into a world that balances humour with poignancy, reflecting the layered perspectives of someone equally at home on a stage or behind a canvas.
Darren has received recognition for his work in comedy film, winning two DAFTA awards for The Fetishman (The Irishman Parody) and Living Dead (Living Parody). These accolades underscore his instinctive grasp of character, timing, and satire—all of which now inform his artistic practice.
Stunning bracelets by Darren £100 or above .
Gemma Lees is a Romany Gypsy, disabled and autistic fine art installationist, performance poet, comedian, facilitator and journalist from Bury. Her practise focuses on protest, advocacy, inclusion and telling the stories that no one else is.
Last year she worked with: Arts and Homelessness International, Traveller’s Times, Headteacher Update, SEN Magazine, ACERT, Queer Britain, Turnpike, Cartwheel Arts, BBC Radio Manchester, Triple C, Warwickshire Libraries, CultureDale, WOW Fest, Factory International, CIJ and CRIPtic.
A qualified post-compulsory teacher, she is a passionate advocate for GTRSB and neurodiverse inclusion in schools and wider education.
Sadie King is a 16-year-old student currently studying for her GCSEs. She has a strong passion for character design and storytelling. Sadie hopes to build a career in creating her own animated series. Her work often explores original concepts and imaginative worlds. She is eager to share more of her art and ideas with others. Sadie welcomes feedback and is open to showing additional work
Offers over £200
John Lee Bird is a multi-disciplinary artist known for his global exhibitions of paintings, collages, and sculptural work. His DOLLS project features over 2,000 hand-sewn textile sculptures celebrating idols, friends, and queer culture. Inspired by film, drag, cult TV, and music, each 13-inch doll is crafted from felt, beads, buttons, and embellishments. The project began during lockdown as a therapeutic return to textiles, starting with 69 David Bowie dolls. It has since grown into a rich portrait series spanning pop culture icons and personal heroes. John’s work is driven by obsession, emotion, and a deep love of music and storytelling. He also creates sound and film, collaborating with artists such as Simon Fisher Turner and Xiu Xiu. John co-runs the queer club night KNICKERS with musician Jemma Freeman.
Posters £25
PATRICK STEELE-BODGER Patrick calls himself a “Media Wikipedia” and “the Sheldon of Media” – a nod to his incredible recall of screen and sound. From a young age, he’s expressed himself through TV, film, books and comics. He recreates the tiniest details, from split-second sound effects to hidden cameos. Patrick loves drawing characters, writing fan fiction, and exploring music from Louis Armstrong to Daft Punk. As the in-house artist for Meet The Pods, now becoming a toy range, his creativity shines. He also designs bespoke greeting cards – and if you ask his favourite word? It’s “EXCELSIOR!”
£100 each
The Autism & Art Show isn’t just an exhibition — it’s a statement. It’s about the strength of neurodivergent minds, the healing power of creativity, and the joy of self-expression. Come and be inspired by these extraordinary artists.
The story of BLANKY .
SOLD OUT.
Blanky
Art Alastair Blaster words Steven Smith
“We are all born as blank canvases; hate, racism, and a lack of understanding are learned.” How you choose to see the world and create the tapestry of your life is up to you. Blanky is here to “Make Earth Safe Again.”
In another universe, under a different sun, there was a planet much like Earth called Alacritas. It was a world of lush tropical forests, crystal-clear lakes, and unpolluted seas. The people of Alacritas lived in harmony, where kindness and tolerance were deeply ingrained in their way of life. Their homes were built to exist in perfect balance with nature, and even in their cities, the air remained clean and pure.
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The Alacritans were far more advanced than humans. Meditation and self-healing were essential practices, and their very beings were composed of energy molecules, allowing many to heal themselves from illness. Some possessed extraordinary abilities, such as telepathy and body transformations, harnessing the sun’s rays to bring goodness to their planet and others. While there were occasional exceptions, as the saying goes, “one bad apple”—but that is another story.
You could say it was a utopia—until they arrived.
The people of Olethros came claiming peace, seeking to live in harmony with the Alacritans. But the sun did not welcome them. Almost immediately, it burned their skin a bright orange, making them stand out. Rumours spread that their own planet had been devastated by pollution, war, and slavery.
It soon became clear that the orange ones had not come as friends but as conquerors. They sought to strip Alacritas of its rich minerals, enslave its people, and channel their energy into restoring their own dying world.
The peaceful Alacritans were unprepared for battle. Their civilization, built on unity and respect, was nearly wiped out. Only a few survived—those who could transform or scatter their molecules to avoid detection.
The Olethrans ravaged the planet like ants devouring sugar. Within a year, there was nothing left. In desperation, one Alacritan, Blanky, used his powers to escape. Transforming into pure energy, he fled into the cosmos in search of help. But as he left, Alacritas could take no more. The planet exploded, sending Blanky hurtling off course.
100 Years Later
Planet Earth
London, Waterloo
Patrick was fourteen, tall for his age, and loved playing basketball. From the window of his small ground floor apartment, he watched the other kids on the court, longing to join them. He knew he had the talent to be a star player. But his mother, protective as ever, rarely let him out alone. She feared he would be bullied or misunderstood because of his autism.
One Saturday afternoon, his mother had a friend over and asked them to watch Patrick while she ran errands in Stratford. With their eyes glued to The Real Housewives, they barely noticed Patrick, assuming he was immersed in his video game as usual.
But today was different. Quietly, Patrick put down the controller and crept toward the door. His apartment, on the ground floor, was only 200 yards from the basketball court. As he stepped outside, excitement surged through him. The sun’s rays warmed his face as he gently closed the door behind him and ran toward the court.
But then—he tripped.
As he hit the ground, something surrounded him, unlike anything he had ever seen. A strange, shifting cloud engulfed his body, sending tingles through his skin. As the mist dispersed, a small figure emerged.
Patrick couldn’t believe his eyes.
Before him stood a tiny being—completely blank, as if made of smooth, featureless clay. It pointed a stubby finger at Patrick’s baseball cap. Amused, Patrick handed it over. The moment the creature touched the fabric, the hat transformed into the same clay-like substance as its body.
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Then, to Patrick’s shock, the small figure spoke.
“I am Blanky. Your planet needs me, or it may suffer the same fate as mine.”
Patrick stared, wide-eyed.
“I need sunlight to regain my strength,” Blanky continued. “With your help, I can transform and protect those who are hated and discriminated against. I have chosen you, Patrick, because you are special. For now, my body is just a canvas. Put me in your pocket, and let’s go play ball.”
Patrick didn’t hesitate. He gently scooped up Blanky and tucked him into the pocket of his jacket.
“I’ll tell you more soon,” Blanky assured him.
Patrick knew he had just made a special friend—one he would have to keep secret for now.
What neither of them realised was that Blanky had maybe arrived years too late.
No One Wins in This High Court Ruling By Steven Smith
This week’s High Court ruling has left many people reeling—disappointed, divided, and more confused than ever. But one thing is clear: no one truly wins in the aftermath of this decision. Whatever legal boundaries were reinforced or redrawn, they’ve done little to offer protection or peace to the people affected most. If anything, the result is further division, and the human cost is growing.
Let’s start with a blunt truth. If there is a god who allows a child to be born with bone cancer—or worse—then perhaps, just perhaps, that same god may have placed a soul in the wrong body. It’s a difficult thought, but one that challenges traditional notions of perfect design and invites empathy over judgment.
In this debate, one group’s rights cannot come at the expense of another’s safety. Women—especially those who’ve suffered trauma at the hands of men—deserve dignity, privacy, and protection in spaces like bathrooms, hospital wards, and shelters. These are not just physical places; they are emotional safe zones, where healing and recovery often begin. To ignore the fear and anxiety many women feel about sharing intimate spaces with anyone who presents as male—even if that person identifies as female—is to ignore real, lived experience. We must listen with compassion, not condescension.
This isn’t a rejection of transgender people. On the contrary, I’ve known incredible trans women since I was a teenager. These are brave, passionate human beings who have committed to a long, often painful journey to live authentically. They undergo extensive psychological evaluations, hormone therapy, and surgery. Some reintegrate into society quietly; others become public figures or advocates. All of them, in my eyes, are women.
Which is why this ruling cuts so deep. Many trans people who have taken every step available to become their true selves now find themselves swept up in a storm of legal and cultural backlash. Instead of being seen as individuals with complex stories, they’re being lumped in with others who have not taken the same path—or who may not even identify as trans in the same way.
Part of the problem is ignorance. When I first heard the term “trans,” my mind went straight to “transvestite” or flamboyant characters like Frank-N-Furter from The Rocky Horror Picture Show. And while I adore a good performance, let’s be clear: wearing a dress and heels doesn’t make someone a woman. There’s a vast difference between performance and identity. A man in a frock might enjoy the expression, the character, even the fantasy—but it doesn’t make him female.
True transition is not about fantasy. It’s about becoming. It involves sacrifice, struggle, and a level of self-awareness many of us never have to face. For those who take that journey, they earn a place in the world as their authentic selves—and they deserve respect, not suspicion.
Children, too, are part of this complex conversation. Some express gender discomfort from a young age. These feelings must be taken seriously—but also approached with caution. Many people I know went through periods of gender confusion in their youth, only to feel secure in their biological identity as adults. Others continued to struggle, and those individuals deserve full support. But irreversible medical decisions should, in most cases, wait until late adolescence, when a person’s sense of self has had more time to develop.
Still, it bears repeating: having a penis does not make someone a woman. That is not a statement of hate—it is a statement of biology. If someone is transitioning, that’s a journey we can honor and support. But biology does matter, especially when it intersects with the rights and safety of others.
What’s heartbreaking is that this ruling, intended perhaps to draw clearer lines, may only deepen misunderstanding. Trans women who have undergone surgery, therapy, and lived experience are now at greater risk of being misjudged, targeted, and excluded. The backlash is likely to hit the wrong people hardest. We risk punishing those who’ve made the most effort to live honestly.
The public discourse on transgender rights is failing everyone. The messaging is chaotic, the tone often cruel, and the nuance lost in a sea of outrage. Education is vital. We need thoughtful, well-informed conversations—conversations that recognize the humanity in everyone involved. The issue of gender identity has been reduced to a political football when it should be a human rights discussion rooted in compassion and science.
One of the most shameful chapters in this saga was when President Donald Trump banned transgender individuals from serving in the military. Anyone willing to risk their life for their country has my full respect, regardless of how they identify. That level of courage transcends gender—it defines character. In my eyes, that’s the truest identity of all: brave.
As society evolves, we must also evolve our understanding of gender. It may be time to acknowledge a third, even fourth category of sex or gender. The binary system doesn’t serve everyone, and clinging to it may be doing more harm than good. The law should reflect the complexity of human experience, not flatten it into rigid boxes.
Ultimately, this ruling doesn’t protect anyone—it creates more confusion, more pain, and more opportunities for discrimination. Women’s safety is still not fully addressed. Transgender individuals are now more vulnerable than ever. And society, caught in the middle, is left with more questions than answers.
No one has truly won this week. But if we learn anything from this moment, let it be this: the path forward must include better laws, deeper understanding, and above all, compassion for every human being trying to live their truth.
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