Tag: painting

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🎄 Mama Xmas: The Joyful, Wild World of Piluca Artist

https://www.pilucaworld.com/public

“I absolutely love Christmas,” says artist and designer Piluca Camino Alcón, her voice bright with the kind of infectious joy that instantly fills the room. “They used to call me Mama Xmas because I go all out. I host a big dinner on the 24th—that’s when we celebrate in Spain—and my doors are open to anyone who wants to join, especially those who might not have someone to spend it with.” For Piluca, the season is more than decorations or gifts. “I cook like a woman possessed,” she laughs. “Meats, seafood, you name it, it’s a proper bacanal! For me, Christmas is about people, laughter, music, and those real beautiful moments that make life worth living. My dinners are never those forced family affairs where everyone pretends to like each other. Mine are full of joy, dancing and love. It’s a celebration of life itself.”

This joyous, unfiltered energy seems to define everything about her. When asked if she’s been naughty or nice this year, Piluca laughs so hard she nearly spills her coffee. “This year I’ve been both gloriously naughty and impressively nice. I shattered expectations, ignored my own rulebook, and gave full permission to my wild inner freedom. I devoured all the cookies, then hit the gym like a warrior. Balance, darling—that’s the real art!” That combination of chaos and control, wildness and discipline, runs through both her personality and her work. Born in Madrid, she first came to London on holiday with her mother-in-law and fell in love with Brixton.

“The moment I stepped into Brixton in 1996, I fell in love. The energy, the cultural and ethnic mix, the unapologetic vibrancy—it was electric. There was this raw, unfiltered love for music and the arts, a non-judgmental openness in its people, and a market bursting with flavours, colours and life. It felt like home instantly.” She has stayed ever since, building a life and career rooted in that creative spirit. “I didn’t choose to become an artist,” she says simply. “I was born one. I have created for as long as I can remember. Being an artist is not a choice but a necessity. My ultimate aim is to connect, elicit a response and inspire through my practice.”

She has certainly done that. A published illustrator, sculptor, fashion designer and community organiser, Piluca was a finalist in the arts category for the WinTrade International Awards in 2018. During lockdown she threw herself into animation projects while developing her own fashion line. “Art is how I breathe,” she says. “My life and my creativity are so deeply intertwined that separating them would be impossible. Art is my voice, my refuge, and my power.” She speaks about her upbringing with disarming honesty. “My past shaped every part of me, and art became both my shield and my weapon. It has always been my therapy, my way of making sense of the world.” When she laughs, it’s the laughter of someone who has survived, rebuilt, and decided to celebrate it all anyway. Even under the mistletoe, she admits, there are no plans or rules. “Mistletoe’s kissing? Depends who’s standing under it first,” she grins. “I don’t plan these things. I improvise.”

That sense of improvisation seems to fuel her approach to both art and life. Her inspirations span from Spanish masters like Picasso, Dalí and Velázquez to contemporary icons such as Sarah Lucas, Judy Chicago and Yayoi Kusama. She’s also deeply influenced by the raw, expressive energy of street art. “It’s rebellious, emotional, connected to the real world. That’s what I love.” Yet, despite her international sensibility, she remains deeply rooted in Brixton. “London suits me fine,” she says. “I just dream of a bigger studio one day—warehouse big!”

“My dream for the year ahead is to keep evolving—becoming stronger, fitter, sharper. To keep inspiring my kids, pushing myself, and making the most of every moment.”

Family means everything to her. She has two sons, Carlos and Malachi, and both have inherited her creative fire. “Carlos reached Grade 8 on piano, and Malachi’s preparing for his Grade 5. They’re different but equally artistic. Carlos is grounded and business-minded, while Malachi is a free spirit, completely immersed in creativity, untouched by brands or status. At six, he said he wanted to be an artist, just like I did at his age.” Her eyes soften when she speaks about them. “What I teach them both is this: creativity is what sets us apart from the animal kingdom. It’s the ability to turn imagination into something tangible—to create what didn’t exist before. Life itself is art, and art gives life its meaning.”

Earlier this year, she travelled to Chicago to collaborate with acclaimed photographer Sandro Miller on his project I Am Beautiful, exploring inner beauty and self-love. “It was surreal,” she says. “Meeting him, his wife, his team—it felt like meeting someone from my tribe, someone who has used art as both shield and weapon. It was cathartic. I grew. I can’t wait to go back.” When asked what she wants most for 2026, her answer is immediate. “To keep being granted the strength, madness and magic to make things happen.”

As the conversation turns back to Christmas, Piluca’s eyes sparkle. “Christmas is the perfect metaphor for life,” she says. “It’s messy, loud, emotional—and if you open your heart to it, it’s beautiful. I don’t care about presents; I care about presence.” You can picture her back in Brixton, fairy lights strung from every corner, music playing, food piled high, her friends and family laughing and dancing around her. “That’s Christmas to me,” she says, smiling. “A celebration of life itself.”

https://www.pilucaworld.com/public

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Columns Lifestyle People Uncategorized

Fighting Spirit: Artist and Mother Annemarie Bickerton Steps Into the Ring

In a world where many talk about what they might do someday, there are others who quietly get on with it—people who take action, push boundaries, and in doing so inspire those around them. Artist and photographer Annemarie Bickertonbelongs firmly in the latter category.

On Saturday, September 27, 2025, Bickerton swapped her camera for boxing gloves, stepping into the ring at The Troxy in London for an Ultra White Collar Boxing (UWCB) charity event. The evening brought together novice boxers from across the capital, each of them having undergone ten weeks of intensive training, with the dual aim of testing themselves and raising money for good causes.

For Bickerton, that cause was the Pink Ribbon Foundation, a UK charity that provides financial support to organisations helping those affected by breast cancer. It was a natural fit: she has previously worked with the foundation, staging her acclaimed “BustOut” exhibition at the Firepit Gallery at the O2. That exhibition combined bold visual art with advocacy, raising awareness and funds in equal measure.

This time, however, the setting was very different. The Troxy’s historic stage was transformed into a boxing arena, the atmosphere electric as friends, family, and supporters packed into the venue. Bickerton’s match ended officially as a draw, though audience members were quick to call it a clear win on her part.

The result, though, tells only part of the story. What makes Bickerton’s achievement stand out is the journey that led her there. For ten weeks, she trained with discipline and determination, rising early, attending gruelling sessions, and absorbing the technical and mental demands of boxing. “It was not natural for me at all,” she admitted beforehand. Yet she persevered, embodying the UWCB ethos of ordinary people doing extraordinary things for charity.

Bickerton’s decision to take up boxing was not made in isolation. She had first introduced the sport to her son, who lives with autism, as a way to build confidence and resilience. Facing bullying at school, he found empowerment in the discipline and structure of training. Inspired by his progress, Bickerton decided to follow suit. “Lead by example” became more than a phrase—it became a lived reality.

Those who know her were not surprised. Bickerton has long been recognised for her willingness to tackle challenges head-on, whether in her artistic practice or personal life. As a photographer and artist, she has built a reputation for bold, thought-provoking work that often blends beauty with social commentary. As a mother, she has consistently sought opportunities that empower her son and others facing adversity.

Her move into boxing might seem like a departure, but in many ways, it continues a consistent theme: using creativity, courage, and perseverance to make an impact.

Events like UWCB are not only about individual achievement but also about collective contribution. Since its founding, the organisation has raised millions of pounds for charities across the UK, with participants from all walks of life. Bickerton’s fight was one of dozens staged that evening, each carrying a personal story and a charitable purpose. Together, they highlighted the power of community fundraising through unconventional means.

For Bickerton, the fight capped months of hard work and represented more than just a physical test. It was a statement about resilience, visibility, and the importance of action. “Annemarie is a great example of what’s right in this world,” said one supporter. “She doesn’t just talk—she does.”

That ethos has earned her admiration not only from those close to her but from a wider circle who see in her story a reminder of what determination can achieve. In an age when so much energy is spent on words, Bickerton’s actions—whether through art, activism, or sport—speak louder.

As the cheers faded at the Troxy, the impact of her fight extended far beyond the ring. Funds had been raised for a vital cause, awareness had been heightened, and a powerful example had been set for her son and others: that courage comes in many forms, and that sometimes the greatest victories are not about titles or trophies but about showing up, standing tall, and refusing to back down.

With her gloves now set aside, Bickerton returns to her life as an artist, mother, and advocate. Yet the echoes of that night in the ring remain—a testament to the fighting spirit of a woman who refuses to be defined by limits.

More information:
Ultra White Collar Boxing
Pink Ribbon Foundation

https://www.firepit.art

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Culture Lifestyle People

London’s Hidden Gem: The Firepit Gallery

Marcus Jake the man behind Firepit
Dr Anna Kennedy with the legendary John Lee Bird Gallery owner Marcus Jake .

In a city as vast and ever-evolving as London, it’s becoming increasingly rare to stumble upon a space that immediately feels like you’ve entered somewhere truly special. Tucked away on the Greenwich Peninsula, just a stone’s throw from the O2 Arena, The Firepit Gallery isn’t just another art venue — it’s a living, breathing community. The moment you step inside, you are immersed in a kaleidoscope of colour, creativity, and character. It feels like a sanctuary, a hive of inspiration and warmth, especially for those with an eye for flair, originality, and a desire for genuine connection.

Recently, Firepit Gallery played host to the closing night of The Autism & Art Show, a vibrant and inclusive celebration of neurodiverse talent. The event brought together an eclectic mix of artists and creatives, showcasing a dynamic range of work that broke boundaries and challenged perceptions. On hand to mark the occasion were some of the most exciting and diverse voices in the art world. Spanish-born street artist Piluca, known for her bold murals and graffiti-inspired work, joined celebrated photographer and artist Annemarie Bickerton. Also exhibiting was Alistair Blaster Artz, whose bold, futuristic pieces drew crowds.

Dt Anna Kennedy OBE with the acting royalty Vicki Michelle

The legendary John Lee Bird made a much-anticipated appearance, arriving just in time to greet Dr. Anna Kennedy OBE, a champion of autism awareness and inclusion. It’s moments like these — the spontaneous meetings, the shared laughs, the applause and admiration — that make the Firepit feel like much more than just a gallery. It’s a place where emerging and established talents mingle with activists, celebrities, and visitors from all walks of life. A kind of creative salon, echoing the golden age of artistic gatherings in Paris and London, where art wasn’t just displayed — it was lived.

Firepit is a home for Annemarie Bickerton celebrity photographer and artist .

I once described The Firepit as “the Willy Wonka of the art world,” and the comparison still holds true. There’s a sense of wonder in every corner, from the ever-changing exhibitions to the vibrant murals, installations, and sculptures that inhabit the space. It’s a gallery, yes, but also a home — one with a full-stocked bar, laughter in the air, and a real sense of belonging. It feels like stepping into a dreamscape where the lines between artist, viewer, and friend gently blur.

At the heart of it all is Marcus Jake, the visionary behind The Firepit Gallery. Marcus isn’t just the founder — he’s the soul of the place. Equal parts curator, host, mentor, and mischief-maker, Marcus has created something rare: a truly inclusive, vibrant, and welcoming environment where everyone feels seen. Whether you’re a collector, a curious wanderer, or someone simply seeking a safe and inspiring space, Marcus will greet you with open arms and infectious enthusiasm.

Gallery owner Marcus Jake

His vision for Firepit goes far beyond traditional art world boundaries. The gallery regularly hosts workshops, talks, performances, and community events. It’s a beacon of light for the LGBTQ+ community, a space where self-expression isn’t just accepted — it’s celebrated. From drag evenings to life-drawing classes, from vinyl DJ nights to panel discussions about mental health and inclusion, Firepit’s calendar is as diverse and electric as its art.

One of the gallery’s standout features is its monthly wine-tasting and dinner evenings. These events are less about formality and more about connection. Attendees gather around a long communal table, sampling wines and sharing stories while surrounded by stunning artwork. The conversations flow freely, from art and culture to politics, identity, and everything in between. These evenings have become a cherished ritual for many — a time to pause, reflect, and feel part of something bigger.

There’s also something very special about the way the gallery bridges the gap between high art and community. Too often, galleries can feel cold or elitist, but Firepit is the opposite. Here, art is accessible, emotional, and rooted in lived experience. Visitors are encouraged to talk to the artists, share their responses, and engage with the work on a personal level. Whether you’re buying your first print or attending your tenth show, you’re treated as part of the Firepit family.

The gallery’s physical space mirrors this ethos. With its industrial-chic aesthetic, vivid lighting, and rotating displays, it feels ever-changing yet instantly familiar. The bar is often the social centre of the room, where Marcus and his team are on hand not only to pour drinks but also to engage in meaningful conversation. There’s a nostalgia to the place — a reminder of the old salons and cabarets of Paris and Soho, where people came not just for the art, but for the dialogue, the inspiration, and the community.

Hanging out at The Firepitt with artists and friends

As London changes and gentrification continues to reshape its cultural spaces, The Firepit stands as a powerful counterpoint — fiercely independent, passionately inclusive, and gloriously vibrant. It’s a place where stories are shared, identities are embraced, and creativity flows freely.

In many ways, The Firepit Gallery is more than just a hidden gem. It’s a movement. A space that proves that art still has the power to unite, to challenge, and to heal. Whether you’re attending an exhibition, joining a wine tasting, participating in a workshop, or simply popping in for a chat, you leave feeling uplifted, seen, and inspired.

And perhaps that’s the greatest magic of all — not just what you find at The Firepit, but what it awakens in you.

So next time you find yourself near the O2, take a detour. Step into this creative haven where art, community, and a touch of magic collide. You may just discover your new favourite place in London.

The Firepit Gallery
No.2, Upper Riverside
10 Cutter Ln, Ground Floor Unit
Greenwich Peninsula
London SE10 0XX
📧 info@firepit.art
🌐 www.firepit.art

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ARTIST LOVEARTPIX TO BE AN AMBASSADOR OF ANNA KENNEDY ON LINE.

https://loveartpix.co.uk

Steven Smith joins Dr. Anna Kennedy OBE in Manchester to invite one of its leading artists, Dez, to become an ambassador of Anna Kennedy Online.
https://annakennedyonline.com

In addition, this amazing artist has agreed to exhibit one of his incredible pieces at Autism & Art on May 22nd in London at the Fire Pit Gallery, generously donating the proceeds of the sale to the charity. Steven chats with the man everyone is talking about.
https://www.firepit.art

Dez, known professionally as Loveartpix, is a self-taught Audhd artist and advocate from Manchester, England.

Diagnosed with Bipolar Disorder in his twenties and receiving late diagnoses of Autism and ADHD in his forties, Dez has navigated a complex mental health journey, also undergoing therapy for Complex PTSD. Art became a lifeline during this time, helping him process heightened emotional states and giving voice to his experiences.

Since fully immersing himself in art around 2018, Dez has used his creative work as both personal therapy and a platform for advocacy. Through his distinctive pieces — often centered around Manchester life and neurodiversity — he promotes the therapeutic power of art as a daily coping strategy. Sharing his creations widely under the name Loveartpix, Dez aims to raise awareness about neurodivergence in a largely neurotypical society.

His work is featured across the Northwest of England, including Manchester, Blackpool, and Cumbria, as well as internationally at the Normandy Memorial Trust in France. A passionate supporter of community initiatives, Dez regularly donates art to charities, raising thousands of pounds at auction.

In 2023, he won his first Autism Hero Award, recognizing his contributions to neurodiversity advocacy. He also launched the UK’s first Neurodivergent Art Focus Group, piloted at HMP Manchester with outstanding success.

For the past 3 years, Dez has been filmed for a documentary chronicling his late-diagnosis journey and the role of art therapy in his life. In March 2025, Loveartpix launched his debut Art exhibition where he also shared his platform collaborating with other neurodivergent artists. ‘A Neurodivergent Art Exhibition’ by Loveartpix showcased in Spinningfields, Manchester.

At 45, Dez sees himself as only just beginning to truly understand his conditions. He considers creativity not just a passion, but a vital tool for self-regulation and connection — and he remains dedicated to sharing his journey to inspire and support others.

https://loveartpix.co.uk/about/

Anna Kennedy says “We are thrilled to have Dez as an ambassador. I have followed him over the past few years and watched his passion and confidence grow through his creativity and digital artwork, especially after winning the Autism Hero Awards in 2023. As a self-taught autistic artist creating wonderful digital pieces, he will be a great role model for our charity. Dez can also share how his artwork has helped him through personal struggles, inspiring other autistic individuals to do the same.”

Steven chats to Dez .

https://loveartpix.co.uk

1. Hello, what does it mean to you to become a patron of Anna Kennedy Online?

Hi Steven,

Becoming a patron for Anna Kennedy Online (AKO) is such a privilege and an honour — not to sound too cliché! I have been involved with AKO for a few years through art donations, small projects, and also by winning the Autism Hero Award for Creative Arts and Media with them in 2023.

Since my late autism diagnosis in 2021 (at the age of 41), I have thrown myself into understanding my condition the best I can — not only to help myself, but to help others too, as I know there are so many people out there like me. Having been nominated for six awards in such a short time through my contributions in art donations and raising awareness, winning the AKO award was a major highlight for me.

Fast forward two years, and now being asked by Anna to be an ambassador just fills me with pride.

https://loveartpix.co.uk/about/

What made you start creating art?

I have always had a creative flare but really started to focus on it when I was going through my autism assessment. It was a very difficult and disruptive point in my life processing such an epochal event. Stuggling a lot at night, using the Picsart app on my phone really fitted in, being the least disorderly. Any art piece I create, I really submerge myself into the topic and it gives my erratic thoughts focus. Realising that the art I was creating resonated with many people I decided that I wanted to use it as a tool to promote understanding and awareness as much as possible.

What artists inspire you?

To be perfectly honest, I don’t really get inspiration from artists — probably more from people. I am a naturally creative person, so when I look at life, I feel inspired by topics that intrigue and affect me, or by things I am passionate about. I am then drawn to create around those themes.

Being a self-taught artist, and because I use art as a tool for self-help, I haven’t formally studied art; I simply use it to process my emotions. It’s something I turn to when I’m struggling or when I need to focus my thoughts. I don’t feel like a traditional artist in the usual sense.

That said, I do follow many artists and art profiles on social media, and there are so many amazing artists out there. One artist I really like is @deanevansart on Instagram. His work is so vibrant and thought-provoking. If you get the chance, definitely check out his profile!

If you had to take someone out in Manchester, what one place would you take them to?

If I had to take someone to Manchester, it would have to be the Nag’s Head pub. The Nag’s Head is a true Manchester landmark, and I’m proud to say that, among the 4,000 images of the beautiful city I call home, I have two of my pieces in their collection.

One is a tribute to highly decorated war hero Harry Billinge MBE LdH — the largest piece in the building. (I had the honour of meeting Harry before he passed away and still stay in touch with his family.) The other is one of my ‘Bees About Town’ collection, displayed in the front window.

https://www.tripadvisor.co.uk/Restaurant_Review-g187069-d11969025-Reviews-The_Old_Nags_Head-Manchester_Greater_Manchester_England.html

What does love mean to you and how important is it in your life?

Love is many things and shows itself in many forms. Helping and supporting people to make things better is love — depending on your personal feelings.

For me, putting myself in harm’s way to help others is a huge form of love. Missing out on events with my son due to my condition, but then being happy just spending time with him afterward — even though I felt upset about missing the event — is love.

Knowing that I would put my life in front of my family’s without hesitation, and valuing their lives far more than my own, is love. Self-sacrifice is love. Pain is love. Seeing others happy is love.

I actually find this a difficult question to answer, as there are so many variables to what love means.

https://loveartpix.co.uk/about/

They say “Big boys don’t cry” — do you think this is true?

I think this is such a harmful quote from a bygone era that still has a massive negative impact on society today — especially on the male suicide rate.

Crying is a way to process emotions. It’s part of being human. We all do it, and I find it such a bizarre notion that somehow suppressing it makes you tougher or better at dealing with life.

Being able to express yourself and be open about your emotions is, in my opinion, a very strong thing and speaks volumes about a person’s character. Yes, there are times when you have to deal with situations that require mental and physical strength, and you have to push through and fight — but I am really against this phrase.

No, I definitely do not think this quote is true.

How important is it to you to inspire and help others who want to create?

Art for me is the tool to understanding and processing things I struggle with. I know the positive impact it has first hand from my own experience. Obviously art comes in many forms too. Last year I piloted the first of its kind neurodivergent art focus group for prisoners in HMP Manchester which was a huge success. Art was the tool I used to get the prisoners to explore how their condition affects them in the hope of supporting rehabilitation. Some of the prisoners used words and created poems, some preferred to paint, and others liked to draw. I then collated what was created by each individual and edited the final pieces on the Picsart app to create a unique collection – which I will be displaying at a later date. It’s well documented the power of creativity and art therapy so for me I try to promote this at every chance I get.

What would you like to achieve next?

On a personal level, I would like to achieve a sense of mental contentment and balance. For me, this would mean understanding my condition much more deeply. Although beginning to understand it has already helped me so much, I still struggle and fight daily. I want to continue striving to be a good parent and family member.

In my career, I have a lot of projects in the works, so I will continue to develop these and, hopefully, help many more people and bring about positive change. I guess my main goals are to be a good role model, help others, and continue turning what I go through into something positive — oh, and now, to be a good ambassador for AKO!

For more information https://loveartpix.co.uk/about/

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Culture Lifestyle People

Scouting Unique Artists in Bangalore: Ragini Chatterjee

Ever wondered about artists in Bangalore?
Ragini Chatterjee transcends one’s expectations and the universal need to put her art out for people, she lets her soul paint
Ragini Chatterjee

I’m always in search of unique art and now that I’m back in my home city, I wanted to explore the world of artists in Bangalore.

I found Ragini Chatterjee in the depths of an Instagram stalking session on a page that promotes young artists in the city.

I was blown away by her ability to not only make me wide-eyed at her work on first glance, but also draw me into the intricacies of her art.

Being away from home and in the UK for a couple of years sidetracked my memory of the rich talent that exists within my own people. I’m so glad my stalking, I mean, research skills led me to Ragini’s mind palace, one that seems to hypnotise me in an instant.

I still can’t stop looking; I had to know the heart behind this enigma. And so I asked her some questions to get know who she is for you and for me.

When did you first recognise your talent? What was your first ever painting?

I’m not sure if it was “talent” or simply my overactive imagination that led me to painting. I spent most of my classes doodling, but my first “proper” drawing, one I remember being proud of, was a sketch of Aang from The Last Airbender. I think I was around 9 years old.

What does your art mean to you?

Art is how I process the world around me. Whether it’s a book, series, or movie I’m captivated by, expressing my excitement through art brings me peace. On a deeper level, art allows me to visualise insights about life that resonate with me. Sharing these pieces is fascinating because others often interpret them in ways that reflect their own experiences, creating a unique dialogue between the viewer and the work.

If you could vouch for other artists, what would your message be to the world about the importance of self-expression?

To anyone who feels deeply—whether you’re an artist or not—self-expression is vital. Whether through art, music, fashion, or dance, it’s a natural outlet that should be embraced. Suppressing this instinct can feel overwhelming, and letting it out often creates something beautiful. In today’s fast-paced world, self-expression serves as a poignant reminder of our shared humanity.

A portrait called ‘Mommy’

There’s an abundance of extraordinary talent such as yourself in India. I’ve come across many who feel overwhelmed by the competition in the creative industry and settle into different industries to survive. What are your thoughts on this? Does survival overrule passion? Or does it depend on how one perceives it?

I feel fortunate to create for myself, but I’d be lying if I said recognition didn’t motivate me. However, I wouldn’t describe the creative industry as “competitive.” This perspective probably stems from my choice not to pursue art as a full-time career. By separating my livelihood from my art, I’ve been able to enjoy the process without the pressure of survival, allowing my passion to thrive independently.

Who or what has inspired you to create your pieces?

Life inspires me—everything from a captivating colour scheme to an idea I need to visualise. For example, I painted Behind the Kitten to challenge the misconception that cuteness equates to weakness. In college, I explored the myth of Icarus to reflect on self-discovery and freedom. During the pandemic, I delved into Pandora’s myth, and more recently, I created a piece about self-care inspired by the idea that you can’t pour from an empty cup.

Explain the creative process behind your work. Is it a cathartic journey? How does it make you feel?

My creative process begins with a need to express something—whether it’s an idea that’s been simmering for weeks or an immediate fascination with a book, movie, or series. Once I find a reference photo, I dive in, spending anywhere from half an hour to a week on the piece. While creating is cathartic, I’m often preoccupied with achieving aesthetic beauty, which makes it challenging to feel fully satisfied with my work.

What do you wish for people to experience through your work?

I hope my art evokes a sense of connection and invites viewers to appreciate its aesthetic qualities.

Tell us about a response you’ve received about your art that made you feel happy or seen.

There isn’t a single comment that stands out, as my satisfaction primarily comes from how I feel about a piece. However, I enjoy hearing reactions like, “Wow, that’s so pretty.” I also love when people share their interpretations of my work—it’s fascinating how their perspectives differ from my own.

You’re currently in Paris. Has the cultural shift played any role in the expansion of your vision? I believe life experiences can elevate one’s art. Tell us about your experience.

While my surroundings have changed, my art remains influenced by similar themes—my life experiences, books, movies, and shows. The cultural shift has enriched my perspective, but I wouldn’t say it has drastically changed the essence of my work.

How can someone find you, your work, and reach out to you?

I have a website where people can leave messages, but the easiest way to connect with me is through Instagram or email.

To reach out to Ragini, email her at raginichatterjee99@gmail.com

Follow the link to view her website https://insidethepaintbox.netlify.app/?fbclid=PAZXh0bgNhZW0CMTEAAaYbgVU2RrKp4XRHM-w8vq9OSBRCDhJUyi2Ep1Q7Q-mp8yMnyc1sRepMUFA_aem__fVFYF95PY6venhGW_kShA

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Culture Lifestyle People

Art and soul. Meet global art sensation Pedro Sousa Louro.

Steven chats over coffee with art sensation Pedro Sousa Louro

Pedro Sousa Louro is one of the most talked-about LGBTQ artists at the moment. The Portuguese born painter is exciting the art world with his blend of styles and fresh take on painting.

Educated at the Chelsea College of Arts in London, Pedro’s work caught the attention of many at the prestigious Kunstmesse art fair in Germany last year.  He is also among the headliners at the START art show this autumn at the Saatchi Gallery. Our very own art connoisseur, Steven Smith, catches up with him at his studio in Wimbledon. 


Do you remember the first painting you ever did and what made you want to become an artist?

I was fascinated by Greek and Roman statues, especially the beauty of the naked form and the stillness from an early age. It caused quite a stir when my first drawing at school was a statue, and some teachers were not impressed, though others thought it was great. Of course, my style at the time was hardly refined, and to some eyes, it may have looked like mischief-making. 

Either way, art captured my imagination from an early age and creating images was something that excited me. So, becoming an artist was something that has always been at the forefront of my life.

Who in the art world influences you?

Francis Bacon and Picasso, as well as Dame Rachel Whiteread and Robert Rauschenberg. Art is always a personal thing, and these artists really speak to me. When I am looking at their work, it moves me and inspires me to create.

What training did you do to become an artist?

I graduated with an Arts degree from the Chelsea College of Arts in 1998. Two decades later, I graduated from the Kensington and Chelsea Art College in Abstract Expressionism and Abstract Vision. 

Your work has been shown all over Europe, and you are appearing later this year at START in the Saatchi Gallery London. Can you tell us a little about START and do your audiences differ from country to country?

It is my first time exhibiting at the Saatchi Gallery and START Art Fair in London. The timing could not be better. It is an honour to be a part of this prestigious event and a chance to network with new artists as well as established ones. The fair is a global gathering of artists and gives new talent a chance to show their work. 

Last year my work was shown at the fifth Kunstmesse art fair in Leipzig, Germany. I do not think that the audiences differ. In every show that I have been a part of, people have been enthusiastic and inspiring. 

https://www.startkx.com/exhibitions/

What advice would you give to a young artist starting out?

It is not easy at all to be an artist seeking recognition, especially in these modern ages, where social media platforms are making a colossal and gigantic difference in the careers of artists. I’m one of them! I want to be recognised by the public and by the established art scene. I want my artwork and my abstract visual language on our new modern living expressionism to be taken seriously as another important artist legacy and statement. The advice is only one. Don’t stop working even in times when it seems you aren’t going anywhere. If we don’t stop working, we’ll arrive somewhere, and that is inevitable. If you don’t stop creating you will arrive somewhere – a good place or a not-so-good place – but you’ll arrive somewhere!

How do you think COVID has affected the arts and LGBTQ community in general?

I have seen artists, where I have my studio, for instance, leaving their studios because they cannot afford the rent or because they have lost their other jobs, the direct income support of their lives. It is unfortunately sad, but on the other side, I have seen so many artists making sales over the internet and on social media platforms. Some of them did exceptionally well. 

Do you think that with apps like Grindr and Scruff being so popular, romance is dying?

Inevitably, yes. The technology of these sex and social apps on our phones completely eradicate so many vital personal elements of each one of us. From educational factors to responsible factors and so on, this new way of interaction between us has changed so profoundly that romance has become an old-fashioned item, not even vintage!     

Some of our best British artists have been LGBTQ, from Francis Bacon, David Hockney to sculptress Maggie Hambling. How much does your sexuality influence your artwork?

I have heard so many different views and opinions about my work being too connected with my sexuality. There are people from galleries from the art world itself, saying that it is 100% related to and influenced by my sexuality. I just let them talk and say what they want. 

I would say between 50% to 70% is undoubtedly associated with my sexuality. But there are quite significant elements which come from my art studies and the art research that I attach to my creativity.

How does your family feel about your work?

My parents still live in Portugal. My dad is the silent type, and my mum is vocal about her love of my art. They are both proud. My sister lives in Oxford, and she is a huge fan, I am hoping she will be at START. I am one of six children, and we are all proud of one another.

What would you like to see happening in the art world in the future?

I would like to see myself happening more, actually. I would like to see myself coming out as a more established artist, flourishing and gaining recognition worldwide. Yes, it’s all about me! Well, why not? 

QUICKFIRE ROUND

Your favourite restaurant in London?

Right now, Sexy Fish in Mayfair. Amazing Asiatic food.

The one thing you find to be a turn off in others?

Their selfish, cynical side that makes them think they can always get away without doing the work. 

The most romantic place in London?

I think London is a very romantic city, but for me, Chelsea Embankment is a more private environment. It is so romantic. 

What is one thing you would change about London if you were the mayor for a day?

As Mayor of London for just one day, I think I would want to make all galleries and transport free .

What is your favourite film?

Well, I used to have a favourite film, The Bridges of Madison County with Meryl Streep, but now I have so many. So, now anything with Cate Blanchett for me is a good movie. She is my new obsession! 

www.pedrosousalouro.co.uk

Categories
Culture

ALL RISE FOR FLUX

FLUX WHERE EXCEPTIONAL ART COMES TOGETHER UNDER ONE ROOF
From Thursday the 25th of July to Sunday the 28th of July
GUIDED BY THE QUEEN OF CULTURE LADY LISA GRAY https://www.fluxexhibition.com/flux-exhibitions/
Flux opens with a bang international artists Lisa Izquirado shows her work to moving art celebrity drag queens Liquorice Black , Anna Phylactic .

Steven meets one of the leading lights of THE FLUX exhibition Lisa Izquirado .

“The true strength of a woman is our ability to allow ourselves to be vulnerable.”

Lilli – artist 

Even without meeting an artist, a great artist’s work talks to you. For me, I walk in and am almost immediately hypnotised by the story or emotion they are transferring to canvas. Sometimes I can even feel their pain or trauma running through my veins for a moment, as well as the joy and happiness.

A devotee of S and M, Francis Bacon´s brilliant work can never be copied. Not just because of the magnitude of skill, but also due to the parts of Bacon´s often tortured soul that he liberally poured into his work. I remember his sold out exhibition at the Philadelphia Museum of Art. A news anchor interviewed various attendees about Bacon’s work, among them a psychologist who commented, “I would love to have had a chance to counsel him!” I could not have laughed harder and wanted to retort “Really my dear, he would have wiped the floor with you”.

It is what makes Frida Kahlo so unique too, not just the skill, but you can feel her energy and fight for life through her work; you just cannot tear your eyes away. It is almost a shame she has become a fashionable artist associated with style. Her story is so much more powerful than anything linked to fashion. But in the same breath it has to be said (thanks to Madonna and others) it has brought Kahlo´s work to the masses and encouraged many who may not have sat at the art table before to explore what it has to offer.

I am always on the lookout for exciting new artists . There is no better place than to take yourself to one of The FLUX Exhibitions https://www.fluxexhibition.com/flux-exhibitions/ created by Lisa Gray her presence commands great art to surround her there is something for everyone’s taste and these events are well worth looking out for

With Lisa Gray creator of FLUX magazine and Exhibition.

My personal favourite that stood out was by an artist called Lilli. Full name Lisa Lilli Izquierdo. Knowing my art, I was not surprised that the Cheshire born former model 

was also showing in New York and Madrid. There is something about her work that is almost haunting. To be frank, on first impressions I almost felt it was a little too commercial for my tastes and saw it as an inferior designer´s dream, with pieces sought in Dubai, Cyprus and USA for its stylish quality. But first impressions can be wrong and the more I delved into Lilli´s work, the more it spoke to me.  There is however a story that makes her work so much more valuable and sitting down with her confirmed just that. 

Do you remember the very first thing you ever drew as a child?

I have always been creative.  My sister was the academic, so my mum encouraged my artistic side. My earliest memory of creating art was when I was three years old. I drew a picture of two flowers. I coloured them with different colour crayons. The teacher told me off as I had used the same colour in each flower. Looking back, I use a lot of monochrome in my work. 

It makes me giggle that I got scolded for.

What other artists have inspired you?

Oh, without a doubt Monet. I can see his use of texture has a huge influence on me as a grown artist. I draw a lot of energy from other artists, and I can appreciate those that depict suffering or hurt. But when it comes to my personal taste, Monet´s calmness and beauty 

fill me with a beautiful energy,

What demographic does your art appeal to?

A lot of women buy my art. From an early age I have been fascinated by the female form. 

I used to draw a lot of elfin kind of women. There is something I think women see – the beauty of the female form in my art – and relate to it. Being pushed to look a certain way as model was not healthy and I am careful to depict woman as real now, not nymph like. 

Music seems to play a part in art. Who are your favourite musicians? What does sound bring to your art?

Honestly a huge influence and my tastes are so diverse. As soon as I am in the studio 

I pop the headphones on, and I am blasting Mozart or Snoop Dog. Vivaldi’s four seasons 

is one of my favourites.

How do you feel about the growing trend of crypto art, and is it something you would consider?

Steven I am so badly informed about the trend it is hard for me to comment; I am not sure how it would transfer with the high amount of texturing in my art. I realise that the world moves on and I will keep an eye on it, but I took bitcoins for a print and that did not work out too well for me. 

Lisa Shows in London at FLUX https://www.fluxexhibition.com/flux-exhibitions/

Your art is almost haunting in its affect. How much does it mirror your own life?

Very much so. My piece “The Kiss” may seem very abstract, but it is about the unity 

of two people in love. It could be any two people. For me I have found love perhaps later in life, but I plan to marry next year.

I found great solace in my art; it has helped me heal from the modelling industry I entered at the age of 15. Eager to become a success I took off to Madrid on my own. However, it was not long until the dream became somewhat traumatic, as pressures to look a certain way and the sheer competitiveness at a young age began to take its toll on my mental health.

Eventually I had enough and turned to my family business of hairdressing. My father is from Valencia in Spain, He worked with the likes of Vidal Sassoon and Teasy Weasy. I found 

using my skills as an artist, plus having lived a little more than most at an early age, gave me an empathetic ear for clients. I still do hairdressing now and combine my time between my art studio and the salon.

2Shades Steven Smith with artist Lisa https://www.fluxexhibition.com/flux-exhibitions/

If you could buy one piece of Art, what would it be?

Irises in Monet´s Garden. It personifies calmness with an almost heavenly feel. Those little purple flowers hit you with an amazing feel. 

If you could invite four people to dinner, dead or alive, who would they be, and why?

Ricky Gervais. I just love him he is hysterical, and life should be about love and laugher. 

My financé as he and Ricky would get on. Michelle Obama. I love a strong woman in any event and she is captivating. Someone like Elvis would shake things up!

What is your favourite city to spend a day in looking at art?

Madrid or Barcelona. When I was modelling, we used maps to get around then and the architecture just blew me away as does Barcelona.

What is the one common misconception about you?

That I am a bitch! I was working in a salon and some of the female hairdressers seemed off- hand. When I got chatting to one, she suddenly went, “You know you’re really nice. We all thought you were a bitch.” God, talk about putting people in boxes. There is also the idea that I am super confident.  If people knew the real me, I am quite shy. Do not get me wrong, I am a strong woman when I need to be. 

What is the one thing you would like to change about the UK if you were prime minster for a day?

The homeless problem. It has become truly shocking in the UK, not just London, but all over. 

We are a civilised country, yet we have way too many people sleeping on the streets. 

What is the next project we can expect from you? 

It takes around 80 hours to create each piece. I am going to be spending more time in the studio over the coming year, working on a new collection. 

https://lisa-lili-izquierdo.com/about