No smoking guns here as Mob land falls very flat .
Hardy delivers a master class in acting in this mediocre show .
Mob Land undoubtedly cements Tom Hardy as one of the greatest actors of our time. His commanding presence on screen is astounding, delivering a masterclass in acting that is, unfortunately, the only real highlight of Guy Ritchie’s Mob Land.
As a long-time admirer of Ritchie’s work, it’s difficult to understand what he was aiming for with this series . Mob Landbrings nothing particularly new to the table. It feels as though Ritchie watched Gangs of London and thought, “I should have done that.” Ironically, Gangs of London was likely influenced by Ritchie’s own early work, Lock, Stock and Two Smoking Barrels and Snatch—films that helped define the modern British gangster genre. However, Mob Land lacks the freshness, wit, and compelling storytelling that made those earlier films so iconic.
Tom Hardy is the film’s saving grace, but even his powerful performance cannot elevate the series beyond mediocrity. The rest of the star-studded cast delivers disappointingly lackluster performances, making for an underwhelming experience. Pierce Brosnan, despite being Irish, sounds as though he is forcing his accent rather than naturally embodying it. He brings no depth or nuance to his role as Conrad Harrigan, the ruthless patriarch of the crime family, and at times, his attempts to instill fear in his character come across as unintentionally laughable.
Even more disappointing is the legendary Helen Mirren, who plays Maeve Harrigan. Her exaggerated accent seems to have been plucked straight from Father Ted’s Mrs. Doyle, and her chemistry with Brosnan is virtually nonexistent. The two share as much on-screen rapport as Donald Trump and Volodymyr Zelensky—awkward, strained, and completely unconvincing. The rest of the family members are equally miscast, leaving audiences struggling to form any emotional connection with them. Rather than being immersed in their struggles and conflicts, viewers are left wondering if the cast were simply Ritchie’s friends having a casual get-together rather than dedicated actors committed to their roles.
Helen Mirren and Piers Bronson as much chemistry as Trump and Zelensky
Set in the dark underworld of London’s criminal elite, Mob Land follows the Harrigan crime family, once a formidable empire now teetering on the brink of collapse. Conrad Harrigan (Pierce Brosnan), the aging patriarch, is desperate to maintain his grip on the city’s illicit activities while facing threats from younger, more ruthless up-and-comers. His wife, Maeve (Helen Mirren), is the matriarch who attempts to hold the family together through sheer force of will, though her influence is waning.
Their eldest son, Michael Harrigan, is expected to inherit the family business, but his lack of cunning and charisma makes him an unfit successor. Meanwhile, his younger brother, Sean (a brooding but ultimately forgettable presence), wrestles with the moral implications of the life he’s been born into. As internal family tensions rise, external threats loom ever closer.
Not much of as family affair as the cast fail to connect .
Enter Tom Hardy as James “Jimmy” Callahan, a former enforcer for the Harrigans who has spent the past decade trying to escape his violent past. Haunted by his past actions, Jimmy is reluctantly pulled back into the fray when his younger brother, Danny, finds himself in the crosshairs of both the Harrigans and a rival gang. Jimmy’s return sets off a chain of events that pits old loyalties against new betrayals, forcing him to navigate a treacherous landscape where trust is a commodity in short supply.
The series attempts to explore themes of legacy, loyalty, and redemption, but it never quite commits to any of them in a meaningful way. The narrative meanders through predictable plot points, offering nothing particularly innovative or engaging. The action sequences, while well-choreographed, feel like recycled versions of better-executed scenes from Ritchie’s earlier works. Mob Land lacks the sharp dialogue, snappy pacing, and dynamic storytelling that made films like Snatch and The Gentlemen so enjoyable.
Ultimately, Mob Land is a series that suffers from a lack of originality, uninspired performances (aside from Hardy), and a script that fails to live up to its potential. The story is neither gripping nor emotionally resonant, leaving viewers indifferent to the fates of its characters. What you find yourself longing for throughout the series is a return to Hardy’s scenes—because only then does Mob Land show any real spark of life.
In the end, Mob Land feels more like a missed opportunity than a worthy addition to Ritchie’s filmography. Fans of the director’s earlier work will likely walk away disappointed, wondering what could have been if the series had lived up to its promising premise.
Yes, the BRIT Awards can sometimes be a cringe-fest, and let’s be honest—Jack Whitehall is no Ricky Gervais, no matter how hard he tries. But, without a doubt, he’s a far better choice than some of the past hosts. One thing is certain: the BRITs always pack a punch.
Who could forget 1996, when Jarvis Cocker crashed the stage during Michael Jackson’s Earth Song? Jarvis, who was arrested for the stunt, is sadly remembered more for that moment than his music. And Michael? Well… let’s leave that discussion for another time. Then, of course, there was Madonna’s infamous tumble off the stage in 2015—proof that even the Queen of Pop isn’t immune to a high-fashion mishap or falling iff her high horse.( we all love her )
Jarvis Bares him bum at the Britts
But as I settled in to watch the 2025 BRIT Awards, it dawned on me just how much incredible talent we have in this country. How the hell do we not run away with the Eurovision crown every year? It took a Canadian to win last time, though, let’s be honest, the brilliant Sam Ryders was robbed.
This year’s BRITs, however, were a whole new ball game. From start to finish, it was pure magic, and I realized just how out of touch I am with some of today’s hottest artists.
THE HIGHLIGHTS
JACK WHITEHALL—ACTUALLY FUNNY?
Two tea bags or three ? Jack Whitehall does a great job .you almost want to teabag him
Believe it or not, Jack Whitehall was actually hilarious this year. From start to finish, he nailed it. His monkey joke about snorting PG Tips? Priceless. And his parents on the red carpet? Pure comedy gold.
Equally amusing was Danny Dyer’s voice—so artificially butch you’d think he’d accidentally wandered into a gay orgy and slipped on the lube and was trying to convince everyone he was straight.
THE PERFORMANCES
The real magic, though, was in the performances. There wasn’t a single act I watched that didn’t blow me away—and I say that as someone with pretty eclectic taste in music.
The production was simply stunning. Kicking off with Sabrina Carpenter was a bold choice, even if she visually borrowed inspiration of 90% of her act from Madonna (who, let’s not forget, also did the kilted guards routine a while back).
Jade Thirlwall, after winning Best Pop Act, delivered an iconic performance of Angel of My Dreams. Though, who on earth thought turning her into Gemma Collins with a blonde wig was a good idea? It distracted from what was her first solo BRITs performance since stepping away from Little Mix.
Jade gives an iconic performance but ditch the blonde wig .
The undeniable star of the night was Charli XCX. I’ll admit, I only really knew of her because she’s engaged to George Daniel from The 1975 (don’t scream at me), but after doing some homework—wow. What an exciting and uniquely talented artist. Her album BRAT is already shaping up to be legendary. It’s a shame she didn’t perform, but honestly, watching her down espresso martinis, sip bubbly, and cuddle up to a hunk? A girl after my own heart.
An expresso martini and bubbly and a hunk on her arm my kind of gal Charliexcx
THE SHOW-STEALERS
Teddy Swims could wear his old bedding on stage, and I’d still be mesmerised by that voice. #Awesome. The award for humility, however, goes to Myles Smith—definitely one to watch.
Teddy Swims a mesmerising voice .
Stormzy who did not perform Ezra Collective delivered brilliant performance, proving yet again why they’re some of the best musicians out there. But guys, let’s dial down the God talk a bit—unless, of course, He can explain why Trump is still looming over the White House and why the world is in the state it’s in. A simple “ta” would suffice.
Sam Fender? What a Northern powerhouse. Pure talent, down-to-earth, and humble—just what we love to see. The Last Dinner Party also delivered an incredible performance, proving they are a force to be reckoned with.
And last, but certainly not least, a shoutout to the absolutely addictive Lola Young, who performed Messy—a song that will no doubt become an anthem for a generation. I truly cannot wait to see what she does next; she’s got me hooked.
A. Star is born Lola Young we are all addicted to you .
FINAL THOUGHTS
This year’s BRITs were, without a doubt, the best yet. A true celebration of the sheer amount of talent we have in this country. We are incredibly lucky to have these artists pushing the boundaries of music and performance.
Steven’s Viewz and Tales of a Middle-Aged Single Gay Man have found a new home at 2Shades and will continue, alongside our fantastic columnists Dr. Anna Kennedy OBE and counsellor Heidi Gammon.
Here we go with the first Steven’s Viewz of 2025:
The tragic death of Liam Payne .
Stop Looking for Fall Guys in the Tragic Death of Liam Payne The death of someone like Liam Payne is a heartbreaking loss that demands empathy, understanding, and respect for the complexity of life. Rather than searching for a fall guy, it is far more meaningful to reflect on the broader, more nuanced issues that contribute to such a tragedy.
Addiction is an illness that often stems from trauma and other mental health issues. It is particularly prevalent in the entertainment industry and has led to many untimely deaths of stars. The tragic passing of any public figure due to addiction inevitably triggers widespread grief, speculation, and often, finger-pointing. Liam Payne’s death is no exception. While the public mourns, a darker trend emerges—the search for a “fall guy.” A fall guy is typically someone or something blamed for a tragedy, serving as a scapegoat to deflect responsibility from the true complexities of the situation. In Payne’s case, this search for accountability is not only premature but deeply misguided.
Having witnessed it firsthand at some showbiz events, I can attest to the anticipation surrounding the arrival of “Charlie”—code for cocaine. Naturally, it is too risky for the stars themselves to collect the drugs. Instead, minions, restaurant owners, waiters, and assistants are either prepared with supplies or dispatched to fetch them. There was even a well-known hairdresser (who has sadly passed) whose clients eagerly awaited him in Chelsea salons, knowing his dealer would arrive while he styled their hair. When something goes wrong and a star dies, the hunt for the fall guy begins. But ruining other lives won’t solve anything. Yes, involvement with drugs is dangerous, but is the waiter or friend who picks up the drugs truly to blame? Why not the dealer? Should we chase the manufacturer, the source of trauma that led to addiction, or perhaps the manager, agent, or pushy parent? None of this will bring anyone back.
It is essential to remember that the passing of someone like Liam Payne is, above all, a human tragedy. Behind the headlines are family, friends, and millions of fans who loved and admired him. The emotional weight of such an event should not be overshadowed by a rush to assign blame. While the desire for answers is natural, it is equally important to recognize the multifaceted nature of any person’s life and death. No simple explanation can neatly tie together the circumstances leading to such a loss, and the pursuit of a scapegoat often causes more harm than good.
Public figures like Payne live their lives under intense scrutiny. Every aspect of their existence—personal struggles, relationships, professional choices—is dissected by the media and the public. This exposure creates a paradox: it elevates celebrities to mythic status while simultaneously holding them accountable for every misstep. The relentless search for fall guys attempts to rationalize senseless events, but this mindset overlooks a critical point—blaming others won’t heal the pain or bring back the person we’ve lost.
Another issue is society’s tendency to compartmentalize celebrity lives. The public often forgets that stars like Liam Payne are human beings facing their own battles. Fame brings pressure, and the mental health challenges many celebrities endure are often invisible. The expectation to maintain perfection, fit a certain image, and constantly perform can push them into precarious situations that outsiders rarely understand. By seeking fall guys, we overlook the societal and emotional pressures that contribute to their struggles.
Moreover, focusing on blame detracts from vital conversations about mental health, substance abuse, and the need for better support systems. When tragedies like Payne’s occur, the emphasis should shift to understanding the systemic issues at play. Instead of fixating on blame, society must prioritize mental health resources, destigmatize seeking help, and foster environments where individuals—whether public figures or not—feel safe reaching out for support.
Ultimately, the death of someone like Liam Payne is a profound loss that calls for compassion and reflection. Rather than searching for scapegoats, it is far more valuable to address the broader issues contributing to such tragedies. In doing so, we honor the individual’s life and may even help prevent future losses.
Braian Nahuel Paiz guilty of people pleasing .
Let’s not place blame on his friend Braian Nahuel, whose only crime is being a people pleaser—a quality many stars are surrounded by. With time and experience, he will undoubtedly learn and grow.
Right Said Fred: Why we could all worryingly be heading towards an Argentine style government
Do not say you were not warned . A very likely prospect for Prime Minister Nigel Farage.
A shift towards Argentina’s political model could pave the way for Nigel Farage to gain power or, at the very least, co-leadership with the Conservatives.
Two years ago, I wrote about the pendulum effect—the idea that political climates can swing back to right-wing governance if we are not strategic. Unfortunately, we haven’t been. In my opinion, it was inconceivable that Labour could take over and fix the mess left by the Tory government. However, I never imagined that they could actually make things worse.
Argentina’s President Javier Milei has made significant progress in revitalizing his country by implementing bold economic reforms and addressing long-standing issues such as inflation, public debt, and government inefficiency. One of his key achievements has been reducing inflation through stringent monetary policies and fiscal discipline, restoring confidence in the national currency. By cutting unnecessary government spending and promoting privatization in struggling sectors, his administration has stabilized the economy and attracted foreign investment.
Javier Milei
Additionally, Milei’s focus on deregulation has encouraged entrepreneurship and fostered a more competitive market environment, creating jobs and boosting productivity. Infrastructure projects and public-private partnerships have revitalized the transportation and energy sectors, enhancing Argentina’s global competitiveness.
Efforts to renegotiate international debt have eased financial pressures, allowing the government to redirect resources towards social programs, healthcare, and education. This balanced approach has improved living standards for many Argentinians.
By promoting transparency, combating corruption, and streamlining bureaucratic processes, Milei has cultivated a more favorable climate for both domestic and international investors. These initiatives have collectively contributed to renewed economic growth, increased stability, and optimism about Argentina’s future. The country is now better positioned to navigate global challenges and sustain long-term prosperity.
However there is downside Milei’s policies has received criticism for their negative impact on climate change, the arts, and LGBTQ+ rights. His administration’s push for deregulation has led to reduced environmental protections, allowing corporations to exploit natural resources with minimal oversight. This has exacerbated deforestation, pollution, and carbon emissions, hindering Argentina’s climate change commitments.
Moreover, government cuts to cultural programs have significantly affected the arts community, leading to decreased funding for theaters, museums, and public art initiatives. This shift has marginalised artists and weakened Argentina’s rich cultural landscape.
In terms of social policies, Milei’s conservative stance has put LGBTQ+ rights at risk. Efforts to curtail protections and dismiss inclusive education initiatives have fostered a climate of discrimination and intolerance. Advocacy groups warn that these regressive measures could reverse years of progress in equality and representation.
Globally, money is the ultimate deciding factor in politics. As the phrase on the US dollar says, “In God We Trust,” but it often feels like money is what truly holds power. This reality helped Donald Trump secure victory in the US.
If Argentina positives have come at the cost of climate change initiatives and the arts. If the UK follows a similar path, LGBTQ+ rights and other social movements considered “woke” may face increased scrutiny.
I have only met Mr. Farage once, and all I can say is that he has a lovely girlfriend. Now is the time to think outside the box and stop prioritising issues that fail to resonate with mainstream voters. Rome wasn’t built in a day, but it took just one earthquake to bring it down. The right-wing wave approaching could set us back to 1933.
JK Rowling says ‘no child is born in the wrong body’
Harry Potter author insists there are ‘no trans kids,’ only adults believing in an ideology that will ‘wreak more harm than lobotomies.’
If this God fella allowed children to be born with all sorts of conditions, it’s just possible one or two might have been popped into the wrong body, JK.
I do wish JK Rowling would choose a more worthwhile topic to battle. She has every right to express her views, and I respect that.
As for my views on the topic—if a person has undergone two years of therapy and gender reassignment surgery, they should be recognized as their chosen sex.
A man in a nylon wig and skirt is not trans; they are a transvestite and should not have the rights of the opposite sex.
Children should not be forced into rigid categories but allowed to explore who they are. However, no surgeries should take place until the age of 21, when they have fully matured. But that is my view and.
at present we are all allowed it with out hopefully getting hysteical
There is no doubt that “Smoggie Queens” has moments of comedic brilliance. However, the constant bullying by Dickie (played by Phil Dunning, whose drag persona is Tuna Baguette) of the younger queen Stewart ( Elijah Young ) makes for uncomfortable viewing.at times This theme runs throughout the entire series, becoming repetitive and embodying everything we do not want to see in contemporary LGBTQ+ storytelling or comedy .
Having been a young teenager treated similarly by an older gay man when I was simply seeking advice and desperate for acceptance, I could relate to the discomfort the series evokes. I recall being humiliated when the most attractive man at the bar approached me at 16, bypassing my own “Dickie.” Outside, I was punched and accused of making myself look cheap—pure jealousy. Sadly, the gay scene isn’t always the “We Are Family” utopia it’s often portrayed to be. Mean queens are a reality, and most cases, they’re not particularly funny.
Dickie, unfortunately, is where the show falters. Phil Dunning, the writer and creator, fails to bring much depth to the character, leaving him unlikeable. As Dickie’s former boyfriend Harrison aptly states, “I have really tried to love you, but you’re selfish, egotistical prick .” This sentiment defines how Dunning plays Dickie throughout the series, both in and out of drag. While Dunning’s screen presence is undeniable, it’s disappointing that he didn’t explore more dimensions of Dickie’s character. Even in the end, when Dickie shows a glimmer of empathy for his victim, it feels like too little, too late.
Dickie (played by Phil Dunning, whose drag persona is Tuna Baguette)
Where “Smoggie Queens” truly shines is in its brilliant supporting cast. Mark Benton as Mam is nothing short of phenomenal. Channeling the charm of greats like the legendary Marc Fleming, Benton delivers an award-worthy performance that leaves you in stitches from the moment Mam appears. While it would have been easy to play Mam solely for laughs, Benson’s portrayal is a masterclass in combining comedy with humanity, making Mam a character you simply can’t get enough of.
Alexandra Mardell as Lucinda, the ultimate “fag hag” on the lookout for love, teams up with Patsy Lowe as Sal to deliver comedy gold. Their beautifully understated performances result in side-splitting humor that elevates the show.
There are some notable guest appearances: RuPaul’s Drag Race star Michelle Visage plays the office spinster (and who doesn’t love her?). Plus, there’s a brilliant cameo by Steph McGovern. Notably, Michael Hodgson’s Nan is both menacing and camp.
While the series does have its merits, it also reinforces certain stereotypes about the LGBTQ+ community. Instead of challenging these clichés or providing fresh perspectives, “Smoggie Queens” sometimes leans into them, which feels like a missed opportunity in an otherwise promising show.
This is a show that will for sure be recommissioned. It is no “Will and Grace ” or “Gimmie, Gimmie . But it does a firm Mark Benton as comic genius and open the gates to a new talent in Elijah Young .
I’m an American of Anglo-European ancestry. My grandparents came to the U.S. in the 1930s, leaving everything behind to escape what they recognised as the omens of a devastating second world war
Unfortunately, they were correct. But besides having anticipated the coming of WWII, the other thing they did accurately was appreciating the value of volunteer service in their new country
One of my grandfathers engaged in charitable works for children who were affected by the Great Depression (1929-1939). On the other side of the family, my great-grandmother headed a ministry at her church in New York City benefitting members of the congregation, while my grandmother was one of the founding members of the volunteer ambulance corps auxiliary in our town.
Immigrants all, and heedless of any unwelcoming atmosphere, they proved themselves through devotion to others and won the respect and admiration of their communities. Often, they were the only foreigners in groups comprised of people who could trace their American roots to the country’s very foundation.
This was particularly true of the more affluent charity groups, but having lost their fortunes due to the vagaries of war, my ancestors had nothing but their time and their talents to offer.
Nearly a century later, the best tribute I can pay to their memory is to follow their example. For much of my youth and all my adult life, I have been engaged in charitable work in the various communities across the U.S. in which I’ve lived.
From making philanthropic donations to physically helping to build a house, serving on boards of directors or planning fundraising parties, reading stories in Spanish to non-English-speaking children or producing musical dramas with troubled inner-city teens, it has been my pleasure and my honour to work with these groups.
Among my cousins, the tradition of service has also remained strong. One went on to have a career as an official for FEMA (the Federal Emergency Management Agency) and even met with President George W. Bush in the aftermath of the September 11th tragedy.
Being a follower of Vedanta (it’s a long story!), I have come to know many Indian immigrants. I’m infinitely impressed by their kindness, their resourcefulness, and their enthusiasm. I appreciate their ambition and their desire to realize the dream of building a prosperous life in America.
However, I fear they sometimes settle for a superficial definition of success. Granted, everyone wants to enjoy a comfortable lifestyle and be able to afford things like a house, car, and a good education for their children.
But we have a remark in America, to be “keeping up with the Joneses,” meaning one’s striving to compete with those who express themselves through what they buy, not what they are. Furthermore, some Indians who have taken me into their confidence said they endured scorn at the hands of successful fellow immigrants—sometimes even their own relatives—because they drove a non-luxury car, worked at a little-known company, lived in a less-prestigious neighbourhood, or some such criticism.
Meanwhile, these social critics flung themselves headlong into the hamster-wheel of American greed, focusing on little else besides amassing wealth, despite already having achieved a comfortable lifestyle.
I was friends with such a person, and tried explaining that having already achieved a modicum of prosperity, perhaps they could balance their lives with an investment in their community—for example, volunteering two or three hours per month with a worthy charity.
They were not interested. For all their intelligence and business acumen, they failed to see that the simplest of human acts—helping others—was the key they had overlooked to being more widely accepted in society.
Charitable organizations are a wonderful way to make friends in the community, to form personal bonds, and to learn valuable skills. Networking opportunities abound. A connection with a fellow volunteer could be forged within a few weeks which would otherwise take years in the less-informal business world, and such a connection could lead to unforeseen opportunities and support.
Furthermore, the circumstances at present are more favorable than ever for Indians and other immigrants to join boards of directors of nonprofit organizations. Many are actively looking to fill positions and—finally—have begun to realize the importance of diversity.
Individuals without prior board experience are usually very welcome as long as they are willing to learn, and often positions can be obtained simply by contacting the organisation and offering to serve on the board.
It’s also worth noting that board membership can sometimes be arranged even if one does not live or work in the area in which a charity operates; it’s common that board members can serve from anywhere in the country and attend meetings remotely.
America is a large country, and we have a wide variety of challenges. Indians are known for the strength of their devotion. I would encourage anyone interested in volunteering to ask themselves which condition or situation most strongly resonates with them, and then pursue a charity which serves that need.
Incidentally, volunteer work is becoming a more and more prized category on one’s C.V., so charity work may ultimately fuel career success. Also, it’s hardly limited to adults—there are opportunities for children and teens to get involved as well, which is an excellent way to prepare them for a life of empathy and consideration for others. I can’t think of any better way to ensure a child’s success.
If you are planning to emigrate, or if you are an immigrant, please make it a point to balance your career-work with volunteer service. Success is a many-faceted jewel. Your devotion may well produce results that were previously unimaginable.
2Shades meets husband and husband team Tiano. The London cabaret duo of Christopher Hamilton and Shimi Goodman
It is an almost unthinkable scenario that Liberace and Pavarotti had secret love children, let alone that those children went on to inherit their fathers’ talents!
Described in one five star review
Then they met one another, fell deeply in love and married. Well, you would be forgiven for thinking just that, as married couple Chris Hamilton (Piano) and Shimi Goodman (Tenor) take to the stage to perform to a sell-out audience of dedicated fans
2Shades wanted to know more about the boys and we fired some questions at them.
What are you both doing for Christmas?
It’s all very glamorous! We will be performing on a six star luxury cruise ship called the Silver Muse sailing from Melbourne, Australia to Auckland, New Zealand. But before jetting off to the other side of the world we have our Christmas show at the Crazy Coqs in London which sold out pretty much minutes after we announced it during our last show there. We are so grateful to all the people who keep coming to our shows in London and elsewhere.
What four Christmas songs would you sing at a Christmas Concert and why?
Oh Holy Night – This song really fits our style of music as it is a classical song but has been covered by the likes of Mariah Carey, the Queen of Christmas. Shimi particularly enjoys singing it as it really taps into the classical genre which he loves.
All I Want for Christmas – Speaking of Miss Carey, this song is unavoidable during the festive period so although it’s done to death, it would be Scrooge like not to sing it.
All I Want for Christmas is for Someone to Cancel It – To counteract the Christmas schmaltz and to honour all grinches out there, Chris wrote this tongue in cheek, irreverent song himself. If you can’t make it to our Christmas show, you can hear this song on YouTube.
Have Yourself a Merry Little Christmas – It’s such a bitter sweet moment when Judy Garland sings this beautiful song in the 1944 film Meet Me in St. Louis. It makes most people feel all warm and fuzzy inside.
When did you both know you loved each other?
We met at Guildford School of Acting in 2000 and it was something like love at first sight over a jacket potato in Cathy’s Cafe!
What is the most romantic gift you bought each other?
Shimi: Chris always wanted to go on the Orient Express. His birthday is in December and after a bit of research I discovered to my dismay that the train wasn’t active during the winter. I had to break it to him that it wouldn’t happen for a certain big birthday of his but then a few weeks before his birthday he saw an advert online saying that the Orient Express had started a winter journey. I quickly booked it and we travelled from Paris to Vienna overnight. The train was relatively empty and it was magical looking out of the window watching the snowy scenery whilst being treated like royalty! We had the pleasure of jamming with an amazing Italian jazz group until the early hours. Even the waiters started filming us! We stayed at the famous Sacher Wien hotel when we reached our final destination. We went to see an opera and walked around the Christmas markets. Very memorable.
Chris: I always knew how much Shimi loves the movie franchise Back to The Future or indeed anything to do with the 1980s, so for one of his birthdays following a tasting menu dinner (which I absolutely hate) at a brand new restaurant in Covent Garden I got us top tickets to the West End musical. He knew all the text by heart.
The festival of lights Hanukkah is a big holiday. How do you both celebrate that? Is there a song that jumps to mind?
Shimi: I love Hanukkah. We light the hanukkiah which is an eight stemmed candelabra. You light a candle for every day of the holiday and eat sufganiyot which are yummy jam doughnuts. My favourite song is Maoz Tzur or Rock of Ages as it is known in English.
When did you both last laugh together?
Every day. We have our own silly sense of humour and can find the humour in most situations.
What are your wishes for 2025?
There’s a lyric in one of our original songs which says: “Music can heal and make it a better day”. We truly believe that it can, so we wish for our music to reach more and more people around the world and to keep travelling and entertaining. We would love to perform in America. Chris did a series of cabarets in New York a while back so it would be good for Tiano to take the States by storm! We’re currently in talks to hopefully make this happen during the next couple of years.
Who would you most like to work with in the music industry?
Barbra Streisand and Shirley Bassey are two of our idols. It would be an absolute dream to perform with them. We also love a Welsh singer called Ellen Williams and would love to collaborate with her. One of our songs “It’s Not Goodbye” would be a beautiful duet for her and Shimi.
Who is the best cook?
Shimi does most of the cooking when we’re home. But Chris makes a mean chilli con carne named “the famous” because he only cooks it once a year but when he does people rave about it. Whether they’re raving about the dish or the fact he’s actually put an apron on is anyone’s guess….
Tell our readers what you can expect from a Tiano concert.
Every show we put on in London is different for a couple of reasons. Firstly, we owe it to our loyal supporters to present different music to keep each performance fresh. Secondly, it challenges us as artists to keep learning new material. For instance at Crazy Coqs in Piccadilly, London we’ve become known for presenting a ten minute medley at each show which is devoted to a decade (for example the 80’s), an artist (for instance Whitney Houston), or perhaps a movie musical (maybe Dirty Dancing which incidentally Shimi performed in in the West End). It’s always challenging arranging and rehearsing an intricate medley of songs with constant key changes and mood changes and then performing it for a live audience for the very first time without looking at lyrics or music. However, it’s so worthwhile because the audience has come to really appreciate this moment in the show. In the last two shows people loved singing along during our medley devoted to The Carpenters and at our most recent one, ABBA. We spend all that time on each ten minute set piece and only perform it once!
Chris is a multi award winning composer and lyricist so we always share music he has written which once again the audience usually loves. Chris recently released an album of his very mellow original piano pieces called Sempre Piano (you can listen to it on Spotify). It’s so gratifying to see an audience respond so favourably to these moments of calm when he shares one of these pieces during a show. Shimi has also co written a few songs with Chris, a couple of which are on their debut album Tiano which you can also hear on Spotify. They have become firm favourites with the audience.
We put so much thought into our programme with the hope of taking our audience on a real journey. You’ll laugh, cry, sing along and leave our show with a big smile on your face!
It is my favourite time of year, and the incredible Autism’s Got Talent is back.
Since its inception by Dr. Anna Kennedy OBE in 2012, Autism’s Got Talent has evolved into a legendary showcase that shines a spotlight on the unique talents of individuals living with autism. This one-of-a-kind event has captivated audiences and received high-profile media attention for over a decade, setting itself apart from other talent shows by offering an evening filled with surprises, inspiration, and diverse performances. Hosted at the renowned Mermaid Theatre in Blackfriars, the 2024 edition promises to be another unforgettable celebration of talent and inclusion
Steven Smith chats to 2Shades columnist and founder of Anna Kennedy on line
Unlike conventional talent competitions, Autism’s Got Talent is dedicated to celebrating neurodiversity and empowering autistic individuals of all ages. The show features a star-studded lineup of performers, including singers, dancers, actors, musicians, poets, magicians, and more. These gifted artists not only entertain but also challenge perceptions and break down barriers, demonstrating what people with autism can achieve. This event serves as a platform to replace stereotypes with messages of hope, fun, laughter, and inclusion, making it truly unique on the global stage.
This year proved to be a show-stopping extravaganza with over 17 acts.
The show was opened by Dr. Anna Kennedy as she introduced well-wishes from Loose Women star Denise Welch, Blue band icon Anthony Costa, EastEnders actress Kacey Ainsworth, and the legendary Carol Vorderman. Celebrities such as ‘Allo ‘Allo!’s Vicki Michelle, Pet Rescue author Wendy Turner, Taino’s Christopher Hamilton, and performer Tru Blue were among some of the showbiz names that turned out to introduce the evening’s performers.
Allo Allo Vicki Michelle and the inspirational Lisa Allen from Pink Ribbon foundation
Comperes for the evening were Gateway Radio DJ and Ambassador of the charity, Aston Avery, along with former The People’s Strictly contestant and amateur dramatic theatre enthusiast Phillip Barnett.
Christopher Hamilton
Pineapple Dance studio lead by teacher Maggie Paterson who have supported the event from the start team of 40 dancers
Gateways radio DJ Aston Avery one of the presenters of AGT “Autistic and Proud ”
This year’s acts, who travelled from far and wide, did not disappoint. It kicked off with Alba Pulido Brocklebank’s stunning rendition of Burn. There were so many outstanding acts this year, it is hard to highlight them all. From guitar supremo Caydian Evans, who described the experience as an amazing, unique opportunity, to father-and-son team Aaron and Andy Clark, who said, “This is a memory that will last a lifetime, and we are deeply grateful for the opportunity.”
Caydian Evans
Northern Ireland seemed to feature prominently this year with two singers: Andrew McMurdie, who said, “There were so many uniquely talented people in one room, like I have never seen before,” and Ty Williams, who brought the house down.
Somerset singer Lianne Vessier was blown away by the diversity of the event, and the standing ovation for her performance left us all in awe.
Lianne Vessier
Stepping in at the last minute was Swaran Hayer, who dazzled the audience with his calendar skills (even revealing Anna Kennedy’s age and date of birth!). His mum, Mandy, said, “It will forever be an unforgettable and memorable experience.”
Theatre group True Colours had the audience cheering as well.
True Colours
Anna Kennedy, founder of Anna Kennedy Online and Autism’s Got Talent, shares her hopes for the event: “We aim to continue to build Autism’s Got Talent year by year. We want all those involved to have fun, do what they love, make friends, be themselves, and have one night that is all about them.” This ethos of inclusion and empowerment continues to drive the event’s growth and inspire its participants.
Tears of joy marked the end of the show, with all the wonderful performers on stage, proud parents, families, and friends in the audience.
They all had one message for the AKO family: “You’re all amazing, and we all rock!”
I went to a Catholic school in the Northeast. Little did I know my husband Sean also was at the same school. Primary School were good and bad days for me and I enjoyed some lessons not all. Many of the nuns at the school were too strict and would not get away with caning across your knuckles or hand for talking too much!
If you happen to be late for school, you had to stand under the crucifix for 30 minutes at the end of the day and pray.
We were often also given many lines to write if no one owned up for example: A pupil threw a rubber at the Maths teacher whilst he was writing on the blackboard. I remember we had to write 100 times ‘Rubbers rub they do not fly!’
Dear Anna.
Please, I am at the end of the line with my 14 year old son. He was expelled last year for being disruptive in class. Now the school have written to me and said he cannot come back. James was diagnosed with Autism and attention disorder at 13. What can I do? Is there a right to appeal or should I find a school that is more suited to his needs? James is super bright and was in line to take exams
Many thanks Diana Waterford
Dear Diana,
Thank you for your email. You do have the right to challenge your son’s exclusion, and the school should have informed you of this process when the exclusion occurred. The following government guidance may be helpful, if your son attended a maintained school or an Academy:
If you believe your son was excluded due to a disability-related reason, you can separately make a claim of disability discrimination to the First-tier Tribunal before the school process concludes.
If the Tribunal rules in your favour, it can order actions that put your son in the position he would have been in if the discrimination hadn’t occurred, which could include reinstating him in the school.
Lastly, it’s important to ensure that all your son’s special educational needs are identified and met. If you haven’t done so already, you may want to apply for an Education, Health and Care (EHC) needs assessment.
This is the first step towards securing an EHC Plan (EHCP). The test for starting this assessment is whether your son may need a level of special educational provision that is only available through an EHCP. Given what you have said, this may possibly be the case.
Dear Anna,
Hello love the column. My daughter lives with Autism, and she is a great singer and just so loveable. My ex-husband won’t hear about it and said I am indulging her and encouraging her to be different. I am looking for a school that caters to her needs even its a private school or theatre My parents are happy to. pay. My ex is trying to block it and threatening to take me back to court if I remove her from her present school that I do not feel caters to her needs. What can I do?
All my best Stephany Wimbledon
Dear Stephany,
Thank you for reaching out and for your kind words about the column. I spoke to my husband Sean who supports the charity, and this is his area of expertise. It does sounds like you’re in a difficult situation.
My husband Sean shares:
Sean Kennedy
If your daughter has an Education, Health and Care Plan (EHCP), section 51 of the Children and Families Act 2014 gives you the right to challenge any part of the EHCP, including the school placement, even though a Tribunal if necessary.
This right cannot be interfered with by other courts. While your ex-husband is entitled to express his views to the Tribunal, he cannot prevent you from exercising this right. However, your daughter’s opinions will also carry weight, particularly depending on her age and if she has capacity.
It is certainly an unfortunate situation. If your ex-husband is threatening to take this matter to the Family Courts and your daughter does not currently have an EHCP, I would strongly advise seeking legal advice from a family law specialist.
We both wish you all the best in navigating this,
Best Wishes, Anna
Dear Anna,
I am a big fan of yours and have been living all my life with various issues, it was my 16th birthday last week my mum held a party and I am not real social so I found it embarrassing and in the end it was more about her. She even got drunk and went on and on about how proud she is of me- even with all my little ways. There was about five of my friends from school there with the rest of the mums. Anna I just want to leave home and get away from her. What should I tell her and is there any organisations that helps kids like me escape?
Blair Luton
Dear Blair,
Thank you for reaching out and Happy 16th Birthday. Have you spoken to your mum about how you feel? Is there a relative that you can confide in about how you are feeling?
Parenting an autistic teen can be challenging for parents, so it’s important to seek support from other parents, support groups, or professionals who specialise in autism.
Are there any local support groups near to where you live? Leaving home is a huge step and you need to be well prepared and safe as a vulnerable young person. I hope things improve for you very soon and your relationship with your mum also improves.
Sending best wishes, Anna
Has the interview selection for Colleges and Universities changes to aid those diagnosed on the autism spectrum?
Colleges and universities are required to comply with the Equality Act 2010. This means that if an individual with a statutory disability faces disadvantages during the interview process due to the effects of their disability, the institution must take reasonable steps to avoid these disadvantages.
For clarity, a statutory disability is defined in section 6, the Equality Act 2010. This section defines disability as a physical or mental impairment that has a substantial and long-term adverse effect on a person’s ability to perform normal day-to-day activities. To qualify, the impairment must significantly impact the individual’s ability to carry out activities that are considered normal for most people (including work and university study) and must have lasted, or be expected to last, at least 12 months.
It is important to note that conditions such as ADHD and ASD are not automatically classified as statutory disabilities, though they may be. The key consideration is how these conditions impact the individual. It follows that what are known as reasonable adjustments are specific to the individual. Importantly the university or college needs to be informed of any impairments before the section process.
While universities and colleges are not required to lower the competency levels expected of students, they must provide adjustments to the interview process where necessary.
There is a lot more to the Equality Act, but I trust this provides a useful overview and is, my husband has confirmed, is accurate.
Let the power of art lift you up in these troubling times.
Re print from 2022 by Steven Smith.
Read time:7 minute, 52 seconds
Art is subjective; arguably anything could be described as art. It has been said that as long as an artist says “what I have made is art” then it is art. Pulling a partially burnt door from the rubble of a derelict building and hanging it on your wall, then spray painting it, could pass as art. In fact, that’s exactly what one artist confessed to me that they once did, and it sold for a good price. But what makes a successful artist?
Experts in the art world often say that, unless you are represented by a prestigious gallery and have sold your pieces at one of the reputable auction houses for a hefty price, you cannot begin to describe yourself as a leading British or international artist. But in these days of spin and false news, many artists grandly describe themselves as just that – even if it is just on their own web page. That is why an artist being represented by a leading gallery is so important, it protects the consumer and cradles the artist. It is like good management for actors.
Your correspondent with actor and Loose Woman Denise Welch supporting her husband Lincoln Townley art https://lincolntownley.com
For me, if I walk into an exhibition and instantly see that an artist’s inspiration is another artist then I am not excited about their work. I am fine with artists being influenced by other artists’ work but if an artist recognisably channels legends such as Warhol, Bacon, Tracey Emin and Damien Hirst perhaps they need to rethink …
Hearing a truly talented, unique artist’s voice call out from their work is what captures me. It can send goosebumps up my neck when a crafted artist’s work is powerfully on display.
Take inspiration from the masters by all means but when your art is the equivalent to an X-factor contestant belting out someone else’s song, and a poor version of it at that, a great artist you are not. You may well be on the path to becoming one as long as, like many in the craft, you dedicate yourself to finding your own voice.
This is usually my favourite time of year as Frieze comes to town and the best galleries from around the world showcase their finest artists. Held in Regents Park, you can submerge yourself in an orgy of talented modern artists. Along with Frieze Masters, it feels like Christmas has come.
Sadly, Frieze, like many other events has moved online, but has offered lectures and courses and hopefully further experiences for art enthusiasts. It is be back in its typical glory now when this is all over.
The landmark Venice art festival “La Biennale” is still set to go ahead next year, with the British entry selected by the Hayward Gallery and British Art Council. Next year, we are represented by curators Manijeh Verghese and Madeleine Kessler, who are bringing a diverse range of art to the British tent. La Biennale shows every two years, with the last showing in 2019, represented by British artist Cathy Wilkes. It’s the cream of the art shows, and I was lucky to attend in 2017 as a guest of Israeli artist Michele Cole. I still get excited about my trip; it is a memory that will stay with me for life. It is well worth going.
The arts have suffered grievously during the pandemic, with many galleries and exhibition halls still closed. It was a ray of light to be invited by LGBTQ+ international artist, Pedro Sousa Louro, to the opening of START at the Saatchi Gallery. His work received rave reviews when he showed at the Kunstmesse art fair in Germany. Pedro, originally from Portugal, resides in Chelsea and has a studio in Wimbledon. Pedro was educated at the Chelsea College of Arts in London. Among his army of fans are celebrities such as Frankie Goes to Hollywood’s Holly Johnson.
Holly Johnson (l) with Pedro Sousa Louro
Holly says of Pedro’s work “I like the fact that his art does not mean anything in particular. It is geometry for the sake of geometry “
Going into its seventh year, START showcases new and established artists, attracting international exhibitors, although the artists at START must pay to show their work. START gives voice to artists hoping to make a name for themselves on a global stage while providing the perfect platform for new collectors to discover talent that might otherwise have gone unseen.
Included in this year’s programme is Korean Eye 2020, a teaser exhibition that gives an insight into the work of some of Korea’s most exciting young artists.
START founders, David and Serenella Ciclitira, were determined to support artists and push ahead with this year’s show, despite many sceptics. They recognise the difficulties faced by the art world during these tumultuous times. They appreciate that many people are not ready to return to galleries amidst the ongoing pandemic. They have made START a world leader that combines both online and physical reality. The Ciclitiras are aiming to make START a leader in the ‘phygital’ world, which marries both the physical environment and the online digital world at the same time
‘Serenella and I are committed to playing our part in supporting artists and galleries, and in getting the art-world as a whole back open for business.’
David Ciclitira
2020 has been a challenging year, to say the least. It is a time when we must adapt and innovate; we must come together, united, for the greater good of all our fellow artists and galleries.
The Saatchi gallery is one of the great London venues and brings a beautiful addition to the trendy Kings Road. My date for the open day was our Editor, Rob Harkavy. He was all suited and booted for the occasion. You can’t help but love the gallery the minute you walk in. For me, it is my dream home; it has been my fantasy to live in a gallery since I studied art as a teenager.
The celebrities were out in force. Anthea Turner was on hand to support David Bowie 20/20 Vision; a collection of photographs by Tony McGee, award-winning British photographer and friend of Bowie. This unique collection of never-before-seen images were hand-selected ‘on set’ by Bowie himself as a reflection of his own inner image, and are as powerful as they are poignant, beautifully capturing the essence of the shapeshifting, beguiling, enigmatic superstar. It blew me away. Anyone looking to buy me something for Christmas at £4k, one of these, please!
Loose Woman and award-winning actress, Denise Welch, was chatting to people at her husband’s section, the former PR-man-turned-artist, Lincoln Townley. Welch’s son, Louis Healy (star of Emmerdale) was also in attendance. Michael Caine has previously shared that he is a fan of Townley’s work.
The beautiful Gail Porter was also present and chatted to us. She was just charming.
START is well worth going to. The atmosphere is exciting, and there are one or two gems, depending on your taste. START also has a great bar on the third floor, where the Korean exhibition is, and there is some stunning work there.
Also open is the Brighton Museum; a hidden gem, but trust me, a must for everyone visiting the legendary gay seaside town. Among the exhibitions is Queer on the Pier. This community-curated display peers into local LGBTQ+ history. Celebrating the lives of the writers, artists, performers, activists and ordinary people who have made Brighton & Hove so fabulous, their stories are brought to life with film and photography, fashion and drag and oral histories. It is part of Be Bold, a series of collaborative exhibitions and events, programmed with Brighton & Hove’s LGBTQ+ communities.
Actors and celebrities joined film makers and writers at this sold-out red-carpet event held at the “Old George Inn” Sykehouse.
Award winning actress Nina Wadia OBE with Champion charity ambassador Pink Ribbons Lisa Allen
There was great excitement as Nina Wadia OBE (Eastenders), Gary Webster straight from starring in the action thriller ‘Bermondsey Tales, his wife presenter turned author Wendy Turner Webster, acting legend Frazer Hines (celebrating 70 years in show business), local royalty rugby ace turned Hollywood actor Keith Mason, and presenter Danielle Broadbent and actress Michelle Jeram (Granite Harbour BBC ) were amongst the celebrity guest.
One of the surprises of the festival was a guest appearance by zoom from Tom Hank’s brother Jim Hanks.
Acting Legend Frazer Hines receives a life time achievement award
There were tears in the room as the evening was dedicated to the Irish song bird Rose-Marie who was meant to presenting but sadly passed on a few weeks before the event.
Acting King Gary Webster, with Pet-rescue presenter Wendy Turner Webster Join author Samantha Lee Howe on the red carpet .
The entry films were shown during the day. This included a selection of short and feature films submitted to the festival which had all been commended by the judges.
The festival was the brainchild of USA Today bestselling author and multiple-award winning screenwriter Samantha Lee Howe.
Rugby legend turned Hollywood actor Keith Mason with his partner Nicole Hudson
“I wanted to create an event which celebrated the art of film, and which rewarded filmmakers by getting their work in front of an appreciative audience”, she explained.
The evening was presented by David Howe and winner of the night were Taunya Gren from the USA, who had submitted three of her films to the festival: two shorts and one feature.
She ended up scooping seven awards in total, including the Best Director, Best Horror Feature and Best Short Film, while Seanna Ladd, Gren’s daughter, who appeared in all three films, was awarded Best Actress.
Celebrity hairdresser turned author Steven Smith Joins presenter Danielle Broadbent as they rock the red carpet
Comedy was provided by top comedians George Coppen and Alex Leam, while Linzi Gold sang three of her own songs to an appreciative audience.
There was a raffle in aid of the Yorkshire charity IDAS with some amazing prizes. Award-winning winery Nyetimber provided Champagne for the guests as they arrived.
The whole event was an incredible success with people coming from all over the UK, and even from America, to attend.
2Shades Magazine 