If there is one woman capable of shaking up the Christmas charts, unseating the usual pop titans, and bringing pure chaotic joy to the holiday season, it’s Denise Welch. With Slayyy Bells, she hasn’t just released a festive single — she’s unleashed a cultural moment. A glittery, high-camp, tongue-in-cheek masterpiece that captures everything the British public secretly craves at Christmas: humour, heart, a bit of mischief, and a full-throttle, unapologetic “hun energy.”
Denise has long been adored for her honesty, her warmth, and her refusal to take herself too seriously. That’s why the LGBTQ+ community has embraced her with open arms. She doesn’t perform camp — she embodies it. Whether it’s fiery daytime TV realness, chaotic comic timing, or her glamorous, self-deprecating sparkle, Denise is the kind of icon who walks into a room and immediately becomes everyone’s mum, best friend, and backstage confidante. She is the definition of a British hun: fierce, funny, fabulous, and fearlessly herself.
Slayyy Bells captures that spirit perfectly. It’s a sugary cocktail of festive beats, wink-wink lyrics, and nightclub-ready chaos — the kind of song that would make even the Grinch put on a sequinned jumpsuit. In a chart landscape dominated by perfectly polished megastars like Taylor Swift, Dua Lipa, or Ed Sheeran, Denise offers something the others can’t: pure personality. She’s not trying to be slick, she’s trying to be fun — and that’s exactly what people cling to at Christmas.
Let’s be honest: the UK loves an underdog, and Denise is the ultimate comeback queen. She’s lived a life, she’s told her story, and she has emerged with more charisma than half the industry put together. When she releases a Christmas single, it isn’t just music — it’s a movement. It’s the collective national desire for something joyful, camp, inclusive, and proudly silly.
The LGBTQ+ community in particular knows a gay icon when it sees one. Denise is outspoken, loyal, emotionally open, and effortlessly dramatic. She’s relatable yet glamorous; chaotic yet wise; messy yet magnificent. She’s the woman who will cry with you, dance with you, and drag you out to karaoke at 2 a.m. — the Patron Saint of Huns.
This is why Slayyy Bells deserves to beat the global juggernauts. Christmas Number One shouldn’t always go to the most streamed, the most marketed, or the most algorithmically optimised. Sometimes it should go to the artist who brings the most joy. The one who makes people laugh, sing, and feel part of something bigger.
Denise Welch is that artist. She’s the people’s diva, the hun-in-chief, the LGBTQ+ fairy godmother of festive chaos — and Slayyy Bells is the anthem worthy of her crown.
This Christmas, let’s make history. Let’s give the Number One to the woman who would celebrate it harder than anyone else: Queen Denise Welch.
2Shades Heidi Gammon and Dr Anna Kennedy OBE with Steven Smith at the Hampton Hub
Heidi Gammon presents Dr Anna Kennedy OBE.
The Hampton Hub was buzzing with energy on Friday 20th November as esteemed autism ambassador Dr Anna Kennedy OBE took to the stage as the special guest speaker for the Counselling and Coaching Group. The event was proudly hosted by Heidi Gammon, 2Shades Magazine columnist and Gateway Radio agony aunt, who introduced Dr Kennedy to an enthusiastic and engaged audience.
Dr Kennedy, one of the UK’s most recognised voices in autism advocacy, immediately captivated the room with her warmth, humour, and honesty. She shared her remarkable journey: from a determined mother fighting for the right support for her two autistic sons, Patrick and Angelo, to becoming a national campaigner, charity founder, and distinguished OBE recipient for her services to autism.
Her story began with what she described as “a battle fought with love and necessity.” With limited educational options available for her boys, she took matters into her own hands—eventually helping establish specialist provision and launching her highly influential charity, Anna Kennedy Online, which now supports thousands of autistic individuals and their families across the UK and beyond.
The audience listened intently as she spoke about the evolution of her work, including the hugely popular Autism Hero Awards, which celebrate outstanding individuals who make a positive difference within the autism community. She also discussed her long-running digital platform, Anna Kennedy Online, which provides education, advocacy, and outreach.
A highlight of the evening was her reflection on appearing on ITV’s Lorraine, where she was honoured as a finalist for Woman of the Year—a moment she described as both surreal and deeply meaningful.
The event also shone a spotlight on important collaborative projects. Dr Kennedy spoke about Born Anxious, the anti-bullying campaign that raises awareness of the struggles many autistic children and adults face. As part of the session, the group viewed a touching dance performance video by Freya Prince, whose emotional and expressive choreography moved the room.
Adding festive cheer, former Autism’s Got Talent performer Ty Williams delighted the audience via video with a heartfelt rendition of “Driving Home for Christmas,” receiving warm applause from attendees.
There was also a special appearance by Steven Smith, a former celebrity hairdresser turned author and presenter, who is one of the patrons of Anna Kennedy Online. He shared his personal story of becoming part of the charity’s growing family and spoke passionately about the power of creativity and community in supporting individuals on the autism spectrum. He also highlighted the creation of Autism and Art, an inclusive exhibition held at the Firepit Gallery in London that celebrates neurodiverse artists and their unique perspectives.
The Hampton Hub Counselling and Coaching Group, led by Heidi Gammon and her dedicated team, provided a warm and supportive atmosphere, bringing together people from all walks of life who share a commitment to understanding, compassion, and positive action.
Attendees left energised and inspired, with many commenting on the emotional resonance and practical insight Dr Kennedy brought to the conversation. Her message was clear: with determination, community, and unwavering belief, real change is possible.
The event not only highlighted the vital work being done across the UK for autistic individuals, but also showcased the power of storytelling, advocacy, and human connection.
For more information on the organisations and initiatives mentioned, visit:
2Shades introduces Richard Andrews new column ” Money Matters ” He’s not a financial adviser — but with more than a decade in banking, years of coaching executives, and hands-on experience running his own business, Richard Andrews knows a thing or two about money. As households prepare for one of the most expensive seasons of the year, Richard shares his no-nonsense advice on spending smart, avoiding debt, and keeping Christmas joyful without breaking the bank.
“Finance expert is very kind… but let’s clarify that first!”
Q: Richard, you’ve been described as a finance expert. Is that fair? A: “‘Finance expert’ is very kind, but I’m not a financial adviser. I did spend over ten years working for a high street bank, including as a business manager supporting small businesses. Today, I run my own company and coach executives and individuals to help them achieve the outcomes they want. All of that gives me plenty of real-world insight to share with your audience.”
The Cost of Christmas
Q: Why is Christmas such an important time to talk about money? A: “Because we spend a lot of it. The average UK household will spend around £1,626 on Christmas this year. That includes £350 on food and drink and £181 on presents. But the biggest spend comes from the hidden extras — entertainment, wrapping paper, cards, batteries — all those little things that add up fast. If you’re not careful, the consequences can follow you well into January.”
Teaching children about the value of this is important even at Christmas .
Rule Number One: Don’t Spend What You Don’t Have
Q: What’s your core message for managing Christmas spending? A: “Don’t spend money you can’t afford. I’m not suggesting a gloomy, ‘bah humbug’ Christmas — just decide what you can realistically spend and stick to it. Overspending without a plan leads straight to a miserable January.”
The Credit Card Trap
Q: Many people rely on credit cards at Christmas. What’s the danger? A: “Most of us use them, but the issue is that people often add £250–£500 to their debt at Christmas. That £250 gadget can become £500+ once interest kicks in if you’re not paying it off quickly. Some instalment services like Klarna can help if you can afford them — but remember, they’re not free money.”
Black Friday: Bargain or Illusion?
Q: Are Black Friday deals worth it? A: “Often they’re not. Some retailers raise prices beforehand to make the ‘discounts’ look dramatic. The best thing you can do is track the prices of items you genuinely want. Don’t fall for impulse buys — that’s dead money.”
Cost of Living vs Christmas Spirit
Q: In a cost-of-living crisis, how can people avoid overspending? A: “Plan and budget. The UK will throw away almost £450 million worth of food over Christmas. Don’t get into debt buying food you’re going to bin. Freeze leftovers, plan meals properly, and remember that the real gift is time with loved ones. Debt in January is the fastest way to ruin the joy of Christmas.”
Managing Children’s Expectations
Q: How should parents handle kids’ wish-lists? A: “Kids are smart and constantly targeted by influencers. Be honest, don’t promise what you can’t deliver, and don’t go into debt to keep up with the Joneses — that’s a race you can never win. Set realistic budgets, talk openly, and consider refurbished or discounted-return tech. ‘New to them’ is just as good.”
Short-Term Loans: A Firm No
Q: Are short-term loans ever a good idea during the holidays? A: “Never. A £500 loan over six months can cost you £640 or more. These loans spiral quickly and trap people in a cycle of borrowing. No Christmas is worth that risk.”
Planning Ahead for Christmas 2026
Q: What’s the best strategy for next year? A: “Start in January. Put aside whatever you can each month into a savings account. Christmas Club schemes can help, but make sure you’re not stuck with a single retailer. Buy gifts throughout the year if you spot a good deal and remember that adults don’t need expensive presents — thoughtful tokens count.”
The Real Gift
Q: Any final advice for a calmer Christmas? A: “Christmas is stressful enough without money worries. Don’t add pressure you don’t need. Focus on an affordable, joyful Christmas with the people you love — because that is the true gift.”
Heidi is back, and she’s here to help you get through and enjoy the holiday period.Hear her on Gateway Radio on the Aston Avery Show and on YouTube.Please write to her at 2Shades: spman@btinternet.com if you have a problem.Heidi can only answer so many, but she will try her best. Heidi is back, and she’s here to help you get through and enjoy the holiday period.spman@btinternet.com if you have a problem.Heidi can only answer so many, but she will try her best.
Dear Heidi Hope you are well. My son is coming with his girlfriend for Christmas. She is a lovely girl, but she’s not really my kind of person — though she makes my son happy. Lunch is going to be a problem: she is vegan and we are all meat eaters. Making it worse, she talks about animal cruelty while we’re eating. Now my son has decided he’s vegan too. I will make a nut roast and vegetables for them, but is it acceptable to tell them I don’t want to hear about animals and cruelty while we eat? Diana, Uxbridge
Heidi replies: You’re being considerate by preparing vegan options, and it’s perfectly reasonable to set boundaries at the table. Explain kindly that you respect their choices, but mealtimes need to stay pleasant for everyone. A gentle, “Let’s save the debate for later,” is enough. Mutual respect works both ways. Maybe try having a coffee with her before Christmas, go over the menu, and then explain your boundaries so it doesn’t become a big issue on the day.
Dear Heidi My boyfriend and I like to party and occasionally take drugs. I feel it’s under control on my end — high days and low days, that kind of thing — but I am a traditionalist when it comes to Christmas. He wants to invite two friends over and seems more interested in getting drugs in for after lunch than the food or the day itself. What can I do? I want a white Christmas — not that kind of white one. Mike, Bournemouth
Heidi replies: You deserve a Christmas that feels safe and joyful. Tell your boyfriend clearly that you want a drug-free day and that you aren’t comfortable hosting a gathering that revolves around substances. If he can’t respect that boundary, it’s a sign something needs addressing in the relationship — and perhaps in your habits as a couple. A peaceful Christmas requires mutual respect. Any regular drug use is not only illegal but a sign of addiction; once it’s in your life, it has a habit of resurfacing.
Dear Heidi Can you please help me? My mother is a total control freak and she runs Christmas like a military operation. This year I want to go to my friends’ in Cornwall. I am 19, at college, and have a part-time job. How do I break the news? I hinted at the idea and she brushed it off. How do I tell her? Malcolm, Newcastle
Heidi replies: You’re an adult now, and part of growing up is making your own plans. Be direct, calm and kind: “Mum, I love Christmas here, but this year I’m spending it with friends.” She may protest, but stick to your decision. Set the boundary with respect, not guilt, and give her time to adjust. The sooner you tell her, the better — and be aware she may not stop being controlling, so learning to stand firm now will help.
Dear Heidi Please help. We are going to my fiancé’s for Christmas. His mum is nice, but his dad is awful — he constantly makes crude comments and flirts with me when no one is looking. What can I do? Do I tell my fiancé or just put up with it since we don’t go that often? Tiffany, Leeds
Heidi replies: You should not put up with inappropriate behaviour, no matter how infrequent the visits. Tell your fiancé privately and calmly what has been happening. He needs to know, and the two of you can decide together how to handle it — whether that’s him speaking to his father or setting clearer boundaries. You deserve to feel safe and respected.
Dear Heidi I am going home for Christmas. This summer I came out at university. My parents are religious and it is going to be a shock to them. Should I go down sooner to tell them? I don’t want to ruin Christmas. Paul, Cardiff
Heidi replies: If you feel emotionally ready, telling them before Christmas may ease some of the pressure on the day itself. It gives them time to process without the intensity and expectations of the holiday. Choose a calm moment, be honest, and remember: their reaction is about their adjustment, not your worth. You deserve to be loved and accepted as you are.
This December, Morley Opera School invites audiences to an evening of passion, wit, and reflection with Opera Scenes: CONSEQUENCES, a vivid exploration of human choices and their inevitable aftermath. Under the expert direction of William Kerley and musical direction by Panaretos Kyriatzidis, this production offers a captivating journey through some of opera’s most powerful and emotionally charged moments. With Nicholas Bosworth at the piano and Conor Costelloe crafting evocative lighting design, the performance promises to be both musically and visually enthralling.
The program brings together a diverse range of works, from the Classical elegance of Gluck and Mozart to the modern intensity of Britten and Poulenc. Each scene has been carefully chosen to highlight the theme of consequences—how human decisions, driven by love, pride, fear, or faith, shape the fates of individuals and societies alike.
The evening opens with Gluck’s Paride ed Elena, a lyrical portrayal of the mythic lovers whose choices ignite the Trojan War. Through Gluck’s graceful yet emotionally charged score, the audience witnesses how desire can lead to destiny’s most devastating turns. The theme of secrecy and consequence continues in Domenico Cimarosa’s Il Matrimonio Segreto(The Secret Marriage), where comic misunderstandings and clandestine vows lead to both hilarity and heartbreak. Cimarosa’s sparkling ensemble writing and elegant wit remind us that even the most humorous situations often conceal real emotional stakes.
From there, the performance moves to Mozart’s Idomeneo, a masterwork of the Classical era that delves into the tension between duty and compassion. When the Cretan king must sacrifice his own son to appease the gods, Mozart’s music swells with moral anguish and divine intervention—a striking depiction of how promises made in desperation can lead to unbearable consequences.
The evening then shifts to the haunting world of Benjamin Britten’s The Rape of Lucretia, a twentieth-century chamber opera that reimagines an ancient Roman tragedy. Britten’s sparse, evocative score and stark moral commentary confront audiences with questions of innocence, violation, and redemption. It is one of the evening’s most profound explorations of consequence—where an individual act of violence reverberates through history.
Finally, the performance concludes with scenes from Francis Poulenc’s Les Dialogues des Carmélites, a deeply moving account of faith, fear, and courage during the French Revolution. In this extraordinary work, a community of nuns faces execution for their beliefs, and each character must decide how to confront mortality with dignity. Poulenc’s luminous harmonies and spiritual depth offer a fitting conclusion to a night that examines the human condition in all its complexity.
Opera Scenes: CONSEQUENCES is more than a showcase of operatic talent—it is a reflection on the moral and emotional choices that define us. Presented by the students of Morley Opera School, it demonstrates the artistry, discipline, and dramatic insight cultivated within this renowned institution. Among its talented performers is Jadwiga, a classically trained singer and music graduate who offers private singing lessons in classical, opera, and musical theatre styles https://www.morleycollege.ac.uk/event/morley-opera-school-presents-opera-scenes-consequences/
Performances take place on Thursday, December 11 at 7:30 PM, Friday, December 12 at 7:30 PM, and Saturday, December 13 at 2:00 PM at the Johnny Harris Theatre Studio, Morley College London, 61 Westminster Bridge Road, SE1 7HT. Tickets are priced at £10.00 (plus booking fee £11.55 online).
An evening of beauty, reflection, and emotional truth, Opera Scenes: CONSEQUENCES is an essential event for opera lovers and newcomers alike—a reminder that every choice, whether divine or human, carries its echo.
Are you passionate about creativity, positivity, and representation? Would you like to be part of an uplifting magazine that celebrates diversity and individuality? Then this could be the opportunity for you.
I’m Steven Smith, Editor of 2Shades Magazine — a vibrant, happy LGBTQ+ publication where everyone is welcome. 2Shades is about joy, self-expression, and living life in full colour. We share stories that inspire, entertain, and connect people from every shade of the spectrum.
At the moment, the magazine is run independently and with heart. It doesn’t yet generate profit, and I’m not taking a salary for my writing or editorial work. But what we do have is potential, readership, and passion — a growing audience who believe in what 2Shades stands for: positivity, equality, and creative freedom.
Now, with my current partner stepping down who we loved and can not thank enough , The incredible Adishia chengappa,is going into full time eduction . I’m looking for a new collaborator or investor to join me on this journey.
🌈 Why Join 2Shades?
Be part of something meaningful. 2Shades isn’t just a magazine — it’s a community celebrating LGBTQ+ life, art, culture, and individuality.
Low entry, high potential. For £1,000, you can buy into the magazine and become my creative and business partner.
Help shape the next chapter. From editorial direction and digital strategy to sponsorship, advertising, and partnerships — your ideas will directly influence how we grow.
Your voice matters. Whether you’re a writer, marketer, designer, PR professional, or creative entrepreneur, this is a rare chance to make a real impact.
Build towards profit together. As the magazine grows through advertising, sponsorships, collaborations, and events, so does your stake and reward.
🌟 What I’m Looking For
Someone who believes in the message of inclusion and positivity — LGBTQ+ and allies alike.
Someone excited by independent media and the creative world.
A person who’s proactive, imaginative, and ready to build something with heart.
Ideally someone who can bring either creative skills, marketing ideas, or business insight — but most importantly, enthusiasm.
💬 Next Steps
If this sounds like you, let’s talk. I’ll share more about our readership, digital presence, plans for the year ahead, and how we can shape this partnership together.
Your £1,000 investment secures you a share in 2Shades, a say in editorial direction, and the chance to be part of something growing, inclusive, and joyfully unique.
Let’s make 2Shades not just a magazine — but a movement that celebrates difference and spreads happiness.
On Saturday the 11 October, the spotlight shines on extraordinary talent as Autism’s Got Talent takes centre stage at the Mermaid Theatre in London. Organised by the award-winning charity Anna Kennedy Online, this uplifting and inclusive event brings together over 24 performers from around the world, including the United States, for an evening that promises inspiration, celebration, and unforgettable entertainment.
With doors opening at 6:00 PM and the show starting at 7:00 PM, this year’s event is set to be one of the biggest yet — showcasing not only incredible talent but also the power of inclusion and acceptance.
Dr Anna Kennedy OBE
A Stage That Changes Lives
Unlike traditional talent shows, Autism’s Got Talent isn’t about competition — it’s about celebration. It provides a rare and empowering platform for performers who are autistic or neurodivergent, allowing them to share their unique voices, stories, and creative gifts.
Founded by autism ambassador and campaigner Anna Kennedy OBE, the event was born out of a desire to challenge stereotypes, raise awareness, and offer meaningful opportunities for those often overlooked in mainstream media and entertainment.
“This is not just a show — it’s a movement,” says Anna Kennedy. “Autism’s Got Talent is about breaking down barriers and giving people a chance to shine. Every performer brings something special to the stage, and the audience leaves inspired and moved.”
From singers and dancers to poets, musicians, magicians and comedians, the show highlights the diverse range of talentwithin the autism community. Many of the performers have never had the chance to appear on a professional stage before — making the experience deeply personal and empowering.
Award winning presenter Aston Avery
Star-Studded Presenters & World-Class Venue
Hosting this year’s spectacular event are award wining Gateway DJ, Aston Avery, and youth theatre organiser PhilBarnett , a dynamic trio known for their charisma, warmth, and dedication to the autism community. Their presence helps create a relaxed, friendly atmosphere where performers feel supported and celebrated.
The iconic Mermaid Theatre — a central London venue known for its stunning acoustics and accessibility — is the perfect backdrop for the evening. Its state-of-the-art stage and welcoming environment make it ideal for a show of this scale and heart. Visit: www.the-mermaid.co.uk
What to Expect
With over two dozen acts from across the UK, Europe, and America, audiences can expect an exciting mix of performances filled with energy, passion, and originality. No two acts are alike, and every moment of the show is infused with authenticity and emotion.
The audience is encouraged to cheer, clap, and support every performer — creating an atmosphere of celebration rather than judgment. The focus is on ability, creativity, and joy.
Whether it’s a powerful vocal performance, an emotional poem, a jaw-dropping dance routine, or a surprise act that defies genre, every artist takes the stage with courage and pride.
Anna Kennedy and her dedicated team behind Anna Kennedy on line
More Than Just a Show
Proceeds from the event go directly to Anna Kennedy Online, a UK charity that provides vital support, resources, and advocacy for individuals and families diagnosed by autism. The charity works year-round to raise awareness, run workshops, support networks, and create opportunities like Autism’s Got Talent.
“This event shows what’s possible when we give people the space and support to thrive,” says Anna Kennedy. “It’s about changing perceptions, building confidence, and proving that being different is something to be celebrated.”
In a world where neurodiverse individuals often face barriers to expression, Autism’s Got Talent offers something truly special: a night where every voice matters, every performance is met with applause, and talent is judged not by convention — but by heart.
Whether you’re a long-time supporter of the autism community or simply looking for an evening of uplifting entertainment, this is one event you won’t want to miss.
In particular, Anna Kennedy on Line would like to thank their sponsors Mermaid Theatre, The Harley Street Skin Clinic, Orange Orchid, Talem Law, SEND Tutoring, and SEN Tutoring for their invaluable support. Without you, we simply could not continue to do what we do.
Let’s be honest: a woman’s hair is her crown and glory. It’s part of her identity, her confidence, her style. And when it comes to royalty, that crown is both literal and symbolic. Princess Catherine—Kate, as we fondly call her—always manages to look spectacular. She carries herself with elegance and dignity, and despite facing health struggles, she continues to shine as my favourite member of the Royal Family.
So why, then, does the we feel the need to dissect every strand on her head? Recently, Kate decided to lighten her hair a touch. Not platinum, not peroxide blonde—just a soft, subtle lift. Hardly headline material, yet suddenly it’s splashed across the front pages. Is this really news?
I say this as someone who spent years as a celebrity hairdresser: hair is deeply personal. It’s not just style, it’s self-expression, sometimes even reinvention. I actually admire Kate for trying something new under the relentless glare of the cameras. Personally, I think she suits brunette best—but that’s beside the point. The point is, it’s her hair, her choice, and she looks radiant either way.
But what left me utterly flabbergasted was what happened next. A few days later, she attended a women’s rugby match with her hair pulled back in a ponytail—practical, appropriate, perfectly normal. And would you believe it? That too became a headline. A ponytail! Honestly, are we that short of news?
It makes me wonder about our priorities. Wars are raging, the cost of living is biting, families are struggling—and yet we’re fixated on whether a princess wears her hair up or down. Surely, we can do better.
Here’s what really matters: Kate represents grace, resilience, and positivity at a time when good news is hard to come by. She continues to serve, smile, and inspire, even while facing challenges of her own. She is a mother, a wife, a public figure, and a future queen—and she handles it all with poise. That deserves admiration, not nit-picking.
So, my view is simple. Leave Kate’s hair alone. Celebrate the woman, not the ponytail. Applaud her courage, her elegance, her humanity. Hair grows; styles change—but the strength of character she shows every day? That’s what truly deserves the front page.
Why Do So Many Smart Women Fall Under the Spell of Con Men?
It’s not about weakness—it’s about hope, empathy, and the universal desire to be loved.
Before we begin, let’s be clear: this isn’t unique to women. Men, too, can fall victim to manipulation, deceit, and what we might call a “love con.” Yet it remains striking how often we see bright, accomplished women—lawyers, doctors, business leaders, and artists—caught in the webs spun by controlling, Svengali-type men.
This was brought home to me recently while watching Love Con: Revenge on Netflix. The series exposes the astonishing ways charismatic fraudsters charm their way into people’s lives, leaving devastation behind. The victims are not naïve or unintelligent. Quite the opposite—they’re usually sharp, capable, and worldly. Yet even they are drawn into the con, sometimes for years.
The Psychology of the “Love Con”
Why does this happen? Why do intelligent women—women who can negotiate boardrooms, run companies, and juggle families—become vulnerable when love enters the picture? Is there, as cynics suggest, something in female nature that makes women more susceptible when romance is involved?
I don’t believe it’s about weakness. If anything, it’s about strength—and hope. Many women are deeply empathetic, nurturing, and generous. They are also willing to give people the benefit of the doubt. These qualities are admirable, yet they are the very traits manipulators exploit. Con men mirror back what their victims long to see: affection, stability, the promise of being cherished. By the time the illusion cracks, the emotional investment is so deep that leaving feels impossible.
Neuroscience sheds light here. Falling in love floods the brain with dopamine, oxytocin, and serotonin—the same chemicals associated with addiction. Under their influence, judgment clouds and red flags fade. Intelligence doesn’t disappear; it’s simply overwhelmed by biology.
The Celebrity Trap
Even women with power, influence, and entire teams of advisors aren’t immune. How many times have we seen successful actresses or performers introduce a new partner, only to announce within months that he is now their manager? Management is a skilled profession requiring experience and industry knowledge. Yet suddenly, the boyfriend is running the show.
Rarely does it end well. Take Joan Collins, who married Peter Holm in 1985. Within weeks, he had become her manager and co-producer. By 1987, the marriage collapsed in a storm of bitterness.
I’ve seen the same pattern in everyday life. Brilliant women who once spoke their minds now begin every sentence with, “And Joe says…”—as if their identity has been swallowed whole. The pattern is chillingly predictable: isolate her from friends, cut ties with anyone who might see through the act, and gradually take total control. Netflix’s Dirty John dramatises this cycle with unnerving accuracy.
Ghislaine Maxwell:
Consider, too, the controversial case of Ghislaine Maxwell. An intelligent, educated woman from a powerful family, she nonetheless became the enabler of Jeffrey Epstein. Was he a replacement father figure for the domineering Robert Maxwell? Did her need for validation blind her to the enormity of his crimes?
Whatever the reason, it is telling that Epstein’s male associates have largely escaped accountability, while Maxwell sits behind bars. She has become, many argue, the fall guy in a sordid melodrama. Her case is a stark reminder of how even the brightest women can be drawn into the orbit of a manipulative man.
Beyond Blame
So why do smart women fall for con men? Because intelligence is not a shield against love, against hope, or against the human desire to be needed. These women are not foolish—they are human.
If anything, their empathy, generosity, and optimism make them prime targets. And until society learns to place blame squarely where it belongs—on the men who manipulate, control, and exploit—the cycle will continue.
The question, then, should not be “Why do women fall for con men?” but rather, “Why do we allow con men to keep exploiting love so freely?”
Because in the end, the real con is not about women being weak—it’s about predators preying on the very best of human qualities.
Will Harry Meet Charlie?
There is so much speculation surrounding Prince Harry’s upcoming visit. Will he meet with his father, or won’t he? That’s the question on everyone’s lips.
First of all, he is King Charles’s son—and whether he is seen as the prodigal son or not, I truly hope a meeting takes place. After all, no amount of titles or headlines can change the simple truth of family.
As a nation, we watched Harry and his brother William Walk behind their mother’s coffin. They were just boys, and the emotional and psychological impact of that moment must have been unimaginable. It shaped both of them forever, and perhaps explains much about the men they have become.
Of course, all families have rifts. Harsh words get said, mistakes are made, and Harry has certainly made some. His marriage added another layer of complexity, and Meghan herself is another story entirely. But to dismiss him outright would be unfair.
Harry was always one of my favourite royals. He brought a youthful sparkle and an authenticity to public life that made him stand out. Whatever the differences, I hope father and son can find their way back to each other.
Listen, up Mike is back . You’re thinking about growing a Moustache? Maybe for November Good call. Nothing changes your look quicker than a solid ’stache. But here’s the thing: if you want it to look sharp and not like you’ve just crawled out of a cave, you’ve got to know how to grow it right, keep it clean, and style it like a pro. Lucky for you, I’m here to give you the lowdown . https://uk.movember.com
Step 1: Growing Your Moustache
Be patient
Rome wasn’t built in a day, and neither is a proper Moustache. Depending on your hair type, it can take three to six weeks before it really starts to take shape. Don’t rush it — let nature do its thing.
Barber’s Tip: Forget that old wives’ tale about shaving making it grow back thicker. Doesn’t work. What does help? Eating well, getting sleep, staying active, and keeping your skin clean. Healthy body, healthy hair.
Grow the tach first
Here’s the trick: instead of letting just the lip fuzz sit there looking lonely, grow your whole beard out. Once the mustache thickens up, then shave the beard. That way, you dodge the awkward “half-grown” look.
Invest in a trimmer
Trust me, a good trimmer is worth its weight in gold. Scissors are fine for touch-ups, but if you want precision, get yourself a rechargeable trimmer with adjustable guards. Or come see me once a week
Celebrity client Nick Nevern
Define the shape
Most Moustaches run to the corners of your mouth and stop there. Keep the lip hair, shave the cheeks, chin, and jaw. Once you’ve carved out the shape, leave it alone and just keep the rest of your face tidy.
Keep it clean
Facial hair traps oil, sweat, and the crumbs from last night’s sandwich. Wash it a couple times a week with a mild shampoo and conditioner. Softer hair = less itch. If you’re fancy, a little beard oil won’t hurt. After all that tach can bring all the boys or gals to the yard but if it isn’t clean they will run right back
yes thats 70’s who’s your daddy ? looks is back and Mike here to show you how to get it and maintain ,
Step 2: Maintaining the ’Stache
Keep it neat
Even the wildest Mustache needs a little discipline. Snip stray hairs with scissors or lightly buzz the ends with your trimmer. How often depends on your style — could be daily, could be weekly.
Wash and groom
A good foaming face wash in the morning and before bed keeps your skin clear and your mustache fresh. Nobody likes a greasy upper lip.
Train it with wax
If you’re going for anything beyond “basic lip rug,” you’ll need wax. Warm a little between your fingers, rub it through, then comb it from the middle outward. Beard combs work best — small teeth, good control.
Mikes work the ultimate in 1920s tach
Step 3: Styling Ideas
Now for the fun part. What kind of moustache guy are you?
The Pencil: Thin, sharp, clean lines. Think old-school film star or John Waters.
The Boxcar: A neat rectangle above the lip, stopping before the corners. Straightforward and tidy.
The Fu Manchu: Hair extends down past the jawline. Bold move — not for the faint-hearted.
The Handlebar: Grow it long, curl the ends up with wax. Victorian gent or modern hipster, your pick.
The Walrus: Big, bushy, covers the top lip. Think Teddy Roosevelt chopping wood.
The Selleck: Full, strong, classic. You’ve seen it a thousand times — it never goes out of style.
And here’s the truth: you don’t need to stick to just one. Mix, match, experiment. Worst case? You don’t like it, you shave it off. Best case? You find your signature look.
Looks like a star .
Final Words from the Barber’s Chair
A Mustache isn’t just hair on your face — it’s a statement. Take the time to grow it right, keep it clean, and wear it with confidence. Remember: a man doesn’t just grow a Mustache. He earns getting to ask “Who’s Your Daddy? “
From London to the North East: Dr Anna Kennedy OBE brings her award-winning showcase of autistic talent to the Playhouse Theatre this September
Whitley Bay Playhouse is set to welcome a spectacular event to the North East this autumn. On Saturday 6th September 2025, the award-winning showcase Autism’s Got Talent—founded by Dr Anna Kennedy OBE—will light up the stage in collaboration with Alisar Jane, founder of the True Colours Theatre CIO Foundation. Ahead of the event, Anna Kennedy shares her thoughts.
Autism’s Got talent at the Mermaid Theatre .
How did you come up with the idea for Autism’s Got Talent? The idea grew out of my anti-bullying campaign “Give Us a Break”, which was created to support autistic children and adults. After the campaign, I began receiving videos from autistic individuals showcasing their talents—singers, dancers, poets, actors, magicians, and musicians. I realised there needed to be a platform to celebrate these abilities and challenge negative stereotypes. That’s how Autism’s Got Talent was born.
Are the judges ever critical, or is the focus on encouragement? There are no judges—it isn’t a competition. Autism’s Got Talent is purely a showcase, shining a light on the talents of autistic children and adults, from the age of five upwards, with no upper age limit.
How many performers usually take part? Each year, we usually select around 20 performers from across the UK and overseas.
Amongst the celebrity presenters and supporters actress Kacey Ainsworth .
The show has been a huge success in London, attracting performers from as far as the USA. Why did you choose Whitley Bay as a location for the event? London is now in its 14th year of hosting Autism’s Got Talent. Over the years we’ve collaborated with many groups and charities nationwide, and I was particularly impressed by the work of Alisar Jane and her team at the True Colours Theatre Foundation in the North East. After visiting their theatre school, it felt like the perfect partnership, and Whitley Bay’s Playhouse Theatre was the ideal venue.
You also run the autism charity Anna Kennedy Online. In what ways does the charity support individuals and families? Anna Kennedy Online is run by a dedicated team of volunteers. We support individuals and families in many ways—raising awareness and acceptance, providing free workshops and training, and offering practical advice. We also use our website and social media to share up-to-date information, news, and resources about autism and overlapping conditions.
Another of your flagship events is The Autism Hero Awards. How long has that been established? The Autism Hero Awards is now in its 6th year. Nominations are currently open and will close in March 2026.
With the current government cutbacks, do you worry that people living with autism will be disproportionately affected? Yes, I believe they will. I’ve spoken with many parents, carers, and autistic individuals who are very concerned. Organisations such as the National Autistic Society are warning that the cuts could increase poverty and social isolation, as people risk losing access to essential financial support, healthcare, and community services.
You are originally from the North. What inspired your move down South? Both my husband Sean and I were born in Middlesbrough. We’ve lived in London for almost 40 years now. Sean moved first to study at a West London university, and I followed a couple of weeks later—we didn’t want to be apart!
What can audiences expect from Autism’s Got Talent in Whitley Bay? They can expect a magical evening, filled with extraordinary performances from autistic children and adults. The Playhouse Theatre will come alive with music, dance, poetry, comedy, and more. It’s a celebration of talent, positivity, and community spirit—we cannot wait to share it with Whitley Bay!