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Steven’s Viewz 

Picture Terry Scott

A column that does not hold back.

My viewz and not of 2Shades brought to you bi -monthly a column that does not hold back

“Where to pee or not to pee, is that really a question?”

Trans. Trans, dear God has there ever been a topic that will have you cancelled simply for not agreeing and get so many hot under the collar? 

Now let us get this straight and to help the right-wing God squad: if your apparent higher power allowed a child to be born with bone cancer or deformed, is there not a chance he popped one or two in the wrong body too?  

For me, if a man or woman feels they have been born in the wrong body and have undergone two years of therapy and gender reassignment, as far as I am concerned, they are now the sex of their choice.

People who have had gender-affirming surgery have been in my life since I was 16. The Famous Julia / George dropped coffee all over my Fiorucci white jump suit at “Scandals” night club when she ran the coffee shop there. Strangely we became friends. From April Ashley to Tallulah, famous sex changes have been in the news. Many have played under the radar and of course with some there was the odd whisper, but all for most part got on with their new lives. Wonderful India Willoughby, whom I admire, campaigns for 

https://www.amazon.com/Just-Julia-Story-Extraordinary-Woman/dp/1852834811

rights and (just as important) educates. She is always approachable

if I have a question of anyone else for that matter on the topic .

The lovely India Willoughby https://x.com/IndiaWilloughby?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor

Transvestites who enjoy popping a frock on are not in that transgender category, however.

Nor is drag. Drag has been around since time began and in the theatrical sense it is a performance. So many people seem to be labelling drag artists as trans which, for the most part, they are not. Men that suddenly announce they are trans and pop on a frock, an acrylic wig and some false nails are not women.

Sure, some might be starting a journey towards being a woman. Others never will make that trip and must appreciate it is a dream and not expect rights as a woman.

Tim Curry in the incredible The Rocky Horror show is a sweet Transvestite not to be confused with gender reassignment https://rockyhorror.co.uk

Much as mixed toilets have been in many venues for years, the right for a woman or, when it comes to it, a man to go the toilet that is used by their own sex should be enforced. What many forget is some women are coping with trauma, having been raped or abused badly by men. They will find the idea of sharing a bathroom (where they are in a vulnerable state) with anyone with a penis utterly terrifying. Simply put, if you have a penis stay out of the ladies loo. 

What is bizarre to me and many of the trans is this “Dead Life”, i.e. if you are now identify as woman, your prior life is “Dead Life” and you can suddenly create a whole past as girl. One (who we all know) 

described how she slept with a variety of celebrities as a beautiful young girl – the issue here is she was a 17-year-old spotty boy at the time she claims it happened. It is just a lie, a “Fantasy Life” that to my mind is closer to criminal fraud. 

I certainly would have been trans back in my school years. I used to pray that I would wake as a girl because being a boy was pure misery for me. Today I love being a man, in fact after about 14 that desire to be a girl eventually passed. For many it does not, and they have my 

empathy and support to be who they want to be after a certain age.

Forcing kids into boxes i.e. boys like football and action and 

girls like Barbie and cooking is one of the unhealthiest things I can think of.  It is responsible for so many mental health issues in those kids who do not fit into society’s false expectations. But please do not let kids undergo surgery till they are fully matured and can decide if it is still what they really want.

Personally there would be no way I would even want a child of mine to have a piercing or tattoo until they were in their late teens. There are support groups such as Mermaids that help young people who feel they are struggling with gender

https://mermaidsuk.org.uk

Finally, practise what you preach. A lovely trans woman who I respected and addressed as a woman (even though they had not had surgery, or any work done), berated me for not eating what I was given at a dinner table (I do not eat red meat or pork).

 “In my day you ate what you were given!” she chastised me. 

Thank God for you it is not “your days” as you would be running for the hills dressed as woman. The problem is, if we expect people to accept us for who we are, it has to be reciprocal, not one-sided. 

Colin Farrell – a real man of action

As if we could not love Colin Farrell enough already, the actor and his son James have melted our hearts this month. Colin has been talking about his 20-year-old son James who lives with Angel Syndrome. 

 “I want the world to be kind to James. I want the world to treat him with kindness and respect.” 

The actor told People Magazine in the US. 

https://people.com

Angelman syndrome is genetic disorder that mainly affects the nervous system. Symptoms include a small head and a specific facial appearance, severe intellectual disability, developmental disability, limited to no functional speech, balance and movement problems, seizures, and sleep problems.

Farrell has started a foundation in honour of his son in the US. The Colin Farrell Foundation will provide support for adult children who have an intellectual disability through advocacy, education and innovative programs.

As for the foundation, for years Farrell has wanted to do something in the realm of providing greater opportunities for families who have a child with special needs, to receive the support that they deserve and the assistance in all areas of life.

“Once your child turns 21, they’re kind of on their own,” Farrell says. “All the safeguards that are put in place, special ed classes, that all goes away, so you’re left with a young adult who should be an integrated part of our modern society and often is left behind.” 

This is mirrored in the UK. Last year Dr Anna Kennedy OBE petitioned Number 10 Downing Street to help those living with autism to be aided after the age of 24 where government aid stops. “Who will look after my sons when I am gone?” is a question Anna has raised along with many parents of children with special needs.

Dr Anna Kennedy OBE and me delivering a petition to Number 10 downing street picture Terry Scott ,

Colin and Anna are real heroes and we need more of the likes of these two in this world. 

Toxic Come Dancing 

Yet more bad news for the BBC as their top-rated show “Strictly Come Dancing” comes under fire for apparent bullying as previous contestants have been complaining.

Oh do get a grip. You go into a reality show and you are really expecting it to be plain sailing? 

These people complaining of bad treatment have agents and a 

right to walk out at any time. Stop, enough already. Do not go into a 

show like “Strictly” or “I’m a Celebrity” and expect back rubs and hugs.

Dance is a highly disciplined practice and anyone who has properly 

trained at the ballet or dance school will tell you it is not for the faint 

hearted.

To conclude .

When your bear friend has been taking Ozempic and asks if 

you have noticed any visible side effects on them…

End .

email Steven at spman@btinternet.com

agent https://www.comptonmanagement.com/?p=739

Categories
Columns Culture Lifestyle Travel

Anna Skydives!

Anna tells us all about her dive

https://ukparachuting.co.uk.

Millions of people donate financially each year to charities.

However, many do not have the means to reach into their pockets and help. There are other ways to help from volunteering to raising funds by doing sponsored events like walking, cycling and even jumping from a plane. 2 Shades talks to someone who did exactly that, our columnist Dr Anna Kennedy OBE. 

1. Anna, what on earth made you want to do a sky jump?

To be honest it was the last thing on my bucket list. We were brainstorming ways to raise funds for my charity Anna Kennedy online. One of our Patrons Steven Smith mentioned he had sky jumped out of a plane to raise funds for Pancreatic Cancer charity a few years back. 

Three of the team, Steven, Aston Avery and Lisa Robins, decided they would all jump to help raise awareness. Quickly I made it clear that my contribution was to wave firmly on the ground. My fear of heights was too great to even think about doing it. Steven kept teasing me “You’re always getting others to do things outside their comfort zone, and they thank you for it”, and “Lead by example”. Thanks Steven I thought!

Dream team dive for Anna Kennedy on line

A few months ago, I spoke to Marie Hanson MBE (one of our Autism Hero Award judges) who had just jumped out of a plane and loved it so much that she was considering another challenge. Marie also had a fear of heights and said, “Go on Anna, you can do it!” So, I did! 

Alway supportive @spman631dbbf47d on hand to give his advice

2 Tell us about the location where you did the jump?

We travelled to Peterborough to “UK Parachuting” at Sibson Airfield https://ukparachuting.co.uk. It is about fifteen twenty minutes from Peterborough station and they really looked after us.

There is a great café, and they advise you not to jump on an empty stomach. Steven was gutted as new rules meant that if your over 100kg the insurance won’t cover you for the dive. He was 4kg over and was not allowed to jump. Our wonderful AKO volunteer Stacey Moore took his place what a hero she only came out to wave at us and was not allowed to jump.

K PARACHUTING PETERBOROUGH

3. Did you think about changing your mind in the lead up to the jump?

Steven travelled up with me and was making me laugh. It helped as I was not thinking about the jump. In the lead up, getting sponsorship occupied my mind and it was exciting as funds came in, so it took my mind off the fact that I was going to be hurling towards the ground to raise the money. 

4. Was there training involved?

It was professional. After a weigh-in and registration there was a bit of a wait and time to grab a coffee. Then there was a class with the lead instructor who was clear and concise, so he kept you at your ease. They were not going to let you fly unless you had understood the whole process.

Just before you got on the plane, they went over any questions and were just brilliant and made it fun too.

5. Were you scared getting on the plane and taking off?

It would be a lie if I said, “No!”

Just prior there were a herd of elephants doing a Zumba class in my tummy. For sure the egg sandwich from the café though delicious seemed like a very bad idea. But the team spirit and the instructors once we got on the plane made me feel calm and excited. 

6. What was the jump like? 

The first few seconds of the jump and free fall were a little scary. Imagine being in a tumble drier that is also a freezer. Kind of “What have I done?!”

Once those few seconds were over, I thought ‘Anna get a grip’, then I began to enjoy the whole experience and the beauty of the environment. It was exhilarating. 

7. Were you relieved when you landed?

A little but so happy too that I had enjoyed the experience and immediately gave a short speech about the charity and our work. 

8. What did your family and friends say about you doing the jump? 

My son Patrick was worried and asked for reassurance I was not going to die or have a heart attack. I said we were in the safe hands of professional people who have been supporting the public for years who wanted to experience the skydive.

9. Would you do it again and how much did your raise?

Yes, I would love to do it again now I know what to expect! We were all so grateful to raise £3700. If you sponsored us, we really do appreciate it. We are only a small charity and every £1 counts. 

10. How do people donate?

Online at www.annakennedyonline.com

Ever supportive Dawn Avery was on hand to lend a hand and support everyone .

Help sponsor us by contacting press Steven Smith spman@btinternet.com or lisa.robins@annakennedyonline.com

01895 540187

Categories
Culture Lifestyle

2Shades Big Night Out

Some of the team try “The Rising “ SE1 for a night out.

“What, a night out on a Saturday in London? Is that not just for tourists?!” This was my reaction when the 2Shades team suggested we let our hair down and party.

You can only get me out on a Saturday if it is a friend’s birthday, a wedding or some special occasion. The very idea of pushing through the crowds that descend on Soho and the likes fills me with dread.  Favouring house parties or enjoying a few select friends over for dinner would be my choice at the weekend. 

“Do not worry, leave it with me”, said 2Shades writer therapist Michael Power. “I will find somewhere different. Maybe drag brunch or somewhere new”.  Telling him I had nothing to wear elicited the reaction, “Shut up!” 

A few days later the 2Shades WhatsApp message with the venue flashed up. “The Rising” SE1. OK, that is Elephant and Castle. Sure, I go to Southwark Play House https://southwarkplayhouse.co.uk and it is not far from the tube. But let me be honest, it is not somewhere where (wrongly or rightly) partying springs to mind.  

However, the web page looked interesting, you’re allowed to bring your dog (so ten points on that!) and they advertise cabaret. Mike rarely gets it wrong, liking to do his homework on everything from holidays to special occasions.

It was the first official 2Shades night out. The Rising is a five-minute walk (even in heels) from Elephant and Castle Tube, or 15 minutes bus ride from Canda Water. The bus stops right across the road by the Express Tesco’s and the Rising is almost opposite on Harper Road.

Upon arrival it was hard to believe my eyes. Not just how stunning Adishiri, 2Shades Queen and Editor, and Mike were looking, but the vibe of The Rising. There was kind of a New York Village, Fort Lauderdale feel to it. Lots of outdoor seating and a friendly atmosphere.

A huge star was the wonderful security guard on hand, George. He is fully trained and unlike many gay venues when you’re greeted by someone who is as cold as the “ice bucket challenge”, George is gay, and blended a warm but no-nonsense approach to taking care of everyone.

Despite the football being on (this added a bit of camp to the evening), immediately we started to relax and enjoy ourselves. The bar staff are eclectic and very friendly and provide a great array of wines and beers plus some lethal cocktails and shots. There is no food, but you are welcome to order in or bring your own and they will provide cutlery. 

No sooner than the football was over, it seemed half the crowd emptied out. It filled back up over the course of the evening.  Football was replaced by live entertainment in the form of Drag Queen super star Ella Gant. Now Ella is a star performer you would pay to see. The Rising had laid her on for free.

Ella apologised at the start of the show she had not been well; her voice was not at its vocal best. Well, what a show Ella put on! She had us singing and dancing along for over and hour and if that was her voice when she was not at her finest, we all can’t wait to go back and see her full strength as we had an evening to remember

Drag Queen Ella Gant

The Rising might just be the best LGBTQQA bar we have been to in a while; it is really diverse and exciting, and you do not have to fight through the West End to get to it. It is just perfect for a group of friends to enjoy or even go on your own. Please try The Rising and see for yourself.

The Rising https://www.therisingse1.com

98 Harper Road

London

SE1 6AQ

020 3885 0990

hello@TheRisingSE1.com

Categories
Culture

Art Exhibition: The Places We Carry – Healing Through Arabic Art and Poetry

An an evening scroll on Eventbrite turned out to be the most holistic and heroic experience I’ve ever been to.
Pioneers of peace from Arabic lands gathered to remind us how art can heal us and speak our prayers.
Grand Junction at Warwick Avenue

In pursuit of my next cultural experience in London, I happened to tap my finger on a poetry and prose event at a church in Warwick Avenue. 

It was the closing day of an exhibition called, ‘The Places We Carry‘ and something about that made me raise an eyebrow. 

I went through the description and found out that the guest speakers were Arabic poets and artists from Syria, Iraq, Lebanon, Libya and Palestine. 

My heart instantly went out for the Palestinian guests and how gut-wrenching it must be witness the ongoing brutality against their homeland.

My body moved without hesitation to go to this event. I had to know how immigrants from these countries translated their sorrows into extraordinary pieces of art.

When I arrived, Dima Karout, the curator of the exhibition, was giving the visitors a tour of all the art displayed in the basement. 

She graciously walked us through the artwork put together by her team that focused on immigrant lives in the UK ever since they moved here. And shared stories of their journey of finding a home away from home through artistic expression.

Dima Karout (left) giving us a tour of all the artwork

There were paintings, sketches and clay art that portrayed various Arabic cultures. Tools and artefacts used in households and agriculture that reminded me of my country in many ways.

The name of the event suddenly struck me then, ‘The Places We Carry’. The whole exhibition was a reflection of the emotions and attachments we have to objects and places that will always remind us of home and never leave us.

Each picture had a simple yet moving story that resonated with me like a warm hug. With unique narratives on how they adjusted to the lifestyle and the difficulties of they faced in terms of belonging.

An art piece that stood out to me was about siblings scattered across the world knowing they might never live in the same city or country.

I felt a rush of acceptance and resolution for a lingering sadness I felt over the years. I hadn’t quite faced the truth that I might never live in the same country as my brother or my cousin ever again until that moment.

As immigrants we make bold career and financial decisions to move away from our families to build new roots on a foreign soil. 

We have our own reasons to do it and to each their own. Some flee the horrendous political and economic climate of their country in search of better opportunities. And others move with a sense of purpose to become more expansive as an individual.

But a sweet energy surrounded the exhibition like a silent acknowledgement for everyone’s journey. That no matter the reason, we were all there to recognise our own growth.

Sibling Bond by Nabilah

I made my way into a shrine that was dedicated to Palestinians. I noticed an art piece made of paper kites with names written on the strings. I soon found out they were names of innocent children whose lives were taken away as a result of genocide.

It grappled my heart and made me silently weep. It was overwhelming to look at this piece of art and admire the heart behind it but I couldn’t help but catch a glimpse of the horror those children had to face. I felt terrified for the state of humanity.

I suddenly became aware of the location we were at. I prayed to Jesus for a permanent ceasefire more than I usually do but I also prayed for any kind of divine intervention to bring softness to the world.

There were letters of love and consolation laid on what looked like a burial cloth. As I read each letter I was grateful for the humanity we as people cling so hard to while people in power seem to have lost theirs.

Paper kites by Helen Alzhar

We were allowed to write words of compassion of our own and I wrote mine without flinching. Words from the heart flow easily when you stop worrying about who might read it, it doesn’t matter anymore. When the purpose is beyond measure, every contribution is invaluable.

I placed it next to the other cards people had also written letters of support. I looked around and the faces I saw weren’t strange to me anymore. I felt a sense of unity without conversation, the language of our emotions seemed to be aligned.

Letters of love and consolation laid out on a cloth

We made our way up to the church to be seated for the second part of the exhibition. Dima and her team had gathered a few artists who read poetry, extracts, performed music and spoken word pieces.

Rama Alcoutlabi is a passionate musician, a dedicated scholar and an activist from Syria. She opened the performances with a soothing song in an ancient language called Aramaic using a traditional percussion instrument called the Daf.

She gave me the release I was seeking after all the heaviness I felt. Her angelic voice compelled me to close my eyes and listen intently to a language I had never heard before, yet harmonised perfectly with the emotions emanating from her melody. 

She also closed the show with three beautiful pieces on her Syrian stringed instrument called Oud, that wrapped the entire evening with such grace and warmth.

Rama Alcoutlabi performing with her Oud

Hafiza Ibrahim is a Palestinian poet who settled down in the UK after her graduate degree and is now an English language teacher, translator and interpreter (Arabic-English).  Her poetry emphasised on the longing of migrated residents of Palestine who wish to return to their land and reunite with their people. She gave us an imagery of a beautiful life lived in Palestine before genocide took away their simplicity of being.

Sarona Abuaker Bedwan is a Palestinian-American writer and Outreach & Programmes manager at Makan, a Palestinian led educational organisation. She read two poems from her book, “Why so few women on the street at night” and her narration reflected the ardent activist that she is. She has a strong voice and a powerful presence that made me want to listen to her every word. With short sentences compiled into a chronological sequence of emotions, she took me on a rhythmic vision to paint a picture of how human rights are being manipulated and criminalised by perpetrators who lack any awareness of themselves.

Laith Elzubaidi is a British-Iraqi TV/Film writer and producer based in London. His unserious and impactful presence on the stage made me adore him. I could see the comedy and drama writer in him bouncing out as he read an extract about his trip to Iraq with his mum after 30 years. He was unafraid to share his confusion about his dual ethnicity as he explained how Iraq is not how imagined it would be. And how his mum tried to rat him out to the airport security for not knowing the language. He was hilarious, I needed a good laugh and I could hear people around me snorting and gagging. But he also highlighted a lot of real emotions 2nd generation children face when they experience the other half of their culture for the first time. 

Hassan Abdulrazzak is an award-winning Iraqi writer who settled down in the UK and continues to pursue his passion as a playwright. He read extracts from his play so charmingly, I hardly believed he’s not a performer even if he said so. His extracts were humorous and sweet, with a touch of purity to it. Particularly the, ‘Enemy Of The Sun’, a very vulnerability piece where he spoke of the citizens who will continue to fight no matter how hard other nations try to take away their land. And that “They will not compromise, till the last pulse in their veins” in his own words.

Hassan Abdulrazzak

Lisa Minerva Luxx is a poet, playwright, essayist and political activist of British-Syrian heritage. In the three poems she read, I could see a halo forming over her head for how persistently she advocates for peace in the world. A true warrior and empath who not only helped permanently shut down manufacturing companies in the UK who supply drones to Israel out of the law, but also speaks with such depth in her poems about the lives lost in her country and the bombing in Beirut.

She performed her pieces in a spoken word style with gestures that tempted me to sway with her. Her ability to be a voice for the suffering of many people, her family and herself was sensational and deeply inspiring. 

I fetched two lines from her poems that made me connect to my own life. One of them being “If it feels impossible, you are going the right way.” And the other which isn’t really a line but an important reason for why we face the injustice that we do, “Bone collectors in cufflinks.”

It’s fascinating how a tap of the finger on an event page lead me towards heroes who make remarkable movements for a reformed world.

The exhibition reinstated my faith that if I continue to do my bit to spread the message of kindness and peace, I can help in the construction of a safer destination for future generations to arrive at.

Dime Karout and her team organise several art exhibitions, go here for more information and explore the tapestry of cultures that reside in London

Categories
Culture

ALL RISE FOR FLUX

FLUX WHERE EXCEPTIONAL ART COMES TOGETHER UNDER ONE ROOF
From Thursday the 25th of July to Sunday the 28th of July
GUIDED BY THE QUEEN OF CULTURE LADY LISA GRAY https://www.fluxexhibition.com/flux-exhibitions/
Flux opens with a bang international artists Lisa Izquirado shows her work to moving art celebrity drag queens Liquorice Black , Anna Phylactic .

Steven meets one of the leading lights of THE FLUX exhibition Lisa Izquirado .

“The true strength of a woman is our ability to allow ourselves to be vulnerable.”

Lilli – artist 

Even without meeting an artist, a great artist’s work talks to you. For me, I walk in and am almost immediately hypnotised by the story or emotion they are transferring to canvas. Sometimes I can even feel their pain or trauma running through my veins for a moment, as well as the joy and happiness.

A devotee of S and M, Francis Bacon´s brilliant work can never be copied. Not just because of the magnitude of skill, but also due to the parts of Bacon´s often tortured soul that he liberally poured into his work. I remember his sold out exhibition at the Philadelphia Museum of Art. A news anchor interviewed various attendees about Bacon’s work, among them a psychologist who commented, “I would love to have had a chance to counsel him!” I could not have laughed harder and wanted to retort “Really my dear, he would have wiped the floor with you”.

It is what makes Frida Kahlo so unique too, not just the skill, but you can feel her energy and fight for life through her work; you just cannot tear your eyes away. It is almost a shame she has become a fashionable artist associated with style. Her story is so much more powerful than anything linked to fashion. But in the same breath it has to be said (thanks to Madonna and others) it has brought Kahlo´s work to the masses and encouraged many who may not have sat at the art table before to explore what it has to offer.

I am always on the lookout for exciting new artists . There is no better place than to take yourself to one of The FLUX Exhibitions https://www.fluxexhibition.com/flux-exhibitions/ created by Lisa Gray her presence commands great art to surround her there is something for everyone’s taste and these events are well worth looking out for

With Lisa Gray creator of FLUX magazine and Exhibition.

My personal favourite that stood out was by an artist called Lilli. Full name Lisa Lilli Izquierdo. Knowing my art, I was not surprised that the Cheshire born former model 

was also showing in New York and Madrid. There is something about her work that is almost haunting. To be frank, on first impressions I almost felt it was a little too commercial for my tastes and saw it as an inferior designer´s dream, with pieces sought in Dubai, Cyprus and USA for its stylish quality. But first impressions can be wrong and the more I delved into Lilli´s work, the more it spoke to me.  There is however a story that makes her work so much more valuable and sitting down with her confirmed just that. 

Do you remember the very first thing you ever drew as a child?

I have always been creative.  My sister was the academic, so my mum encouraged my artistic side. My earliest memory of creating art was when I was three years old. I drew a picture of two flowers. I coloured them with different colour crayons. The teacher told me off as I had used the same colour in each flower. Looking back, I use a lot of monochrome in my work. 

It makes me giggle that I got scolded for.

What other artists have inspired you?

Oh, without a doubt Monet. I can see his use of texture has a huge influence on me as a grown artist. I draw a lot of energy from other artists, and I can appreciate those that depict suffering or hurt. But when it comes to my personal taste, Monet´s calmness and beauty 

fill me with a beautiful energy,

What demographic does your art appeal to?

A lot of women buy my art. From an early age I have been fascinated by the female form. 

I used to draw a lot of elfin kind of women. There is something I think women see – the beauty of the female form in my art – and relate to it. Being pushed to look a certain way as model was not healthy and I am careful to depict woman as real now, not nymph like. 

Music seems to play a part in art. Who are your favourite musicians? What does sound bring to your art?

Honestly a huge influence and my tastes are so diverse. As soon as I am in the studio 

I pop the headphones on, and I am blasting Mozart or Snoop Dog. Vivaldi’s four seasons 

is one of my favourites.

How do you feel about the growing trend of crypto art, and is it something you would consider?

Steven I am so badly informed about the trend it is hard for me to comment; I am not sure how it would transfer with the high amount of texturing in my art. I realise that the world moves on and I will keep an eye on it, but I took bitcoins for a print and that did not work out too well for me. 

Your art is almost haunting in its affect. How much does it mirror your own life?

Very much so. My piece “The Kiss” may seem very abstract, but it is about the unity 

of two people in love. It could be any two people. For me I have found love perhaps later in life, but I plan to marry next year.

I found great solace in my art; it has helped me heal from the modelling industry I entered at the age of 15. Eager to become a success I took off to Madrid on my own. However, it was not long until the dream became somewhat traumatic, as pressures to look a certain way and the sheer competitiveness at a young age began to take its toll on my mental health.

Eventually I had enough and turned to my family business of hairdressing. My father is from Valencia in Spain, He worked with the likes of Vidal Sassoon and Teasy Weasy. I found 

using my skills as an artist, plus having lived a little more than most at an early age, gave me an empathetic ear for clients. I still do hairdressing now and combine my time between my art studio and the salon.

2Shades Steven Smith with artist Lisa https://www.fluxexhibition.com/flux-exhibitions/

If you could buy one piece of Art, what would it be?

Irises in Monet´s Garden. It personifies calmness with an almost heavenly feel. Those little purple flowers hit you with an amazing feel. 

If you could invite four people to dinner, dead or alive, who would they be, and why?

Ricky Gervais. I just love him he is hysterical, and life should be about love and laugher. 

My financé as he and Ricky would get on. Michelle Obama. I love a strong woman in any event and she is captivating. Someone like Elvis would shake things up!

What is your favourite city to spend a day in looking at art?

Madrid or Barcelona. When I was modelling, we used maps to get around then and the architecture just blew me away as does Barcelona.

What is the one common misconception about you?

That I am a bitch! I was working in a salon and some of the female hairdressers seemed off- hand. When I got chatting to one, she suddenly went, “You know you’re really nice. We all thought you were a bitch.” God, talk about putting people in boxes. There is also the idea that I am super confident.  If people knew the real me, I am quite shy. Do not get me wrong, I am a strong woman when I need to be. 

What is the one thing you would like to change about the UK if you were prime minster for a day?

The homeless problem. It has become truly shocking in the UK, not just London, but all over. 

We are a civilised country, yet we have way too many people sleeping on the streets. 

What is the next project we can expect from you? 

It takes around 80 hours to create each piece. I am going to be spending more time in the studio over the coming year, working on a new collection. 

https://lisa-lili-izquierdo.com/about

Categories
Culture

The QUEENZ show throw an entertainment jamboree in Soho

Theatre and Broadway meets drag excellence at the QUEENZ show in Underbelly Boulevard, Soho.
They served unimaginable vocals, fierce choreography and a stellar production overall by David Griego and team.

I didn’t really know what to expect when I walked in but the atmosphere at the Underbelly Boulevard was bougie to say the least.

Flutes of champagne, prosecco and wine sat cosy at the entrance for the guests who put on their best outfits for the night.

I wasn’t ready to walk into a festival on a Tuesday evening but the energy in the room made me believe the weekend had arrived.

There was a press wall for all of the guests to take pictures with the gorgeous Summer Stone who was an absolute vision in fluorescent. 

Summer Stone with guests at the press wall https://www.queenztheshow.com/

It was press night and the room was crawling with media moguls like myself who just wanted to have a good time, professionally…maybe.

I made my way up to the theatre to find my seat in the VIP box (a subtle flex). The first thing I noticed was the word QUEENZ bedazzling and glimmering on stage. 

It didn’t take long for all of the seats to be occupied, everyone was eager to watch the QUEENZ waltz onto the stage.

They certainly didn’t waltz, they strutted onto the stage with a gracious stride to let us know they’ve arrived in power.

The energy these queens brought to the show with their incredible vocals lifted me to a high vibration state in seconds.

The command they had over the stage reflected the attitude of seasoned drag queens who have been doing it for years. 

And these are young queens, who have taken their experience as theatre/broadway artists and poured it into drag to create an astounding form of high art.

Bella DuBall carries the aura of being the mother of the group who draws the audience in with just her eyes. With her golden corset and fiery wig, she had the whole theatre in the palm of her hands and her irresistible gaze. 

She was unafraid to show us exactly how limitless her vocal registry was but it was her personality that held me hostage. She was witty, naughty and oozed goddess fantasy. 

Speaking of personality, Zeze Van Cartier was a big one with her moustache butch drag realness. Who devoured the stage with her voice and left no crumbs.

Her animated expressions kept me in the loop the entire time. She was the epitome of entertainment throughout the show with her magnificent presence.

She also enlightened us on a little history on drag as an art form and how it’s been around for over 2000 years. Which was quite interesting for me to learn as someone who thought RuPaul Charles was the start of it all.

One of the QUEENZ stole my heart with her vocals in a manner that made me believe she was the Cher or the Celine Dion of drag. 

Dior Montay had no business being that extraordinary but I’m not mad about it. And if that wasn’t enough repertoire, she also made us chuckle with some cheeky comedy. 

They were all comedy queens with a touch of theatre and exciting themes/concepts of characters for each of the queens.

Billie Eyelash was a fireball on the stage who was the ditsy sultry queen who was fearless and funny and an absolute treat to watch.

She brought a sense of lightheartedness to the show that was a breath of fresh air from all of the intense energy we were adsorbing.

Her comedy was refreshing and her vocals were stunning. And she could definitely be the girl next door you have a laugh and go reckless shopping with. She’s the loveable queen of the lot.

Candy Caned was the silly girl from Essex and the doll of the group. She pranced around the theatre and blessed me with a charming touch on my hand that made me weak in the knees even though I was sat. She slayed the high notes but it was the rap queen in her that made me gag for her more.

However, I was deceived towards the end when she nearly cried from the standing ovation we owed them for putting on an incredible show.

It was in her soft sobs that I realised that this was a team of lovely queens who have worked so hard in the past three years to get to where they are now.

Candy Caned made me see the heart behind the art and the sisterhood amongst them as they held hands to make sure she was okay. The queens then huddled after singing ‘True Colours’ to receive the love they so rightfully deserve.  

I would be wrong not to mention Jayce, an icon disguised as a member of the crew backstage. Who surprised us with their hilarious cameos as part of the bit. Death-dropping into our lives with snazzy silver boots and became the 6th member of the QUEENZ without breaking a sweat.

David Michael Productions have outdone themselves by putting on such an exquisite show with a production that was out of this world.

The lighting, the sound, the design and all of the colours on the stage were all extravagant, opulent and beyond extraordinary. 

This a show of a lifetime with the perfect group of talented queens who love each other and made us all fall in love with ourselves.

“I am a QUEEN” we all were made to say in unison and for a moment I felt like I was a part of the QUEENZ family. Which was truly a safe place for everyone to feel like they belong, feel loved and inspired.

Book your tickets NOW at https://www.queenztheshow.com/tour-dates/

Th QUEENZ will continue to perform from 11th July-18th August at the Underbelly Boulevard. Treat yourself to this magical show, we at 2Shades vouch for the QUEENZ to spice up your life.

Categories
Culture

GEORGE the play: A portal to the past and a token for the future

In a cozy theatre in Clapham Common, a timeless production awaits you for a thought provoking journey.
GEORGE is a theatrical masterpiece with illusions of drama, emotions and real-time comedy.
GEORGE at the Onmibus Theatre, Clapham Common, London till 14th July

GEORGE is about a revolutionary french author in the 1800s named Amantine Lucile Aurore Dupin, best know for her pen name George Sand. The play uncovers days in the life of George Sand and her friend/lover, Marie Dorval who motivates George to write again. Several male characters intervene their intimate relationship in the form of obstacles, naysayers and well, a snappy editor.

I arrived on time (luckily) to watch GEORGE at the Omnibus Theatre after panicking about getting off at the wrong stop. 

I entered a nearly full theatre which made me smile for Léa des Garets, writer of the play and her team for the growth they’ve had since the first time I saw them at the Criterion in November 2023.

I looked around at all the happy faces and envied the glasses of wine dancing on their fingertips. I was too comfortable to get up and I didn’t want to miss a minute of the show. Too late for that but perfectly ready to watch GEORGE again.

An intriguing background score engulfed the theatre, it excited me because I don’t think they had it the first time I watched the play. And there they were, Léa des Garets as George Sand, Iniki Mariano as Marie Dorval and Conor Dumbrell as all of the male characters back to steal my presence for the next 95 mins, I delightfully surrendered. 

I felt a rollercoaster of emotions for George Sand. Léa portrays her as an enigmatic character who seems to be on the same planet as us but isn’t. Drawing parallels to relevant issues in our current world from a period play is something I can talk about endlessly if I wanted to but there’s more to it in my eyes. 

As an observer I can say Léa, whether she knows it or not, explores complex layers as an actress to show George Sand’s personality in her own genius way. Sand is recognised as an established author in the history books but Léa’s talent truly shines when I saw no replica of research on the stage. Léa found fragments of herself in George, capitalised on them and made it her own. 

She made me feel resentment and admiration towards George. Who quite honestly was an obsessive pick-me-up girl, but had an abundance of talent as a writer and was unlucky to be born in an era that was ruled by men. 

Léa des Garets as George Sand

Léa breathed life into her stance as an infinite energy that questioned a system that laid limitations on gender, gender roles, sexuality and practical freedom.

I found myself relating to George more as a woman who wore men’s clothing simply because she could. It’s definitely more freeing and cheaper on my skin, I feel more at peace with my body and it helped me redefine comfort as a woman. 

If I could have George at my dinner table scenario, I would definitely talk to her about how women wearing men’s clothing, or “looking like a man” doesn’t mean they want to be a man, it’s more fluid and colourful than that. Style has no gender if people realise their eyes can see more than just black and white. 

The same goes for Iniki who played the innocent companion/lover, Marie Dovral. I believe George was attracted to Marie’s pure feminine energy that she yearned to have herself. Iniki’s portrayal of Marie made me want to be best friends with her and tell her she deserves better as a girl’s girl. But Marie saw hope in George as the future for women and admired her deeply for that.

However, the complexities of life as a woman at the time held them back from exploring a lifetime of romance together. They reflected the same mission as advocates for women in the generations ahead, but the odds were against them at an age where women’s fingers were metaphorically chopped if they dared to raise a doubt against the system.

Léa and Iniki’s chemistry and purpose on stage weren’t the only bits that drew me in, they had humorous exchanges and physical comedy that made me grunt-laugh. They were just two young girls at the end of the day trying to figure out the meaning of life, we’ve all been there. 

When it comes to humour and seamless transitions between characters, I’ve never seen anyone do it like Conor Dumbrell. He played all of the male roles and there were at least five or six of them. That’s a lot! 

Léa des Garets and Conor Dumbrell

He truly let his multiple personalities shine, it’s beyond me to even fathom how he pulled off such versatility, like it was no big deal. I had a grin on my face whenever he appeared on stage. I was mystified and hypnotised, he turned out to be the sticky notes on the pages of a book that I will go back to read again and again as the best parts. 

There was Q&A session at the end of the show where I heard Rute Costa talk about her vision as a director for GEORGE. She has a very profound way of thinking that proves she was the catalyst that curated such a harmonious team.

A silent leader who tailored the strings of a vintage set, chic wardrobe, intimate lighting and a gripping background score. But more importantly, she is their biggest cheerleader as she watches the play every night like she’s watching it for the first time.

The production team of this play carefully orchestrated every move in a manner that was both melancholic and serene. When you separate each element to bits, you will see the heart in every detail and the genuine love amongst the colleagues. 

Lèa des Garets and Conor Dumbrell

Conor surprised me with his humble attitude as he explained what this play means to him, and how unique it feels to him. He wilfully plays the “little man” roles, which is such an interesting parallel to how the world has changed now where men like him no longer find false pleasure in false power.

And Iniki who embodies a very poised and elegant aura spoke of how rewarding it has been to be part of such an essential story. She stitched Marie to my heart is so many ways, her skills as an actress are paving paths that she may not see now, but will see very soon.

After the Q&A session, I hopped down the stairs to go meet Léa who is the loveliest soul I’ve ever met. I also had the pleasure of talking to Conor and members of the production team who radiate such warmth and joy that I just didn’t want to leave.

Unrealistically, I didn’t want the play to end. Realistically, it was a play that left an everlasting impression in my mind. They are an astounding team of time travellers who gently remind us that our souls are timeless, the issues we face are unjust and that art will always be the answer.

They are currently in their last week of shows at the Omnibus theatre in Clapham Common, London.

Go here https://www.omnibus-clapham.org/george-2/ to book your tickets now and witness this team of revolutionaries in their element to expand your mind.

Here’s a peak at my interview with Léa des Garets who talks about her creative process leading up to the play, her wonder colleagues and her as a incredibly talented artist and human being.

Categories
Culture

Too Much Pills & Liquor: Theatre in a basement in Stoke Newington

Apparently the ‘theatre press’ whoever that actually is, won’t come out and review a show in a venue basement in Stoke Newington.
Some theatre critics – they obviously don’t know their history and that shows like Angels in America began life virtually in a broom cupboard with a 50-cent plastic shower curtain.
And we all know how that one turned out…
Dan de la Motte as Sam. Picture credit: Liam Walton-Bell

And the US influence is refreshingly present in Queer Brooklyn director Charles Quittner’s breathtaking adrenaline blast of a show, though has nothing in common with America’s obsession with a proscenium arch being the definition of theatre. His staging is literally electric.

It’s in that basement for reason, people. The world its central character Sam (Dan de la Motte) inhabits revolves around frantic urban nightlife spaces, thumping pop candy beats and light shows.

But if The Theatre Critics (“Who are you? We’ve never heard of this ‘Divine’…” had been bothered to lower themselves down those stairs, they might just have got a tour-de-force education in what immersive theatre really means.

White CIS-gender gay man Sam wants to do something about the toxic world we’ve made, especially its dangerous injustices to young Queer and trans people.

Picture Credit: Liam Walton-Bell

Instead he gets a job writing the Substack PR feed for monstrous X-Factor washout Riley Sabanda (but the gays love her, they love her…). And then it’s all urban meedja runaround, A-Gay parties with celebrities (and the gays just love celebrities, they love them…), drugs, sex, more drugs, more sex, knives in any back that’s turned for even a millisecond.

More sex, more drugs and existential, utterly narcissistic angst that’s very, very funny to behold, and becomes so real you quickly start to forget you’re watching a stage show.

Playwright David Levesley knows his subject – he was a journalist and former editor at British GQ. But it takes more than writer’s authenticity to make something like this fly, it takes biting talent.

The script is a genius–level thoughtstream of the identity crisis anyone who’s lived, worked and played in urban jungles like contemporary London will recognize in a drug-accelerated heartbeat. You don’t need to be Queer to get this.

Picture credit: Liam Walton-Bell

You don’t even need to be young. But you have to be willing to laugh at yourself. This is exactly what might have been born if Mark Ravenhill, Irvine Welsh and Edina Monsoon had got together in a club toilet and said, “Let’s do a play. Oh, g’won, let’s…”

But then there’s the old, old dilemma, the brilliant script, can it ever find the perfect actor who can really bring it to life? They’re Love/Hate relationships, usually more Love than Hate, unless you’re the late Carrie Fisher.

Both need the other to breathe -and really need each other. But the symbiotically perfect actor for that brilliant script did come right along, and his name is Dan de la Motte.

Playing every character, making that aspect a unique joy to watch in a way that so many one-man shows never really reach, it’s an explosive, savagely funny, magnetically attractive performance from an actor who’s clearly realising the height of his powers to hold an audience right in the palm of his hand for the entire show and take them just wherever he wants to.

You can’t take your eyes off him. You won’t want to. And at the curtain, oh, did they love him! When Sam’s pain comes, in amongst the viciously funny takedowns of the worst of what we’ve all become, de la Motte has the perfect beat to deliver a pathos and powerful meaning that takes you completely by surprise.

It ought to be a career making performance – it’s that good.

Dan De La Motte, Picture Credit: Liam Walton-Bell

So it can’t stay in that basement, though probably will lose a little bit of something very precious and unusual when it transfers – this has to go on to another venue.

However, you can still get it in its purest nascent state right there in the bowels of The Divine until July 2. Go for the last Sunday or Monday shows and you might just get to see Riley Sabanda appearing…No promises, mind.

Dan De La Motte. Picture credit: Liam Walton-Bell

For tickets, follow this link https://thedivine.co.uk/event/toomuchpl24/

Categories
Culture

Mamma Mia we all need a little ABBA right now

Steven Smith gets his dancing shoes on and reviews ABBA Voyage
Yes, we certainly need a tonic right now for all. Prices are going through the roof and with a summer of elections it is going to be season of discontent.

What we need to take our minds off things is something that, long after you watched it, leaves you with a smile and lifts you. That is why entertainment was so important during the war and let’s face it, we are all battling every day.

“If you can make people laugh you give them a little vacation.” Winston Churchill. 

What needs to be prescribed is ABBA Voyage at the Queen Elizabeth Olympic Park. For weeks before I went to see this immersive experience, terribly gifted writers and those in the arts seemed to struggle to vocalise what they had seen.  

But whatever it was, rave reviews and statements like “The best night of my life” were being posted all over social media.

As I walked the fifteen minutes from Stratford station through the Olympic Park certainly no one ruined the surprise.

On your journey you are confronted by a sea of people steeped in ABBA Hysteria, many dressed as their heroes: Agnetha Falskog, Bjorn Ulvaeus, Benny Andersson and Anni-FridLyngstad.

Approaching the actual arena (specially made for the show), even if you’re not an ABBA fan, you’re not human if you’re not starting to smile a little. It is as if everyone has taken a happy pill. Even the security and arena staff are very friendly. 

Safely inside, the excitement and energy was accelerating to the level of an explosion, as if your eyes were not able to take any more of this visual feast of the actual arena and those that paid to come see the show.

Your brain goes straight into explode mode when the lights dim and the Swedish forest screen lifts and four virtual ABBAtars take to the stage. So convincing is the entire thing I was left breathless for a moment as I was not sure what was real and what was not. A little like the “The Houses of Parliament”. 

ABBA last played in London for seven nights in 1979. I promise you truly it could not have been better than this. Stunning light affects dazzle the 3000 capacity room. A very much real 10-piece band dazzle the filled room.

This is so real they even have short interlude videos for the band to change. Andersson, Fältskog, Björn Ulvaeus and Anni-Frid Lyngstad danced across the giant stage, embraced each other.

They laughed about their 1974 Eurovision outfits and the UK giving them zero points. When they appeared in huge proportions on the big screens they had the mildest plasticine quality, but otherwise they were astonishingly real.

They did most of the hits, of course, and the best two from last year’s surprise comeback album. As you would expect, the arena erupted when “Dancing Queen” was performed.

 Just as you thought there were no more surprises left, ABBA walks on as they are now, as they did on opening night. I think it might have been holograms a few weeks in.

For days afterwards this extraordinary experience had me smiling. God knows we all need that right now. There is only one problem with prescribing ABBA Voyage to everyone. The price this venture needs to rake in is £140 million to break even, with some tickets at £195.

“Money, Money, Money” it is rich man’s show. Dance floor tickets at £50 are more affordable but sell like hot seats. To be honest I never sat down for long enough that night, being a real “Dancing Queen”. 

It is fast becoming a world of advanced technology. Just think, with the ABBA voyage, we can not only tell our grand kids how good some bands were, we can actually show them, and dear old dame Elton can take a rest. 

Categories
Culture

THE CHOIR OF MAN

Review by Steven Smith

⭐⭐⭐⭐⭐Rating: 5 out of 5

As I was complaining to a regular theatre going friend about the West End prices of some shows and my need to see one show, he replied “It’s twice as good as it is hyped, The Choir of Man, easily the best show in the West End and does not cost a King’s ransom to see.” 

Truth be told it was a show that was not on my radar and hadn’t appealed to me. One rainy Saturday we took a chance and managed to grab the last two seats with my room- mate. The atmosphere seemed exciting enough on arrival with an eclectic audience. Many were repeat viewers; sitting next to me was an excited lady who had seen the show 12 times and was there with her friend, who was quoted as a “virgin” to the whole thing. 

This is the second time around in the West End for “The Choir of Man” and playing at one of my favourite theatres, The Arts. There is something about this show that makes you smile from the minute you sit down. Audience members are even asked pre-show to join the 9 cast members on the stage set, a pub called “The Jungle”.  

There is no complicated plot to the “The Choir of man “. It is this simple: 9 of the regular customers come together to tell stores and sing songs. 

I know, it does not sound like my cup of tea (or pint of bitter) either. 

However, there is a lot more to this gem of a show that will have you shouting “no” to closing time. It challenges stereo-types and pulls you into a really feel-good show that will have you not only smiling but wanting to go back for more. In fact, my roommate went back a few weeks later. 

The 9 man cast of Choir of Man

Each of the 9 cast members has a story to tell and as the show goes on, they unravel more of their tales with names like the Romantic and the Beast; you quickly identify with them.  This gives a sense of intimacy which allows you to enjoy the show but also get to know the real people behind the roles and champion them.

The Choir of Man title might be a little misleading as it not religious or that type of music.  It is the very best of vocal talent brought together. 

It is hard to sit in your seat as you want to jump up and join in with numbers such as Queen’s “Somebody to love” and Paul Simon’s “5O Ways to Leave your Lover”.

 The song and dance number will simply blow you away.  The absolute highlight was the ‘a cappella’ rendition of Adele’s “Hello”. If there was ever a reason to go back this was it. It even has a feel of immersed theatre with audience members pulled up to join in.

What makes this show so special is that it challenges what we may think a man is which I really appreciated, having written a lot recently about breaking the “Boys do not cry” mould. This is a show that presents all aspects of men and serves it up in a pint glass for all to see. For sure I will be getting another round in at “The Jungle “soon,

Choir of Man.  Get your tickets https://www.choirofmanwestend.com/book-tickets#/?month=2024-06