Author: Steven Smith.

Steven Smith was born in Coatbridge in Scotland. He was brought up in Whitley Bay, before briefly moving to London. He then moved to the seaside town of Brighton, where he was first receiver recognition for his hairdressing skills. Steven moved to America for eight years, working in Beverly Hills, and on his return to London in the late 90s, rose to fame working in fashionable Knightsbridge. He has styled model Katie Price, actress Denise Welch, David Hasselhoff and the cast of Baywatch. Steven had his own column in The Sun newspaper advising on hair and beauty, and was a regular on the Lorraine Kelly show, transforming GMTV viewers into their favourite stars. He made over Lorraine herself, transforming her into movie legend, Elizabeth Taylor.

Steven has been a freelance writer for the last ten years, combining showbiz interviews and travel with his eye for styling. He has written two books: Powder Boy, looking at the dark side of showbiz, and an autobiography: It shouldn't happen to a hairdresser, offering a witty and sad look at his life. He is currently penning a third book to be titled Happy in Chennai.

He has a monthly column, Tales of a single middle-aged gay man that looks at not only the light side of gay life, but also darker aspects such as rape, addiction, and chem-sex. Steven also runs his own beauty/aesthetic blog and is a patron of Anna Kennedy online; a charity that not only supports the autism community but educates the public about those that live with autism.

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Anna and Steven joined Wendy and Anthea Turner at the festive launch of their latest book, A Covent Garden Christmas.

It was a celebrity-packed afternoon on London’s iconic King’s Road as guests gathered for the launch of A Covent Garden Christmas, the latest festive children’s book from the ever-popular duo Wendy Turner and Anthea Turner. The event took place at the chic White Coco store, which proved the perfect setting for an afternoon brimming with seasonal cheer, literary sparkle, and familiar faces.

From the moment the doors opened, there was a palpable buzz as fans clambered for signed copies, eager to exchange a few words with the authors and soak up the festive atmosphere. The King’s Road, already alive with Christmas energy, felt even more special as the boutique filled with laughter, conversation, and the unmistakable excitement that only a book launch can bring.

Anna and Wendy

Among those lending their support were 2Shades columnists Dr Anna Kennedy OBE and Steven Smith, both warmly welcomed as they joined the celebrations. Their presence added to the sense that this was not just a publishing event, but a gathering of friends, creatives, and supporters coming together to celebrate storytelling and imagination.

A Covent Garden Christmas is the latest instalment in the much-loved Underneath the Underground series and marks the fourth adventure to delight young readers. This time, the story unfolds with deliciously eccentric flair: a bald Christmas tree, a missing butler, and a runaway red bus ensure that the festive season begins in anything but ordinary fashion. When King Charles and Queen Camilla find their royal Christmas plans descending into chaos, the pair are forced to improvise decorations, shop in disguise, and navigate a series of comic mishaps that will keep children giggling from page to page.

Steven Joins in the festive fun ,

Running parallel to this royal mayhem is a tender and imaginative story set beneath the streets of London. Snowball, a lonely white mouse, escapes his neglectful owner and stumbles into a secret underground world where theatre mice rehearse a magical pantomime at the spectacular London Palladium. It is here that friendship, creativity, and courage come to the fore. When Snowball is suddenly snatched away and the Underground’s handmade Christmas presents mysteriously disappear, it falls to the daring Special Mouse Services to save the day. With teamwork, bravery, and a sprinkling of festive magic, Christmas Day itself hangs in the balance.

Friends join Wendy and Anthea to celebrate their book launch ,

Brimming with humour, heart, and festive adventure, the book introduces a host of delightful new mousy characters while welcoming back many familiar favourites who have already captured the imagination of children everywhere. It is a story that celebrates kindness, resilience, and the joy of working together—timeless messages wrapped up in a thoroughly modern and mischievous Christmas tale.

The guest list reflected the book’s broad appeal. Among the celebrities in attendance were Loose Women panellist Jane Moore, renowned hairdresser Nicky Clarke, and Minder star and acting royalty Gary Webster. Each took time to congratulate Wendy and Anthea, praising the warmth and imagination that have become hallmarks of their writing.

Lisa Allen from the Pink Ribbon charity joins the fund with Anthea and Wendy .

No festive launch would be complete without seasonal treats, and guests were duly indulged with glasses of bubbly and delicious vegan mince pies—an inclusive touch that reflected the thoughtful spirit behind the book itself. Conversations flowed easily as attendees browsed the boutique, thumbed through freshly signed copies, and posed for photographs amid tasteful Christmas décor.

As the afternoon drew to a close, it was clear that A Covent Garden Christmas is set to become a firm festive favourite. With its blend of gentle satire, heartfelt storytelling, and London-centric magic, the book captures the very essence of Christmas—proving that whether you are royal, mouse, or somewhere in between, friendship and imagination can make the season truly unforgettable.

For more information, visit White Coco and Splendid Publications. https://www.splendidpublications.co.uk/blog/sisters-anthea-and-wendy-turner-on-the-same-page-once-more-as-they-enjoy-a-hello-magazine-photoshoot-and-discuss-their-new-book-the-kings-coronation-and-the-kohinoor-diamond

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Columns Health and Fitness Lifestyle Travel

Eating Out with Steven .

123vegan Browns

https://123vegan.co.uk

My last two dining experiences began with a maître d’ who seemed to have stepped straight out of a sitcom, delivering the inevitable line — “Have you booked?” — in a tone that somehow manages to feel both accusatory and theatrical. Honestly, it makes me want to scream, “If I had booked, I would have told you!” It’s a small moment, but it can instantly drain the anticipation from what should be a relaxed and enjoyable evening out.

Thankfully, any lingering irritation melted away entirely when I arrived at 123 Browns. It isn’t the easiest place to find, but trust me — it is absolutely worth the search. Tucked away like a secret waiting to be discovered, this intimate yet beautifully curated venue feels calm, thoughtful, and quietly confident. From the moment you step inside, there is a sense that this is a place created with care. The space is stylish without being showy, warm without being overbearing, and there is also a charming outdoor area that feels perfect for long conversations and unhurried evenings.

Specialising in plant-based cuisine, 123 Browns proves — emphatically — that vegan dining can be indulgent, creative, and deeply satisfying. This is not food that relies on novelty or gimmicks; it is food that speaks for itself. The service plays a huge part in setting the tone. With only two members of staff working, the experience felt remarkably seamless. From the outset, we were treated less like customers and more like welcome guests. The team took time to explain the menu clearly and enthusiastically, answering questions with genuine warmth. My friend’s rather complex dietary requirements were handled with complete ease, and the wine and food recommendations were thoughtful, informed, and delivered without even a hint of judgement or impatience.

The food itself was outstanding. Every dish felt carefully considered, beautifully presented, and packed with flavour. This is plant-based cooking that doesn’t attempt to imitate meat unnecessarily, but instead celebrates texture, balance, and freshness. The seasoning was confident without being heavy-handed, allowing individual ingredients to shine. If you love sushi, the plant-based sushi here is nothing short of divine — fresh, inventive, and genuinely memorable. Each bite felt clean, vibrant, and indulgent in equal measure. My only regret is that I didn’t order more savoury dishes before sensibly — or foolishly — leaving room for dessert.

And then there was the dessert. The matcha cheesecake deserves its own paragraph, possibly its own fan club. It may genuinely be the dessert of the century. Silky smooth and perfectly balanced, it was indulgent without ever feeling heavy. The matcha flavour was subtle rather than overpowering, lending depth and elegance rather than bitterness. I had two. Yes, two. Naughty? Absolutely. Worth it? Without question.

What truly sets 123 Browns apart, however, is its atmosphere. There is a calm, welcoming energy that makes you feel instantly at ease — almost like coming home. It feels like a safe, comforting space where you are encouraged to slow down, be present, and enjoy food that has clearly been prepared with intention and care. Honestly, just go. It is a treat in every sense, and once you have been, you will already be planning your return.

https://123vegan.co.uk

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Columns People Travel

Carry On, Barbara Windsor

My tribute to the legend Dame Barbara Windsor (1931–2020)This article was first published in the year of Barbara’s passing. I felt it was important that it did not fade away, not only as a tribute to Barbara’s extraordinary talent and character, but also in recognition of Scott Mitchell , who has since gone on to do remarkable things.

By Steven Smith

Who did not love Barbara Windsor — the second Queen of the UK and true British acting royalty? I genuinely do not know a single person who, on Thursday 10th December, did not shed a tear at the (though expected) loss of the world’s most bubbly blonde. We will never forget that infectious, suggestive laugh, nor the extraordinary talent of that iconic Cockney bird.

Dame Barbara Windsor was best known for her roles in EastEnders and the Carry On films. Her acting saw her BAFTA-nominated for her role in Sparrows Can’t Sing and Tony-nominated for her Broadway performance in Oh! What a Lovely War.

Barbara became a Dame not just for her work in entertainment, but also for her incredible dedication to charity. Her support spanned a diverse range of causes, including Age Concern, Age UK, the Amy Winehouse Foundation, Great Ormond Street Hospital — the list truly is endless.

I can’t hand on heart say that Barbara was a close friend of mine — the word friend is used so liberally these days. But over the years, I encountered her many times and was fortunate enough to spend quality time with her. You never forgot a chat with Barbara, because in a world of showbiz magic, she was refreshingly real and wonderfully to the point.

My first outing on the London showbiz scene was with journalist Lester Middlehurst. It was a little nerve-wracking for me, and among the celebrities present was Barbara Windsor, who knew Lester well. My dad was a huge fan of the Carry On films, as was I, and I felt star-struck and slightly out of my depth. Before I knew it, there were around five flamboyant men all vying for Barbara’s attention.

Standing beside me was a very handsome dark-haired fellow named Scott. It was a relief chatting to him — he was down-to-earth, funny, and instantly put me at ease. Not long after, Barbara came over to us. Of course, Scott was her fella, and together they were simply lovely — a genuinely warm and affectionate couple.

Being keen on theatre, I asked Barbara what it was like working at the Royal Court with Joan Littlewood. She looked at me quizzically and said, “What did you ask me, darling?” I repeated the question just as her posse of admirers returned.

At June Browns book launch with Scott and Barbra

“Sshhshh,” she said. “I’m talking to Steven.” She took Scott and me aside and laughed, “That’s not the usual question I get asked.” We had a wonderful chat, and Lester later commented, “Barbara seemed to like you.” She had that rare quality of making people feel special — she genuinely made others feel good.

Over the next few years, I chatted more with Scott — he shared my sense of humour. My next meeting with Barbara was at my dear friend, Irish singer Rose-Marie’s 50th birthday, held in a pub on the Edgware Road. Barbara made a beeline for me.

“You’re always chatting to my Scott,” she said. “You know, darling, some people who ought to know better aren’t always nice to him.”

We spent ages talking about relationships. At the time, my partner was 28 years older than me, and we discussed people’s reactions to age gaps.

I asked her, “Are you looking forward to becoming a Dame?”

“Never — not with my history with Ronnie and the boys,” she laughed.

But right it was — and a Dame she most deservedly became.

There was also a wonderfully camp trip to Marbella with some of the Coronation Street cast, including the fabulous Denise Welch. EastEnders were filming there, and Barbara, Scott, and Rula Lenska joined us for dinner. What a wild night that was.

The last time I saw Barbara and Scott was at June Brown’s book launch, Before the Year Dot. Executives were desperately trying to lure Barbara back into EastEnders — even that night they were pitching it to her. But she wasn’t budging.

“I’ve had enough,” she told me and Rose-Marie.

Something struck me when news of her death broke. So many people began by commenting on her height. Perhaps because I’m not a size-queen, it never once crossed my mind. Barbara was huge in stature — she filled every room with personality and talent. She certainly did not suffer fools gladly. She was, without doubt, a giant of the industry.

Barbara was a true professional. She always had a smile on her face at every event. As her on-screen daughter Daniella Westbrook recently said, Barbara believed you owed it to the public to always put on your happy face: “If you’re not at your best, don’t go out.” Daniella added that once Barbara got home, she liked nothing more than putting the kettle on, taking her shoes off, sitting on the sofa — and simply being Babs.

Babs — who we all miss dearly.

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Columns Lifestyle People

Rocco Ritchie is an artist to be reckoned with.

It would be easy to rush to call Rocco Ritchie a “nepo baby” and dismiss his artistic success as being down to his famous parents. Of course, any help in an industry riddled with nepotism and driven by who you know can be an advantage. However, I am the first to say that Rocco is a huge talent with an original voice — if there is such a thing — and that originality is precisely why he is taking the art world by storm.

Rocco Ritchie is gaining recognition not because of who his parents are, but because of who he is becoming. In an industry often suspicious of famous surnames, he has quietly and confidently carved out a space that feels earned rather than inherited. Far from the caricature of a “nepo baby,” he has demonstrated discipline, originality, and a genuine commitment to craft that has surprised critics and collectors alike.

The label of nepotism is an easy one to reach for. As the son of global icon Madonna and filmmaker Guy Ritchie, Rocco grew up surrounded by creativity, privilege, and cultural capital. Yet what is striking about his artistic rise is how deliberately he stepped away from the spotlight that might have guaranteed instant attention. For years, he worked under a pseudonym, allowing his art to speak before his name did. That decision alone signals intent: Ritchie wanted critique, not cushioning.

His work does not rely on imitation or celebrity gimmickry. While many emerging artists fall into the trap of echoing fashionable trends or overtly referencing their influences, Ritchie resists this. Too often, artists with minimal talent but strong PR and marketing skills are sold to naïve buyers on the strength of a story rather than substance. The work may look good on a wall, but when it comes time to resell, the narrative unravels. Ritchie’s art does not rely on hype; it stands on its

own.

His work feels personal and idiosyncratic, and my hunch is that it will one day sell at serious auction houses. His paintings often explore mood, texture, and form with a restraint that belies his youth. There is confidence in his mark-making and composition, but also vulnerability — an understanding that art is as much about questioning as it is about declaring.

What sets Ritchie apart is that his work resists easy categorisation. There are echoes of classic portraiture, abstract expressionism, and urban grit, yet these elements are filtered through a distinctly contemporary lens. His use of layered surfaces and muted palettes gives the impression of images emerging from memory rather than being presented as finished statements. This refusal to over-explain is refreshing in an age of overexposure.

Equally compelling is Ritchie’s personal evolution. Over recent years, he has grown into a strikingly handsome and self-assured man, yet without the performative bravado often associated with celebrity offspring. There is a quietness to his public presence — a sense that he is more comfortable in the studio than on the red carpet. This grounded demeanour enhances his credibility as an artist committed to longevity rather than instant fame. He does not overtly reference other artists in his work, though there may be subtle echoes of the Mexican greats Frida Kahlo and Diego Rivera — favourites of his mother — woven quietly into his visual language.

Public fascination has also been reignited by rare and genuinely touching moments of unity between his parents. Seeing Madonna and Guy Ritchie together in public for the first time in years, supporting their son, struck a chord. In an era where celebrity family dynamics are often reduced to spectacle, their shared pride felt sincere. It underscored that Rocco’s journey has not been about rebellion or reaction, but about reconciliation — between heritage and independence, privilege and purpose.

It would be naïve to deny the influence of Madonna’s deep love of art. A lifelong collector with a formidable eye, she has immersed herself in fine art, from classical masters to cutting-edge contemporary works. Growing up around such visual literacy undoubtedly shaped Rocco’s sensibilities. But influence is not imitation. Rather than copying his mother’s tastes, Ritchie appears to have absorbed an understanding of art as dialogue — between past and present, self and society.

What makes his rise feel so timely is that audiences are craving authenticity. Collectors and critics alike are increasingly weary of hype without substance. Ritchie’s work rewards slow looking. It invites interpretation without dictating meaning. This approach has helped him build genuine momentum, with exhibitions that attract attention not because of scandal or surname, but because viewers are curious to see what he will do next.

Rocco Ritchie’s emergence reminds us that legacy does not have to be a burden. It can be a foundation — one that still requires effort, risk, and humility to build upon. He is not storming the art world with noise, but with nuance. And in today’s cultural climate, that quiet confidence may be the most radical statement of all.

END

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2Shades columnist Dr Anna Kennedy OBE honoured

.A Standing Ovation for Service, Heart and Commitment: Dr Anna Kennedy OBE Honoured at Strictly Christmas

There are moments in charity fundraising that feel genuinely special — not staged, not expected, but deeply earned. One such moment came during this year’s Strictly Christmas event, held in support of Zoe’s Place Baby Hospice Coventry, when the Special Recognition Award was presented to Dr Anna Kennedy OBE.

Presented by James Sanders, co-founder of Strictly Christmas, the award recognised nearly a decade of tireless dedication, encouragement and belief from someone who has been part of the event’s very DNA since its earliest days in 2017.

Taking to the microphone, Sanders spoke warmly of Anna’s long-standing role not only as a judge, but as a champion of everything Strictly Christmas stands for. “For the past eight years,” he said, “Dr Anna Kennedy OBE has not only served as a judge, but has been a true ambassador for this event. She brings warmth, professionalism and a genuine love of dance — always encouraging our performers.”

That encouragement, he noted, echoed the support once given to Anna herself by the late Robin Windsor during The People’s Strictly, highlighting the cyclical nature of kindness that defines the Strictly Christmas ethos.

Yet, as Sanders made clear, Anna’s influence stretches far beyond the judges’ table. Behind the scenes, she has been a constant presence — offering guidance, belief and connections that have helped the event grow in stature year on year. Thanks in no small part to her advocacy, the calibre of judges has risen, audiences have expanded, and the fundraising total continues to climb, edging ever closer to the remarkable £1 million milestone.

“Anna has seen every show we’ve put on,” Sanders said, “and every pound raised. Her belief in the Strictly Christmas family has shaped the experience of every performer over the past nine years.”

The recognition was all the more powerful because it was entirely unexpected. Visibly moved, Anna described the moment as “a complete surprise” and “one of the most touching honours I’ve ever received.”

“This event really is the highlight of my year,” she said. “Strictly Christmas is about people — about giving joy, confidence and opportunity while raising vital funds for an extraordinary cause. To be recognised by a family I care so deeply about means the world to me.”

She also reflected on the wider purpose behind the glitter and glamour. “When you see the difference this support makes to families and children at Zoe’s Place, it reminds you why community matters. This is what happens when people come together with heart.”

As the audience rose to its feet, it was clear this award celebrated far more than longevity. It honoured compassion, leadership and a steadfast commitment to lifting others up — values that sit at the very heart of both Strictly Christmas and Dr Anna Kennedy OBE herself.

On a night filled with sparkle, it was humanity that truly stole the show.

Coventry Hospice
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There is no room for any antisemitic behaviour in any civilised country .

There is no room for antisemitic behaviour of any kind in any civilised country. Antisemitism is not merely a matter of offensive language or misguided opinion; it is a corrosive force that undermines the very foundations of a democratic and inclusive society. Wherever it appears, it erodes trust, fuels division, and threatens the safety and dignity of Jewish people, who have faced centuries of persecution rooted in prejudice and misinformation.

A civilised nation is defined not only by its laws and institutions, but by its moral compass. It is measured by how it protects its minorities, upholds human rights, and challenges hatred in all its forms. Antisemitism stands in direct opposition to these values. Whether expressed through casual remarks, harmful stereotypes, conspiracy theories, vandalism, intimidation, or violence, it must be recognised for what it is: racism, plain and simple.

History has shown us the devastating consequences of allowing antisemitic attitudes to go unchallenged. When hatred is normalised or dismissed as trivial, it creates fertile ground for discrimination and, ultimately, atrocity. The lessons of the past place a responsibility on all of us—individuals, communities, institutions, and governments alike—to remain vigilant. Silence in the face of antisemitism is not neutrality; it is complicity.

In recent years, antisemitism has taken on new and often insidious forms, spreading rapidly through online platforms and social media. Disinformation, coded language, and dog-whistle rhetoric can make hatred appear respectable or “debate-worthy,” when in fact it is neither. Free speech is a cornerstone of democratic societies, but it does not extend to the promotion of hatred or the dehumanisation of others. Robust debate must never be used as a shield for prejudice.

Education plays a crucial role in combating antisemitism. Teaching accurate history, encouraging critical thinking, and fostering empathy are essential tools in dismantling ignorance and fear. Equally important is leadership—political, cultural, and civic—that is willing to speak out clearly and unequivocally. There can be no ambiguity when it comes to condemning antisemitism; half-measures only embolden those who seek to divide.

Ultimately, standing against antisemitism is not solely about defending Jewish communities, though that is vital. It is about defending the principles of equality, justice, and human dignity for everyone. A society that tolerates hatred against one group will, inevitably, find that hatred spreading to others. Civilisation demands better. It demands courage, clarity, and compassion—and an unwavering refusal to allow antisemitism, in any form, to take root.

https://cst.org.uk/antisemitism/report-antisemitism?fbclid=IwY2xjawOse5hleHRuA2FlbQIxMABicmlkETBjV2oxMGtkNmFCMGVaUXhYc3J0YwZhcHBfaWQQMjIyMDM5MTc4ODIwMDg5MgABHm5dvAXnMRI9LX6w-wZlK308i23FOhXl2q2CadWlMYXPHj70rbWBipllFC4T_aem_fQAV-FAQ9lnBEn37LBhCZg#:~:text=Report%20Antisemitism%20–%20CST%20–%20Protecting%20Our,24%2Dhr

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Steven’s Viewz A Christmas Message wishing for Empathy in 2026.

As we approach the end of another eventful year and step into the promise of 2026, I want to begin by wishing every one of you a very Happy Christmas. Whether you celebrate the season quietly, joyfully, or somewhere in between, I hope the coming weeks bring you warmth, connection, and moments of genuine peace. Christmas is a time of reflection as much as celebration, and for me, looking back over 2025 brings both change and gratitude.

One of the biggest changes this year was saying farewell—though never goodbye—to my gorgeous friend and co-founder of 2Shades, Adishiri Chengappa. Many of you will know her as the bright, compassionate, and fiercely driven woman who helped bring this magazine to life. Adishiri has returned to India to study counselling, and I have absolutely no doubt she will become a brilliant one. Her heart, her empathy, and her ability to really listen to people make her an extraordinary human being, and those are precisely the qualities that will make her excel in her new profession.

Although Adishiri is stepping down from the magazine to focus on her studies, she remains a lifelong friend—both to 2Shades and to me personally. Our bond is permanent, and her contribution to the magazine will always be part of its foundations. Behind the scenes, we are now in discussions with a new partner who will join the 2Shades family and help carry the torch forward.

For those of you who may be newer readers, let me say this clearly: 2Shades has never been “just” an LGBTQ+ magazine. From day one, we envisioned a vibrant, inclusive space—a place for everyone. A magazine that is joyful yet unafraid; stylish yet unfiltered; a platform for voices that deserve to be heard. We speak our minds, we cover subjects that others shy away from, and we stand firmly by our philosophy that representation and honesty matter.

Over the years, we’ve covered everything from fashion, art, and entertainment to some of the most difficult and deeply important topics affecting people today. We have reported on male rape, mental health, identity, domestic violence, addiction, grief, and more. The world is multifaceted, and so are the people in it; 2Shades aims to reflect that complexity.

A huge part of what makes this magazine special is our remarkable team of columnists. Our Agony Aunt, Heidi Gammon, continues to grow in popularity, offering advice with wit, warmth, and plain-spoken honesty. Dr Anna Kennedy OBE brings vital insight, advocacy, and compassion through her work in autism awareness and support. Our beauty expert Clare McSweeney adds glamour, empowerment, and the kind of practical advice that boosts confidence. And this year we welcomed Richard Andrews, who’s new “Money Matters” column is already proving invaluable to readers navigating finances during turbulent times.

Clare 2Shades columnist with Aston Avery she is on Gateway every month .

All of them are thriving on social media, and their readership continues to soar—a testament to the authenticity and relevance they bring.

What makes all of this even more remarkable is that the magazine still has no sponsors. I work entirely for free, as do many involved. And we do it because we believe in 2Shades, in its purpose, and in the community surrounding it. But as we look ahead to the future—and to the possibility of expanding globally—sponsors and advertisers will eventually be essential. If you’ve enjoyed the work we’ve done, if the magazine has informed, entertained, or supported you in any way, then please help us grow by spreading the word. Share the link, recommend us, tell people who we are and what we stand for. That simple act makes a world of difference.

And speaking of difference: there is something else I’d like to ask this Christmas.

If you feel moved to show appreciation for the magazine’s work this year, please consider donating to Anna Kennedy Online, a charity that means an incredible amount to me personally. Not only is Anna a dear friend, but I am honoured to have been a patron of her autism charity for nearly twelve years—something I remain immensely proud of. The work AKO does is life-changing for autistic children, adults, and families across the UK. If you would like to donate, the details are below; even the smallest contribution helps.

Dr Anna Kennedy OBE with me.

Looking ahead, my biggest hope is that 2026 will be the year 2Shadesbecomes a global success. A huge portion of our readership already comes from the United States and Australia, which shows that our message resonates far beyond the UK. We speak to universal experiences—identity, struggle, connection, joy, and truth. These things transcend borders.

And that brings me to my wish for 2026, a simple yet powerful one:
More empathy. More understanding. More respect.

We live in an increasingly polarised world, where disagreement is seen as a personal attack and differing opinions are met with hostility rather than curiosity. One of the wisest things I heard this year came from Peter Tatchell at the screening of “Legendary Children: All of Them Queer.” He said:

“By going into other places and organisations and being your authentic self, making a positive difference, people will start to change their views.”

That stayed with me, because it reminds us that real progress rarely comes from shouting or fighting—it comes from presence, compassion, and consistency.

Yet too often, respect is missing from the smallest everyday interactions. I’ll give you an example. I have not eaten red meat or pork for 49 years. It’s part of who I am. I don’t need to explain why; it doesn’t need to be debated. Yet more times than I can count, I’ve sat down to a meal only to be told, “Oh, just scrape it off,” as if my boundary were an inconvenience rather than something worthy of respect.

It’s such a small thing, but small things matter. Empathy shows itself in the details. Most people, of course, are thoughtful and considerate—but we all know others who refuse to see beyond their own beliefs. They hold strong opinions on everything yet become instantly outraged if you question theirs. They expect understanding but rarely offer it in return.

And then there are those who appear addicted to drama—who cannot be content unless they are creating conflict or turning an event into something about them. Rather than bringing joy, talent, or positive energy to a gathering, they bring chaos. It is, in my opinion, a kind of addiction in itself. A hunger for attention that stifles empathy and dims the light for everyone else. As such addiction is an illness and I have empathy there. However when an illness is contagious or has a knock on effect on your mental health you need to walk away in the end.

Imagine how different the world could be if empathy were something we practised as naturally as breathing. If instead of reacting, we paused. Instead of judging, we listened. Instead of assuming, we asked.
If 2026 could bring even a fraction more understanding into everyday life, what a transformation we would see.

So as we wrap presents, raise glasses, and welcome the new year, my message is this:
Celebrate with kindness. Speak with honesty. Live authentically. Respect differences—not just the ones that are easy, but the ones that challenge you. And above all, look for ways to make someone else’s world a little better.

To every reader, supporter, contributor, and friend of 2Shades: thank you for being part of this journey. Here’s to a beautiful Christmas, a hopeful New Year, and a 2026 filled with courage, connection, and compassion.

With love and gratitude,
Steven

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Swimming for Hope: Journalist Sarah White’s Inspiring English Channel Challenge

https://www.justgiving.com/page/sarah-white-aspire-channel-relay?utm_medium=FR&utm_source=CL

Many moons ago, I arrived at Gatwick Airport filled with a mixture of nervous anticipation and mild panic. I was heading to the Dominican Republic on a press trip, tasked with writing about its pristine white sands, enticing turquoise waters, and lush tropical surroundings. As usual, my luggage was overweight—my perennial travel hazard—but that wasn’t the biggest source of my unease. What truly unsettled me was the idea of travelling with a group of complete strangers.

Press trips can be unpredictable. They sometimes feel like entering a version of the Big Brother house: you meet people who may turn out to be lifelong friends, or you spend the entire time wishing for an early eviction. Thankfully, fate was on my side. Among my fellow journalists were two exceptional women—now widely known and respected—Sarah White and Gemma Calvert. Even back then, it was clear they were destined to shine in their field. Warm, witty, and brilliant, they lit up the trip from the moment we met, and we laughed our way across the Caribbean.

So, when a WhatsApp message pinged onto my phone recently from Sarah announcing she would be swimming the English Channel, I wasn’t remotely surprised. If anyone possesses the determination, spirit, and zest for life required to take on one of the world’s toughest endurance challenges, it is Sarah.

At 2Shades, we are immensely proud to support this amazing woman. Here is her remarkable story—and how you can join us in helping her raise funds for a truly life-changing cause.

Sarah’s Challenge: A Swim Like No Other

Sarah White, a passionate sea swimmer from Hythe, has long admired those courageous enough to take on the English Channel. Considered the Everest of open-water swimming, the Channel is unpredictable, cold, and relentlessly demanding. Yet, on 29 August 2026, Sarah will join a team of five fellow swimmers to attempt an English Channel Relay Swim, covering an extraordinary 21 miles in what may become a grueling 14–16 hour journey.

This is not simply a personal challenge; it is a mission driven by heart.

Sarah is aiming to raise £5,000 for Aspire, a charity devoted to supporting people with life-changing spinal cord injuries. Their work helps individuals regain independence, rebuild confidence, and reclaim their futures. The need is urgent: every two hours, someone in the UK becomes paralysed due to a spinal cord injury.

A Message from Sarah White

“As a passionate sea swimmer from Hythe, I’ve been inspired by the incredible journeys of others who have taken on the challenge of swimming the Channel.

On 29 August 2026, I will join five others in attempting the English Channel Relay Swim, covering approximately 21 miles in what could be a gruelling 14- to 16-hour journey.

I am raising £5,000 for Aspire, a charity dedicated to providing support and fostering independence for individuals with life-changing spinal injuries. This cause is incredibly important; every two hours someone is paralysed due to a spinal cord injury. By supporting Aspire, we can make a significant difference to the lives of those affected.

I’ve already begun my training regime to prepare for this monumental challenge, but I need your help to reach my fundraising goal. Please consider donating whatever you can to this worthy cause. Your contribution will not only support Aspire but also inspire hope and resilience in those facing spinal injuries.

Donating through JustGiving is simple, fast, and completely secure. Your details are safe with them—they will never sell your information or send unwanted emails. Once you donate, your money goes directly to the charity, making it the most efficient way to contribute and ensuring that every penny counts towards helping those in need.”

Why Her Story Matters

Sarah’s challenge is more than a swim—it’s a powerful reminder of the strength of community, determination, and empathy. Watching someone you once giggled with on a sun-drenched beach take on one of the world’s greatest endurance feats is nothing short of inspiring.

Her journey is a testament to what can happen when courage meets compassion.

And she isn’t doing it alone. Every donation, every share, and every message of support helps carry her across those vast, unpredictable waters.

https://www.justgiving.com/page/sarah-white-aspire-channel-relay?utm_medium=FR&utm_source=CL
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Dr Anna Kennedy OBE Column

Anna Kennedy here, wishing all 2Shades readers a Happy Holiday, a wonderful Christmas, and a brilliant start to 2026.

As we head into one of the most magical—and often most demanding—times of the year for families of autistic children and adults, it’s important to remember that the festive season can bring unique challenges. While Christmas is filled with lights, music, gatherings, and excitement, these same elements can also create sensory overload, anxiety, and feelings of being overwhelmed. With a little planning, understanding, and flexibility, it’s possible to create a festive period that feels joyful, calm, and inclusive for everyone.

Here are my top seven tips to help ensure the Christmas season goes smoothly for autistic children and adults, as well as their family and friends:

Keep routines where possible.
Routines offer predictability and comfort, especially during a time of year when everything else seems to change. Try to keep familiar daily patterns in place — this can include mealtimes, bedtimes, and regular activities. Even small, consistent moments can help anchor the day and reduce stress. My son Angelo thrives on routine and planning, as things can become quite overwhelming for him.

Create a quiet, safe space.
Christmas often means a busier house, louder environments, and extra stimulation. Setting up a quiet area in the home — such as a bedroom, a corner of the living room, or a cosy den — can allow someone to step away and regroup when needed. You know your child or adult best, so place comforting, familiar items such as soft blankets, favourite toys, calming music, or noise-cancelling headphones.

Prepare for changes in advance.
Many autistic people feel more comfortable when they know what to expect. Talk through upcoming events such as school plays, family visits, or trips to busy shops. Visual schedules, countdown calendars, or simple checklists can all help. This preparation reduces anxiety and provides a sense of control.

Introduce decorations gradually.
The sudden arrival of bright lights, strong scents, and sparkly decorations can be overwhelming. Instead of transforming the house overnight, add decorations slowly over several days. This gentle approach allows the sensory environment to shift at a manageable pace and gives everyone time to adjust. This really helps my son, as changes in familiar surroundings can be upsetting for him.

Be mindful of sensory overload.
Christmas comes with many sensory triggers, such as flashing lights, loud music, unfamiliar foods, and busy gatherings. Think about the sensory needs of your loved one and tailor celebrations accordingly. You might dim lights, lower music volume, offer familiar snacks, or plan shorter visits. It’s all about creating comfort, not pressure.

Manage expectations.
Not everyone wants a busy, noisy Christmas — as I know well with my own family — and that’s absolutely okay. Traditions may need to be adapted. Smaller gatherings, shorter activities, or celebrating at home rather than travelling may be more suitable. Focus on what feels right for your family rather than what is expected.

Allow time for rest and recovery.
Even enjoyable events can be draining. Build in downtime before and after activities. Gentle routines, quiet mornings, or restful evenings can help everyone recharge and enjoy the season more fully.

And don’t forget to allow time for yourself as parents and carers. Take five minutes whenever you can to recharge your batteries — I know it’s not always easy.

I’m really excited that in 2026 we have so much happening at Anna Kennedy Online. We’re kicking off the year with the fantastic, award-winning author Samantha Lee’s book launch on 28th February at the Firepit Gallery, with all profits from the night being donated to the charity. It will also be the 15th year of Autism’s Got Talent. Plus, booking for our gala ball — the Autism Hero Awards in May — is now open. Then there is the Autism & Art Show in July, and so much more.

My head is spinning just thinking about it with excitement! Sending positive vibes, and see you all next year!

Please make a donation to Anna kenned on line for Christmas. https://www.paypal.com/donate/?hosted_button_id=RKNE6GRMHJUP2

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Why Israel Should Be Included in the Eurovision Song Contest

Keep Israel in the Eurovision contest .

Steven’s Viewz

We hear it time and time again: “The Eurovision Song Contest is not political.” And while we all know that the voting patterns can sometimes be… entertaining, to say the least, at its heart Eurovision remains a celebration of music, creativity, and community. It has long been affectionately referred to as the “Gay New Year,” bringing joy, glamour, and unapologetic self-expression to millions around the world. For many viewers, it is more than a show — it is a moment of unity.

The spirit of Eurovision has always been about artists coming together to share their talent, culture, and stories. It was never intended to be a platform for political punishment, nor a place where artists are excluded because of the actions of their governments.

When I interviewed Peter Tatchell this year, he said something that resonated deeply with me: the way forward for the LGBTQ+ community is to keep being a shining beacon across all platforms. I couldn’t agree more. Visibility, inclusion, and dialogue are how progress is made — not through shutting doors.

Madonna in Israel at the Eurovision Song Contest .

I don’t live in some insulated “gay bubble,” nor would I want to. Real change happens when we remain open to conversation, even with those whose governments or policies we may profoundly disagree with. Excluding countries from Eurovision is not a solution; it brings nothing constructive to the table. In fact, it risks undermining the very principles Eurovision claims to stand for: openness, inclusivity, and the celebration of cultural diversity.

Israel, in particular, has a long and meaningful relationship with the contest. It is a country where LGBTQ+ people are welcomed, recognised, and celebrated — a fact often overlooked in broader political debates. Eurovision itself has benefited enormously from Israel’s participation. It gave us Dana International, the first (known) transgender winner, whose victory in 1998 was a landmark moment for queer visibility worldwide. Beyond Dana, Israel has consistently showcased diverse performers and daring artistic vision, enriching the contest’s legacy.

Rather than silencing or excluding, Eurovision should remain a platform where artists from all backgrounds, beliefs, and nations can share their voice. Music has always had the power to connect people beyond politics, beyond borders, and beyond conflict. Using your voice to send a message is a beautiful and powerful thing — but using silence as a form of punishment rarely fosters understanding or change.

When we welcome artists from countries whose governments we may disagree with, we create the possibility for conversation, empathy, and cultural exchange. When we block them, we lose that opportunity. Eurovision should not become a battleground of boycotts and bans; it should remain what it was created to be: a stage that celebrates unity in diversity.

Let’s not allow hatred, division, or political pressure to turn Eurovision into something it was never meant to be. Let’s welcome all who bring music to the stage — and keep the contest a place where voices are heard, not silenced.

END