Tag: book-reviews

Categories
Columns People Travel

Carry On, Barbara Windsor

My tribute to the legend Dame Barbara Windsor (1931–2020)This article was first published in the year of Barbara’s passing. I felt it was important that it did not fade away, not only as a tribute to Barbara’s extraordinary talent and character, but also in recognition of Scott Mitchell , who has since gone on to do remarkable things.

By Steven Smith

Who did not love Barbara Windsor — the second Queen of the UK and true British acting royalty? I genuinely do not know a single person who, on Thursday 10th December, did not shed a tear at the (though expected) loss of the world’s most bubbly blonde. We will never forget that infectious, suggestive laugh, nor the extraordinary talent of that iconic Cockney bird.

Dame Barbara Windsor was best known for her roles in EastEnders and the Carry On films. Her acting saw her BAFTA-nominated for her role in Sparrows Can’t Sing and Tony-nominated for her Broadway performance in Oh! What a Lovely War.

Barbara became a Dame not just for her work in entertainment, but also for her incredible dedication to charity. Her support spanned a diverse range of causes, including Age Concern, Age UK, the Amy Winehouse Foundation, Great Ormond Street Hospital — the list truly is endless.

I can’t hand on heart say that Barbara was a close friend of mine — the word friend is used so liberally these days. But over the years, I encountered her many times and was fortunate enough to spend quality time with her. You never forgot a chat with Barbara, because in a world of showbiz magic, she was refreshingly real and wonderfully to the point.

My first outing on the London showbiz scene was with journalist Lester Middlehurst. It was a little nerve-wracking for me, and among the celebrities present was Barbara Windsor, who knew Lester well. My dad was a huge fan of the Carry On films, as was I, and I felt star-struck and slightly out of my depth. Before I knew it, there were around five flamboyant men all vying for Barbara’s attention.

Standing beside me was a very handsome dark-haired fellow named Scott. It was a relief chatting to him — he was down-to-earth, funny, and instantly put me at ease. Not long after, Barbara came over to us. Of course, Scott was her fella, and together they were simply lovely — a genuinely warm and affectionate couple.

Being keen on theatre, I asked Barbara what it was like working at the Royal Court with Joan Littlewood. She looked at me quizzically and said, “What did you ask me, darling?” I repeated the question just as her posse of admirers returned.

At June Browns book launch with Scott and Barbra

“Sshhshh,” she said. “I’m talking to Steven.” She took Scott and me aside and laughed, “That’s not the usual question I get asked.” We had a wonderful chat, and Lester later commented, “Barbara seemed to like you.” She had that rare quality of making people feel special — she genuinely made others feel good.

Over the next few years, I chatted more with Scott — he shared my sense of humour. My next meeting with Barbara was at my dear friend, Irish singer Rose-Marie’s 50th birthday, held in a pub on the Edgware Road. Barbara made a beeline for me.

“You’re always chatting to my Scott,” she said. “You know, darling, some people who ought to know better aren’t always nice to him.”

We spent ages talking about relationships. At the time, my partner was 28 years older than me, and we discussed people’s reactions to age gaps.

I asked her, “Are you looking forward to becoming a Dame?”

“Never — not with my history with Ronnie and the boys,” she laughed.

But right it was — and a Dame she most deservedly became.

There was also a wonderfully camp trip to Marbella with some of the Coronation Street cast, including the fabulous Denise Welch. EastEnders were filming there, and Barbara, Scott, and Rula Lenska joined us for dinner. What a wild night that was.

The last time I saw Barbara and Scott was at June Brown’s book launch, Before the Year Dot. Executives were desperately trying to lure Barbara back into EastEnders — even that night they were pitching it to her. But she wasn’t budging.

“I’ve had enough,” she told me and Rose-Marie.

Something struck me when news of her death broke. So many people began by commenting on her height. Perhaps because I’m not a size-queen, it never once crossed my mind. Barbara was huge in stature — she filled every room with personality and talent. She certainly did not suffer fools gladly. She was, without doubt, a giant of the industry.

Barbara was a true professional. She always had a smile on her face at every event. As her on-screen daughter Daniella Westbrook recently said, Barbara believed you owed it to the public to always put on your happy face: “If you’re not at your best, don’t go out.” Daniella added that once Barbara got home, she liked nothing more than putting the kettle on, taking her shoes off, sitting on the sofa — and simply being Babs.

Babs — who we all miss dearly.

Categories
Columns Lifestyle People

Riot Women — BBC’s Surprising Triumph of Grit, Wit and Pure Heart

4stars xxxxx

Riot Women — BBC’s Surprising Triumph of Grit, Wit and Pure Heart

There are times when you arrive home after a long day, craving nothing more profound than a cosy half-hour of television fluff — something light, comforting, and easy to disappear into. On the surface, Riot Women looks like exactly that: a vibrant title card, bold artwork, and a show pitched squarely at those who love a dash of spectacle. It would be very easy to hit play expecting a breezy, perhaps even camp, comedy-drama and settle back with a cup of tea.

But Riot Women is not that show. Not remotely.

If you only watch the first ten minutes, you could be forgiven for thinking you’ve been misled. The opening is stark, intense, and packed with enough emotional punch to make even the most resilient viewer mutter, “Oh no… this is going to be depressing,” and reach for the remote.

Yet turning it off would be a terrible mistake.

Because Riot Women quickly reveals itself to be television gold — unexpected, daring, and absolutely bursting with life.

At the centre of this explosive drama-comedy hybrid are the phenomenal Rosalie Craig and Joanna Scanlan, leading an ensemble cast that delivers performances of a calibre you rarely find in mainstream television. Between them, they light up the screen with such power and honesty you can’t look away. Rosalie Craig, especially, is a revelation. Known for her formidable stage presence in musical theatre, she brings the full breadth of her talent to this role: vocally electrifying and dramatically fearless, she swings from raw vulnerability to razor-sharp humour with impossible ease. It’s the kind of performance awards are invented for — at the very least, she deserves a BAFTA nomination.

Joanna Scanlan matches her beat for beat, offering a portrayal that is quietly astonishing — subtle, grounded, and capable of landing an entire emotional narrative with one look. Together, they create a dynamic that makes the story feel not just relevant but necessary.

Of course, no great television series exists without a masterful hand guiding it from the page. Here, that hand belongs to Sally Wainwright, one of Britain’s most exceptional screenwriters. Her voice is unmistakable: sharp, deeply empathetic, and rooted in the lived truths of women who refuse to be sidelined. Wainwright balances humour and heartbreak like a tightrope walker, proving again — as she did with Happy Valley and Last Tango in Halifax — that she knows exactly how to capture complicated, flawed, brilliant female characters. And then there’s Tamsin Greig, whose incomparable screen presence adds yet another layer of brilliance. Whether she’s delivering a deadpan line or revealing quiet vulnerability beneath stoic armour, Greig commands attention every moment she’s on screen. She becomes one of the show’s beating hearts — a character you’re compelled to follow, even in her silences.

What truly distinguishes Riot Women is its emotional honesty. The series dives into the frustrations, absurdities, and injustices faced by women whose lives haven’t gone according to plan — yet it refuses to let despair take the lead. Just when the narrative feels like it’s sinking into darkness, the humour kicks in. And not just comic relief for the sake of it — we’re talking whip-smart, laugh-out-loud writing delivered with perfect timing.

The absurdity is part of the point. Life can be relentless — but it can also be ridiculous.

The tone may zigzag, but that unpredictability is what makes the experience so exhilarating. One moment you’re laughing; the next you’re wiping away tears; then suddenly you’re cheering these women on as they find their voices and reclaim their stories. It’s a celebration of community, resilience, and rebellion — the quiet kind and the loud kind.

Yes, it can be camp — gloriously so — but never cheaply. The humour always comes from a place of truth. And through the satire, the show provides a sharp commentary on how society treats women who dare to age, to feel, to be imperfect, or to speak up.

The writing is confident and bold, unafraid of pushing boundaries. Each episode leaves you with a question — and a burning curiosity for what comes next. It is a story about what happens when ordinary women decide they’re done being polite and invisible. When they realise they have power. When they riot — not violently, but vocally, musically, and emotionally.

To call Riot Women a gem feels too small. It’s a series that arrives disguised as a guilty pleasure but reveals itself to be a gutsy, heartfelt, and beautifully crafted piece of British drama. It’s television that matters — without losing its sense of fun.

So if you begin watching and feel the instinct to switch over: don’t. Give it time. Let it breathe. Stick with the journey.

Because what you find is something rare: a show that reminds you we are all allowed to feel broken — and also allowed to dance, shout, laugh, and reclaim joy, whatever age we are.

Riot Women is bold. It’s brilliant. And it’s absolutely worth your time.

https://www.bbc.co.uk/iplayer/episodes/m002hd7x/riot-women

Categories
Columns Culture People Uncategorized

Steven’s Viewz

MUM’S NOT ALWAYS THE WORD

Steven’s Viewz


Why Katie Price Needs to Back Off and Let Her Kids Shine Without Her Interference

Growing up is never easy — not for the average teenager, and certainly not for those with famous parents. For most young people, adolescence is about carving out your own identity, deciding who you want to be, and pursuing your chosen career or further education. It’s a period of self-discovery and independence. But when your every move has been played out in the glare of the press since childhood, the challenge is far greater.

Children of celebrities live with a unique pressure. They’re often unfairly labelled with the now-infamous tag “Nepo Baby” — short for “nepotism baby” — a term referring to someone whose career mirrors or is connected to that of their famous parent. The implication is clear: their achievements aren’t earned but handed to them through family connections. The phrase is often used as an insult, suggesting that their success is unearned, undeserved, or simply the result of privilege.

Of course, this isn’t always the case. Some celebrity children go out of their way to avoid using their family name, working hard to make it on their own merits. In many instances, the public only learns of their famous parentage long after they’ve established themselves. On the flip side, stepping into the same spotlight as a parent and not quite measuring up can be devastating for mental health. The pressure to “live up to” a legacy can crush even the most talented young person.

Take Princess Andre, for example. She’s a young woman with dreams, ambition, and — crucially — talent. Under the guidance of Clare Powell, a woman I’d call a genius in the world of entertainment management, Princess has been making strides toward building her own career. Powell is the same powerhouse who played a key role in shaping Katie Price’s early career. Importantly, Katie is not directly involved in Princess’s current projects.

Stunning Princess Andrea

Now, I’ve been a huge supporter of Katie Price over the years — I’ve defended her when many wouldn’t. But on this occasion, Katie, it’s time to take a step back. In fact, take one hundred steps back. Be a proud mum, but let Princess shine without you hovering in the background. It’s about dignity — a word that doesn’t often appear in the Pricey vocabulary — and allowing your daughter to succeed on her own terms.

I have a close friend whose sons are both stars now: one’s a famous rock musician, the other a West End performer. Before their success, my friend made a conscious decision to stay out of their spotlight. No hanging around at every audition, no being photographed at every event. She let them find their own way, even if it meant watching from the sidelines. That kind of quiet support is invaluable — and something Katie could learn from.

The truth is, Princess already has “star” written all over her. Yes, her famous parents have opened some doors — there’s no denying that. But she’s also beautiful, poised, polite, and grounded in a way that the teenage Jordan (Katie’s former alter ego) simply wasn’t. While Katie at that age was known for her brashness and colourful vocabulary, Princess seems to have a quiet charm and grace that’s refreshing to see.

Of course, fame dynamics can get tricky within families. I’ve seen it happen. Sometimes a parent who’s spent years in the spotlight finds it hard when their child begins to eclipse them. I remember a friend whose mother was always the centre of attention. We once attended a concert together, and during the show, the star actually stopped mid-performance to compliment my friend’s daughter — “Who is this beauty?” they asked. The girl was thrilled. But when she turned to share the moment with her mum, the mother had vanished, unable to handle not being the one in the spotlight.

Even Hollywood royalty have faced this. Liza Minnelli once admitted that her mother, Judy Garland, struggled to accept her daughter’s fame. It’s a reminder that parental pride can sometimes be mixed with a very human sense of insecurity.

In Princess’s case, the potential is huge. She has the looks, the talent, and the personality to carve out a significant career in modelling, media, or whatever creative path she chooses. The worst thing that could happen is for her efforts to be overshadowed by her mum’s drama, headlines, or interference.

Some might argue that Katie’s involvement is only natural — after all, she’s been in the industry for decades. But let’s be honest: sometimes experience comes with baggage. Katie’s falling-out with Clare Powell has been well documented, but that shouldn’t affect Princess’s choices. Powell helped make Katie a household name in the first place. This is show business — not “show friends” — and if I had a daughter with career ambitions, I’d want her with the best possible management team. Personal disagreements shouldn’t dictate professional decisions when a young career is on the line.

Clare Powell star maker https://thecangroup.co.uk

If Katie truly wants to support her daughter, she needs to be a cheerleader, not a co-star. Let Princess have her own brand, her own media moments, and her own relationship with the public. This doesn’t mean disappearing from her life — just from her professional life. Turn up to watch from the audience, not to stand centre stage. Offer advice privately, not through the pages of a tabloid.

In today’s media-saturated world, it’s hard enough for young people to find their place without the shadow of a famous parent looming over every opportunity. Princess deserves the space to make mistakes, learn lessons, and earn her own applause. And if she’s anything like she seems — poised, polite, and full of potential — she’ll do just fine.

The bottom line? Princess Andre has a bright future. But for her to truly shine, Katie Price needs to take not one or two, but one hundred steps back — and stay there until she’s invited forward. That’s what real support looks like

.

Good luck to Jack Kay .

If proof was ever needed that you can flog your soul to the devil for fame, look no further than the sudden, stratospheric rise of Ibiza’s self-styled “final boss.” One click of a camera, one cheeky social media post, and bang — he’s out-trending the Pricey and even the Trump. That’s no small feat, considering those two can normally generate headlines by simply breathing in public.

The man behind the moniker? Jack Kay. No chart-topping singles. No Oscar-bait performances. No tell-all autobiography written “in his own words” but suspiciously sounding like it was dictated to a ghostwriter over Zoom. Just… Jack. A man who, by all accounts, was minding his own business until fate, flash photography, and the internet combined to anoint him this week’s celebrity overlord.

And do you know what? Fair play to him. He’s a smashing lad by all appearances, and I can’t help but root for him. In fact, I’m practically booking my front-row seat for his inevitable debut on Celebrity Big Brother or I’m a Celebrity… Get Me Out of Here! Picture it now: Jack in the jungle, wearing a head torch, looking mildly confused while chewing kangaroo testicles for the nation’s amusement. It’s practically destiny.

Of course, his overnight success has sent a few noses wildly out of joint in the fame industry. Imagine clawing your way up the greasy celebrity pole — posting your best pout, cultivating “scandals,” leaking your own “leaked” texts — only to have Jack Kay swoop in with one photo and walk off with the nation’s attention like it’s a free canapé at a launch party. Delicious.

It’s not just the wannabe-set bristling either; the whole saga has become a sort of cultural Rorschach test. Some see Jack as proof of the absurdity of fame in the age of the algorithm. Others see him as the internet’s latest crush. I see a man who’s managed to play the game without even reading the rulebook.

Because let’s be honest, the rules have changed. Once, you needed a record deal, a primetime slot, or a scandal big enough to get a mention in the News of the World (RIP). Now? You just need a single moment that makes the internet collectively say: Yes, this one. This is our new obsession. It could be a photograph. It could be a TikTok. It could be an ill-advised comment made in a kebab shop at 3am. And suddenly, you’re hot property.

Will Jack’s reign as Ibiza’s final boss last? Who knows. The internet’s love affairs are fickle. One minute you’re the meme of the moment, the next you’re that guy people vaguely remember seeing “on something once.” But for now, Jack’s milking his fifteen minutes with style, and I, for one, am here for it. If he has done a deal with the devil, I hope it came with a decent rider — champagne, sunglasses, and maybe a small island.

Hurray — Wednesday is back on Netflix! And if that wasn’t already a big enough treat for fans of the macabre, there’s an extra twist in the cobweb this season: the legendary Joanna Lumley has joined the cast as Wednesday’s formidable grandmother.

Yes, you read that right. From Absolutely Fabulous to The Wolf of Wall Street, Lumley has always brought her own brand of razor-sharp wit and undeniable glamour to every role. Now, she’s stepping into the delightfully creepy world of the Addams family, and honestly, it feels like a match made in gothic heaven.

Contact Steven on spman@btinternet.com

Categories
Culture Lifestyle People

2Shades reviews “The Business of Murder ” and get to chat to one of it’s stars Gary Webster

The Business of Murder by Richard Harris at the Theatre at The Tabard
Can a murder play be both funny and tense at the same time? Well, The Business of Murder delivers just that.
https://tabard.org.uk/whats-on/the-business-of-murder/

Set in the 1980s, even the set design conveys that you’re dealing with true professionals, setting the mood even before the show begins. (The Tabard Theatre is wonderfully intimate, though the sight of a modern-day Marlboro Light did make me itch to replace it with a Rothmans.)

The set, designed by Lily Minores and Rob McKinley, effectively transports you to an era when the TV was always on, often showing the horse racing.

Stone (played by Miles Gallant) invites local police detective Hallett (Gary Webster) over to discuss his troublesome son, who is nowhere to be found.

After Hallett leaves, promising to return later, Stone then invites true crime writer Dee (Charlotte Hunter) to meet his wife. Yet the audience knows that Stone’s wife is dead. So why the invitation?

Gary Webster as Hallet.
r Miles Gallant as Stone and Charlotte Hunter as Dee https://tabard.org.uk/whats-on/the-business-of-murder/

You need to let your imagination run wild in the first half and simply enjoy the craft on display—it’s a rare treat to see an actor like Gary Webster perform on such an intimate stage. His portrayal of Hallett blends humor and drama seamlessly, making his character’s self-righteousness both entertaining and believable.

The drama student sitting next to me was in awe, and for good reason. If you’re studying acting, this performance is practically a masterclass. Webster’s ability to deliver witty quips while guiding the audience through the twists and turns is exceptional.

His character is not only charming and funny but also unflinchingly unapologetic, with an underlying ugliness that adds depth.

Gary Webster as Hallet https://tabard.org.uk/whats-on/the-business-of-murder/

Charlotte Hunter (Dee) also brings incredible depth to her character, avoiding the trap of one-dimensionality. Similarly, Miles Gallant delivers a strong performance, holding his own alongside the other two leads.

The only minor flaw in my opinion is the pacing in the second half. While it’s never dull, it does feel longer than necessary, leaving you wishing it would get to the point a little quicker. Even with such talented actors, some trimming would have benefited the production.

Here Steven Smith gets to chat to acting legend Gary Webster.

Tell us about The Business of Murder and why you chose to appear in it.


The Business of Murder is a great whodunnit—or rather, a great whydunnit! It is written by the legendary film, TV, and theatrical writer Richard Harris, so when the chance came along to audition for the role of grizzled cop John Hallett, I jumped at it.

Fortunately, the director liked what I could bring to the role, and I was cast. It’s one of the best roles I’ve ever had the chance to play, and I’m very thankful the show has been such a success.

One of your sons, Freddie, has gone into acting. What advice did you give him?

Enjoy, enjoy, enjoy. Take the work very seriously, but try to keep all the outside noise about what is deemed as success or failure at a distance. In the end, we are here to entertain and, hopefully, in some small way, make people’s lives better. I encourage both my sons to find something in life they love doing, whatever it may be and wherever it may take them.

Would you like to see Minder come back?

It would be great fun to bring it back, with me in more of an Arthur role and a new Minder looking after Ray Daley. There are always rumors that plans are underway because it was, and still is, so loved. However, as with the Shane Richie version, I’m not sure the powers that be would include me in their thinking—which has always seemed a little strange to me—but nothing surprises me in our beloved profession!

You recently judged the Autism Hero Awards. What was that like?

As always, I am honored to be asked, and it is an inspiration to be part of the process. It really brings everything into sharp focus and perspective as to what is truly important in life. It’s lovely to be able, in a very small way, to honor those who do such fantastic and life-changing work.

Gary Webster with fellow judges Samantha Lee Howe 2Shades very own Steven Smith The man of the moment Heartstopper Bradley Richies and Dr Anna Kennedy OBE.

2Shades thinks you should run as an MP. Is that on the horizon?

I’m open to anything at my age! If I could change the country and the world for the better, and the only way to do that was by being an MP, I’d like to think I could give a voice to people who are struggling. Having gone through so much in my own life, I feel I can relate to their fight just to get through the day.

Your look in The Business of Murder is channeling either a ’70s football manager or the quintessential gay clone. We had quite a few gay men message us when your picture went online. Do you think attitudes have changed toward the LGBTQ+ community, and would you like to play a gay role?

I’d certainly like to think attitudes have changed. However, I’m also very aware that the fight for full equality for everyone is still not over. Given recent events in America, with a new administration bringing such archaic views towards the LGBTQ+ community, we must never be complacent. Everyone in the world has the right to identify as they wish and to demand the rights afforded to all without exception.

I can’t believe that in 2024 this is still a battle, but it is, and it will continue until full equality is achieved. I have no problem playing a character who is gay, straight, or bi. In fact, I’ve played characters such as William Tallon in A Princess Undone opposite Stephanie Beacham, where I portrayed the iconic “Backstairs Billy,” who worked for the Queen Mother for many years.

Stephanie Beacham in A princess undone .

A character’s sexuality—whether gay, straight, or bi—is just one aspect of them. In the end, we all experience love, heartbreak, passion, sadness, and joy in the same way. These are universal human experiences, regardless of sexual orientation, and it’s time the world fully recognized that.

What are you and your wife, Wendy, doing for Christmas?

Usually, we’d just stay at home, but as Wendy’s dad is now nearby in London, we’ll be at his flat, cooking a vegan Christmas dinner for us, the boys, and Brian. I adore Christmas—my dad did too. His legacy to me was huge in terms of the joy and magic of Christmas, so it’s a time of year I always try to enjoy. That said, I’m very much aware that, for many, Christmas is a difficult time. My thoughts are always with those who are struggling mentally, physically, or simply trying to find a place to live during this season.

Gary Webster and his wife Wendy Turner Webster .

What would you like for Christmas?

Good health for those I love, the coming together of people around the world to make it a safer place, and 9 points for Arsenal over the Christmas fixtures!

What does 2025 hold for you?

Good health, hopefully, happiness for my sons and wife in all they do, and maybe a lead role in a Marvel TV series. That way, when I’m old and infirm, I can still turn up to Sci-Fi and Comic-Con conferences as my character, earn a ton of money, and have a nice two-day getaway in Vegas—all expenses paid!

2Shades Steven Smith with Gary Webster . https://tabard.ticketsolve.com/ticketbooth/shows/1173651533/events/428615519
Categories
Columns Health and Fitness Lifestyle People

“BOLD “

Pictures by Kelly Reeves Photography https://www.kellyreeves-photography.com and Caroline Sikkenk https://www.photoline.nl/engels/portfolio/expo/expo—bold

Steven Smith Attends the book launch of Pink Ribbon Foundation ” BOLD . At The House of Keune by Bloom. in London

https://www.pinkribbonfoundation.org.uk/shop/88/bold-photo-book

Glitz and glamour gathered in London on Thursday night for the launch of the coffee table photo book, BOLD. 

BOLD features pictures of women who have lost their hair—80 percent of them due to treatment for breast cancer.

The venue for the launch, The House of Keune by Bloom Salon, was impossible to miss; it stood out like a beacon of light. A hair salon might seem like an unusual choice to launch a book about being bald, but as an ex-hairdresser, I can say it was the perfect place.

Ten years ago, I was featured in My Left Boob, the story of my dear friend, actress and socialite Sally Farmiloe-Neville, who I shaved her head, styled wigs, and helped grow her hair back.

https://www.amazon.co.uk/My-Left-Boob-Sally-Farmiloe-Neville/dp/1909716030

The BOLD photo book is a powerful project that captures the beauty and resilience of women who have experienced hair loss due to breast cancer treatment, alopecia, or other conditions. The collaboration between the Pink Ribbon Foundation and Caroline Sikkenk Photography highlights the strength and femininity of these women through stunning portraits, offering a new perspective on beauty beyond hair.

Many of the women featured in the book were present at the launch, with their hair now grown back. The room was electric with love, laughter, and tears.

The photo book, with its high-quality presentation and 192 pages of artistic images, serves as a tribute to the courage of the women who participated. It’s also a meaningful way to support the Pink Ribbon Foundation, as all profits from the book’s sales go towards the charity’s efforts. Pre-orders are available now, offering a chance to own a piece of this empowering project while contributing to a vital cause.

https://www.photoline.nl/engels/portfolio/expo/expo—bold

The evening began with a chance to explore the BOLD exhibition, stylishly displayed around the salon’s shampoo area. It was an exciting atmosphere with celebrities such as Wendy Turner Webster (Pet Rescue), Dr. Anna Kennedy OBE, celebrity artist Piluca, and comedian Sarah Mulindwa joining the guests.

The real stars of the night were revealed as the guests sat down to listen to a panel headed by Lisa Allen and Dutch photographer Caroline Sikkenk. Models Lauren Plumb, Tricia Bailey, and Anais Muczynski, all from the iconic photo collection Bald and Beautiful, shared their stories of battling cancer with courage and great humor. The audience laughed, cried, and found inspiration in their stories. There was a standing ovation when Tricia shared her vocal talents and sang Sweet Caroline.

There wasn’t a dry eye in the house when a tribute was paid to one of the amazing models who is sadly no longer with us. Sally Franklin passed away after a recurrence of breast cancer, but her brave and supportive family was present to share their love and memories of this incredible woman.

Sally Franklin

Lisa hopes to take the panel and show to Scotland next, and we at 2 Shades salute her, her team, and the incredible women of BOLD.

https://www.pinkribbonfoundation.org.uk

https://www.bloomlifestyle.co.uk/london-salon/

Categories
Uncategorized

WHY WE WILL ALL SOON BE SHOUTING “RA,RA”


Ra Ra aka Raquel Reno:The birth of a Gay Icon

⭐⭐⭐⭐⭐Rating: 5 out of 5

Steven Smith reviews Ra, Ra ( Raquel Reno)

Ra Ra (aka Raquel Reno) burst onto our screens when she appeared on the BBC reality TV show “Unbreakable”, alongside her formidable fiancé, Charlie Mullin OBE.  

“Unbreakable” 2022 is a reality TV show that claims to have given six celebrity couples the “ultimate test” to prove they are the perfect pair.  It’s “funny, relatable and occasionally terrifying”. Rob Beckett coaxes and cringes as six celeb couples compete to prove they’re the perfect pair.

Ra Ra’s now fiancee Charlie Mullin OBE proposed to her live on the reality TV show Unbreakable, back in October 2022. 

On “Unbreakable” most people I know fell for the bubbly, delightful Reno right away. At first glance, Mullin and Reno may seem like a chalk and cheese pairing, however the reality is that they are a great match. They certainly made for addictive viewing, and in my humble opinion, they went out of the show far too early

On one of the show dinners, Ra Ra (That’s my favourite name for Raquel because it makes her sound like the star I believe she is!) was in conversation with Lincoln Townley ( artist and husband to Loose Women Star, Denise Welch – this pair incidentally won the show), and she announced that she was a singer who had recently travelled all the way to Nashville, Tennessee to record her first album. 

Someone piped in “Go on” and RaRa promptly demonstrated her vocal talents, impressing the celebrity couples and us, the audience at home. 

However, it was an improv taste of RaRa and by no means her best performance. Raquel has a rare quality and personality wise reminds me a little of ‘Barbara Windsor meets Amanda Barrie’. 

There is something about the Cheltenham-born brunette that screams “Gay Icon” right away; she is adorable and makes you want to know more. 

There is something about the Cheltenham-born brunette that screams “Gay Icon” right away; she is adorable and makes you want to know more. 

Some months after “Unbreakable”, I was privy to her upcoming EP (due out this June). It told a different story. The songs were brilliantly catchy, her voice was incredible and she brought the sixties (my favourite era) bang back to life with a twist. 

You can just imagine  the pet shop boys calling out to work with Reno.

With the current trend of basic singers being made to sound like Divas by technology, I did wonder how Ra Ra would stand up to a live performance. Did it really matter? We had all fallen for Ra Ra anyway.

I was lucky enough to be invited to her first London concert of 2023, at the intimate and delightful QT bar at Middle Eight Hotel in Covent Garden, where everything about the venue screamed 60’s. 

I felt sure the Kray boys and Danny la Rue were going to walk in any minute. 

Ra Ra’s first EP is coming out in June. Watch this space!

Ra Ra was supported by her three backing singers and a band worthy of the London Palladium. Not being unkind, but initially I did think that this might be to cover up the fact that she is not as strong vocally. Certainly, when she came on stage you rooted for her, but nerves kicked in and the first number was not as amazing as I think the perfectionist that is Raquel would have wanted it to be. However, as she warmed up, the audience began to realise that we were looking at a real super star in the making. We were all brought to our feet in applause. Her vocal range was an unstoppable powerhouse that could bring the roof down. 

What is so endearing is how humble Ra-Ra is about her own talent.  She is a team player with her band, and she is a writer and an incredible singer, but there is something about her that says she still wonders “How did I get here?!” despite already performing in China and Dubai. It is this vulnerability that Raquel channels to her audience that will make her a huge hit amongst the LGBTQ community. She has fought to get where she is now and just like Judy, Liza and Amy, she has a story to tell, and she is not afraid to show how it feels to believe in who she is. 

Certainly, she evokes the feeling of icons like Dusty Springfield and Cilla Back, without imitating them.

Ra-Ra takes time to talk to her audience and that adds to the charm of the evening, thanking her grandmother and apologising for being a hurricane when she comes round. Her grandmother, who was staying at the Savoy Hotel for the night, almost burst with pride, “Raquel brings happiness wherever she goes”, and you really believe her. 

Raquel is worthy of the Palladium next time. 

Let’s hope she sees what we all saw tonight: a true star who still looks like she would pop the kettle on for her gran or anyone else that she met. 

If there was any criticism to a flawless show, I would say Raquel, you’re the star: get that hair out of your beautiful face, channel your inner Pricilla Presley or another 60’s icon of your choice. I cannot wait to see what you do next.

YOU CAN NOW PRE-SAVE SWEET HURRICANE – RELEASE DATE 5.7.24 https://unitedmasters.com/m/sweet-hurricane