It’s hard to believe it’s a beautiful sunny day. I’m standing in a field surrounded by almost ten thousand people, with one of my best friends beside me It should be a moment of sheer joy. And yet, I’m crying.
Why? Because Lewis Capaldi is performing.
More than just singing, he is baring his soul. And somehow, it feels as though he’s opening it just for me. There’s a rawness in his voice and vulnerability in his presence that goes beyond a typical performance. As a man, I felt an instant, emotional connection to his struggle, his humour, and his humanity.
Capaldi’s return to the stage feels like one of the landmark performances of this century. Not simply because “he’s back,” as he says but because he has redefined what it means to be a male performer in the modern age. There was a time when baring your soul in music was reserved for iconic women—Judy Garland, Liza Minnelli, Nina Simone—divas who transformed pain into power and emotion into art. But Capaldi proves that a man can do the same. His voice isn’t just strong; it’s expressive, vulnerable, and unashamedly real.
There’s a reason we relate to artists like these so deeply: they tell our stories. And when we see them, we feel seen. Capaldi doesn’t posture or hide behind image or ego. He stumbles, jokes, apologises, laughs at himself—and keeps going. In a world often obsessed with perfection, his imperfections are his greatest strength.
Capaldi may not see himself this way, but he is one of the great performers of our time. Not only because of his incredible voice, but because of his natural wit, honesty, and charm. Who could forget his now-famous moment on The Graham Norton Show, when he hilariously recounted watching Fifty Shades of Grey star Jamie Dornan wield a whip, joking that he was holding one part of his anatomy while Dornan had the other? It’s outrageous, but entirely Capaldi—bold, cheeky, and completely unfiltered.
But behind the banter lies something even more powerful. His recent public struggles with mental health and Tourette’s have made him not just relatable but important. His openness has created space for men to talk about vulnerability without shame. Watching him on stage—pausing mid-song, taking deep breaths, letting the audience carry him when needed—is nothing short of brave.
I’ve attended many performances in my life, from pop concerts to opera at the Royal Opera House, where I once saw a devastatingly beautiful Tosca. I cried But nothing prepared me for the emotional impact of Capaldi live—it was so unexpected. He may not wear a tuxedo or stand beneath a chandelier, but make no mistake—this was high art. And perhaps more importantly, it was deeply human.
There’s a rare intimacy between Capaldi and his audience. At times, the concert felt more like a conversation than a show. People sang not just with him, but for him, filling in lyrics when his voice cracked or faltered. It wasn’t just support—it was love. Genuine, messy, joyous love.
In a world full of polished pop stars, here is someone who dares to be completely himself. He reminds us that music isn’t always about escapism; sometimes, it’s about facing pain head-on and finding beauty in the cracks. His songs speak to heartbreak, loneliness, and the strange, funny bits of life that connect us all.
So yes, on this perfect sunny day, in the middle of a field with thousands of others and one of my dearest friends, I cried. Not because I was sad, but because I felt something real—raw, universal, and unforgettable.
Lewis Capaldi, whether he realises it or not, has become a star of the people. And as tears rolled down my face, I felt honoured to witness it.
When you tune in to watch The 1975 perform live, you’re not just listening to a concert—you’re boarding an electrifying emotional rollercoaster. From the first beat to the final bow, Matty Healy doesn’t just sing; he commands, provokes, and enchants. At Glastonbury, he led his band into the annals of festival history with a performance that was nothing short of spellbinding—part protest, part performance art, and all heart.
There’s no doubt that watching The 1975 live is like being caught in a storm of sound and sentiment. Healy, a vocal advocate for mental health awareness, brings his audience on a journey that often feels bipolar in nature—veering from euphoric highs to moments of raw, painful vulnerability. One moment, you’re leaping in unison with thousands, lost in the pulse of a synth-heavy anthem; the next, you’re hushed and still, listening as he declares, “I’m bleeding for you.” Behind him, haunting visuals flash—images of human suffering, environmental destruction, animal cruelty—reminding the audience that this isn’t just music, it’s a call to consciousness.
“It’s not about politics anymore,” Healy said mid-set. “It’s about love. It’s about being kind. Only with that will we ever make a real difference.” It’s these moments of candour that transform his concerts from simple entertainment into deeply moving communal experiences. In an industry where many shy away from difficult truths, Healy walks straight into them, arms wide open.
His onstage persona oscillates between bravado and vulnerability. “I’m the greatest poet,” he quips with a grin—only to retract with a shrug in the next breath, “No, I’m an idiot.” The line between jest and confession blurs. It’s this constant tension—between confidence and self-doubt, performance and honesty—that makes him so captivating. Matty Healy was born for the stage, but it’s his disbelief in his own myth that makes the myth so powerful.
Critics often compare him to rock legends—Jagger, Iggy Pop, maybe even Bowie—but the truth is, Healy defies easy classification. He’s original, carving out a space that feels entirely his own. Perhaps the closest parallel is Marc Bolan, who stunned a generation with “Ride a White Swan,” opening the doors for glam rock and gender fluid performance styles. Bolan didn’t just sing songs—he shaped culture. Healy is doing the same, one provocative, glittering, gut-punch of a show at a time.
Musically, The 1975 occupy a unique space in modern rock. Their sound is a kaleidoscope—one moment polished pop, the next raw post-punk, with forays into jazz, soul, and experimental electronica. Healy’s songwriting is equally diverse. At times playful and catchy, at others profound and searching, he writes like someone trying to make sense of the world in real time. His voice—distinctly androgynous—is now fully formed. It’s a sound that feels both masculine and feminine, emotionally expressive without relying on the grit or aggression often associated with male rock vocalists.
Unlike performers such as Eminem or Macklemore, who often lean on female vocalists to soften or elevate their songs, Healy’s voice stands entirely on its own. There’s no need for a counterbalance. His vocal tone is rich, resonant, and complete. If a perfectly dressed salad needed no extra dressing, then Healy’s voice is that seasoned dish—balanced, flavorful, and satisfying all on its own.
And while Matty Healy is the band’s lightning rod, The 1975 is far more than just one man. The musicianship within the group is extraordinary. Drummer George Daniel is a master of rhythm—an innovator whose work deserves to be ranked alongside legends like Keith Moon and Ginger Baker. His beats are not just background; they are the spine of every song. Then there’s saxophonist John Waugh, whose solos are so expressive and vital that it’s easy to imagine David Bowie himself swooping in to steal him for a side project. Guitarist Adam Hann is no less impressive, crafting intricate textures and soaring riffs that elevate every performance.
1975 Drummer George Danielles a drummer for the hall of fame .
Together, they’re a cohesive force, a band in the truest sense. At Glastonbury, they played not like hired hands or background musicians, but like brothers—a family bound by the music they make. It was Healy, of course, who brought them all together, and it is his vision that they continue to follow. But it’s the synergy of all four that gives the band its power.
The 1975
The Glastonbury crowd, thousands strong, didn’t just watch—they listened. When Healy pleaded with them to “be kind” and to “make a difference,” they responded not with cheers but with thoughtful silence, a stillness that only true impact can elicit. Few performers have that kind of power. It’s the rare ability to hush a festival crowd, not with volume but with vulnerability.
And already, there are imitators—artists scrambling to mimic his stage presence, his fashion, his lyrical style. We won’t name names—let’s be kind, as Healy would urge—but the influence is undeniable. The 1975 are not just leading; they’re redefining the genre.
As the final chords rang out into the Glastonbury night, one thing became clear: this was a moment that would be remembered. The band could have easily played for another hour, and no one would have left. But sometimes, leaving them wanting more is the mark of a true master. And Matty Healy, for all his self-doubt and sarcasm, is exactly that—a master performer, a cultural touchstone, and yes, perhaps the Pied Piper of modern rock.
The world will keep watching. The arenas will fill. And The 1975 will continue to evolve, to provoke, and to inspire. Glastonbury may be behind them, but their story is far from over.
END
Why The 1975 and Matty Healy Support LGBTQ+ Rights and Fund Them
In an era where performative allyship is all too common in pop culture, The 1975 have carved out a reputation for genuine advocacy—particularly when it comes to LGBTQ+ rights. Fronted by the passionate and outspoken Matty Healy, the Manchester-based band not only vocalizes support but backs it with real action and funding.
Healy and his bandmates—George Daniels, Adam Hann, and Ross MacDonald—aren’t just a group with a large LGBTQ+ following; they’ve actively embraced and empowered the community. Their hit “Loving Someone” has become something of a modern gay anthem, resonating deeply with queer fans for its themes of identity, love, and resistance to conformity.
But their commitment goes well beyond lyrics. In a tangible display of support, The 1975 donated £16,000 to help create an LGBTQ+ centre in London—a meaningful contribution aimed at fostering safe spaces and community resources. As Healy himself said, “You might wonder why this is needed and ask what exactly everyone is still scared of, but sadly stigma still exists.” It’s clear he understands the ongoing challenges faced by LGBTQ+ individuals and refuses to remain silent.
Healy’s activism isn’t just about charity—it’s also about calling out injustices. At the BRIT Awards, he used his platform to highlight misogyny in the music industry, quoting journalist Laura Snapes to critique the double standards applied to male and female artists. This kind of intersectional awareness is why his advocacy rings true.
Part of Healy’s inclusive worldview stems from his upbringing. With a gay icon for a mother—actress Denise Welch—and a father known for playing drag characters on TV, he grew up immersed in queer culture. Labels never mattered in his household, and that open-mindedness clearly carries into both his personal life and public platform.
What truly sets The 1975 apart, though, is how authentic and accessible they remain despite global fame. Backstage at a packed O2 concert, Healy was more concerned about making sure a guest had a drink than what he was going to wear on stage. That sincerity, that desire to connect rather than dominate, defines their relationship with fans—especially LGBTQ+ fans who have long searched for artists that don’t just exploit queer culture but stand alongside it.
In short, The 1975 aren’t just the band everyone’s talking about because of their catchy songs or chart success. They matter because they’re using their platform with genuine purpose—offering representation, safe spaces, and support for those who need it most.
Ah… the Passive Aggressives. We’ve all met them. They open their mouths and what comes out sounds like a compliment—but it’s actually a veiled put-down. Before you can respond, they’ve already moved on to a new subject. Like silent assassins, they strike, then dare you to recover from the blow.
If you say, “Hey, would you like that said to you?”, they recoil in horror and reply, “Why are you so sensitive, darling? It was a compliment,” shaking their heads like they’re the victim of #PassiveAggression.
From: “I do admire how you keep going when others would have thrown in the towel ages ago—so brave,” to: “You know that outfit suits you—don’t let others put you off, whatever they say.”
Favourite?
My personal favourite came from a friend who’d actually introduced me to my now-best male pal. She told me: “So glad it’s going well with you two… you shouldn’t care what others are saying about you both.”
Let’s not forget the classic: “You can’t tell anyone I told you this, but so-and-so said XYZ about you.” My reply? Always: “Why were they so comfortable telling you?”
Now, much passive aggression comes from strangers, but the deepest cuts usually come from people we love, see regularly—or worse—family members.
Madeleine, a dear friend of mine, simply can’t help herself.
We All Know a Few Wicked Queens
The trouble is, I love her, and I tend to overlook her barbed remarks. Picture this: dinner with a group of friends as she regales the table with a story— “Oh darling, we were sitting up in premium class while Steven was way back in economy, squashed between two people.”
Everyone chuckles and looks at me sympathetically. In reality, she was also in economy. A bit further from me, yes—but the same class. Why make me the fall guy in her tale?
I don’t correct her. Honestly, I’m speechless. And who wants to play #PassiveAggressiveTennis? I know she loves me—really.
Spelling Lessons
Another agent friend, Antonia, has a wicked sense of humour, and her loyalty redeems a lot. I was so looking forward to lunch with her. She’d just returned from New York, promoting her girlfriend’s record, and we planned to pop into a gallery event where one of her friends was exhibiting.
But it didn’t take long for the first blow: “Darling Donna [her girlfriend] and I were just saying—you forget what a great writer you are—pause—as you’re just such an appalling speller.” Then, after another pause: “Does someone help you?” she asked, casually munching a root vegetable like we were discussing the weather.
It’s true—I’m dyslexic. Spelling is not my strong suit. But after over 20 years writing for publications around the world, and two published books, I’ve earned my place. If it weren’t for journalist and presenter Jane Moore encouraging me— “You have the voice. The rest will come—just do it.”
With technology, hard work, and mentors like Jane, I carved out a writing career. These days, people actually rate my work—and that means a lot. So I just smile and explain that yes, I have editors and tech, and the tools are better now.
Before I finish, the topic shifts—to Donna hitting the charts in the U.S.
Still Not Done
Later, at the packed gallery event, Madeleine introduces me to a group of people: “Everyone, this is Steven. He’s a great writer—but can’t spell.”
They look bemused. Madeleine has struck—and vanished—leaving me standing there hoping no one starts a crowdfund for my spelling lessons.
Arlena & Real Life
Life isn’t like the movies when the passive-aggressive gang comes for you. Most of us feel like rabbits in headlights—unlike the deliciously sharp Dames Diana Rigg and Maggie Smith in Evil Under the Sun.
Maggie, as Daphne Castle, greets Diana Rigg’s character Arlena Marshall: “Arlena and I were in the chorus of a show together—not that I could compete. Even in those days, she could always throw her legs in the air higher than any of us—and wider!”
Arlena retorts, “Kenneth, what a surprise. When you told me the island was run by a quaint little landlady, I had no idea it was Daphne Castle.”
There’s a fine line between bitchy and passive-aggressive.
Mother-in-Law Moments
A friend’s mother-in-law, taken backstage after a show, hugged the leading man and gushed about how amazing he was. The leading lady popped in to say hello. She turned to her and said, “I thought you were great… don’t listen to those reviews.”
Silence. The actress smiled, made her excuses, and left. When we later pointed out it was a line from The Feud (Joan Crawford vs. Bette Davis), the poor woman was mortified—she hadn’t meant it to cut. In hindsight? Hysterically funny.
The day before, she’d overheard me chatting to a famous pop star: “Who was that?” she asked. I should’ve said, “Mind your own business,” like my mum would. But I answered. Her reply? “Why would they want to talk to you?”
Gobsmacked. And somehow, older people get away with more. She really is lovely, though.
LGBTQ and the Passive Blow
As a member of the LGBTQ+ community, we often face passive aggression. It’s exhausting.
At a wedding in Guernsey, where the bride was 20 years older than the groom (so you’d think a liberal crowd, right?), a woman rushed up: “Oh, you two must be Mandy’s gay friends from London!”
She beamed like she expected us to burst into I Am What I Am. I tried some small talk. She wasn’t done: “David is gay—from EastEnders!” I replied, “Really? Amazing. I’ll look him up in the book.” Her eyes widened, “There’s a book?” “Yes, we’re all registered. I’ll bring you a copy next time I visit Mandy.”
Okay, that may have been me being passive-aggressive.
From: “I don’t mind the gays. My hairdresser’s one.” to: “I’m all for it—but don’t you mind not being able to have children?” We’ve all heard those.
Let’s not get started on the “bitchy queen” lines: “Don’t mind me, it’s all in jest. I’m just a bitch.” You’re waiting for them to hand you the poisoned apple. “Go on, bite, dear.”
What the Experts Say
Dr Pam
Experts say the best way to handle passive-aggressive people is not to react.
Self-help psychologist Dr Pam Spurr (@DrPamSpurr) says:
“People can be passive-aggressive for many reasons, but usually it’s because they have a manipulative streak.
If they want to put you down, the easiest way is with a backhanded compliment. It wrong-foots you and leaves you wondering what they really meant. That’s emotional manipulation.
She adds:
“Passive aggression often comes from resentment, envy, or jealousy—sometimes without them even realising it.
Some people, however, do know exactly what they’re doing. They enjoy the power of the subtle jab.”
Her advice?
Call it out calmly—especially if you see the person often.
If it’s someone you barely know—ignore it, put it in perspective.
Realise: it’s more about them than it is about you.
According to LearningMind.com, passive aggression also includes chronic lateness (to gain attention), controlling events, undermining others behind their backs, playing the victim, or pretending there’s no issue when there clearly is.
Psychology Today agrees:
Recognise the behaviour.
Stay calm.
Don’t take it personally.
Confront it if needed.
Blackmail and Backlash
These all sound simple on paper. But for people like me—who hate confrontation—even a kind challenge results in tears and emotional blackmail. I’ll do anything to stop someone crying.
Growing up, pointing out when someone was wrong led to a meltdown. Still today, if I gently mention something upsetting, I get: “I can’t say anything right,” soon followed by, “I had a terrible childhood.”
Let’s be honest—in the UK, from the 60s to the 80s (and sometimes now), talking about feelings can feel like a deadly sin.
Teach Them Young
Signe Whitson, LSW, writing for Psychology Today, notes:
“Without directly addressing passive-aggressive behaviour, the pattern will play out again and again. For real change, benign confrontation is necessary.”
She argues being assertive isn’t something to fear.
I agree. Imagine if we taught kids that if someone they love says something hurtful, it’s okay to speak up and share how it made them feel.
As Dr Pam says,
“Sometimes they don’t even realise what they’re doing.”
I hear many of you saying that in these bizarre and often crazy times. You could be forgiven for wondering if the great God (if you believe in such an entity) might reach down and reply, “Sure! Will you be paying for that in crypto, Bitcoin, or the old-fashioned pound?” He may even offer you one of His NFT-signed art posters, promising that once you re-join Earth, it will have quadrupled in value—guaranteeing your return comes with a bang and, most certainly, millionaire status… well, in crypto land, at least. Just as Alice drops through a hole in search of it all.
Let’s give some extra love for Tracey Emin’s Digital Editions.
Well, I found myself asking what an NFT is last year. I keep hearing it mentioned at events and parties. A friend visiting LA called and said, “Darling, you’re no one here if you’re not into NFTs or crypto.” Cue the sinking feeling—like when someone tries to sell me a multi-level marketing scheme. “People felt the same about stamps when they started,” she added.
Fair point. Our great-grans kept money under the mattress after losing trust in banks during the Great Depression of 1929. And let’s not even get started on Lehman Brothers filing for bankruptcy in 2008, leaving people penniless and robbed of their life savings.
NFT (Non-Fungible Token) is a record on a blockchain associated with a particular digital or physical asset. Ownership is recorded and transferable via the blockchain, making NFTs something that can be sold or traded.
So what is an NFT in relation to art? An NFT is a digital asset that exists purely in the digital world—you can’t touch it, but you can own it. It can take the form of any digital file: an artwork, an article, music, or even a meme. For instance, Disaster Girl, the original photo, sold for $500K earlier this year.
Disaster Girl original photo sold as an NFT for $500k
But is it the emperor’s new clothes? For every artist who champions NFT art, there are others who won’t touch this new way of trading. Boy George has opened his own digital platform: www.cryptoqueenznft.com. Though he hasn’t sold through auction houses like Sotheby’s or Christie’s, his work has fetched significant sums at charity events—and he certainly has talent. Tracey Emin has also joined the NFT art scene alongside several well-known artists. But many remain firmly against it.
In Business of Business, a piece titled Artists Against NFT quoted Zilch, an Atlanta-based artist: “Personally, I’m against NFTs. However, we have to acknowledge that the system exists. It still requires regulation—it’s not a free-for-all, unmoderated space where all hell breaks loose. Systems get made, systems get abused, then they get regulated.”
London saw its first NFT gallery, Quantus Gallery, open earlier this year. The star-studded launch featured Ant Middleton, makeup model Jodie Kidd, and the dashing Callum Best, mingling with socialites, City boys, and what looked like would-be Kray brothers. It was a glamorous and eclectic crowd—and the buzz was undeniable.
Art is subjective, and let’s not forget where the term con artist comes from. A brilliant salesman can sell snow to an Eskimo. It’s the same with paintings. Remember ART, the award-winning play? Serge, indulging his taste for modern art, buys an expensive, completely white painting. Marc is horrified. Their friendship unravels over what constitutes “art,” while Yvan tries to play peacemaker. Art, ultimately, is what you decide it is.
Every wise boy seems to be dipping into crypto. I’m absolutely convinced that, like in multi-level marketing, some will make a mint—and others will get burnt. At one point, my inbox was flooded with “get rich with crypto or Bitcoin” invitations. I nearly joined one, as many top business names were involved. But during the meeting, it became clear they were investing in… well, something that wasn’t quite there. “We’re hoping to get Adele and Tom Cruise involved,” they said. Apparently, people will pay thousands to sit at a computer in NFT sunglasses. I guess people have spent fortunes on dressing up avatars in virtual games for years. It certainly helped the Kardashians build their portfolio.
But when I asked what Adele’s or Tom Cruise’s agents thought of all this, the answers were vague. It was clearly a wish list. I followed my instinct and said: “No, thank you.” A year later, despite the impressive credentials of its founders, the venture has gone nowhere.
There’s definitely a strong element of the hard sell from NFT enthusiasts. Personally, I’d still take the advice of my financial advisors and avoid anything with a gambling edge—especially if you have an addictive personality or can’t afford to lose. Most serious investors in high-end art use qualified advisors and buy through reputable auction houses or galleries that mentor their artists. They often request first refusal if the work is resold.
NFT art is certainly something to watch. If you have disposable income, then by all means—fill your boots. But in a volatile market, with crypto prices constantly swinging, it’s not something that helps me sleep at night.
I asked a woman who’s doing an incredible job promoting NFTs how she was paid. As she knocked back a glass of champagne, she replied: “God, money, darling!” That said it all to me.
Added Note: Buying Art as an Investment
Added Note: Buying Art as an Investment
When buying art as an investment, choose wisely. While some artists are natural-born salespeople—able to “sell snow to Eskimos,” as the saying goes—it’s important to remember that enthusiasm and charm are not guarantees of long-term value.
Be cautious when you hear the phrase “It sold at auction.” This often refers to a charity auction or fundraising dinner—not a prestigious sale at Christie’s or Sotheby’s. There is a significant difference between these venues in terms of how the sale reflects on an artwork’s market value and provenance.
Reputable artists are usually represented by established and well-known galleries for a reason. These galleries not only help manage the artist’s career but also serve to protect the integrity and long-term value of their work. Many of them will request first refusal if you ever decide to resell the artwork, helping maintain consistency and trust in the secondary market.
Serious collectors often work with art consultants or experts to guide their purchases—again, to protect the investment’s value. There are always exceptions in the art world, of course, but if you’re not properly informed or protected, and an artist has persuaded you their work is worth £50,000, don’t be surprised or disappointed if, when it comes time to resell, it turns out not to be worth the canvas it’s painted on.
Art should be enjoyed and loved, but if you’re buying with investment in mind, do your homework—and seek trusted advice.
Hello darlings! It’s time for David’s Book Club Reviews, and I’m absolutely thrilled to be joining the fabulous folks at 2SHADES this month. What a dazzling array of reads we’ve had!
From a sSmelly kid who defies the odds to become a number-one porn star and entrepreneur (yes, really!) to a stylish serial killer stalking London’s high society and showbiz darlings—this month’s selection did not disappoint. And let’s not forget the gripping Bleeding Fabulous: The Life of a Haemosexual—a memoir bursting with sequins, survival, and serious heart.
There’s also a gorgeously dark gothic horror set in Victorian London that sent shivers down my spine and had me clutching my feather boa in suspense. Plus, 13 other twisty, chilling, and utterly addictive short stories in Criminal Pursuits 2—each one more devious than the last.
Yes, my loves, they all get five stars from me. Call me generous if you will, but I had an absolutely fabulous time reading every single one. Drama, danger, glamour, grit—and always a twist in the tail. What more could a queen ask for?
If you’re looking for thrills, spills, and a few cheeky chills, these are the books to curl up with (preferably with a cocktail in hand).
Until next time, Love, David 💋
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Review ofCriminal Pursuits 2: This Is Me– 14 Dark Gems of Crime Fiction ⭐️⭐️⭐️⭐️⭐️
Criminal Pursuits 2: This Is Me is a superbly curated anthology of fourteen dark, twisted, and utterly engrossing short stories from some of the sharpest minds in contemporary crime fiction. As with the first volume, this second instalment delivers diverse voices and inventive plots, drawing readers into a variety of shadowy worlds where justice is murky, morality bends, and the human psyche is pushed to the brink.
Each story offers a unique lens into the criminal mind—ranging from psychological thrillers to revenge tales, noir romance, dystopian pacts, and unnerving hauntings. From the man teetering on the edge of a high building, to the woman whose inheritance turns deadly, the anthology brims with tension, clever twists, and haunting imagery. There’s a satisfying blend of styles, from hard-boiled grit to eerie suspense, that keeps the pacing lively and the reader guessing.
But the undeniable standout isKiller Queenby Steven Smith. Stylish, razor-sharp, and steeped in a deliciously dark sense of camp, Killer Queen turns the serial killer trope on its head. Smith’s flair for the dramatic meets a gritty crime plot as he introduces a killer with charisma, vengeance, and unrelenting flair. The story pulses with queer energy and glittering menace, without ever losing sight of its emotional core. It’s daring, provocative, and gloriously subversive—exactly the kind of story crime fiction needs more of.
This powerful collection includes a heartfelt foreword by Lisa Allen, CEO of Pink Ribbon, who reminds us of the real-life battles many face every day. Fittingly, all profits from this anthology go to the breast cancer charity Pink Ribbon, making this both a gripping read and a meaningful cause.
An absolute must-read—for your bookshelf and your heart.
Review ofSmelly Kidby Andy Lee
Smelly Kid by Andy Lee (with Dave Taylor) is a raw, unflinching memoir that grips you from the first page and never lets go. With a title that hints at both humour and hardship, the book plunges readers into the unforgiving world of a poverty-stricken Dublin childhood, where abandonment, hunger, and homelessness were part of daily survival.
By the age of twelve, Andy had already experienced more loss than many do in a lifetime—left without parents and living on the margins of society. What makes Smelly Kid so compelling, however, is not just the depth of suffering, but the incredible resilience that rises from it. Through heartbreak, Andy never loses his fighting spirit, and his story becomes one of transformation and hope.
Lee’s voice is honest, gritty, and disarmingly humorous. He recounts harrowing moments with clarity and purpose, but also with surprising warmth. Whether it’s finding brief refuge in the kindness of a stranger or navigating the chaotic streets of inner-city Dublin, his story resonates with a raw authenticity. His later journey into the adult entertainment industry is told with the same candid honesty, showing how unexpected paths can lead to reinvention and, ultimately, self-empowerment.
Smelly Kid is not your typical rags-to-riches tale. It’s more than a memoir—it’s a testament to human endurance and the possibility of hope in even the bleakest circumstances. Gritty, heartbreaking, and ultimately inspiring, this is a story that lingers long after the final page.
For anyone who believes that the past defines the future, Andy Lee proves otherwise. Smelly Kid deserves its glowing 4.8-star rating—it’s bold, unforgettable, and deeply moving.
⭐️⭐️⭐️⭐️⭐️
The Soul Thiefby S.L. Howe –
Samantha Lee Howe’s The Soul Thief is a deliciously dark slice of gothic horror that plunges readers into the chilling depths of Victorian Manchester. A haunting and atmospheric tale, this novel is perfect for fans of Sarah Waters, Carly Reagon, and anyone who enjoys eerie mysteries by candlelight.
Set in 1888, the story follows the weary Dr. Warren Carter as he navigates long, gruelling nightshifts at a hospital cloaked in shadows. When the enigmatic and beautiful young nurse Rosie vanishes without a trace after a late-night drink, the unsettling tone is set. More disappearances follow, and soon, a private investigator is drawn into a web of creeping dread and escalating horror.
Howe masterfully conjures a fog-soaked world where danger flickers just beyond the reach of gaslight. The novel’s strength lies in its brooding atmosphere, tight pacing, and an undercurrent of psychological unease. From the moment Dr. Carter’s carefully ordered world begins to unravel, readers are drawn into a nightmare that feels both timeless and intensely personal.
The writing is richly evocative, and the characters are sharply drawn—each with secrets that deepen the mystery. The blend of supernatural elements with the harsh realism of Victorian medicine creates a visceral contrast that heightens the suspense. The twists are deftly delivered and genuinely surprising, with the final chapters veering into thrilling, pulse-pounding territory.
With glowing praise from readers and reviewers alike, The Soul Thief delivers on every gothic promise: a crumbling setting, spectral threats, and a slow-burn horror that lingers. This is a novel to savour on stormy nights, ideally with a flickering candle and a cup of something strong.
Dark, twisty, and utterly absorbing, The Soul Thief is Victorian horror at its finest.
⭐️⭐️⭐️⭐️⭐️
Review ofBleeding Fabulousby Mark Ward –
Bleeding Fabulous: The Life of a Haemosexual is a powerful and unapologetically bold memoir by Mark Ward—a man whose life defies the odds, the stigma, and the silence surrounding one of the darkest chapters in UK medical history. With extraordinary candour, wit, and resilience, Ward recounts his journey from an ordinary boy in Letchworth to becoming the world’s first LGBTQ+ Ambassador for Haemophilia.
Infected with blood-borne viruses through contaminated NHS blood products, Ward faced not one, but multiple death sentences. Yet, as he puts it, “Faced daily with my own mortality, I chose to live fabulously.” And live fabulously he does—feather boas and all—delivering a narrative that is as heartbreaking as it is uplifting.
Far more than a personal story, Bleeding Fabulous is a searing indictment of the Infected Blood Scandal, a tragedy that devastated thousands. Ward’s role in campaigning for justice, including his instrumental work toward securing the long-awaited public inquiry, demonstrates his tireless courage and commitment to others affected by bleeding disorders, regardless of their sexuality.
What sets this memoir apart is its fearless humour, warmth, and emotional honesty. Ward invites readers into the rawest parts of his life, without ever losing his sense of style or spirit. His writing is elegant, often funny, and always deeply human. With a foreword by Sam Stein KC and praise from leading legal and medical voices, this memoir is both a personal triumph and a vital historical record.
Bleeding Fabulous is, quite simply, remarkable—a testimony to survival, to living boldly, and to fighting for truth and dignity in the face of systemic injustice.
⭐️⭐️⭐️⭐️⭐️ A beautifully written, fiercely important, and undeniably fabulous read.
Dr Anna Kennedy with the legendary John Lee Bird Gallery owner Marcus Jake .
In a city as vast and ever-evolving as London, it’s becoming increasingly rare to stumble upon a space that immediately feels like you’ve entered somewhere truly special. Tucked away on the Greenwich Peninsula, just a stone’s throw from the O2 Arena, The Firepit Gallery isn’t just another art venue — it’s a living, breathing community. The moment you step inside, you are immersed in a kaleidoscope of colour, creativity, and character. It feels like a sanctuary, a hive of inspiration and warmth, especially for those with an eye for flair, originality, and a desire for genuine connection.
Recently, Firepit Gallery played host to the closing night of The Autism & Art Show, a vibrant and inclusive celebration of neurodiverse talent. The event brought together an eclectic mix of artists and creatives, showcasing a dynamic range of work that broke boundaries and challenged perceptions. On hand to mark the occasion were some of the most exciting and diverse voices in the art world. Spanish-born street artist Piluca, known for her bold murals and graffiti-inspired work, joined celebrated photographer and artist Annemarie Bickerton. Also exhibiting was Alistair Blaster Artz, whose bold, futuristic pieces drew crowds.
Dt Anna Kennedy OBE with the acting royalty Vicki Michelle
The legendary John Lee Bird made a much-anticipated appearance, arriving just in time to greet Dr. Anna Kennedy OBE, a champion of autism awareness and inclusion. It’s moments like these — the spontaneous meetings, the shared laughs, the applause and admiration — that make the Firepit feel like much more than just a gallery. It’s a place where emerging and established talents mingle with activists, celebrities, and visitors from all walks of life. A kind of creative salon, echoing the golden age of artistic gatherings in Paris and London, where art wasn’t just displayed — it was lived.
Firepit is a home for Annemarie Bickerton celebrity photographer and artist .
I once described The Firepit as “the Willy Wonka of the art world,” and the comparison still holds true. There’s a sense of wonder in every corner, from the ever-changing exhibitions to the vibrant murals, installations, and sculptures that inhabit the space. It’s a gallery, yes, but also a home — one with a full-stocked bar, laughter in the air, and a real sense of belonging. It feels like stepping into a dreamscape where the lines between artist, viewer, and friend gently blur.
At the heart of it all is Marcus Jake, the visionary behind The Firepit Gallery. Marcus isn’t just the founder — he’s the soul of the place. Equal parts curator, host, mentor, and mischief-maker, Marcus has created something rare: a truly inclusive, vibrant, and welcoming environment where everyone feels seen. Whether you’re a collector, a curious wanderer, or someone simply seeking a safe and inspiring space, Marcus will greet you with open arms and infectious enthusiasm.
Gallery owner Marcus Jake
His vision for Firepit goes far beyond traditional art world boundaries. The gallery regularly hosts workshops, talks, performances, and community events. It’s a beacon of light for the LGBTQ+ community, a space where self-expression isn’t just accepted — it’s celebrated. From drag evenings to life-drawing classes, from vinyl DJ nights to panel discussions about mental health and inclusion, Firepit’s calendar is as diverse and electric as its art.
One of the gallery’s standout features is its monthly wine-tasting and dinner evenings. These events are less about formality and more about connection. Attendees gather around a long communal table, sampling wines and sharing stories while surrounded by stunning artwork. The conversations flow freely, from art and culture to politics, identity, and everything in between. These evenings have become a cherished ritual for many — a time to pause, reflect, and feel part of something bigger.
There’s also something very special about the way the gallery bridges the gap between high art and community. Too often, galleries can feel cold or elitist, but Firepit is the opposite. Here, art is accessible, emotional, and rooted in lived experience. Visitors are encouraged to talk to the artists, share their responses, and engage with the work on a personal level. Whether you’re buying your first print or attending your tenth show, you’re treated as part of the Firepit family.
The gallery’s physical space mirrors this ethos. With its industrial-chic aesthetic, vivid lighting, and rotating displays, it feels ever-changing yet instantly familiar. The bar is often the social centre of the room, where Marcus and his team are on hand not only to pour drinks but also to engage in meaningful conversation. There’s a nostalgia to the place — a reminder of the old salons and cabarets of Paris and Soho, where people came not just for the art, but for the dialogue, the inspiration, and the community.
Hanging out at The Firepitt with artists and friends
As London changes and gentrification continues to reshape its cultural spaces, The Firepit stands as a powerful counterpoint — fiercely independent, passionately inclusive, and gloriously vibrant. It’s a place where stories are shared, identities are embraced, and creativity flows freely.
In many ways, The Firepit Gallery is more than just a hidden gem. It’s a movement. A space that proves that art still has the power to unite, to challenge, and to heal. Whether you’re attending an exhibition, joining a wine tasting, participating in a workshop, or simply popping in for a chat, you leave feeling uplifted, seen, and inspired.
And perhaps that’s the greatest magic of all — not just what you find at The Firepit, but what it awakens in you.
So next time you find yourself near the O2, take a detour. Step into this creative haven where art, community, and a touch of magic collide. You may just discover your new favourite place in London.
The Firepit Gallery No.2, Upper Riverside 10 Cutter Ln, Ground Floor Unit Greenwich Peninsula London SE10 0XX 📧 info@firepit.art 🌐 www.firepit.art
A true gay icon blows into town this October with her one-woman show. No, I’m not talking about Madonna — this icon of the stage won’t charge you hundreds to see her and will be on time. Frances Barber will be reviving her role as Billie Trix, the washed-up, drug-taking pop star who will have you howling with laughter. Steven Smith chats with Frances ahead of the show.
You appeared in ‘Closer to Heaven’ at the Arts Theatre in 2001, written by Jonathan Harvey with music by the Pet Shop Boys. It’s said that ‘MUSIK’ was written especially for you. How did you get together, and what makes the collaboration work so well?
It seems like yesterday that Closer to Heaven opened to savage reviews. It was ahead of its time — the critics just didn’t know what to make of it. Most of them had no idea about clubs like Heaven or the gay scene and drug culture. But one thing they did take to was Billie Trix, the washed-up, drug-taking German singer I was lucky enough to play.
Jonathan Harvey is a brilliant writer, and the Pet Shop Boys’ music is superb. It’s been 19 years since the show opened and we’ve remained friends. One night at dinner we just said, “We have to do it.” We’re all passionate about what we do, so it works well.
I was lucky enough to see ‘MUSIK’ the first time around — it was simply genius! What were your musical influences growing up, and what about now?
Well, you might be surprised by how eclectic my taste is. Being one of six children, I had diverse music coming at me from all angles. My older siblings were into Eric Clapton, Cream and The Beatles, while Mum and Dad liked Sinatra and Shirley Bassey. My mum would’ve been bowled over if she’d seen me at her 80th birthday!
For me, Northern Soul, Punk, and David Bowie’s Aladdin Sane were huge influences.
If you had actually met Andy Warhol, what two questions would you have asked him?
Oh gosh! First, how did he come up with the idea for the Campbell’s soup images? Was he under the weather, opened a tin, and thought, “Here’s an idea”?
And second, the obsession he seemed to have with Marilyn — the four images he created: victim, survivor, manipulator, glamour. I’ve always wondered what he really thought of her.
Your character in ‘MUSIK’, Billie Trix, transitions from music to art. If you could spend one day at any gallery in the world, where would it be? Whose artwork do you find most inspiring?
To be straight with you, I’m not an art connoisseur myself. I just know what I like, and I enjoy going to galleries and looking at art. The Rijksmuseum in Amsterdam is one of my favourites — the lighting there is beautiful, and The Night Watch is so powerful.
Peter Greenaway brings art to his films in so many ways, but it’s his lighting that’s truly magical. Filming A Zed & Two Noughts was just a beautiful experience.
Billie Trix amusingly appears to inhale half of Peru during the show! Drugs are increasingly prevalent in the UK and LGBTQ+ party community — especially ‘Ket’ and ‘GHB’, which are sadly linked to deaths. Do you think ‘MUSIK’ will spark conversations about drug use or glamorise it? Is there enough public information about these newer drugs?
Look, what people do is none of my business — we’re all grown-ups and live our lives. But yes, this new trend does worry me, especially for young people. I only became aware of chem-sex parties while I was working in LA.
People can do what they like, but when you read that someone has raped over 170 people using one of these popular drugs, you really think: it’s time for more education and awareness.
You’re a gay icon and also a passionate supporter of LGBTQ+ rights. Are you concerned that these rights might be affected by the current political climate, those who voted against gay marriage and LGBTQ+ education in schools without parental consent?
My feeling is that Boris Johnson is more liberal than his predecessors. He has a little crazy streak in him and I don’t think he’ll allow LGBTQ+ rights to be rolled back — at least I hope he won’t. But let’s not forget, there are people in all parties who don’t exactly wave the rainbow flag.
You resigned from the Labour Party and criticised Jeremy Corbyn. Were you surprised by the election results? Would you consider returning under a new leader, and do you see any strong candidates emerging?
I joined the Jewish Labour Movement, so I still have a vote. Like many others, I was expecting a hung parliament — it was a bit of a wake-up call. Lisa Nandy is getting my attention as a potential leader, though.
You appeared alongside Annette Bening, Jamie Bell, Vanessa Redgrave and Julie Walters in Film Stars Don’t Die in Liverpool. Have you ever considered moving to Los Angeles? Do you feel more passionate about film or theatre?
Oh, I’ve done the LA thing! A few years ago, I gave it a go and it was… interesting. I’m glad I waited until later in life — I’m not sure the younger me would’ve coped with it, to be honest. It’s not as exciting as you’d think.
Who would you love to work with that you haven’t yet had the chance to?
There are so many wonderful people I’ve had the pleasure of working with — from Dame Judi Dench to Vanessa Redgrave. But Helen Mirren? She’d be a dream. She’s just superb.
You famously dated legendary director Danny Boyle. Are you in a relationship now?
Oh dear, Danny! It’s wonderful how well he’s done. Yes, we’re still in touch — I called him when he won the Golden Globe to congratulate him. And yes, I am in a relationship. Silence! (laughs) — They’re not in the business, but I’m happy.
Quickfire Round
City or beach break? Oh, beach break.
Your favourite place in London? The Tate Modern — I just love it there.
What film would you take your partner to see? Without a doubt, Some Like It Hot — Jack Lemmon, Tony Curtis, Marilyn Monroe. It’s perfect in so many ways.
Chinese or Japanese food? Japanese.
If you were Mayor for a day, what one thing would you change about London? This won’t make me popular, but I don’t care — get rid of those cycle lanes! They make the roads worse.
CLARE MC’SWEENEY IS BACK Clare’s monthly column will bring you expert advice, the latest beauty and aesthetics news, and, of course she answers your beauty questions.
Clare chats to Pam Sharrock pr guru
Hello everyone,
Firstly, a huge thank you for all your wonderful questions and messages! I absolutely love hearing from you all. Sadly, I can’t respond to every single one personally — it’s been a whirlwind lately — but I’ve answered as many as I can below, and I hope this information helps.
It’s been incredibly busy at the clinic these past few weeks. We’re right in the heart of “Botox season,” and so many of you have been coming in, especially looking to define and enhance your jawlines. It’s been amazing to see such fabulous transformations and to help people feel their absolute best!
We’ve also had an exciting new arrival that I just have to tell you about: The Fresh Face Pillow. This incredible innovation has been a huge hit with my clients! It’s designed to support the face during sleep, helping to maintain smoother skin and reducing the risk of sleep wrinkles. Beauty sleep just got a major upgrade — and honestly, I can’t recommend it enough!
On top of the busy clinic life, I’m also preparing for something very close to my heart — ballroom dancing! I’ll be heading up to Blackpool very soon to compete, and I couldn’t be more excited (and nervous!). Dancing is a huge passion of mine, and it feels wonderful to be able to throw myself into it alongside my professional work. Please keep everything crossed for me — your support means the world, and I’m hoping to bring home a trophy!
Thank you again for being part of this journey with me. Your trust, encouragement, and enthusiasm are what keep me inspired every single day.
Sending lots of love, Clare
1. Botox Woes: A Frozen Look and Droopy Eyes Danny Heat, Basildon
Q: I’m a huge fan of the column and I can’t wait to visit you My question is about Botox. I stopped getting it four years ago because my forehead is quite small and the treatment made my eyes droop. After about a month, it just gave me that dreaded frozen look. I’m now a blank canvas—what can I do to look younger and fresher without appearing frozen?
A: Dear Bonnie – Botox is indeed a powerful tool to reduce the appearance of fine lines and wrinkles. However, when not administered with precision, it can lead to exactly the issues you described.
The good news is that Botox can absolutely work for you again, especially with a more refined, tailored approach. For individuals with a smaller forehead, our experienced doctors use specific techniques to avoid heaviness or drooping. Most importantly, we can use a smaller dose to maintain natural movement and avoid the “frozen” effect. A personal consultation will allow us to determine the ideal dosage and placement to achieve a youthful, refreshed look—without compromising your natural expressions.
2. Winter Pounds: Help Me Lose the Weight Debbie Newcastle
Q: Like so many others, lockdown left me feeling like everything’s falling apart—especially when it comes to my weight. I’ve put on a lot, and I’m desperate for help. What miracles can you offer to help me lose it?
A: Dear Debbie – You’re definitely not alone in this. The pandemic has affected many of our clients in the same way. The good news? We can absolutely help you get back on track.
Here are some non-surgical interventions that can support your weight-loss journey—provided they’re paired with balanced nutrition:
High-Intensity Focused Ultrasound (HIFU): Targets larger areas of stubborn fat (e.g., abdomen and thighs) and works gradually over three months.
Fat Freezing (Cryolipolysis): Ideal for smaller, more stubborn fat pockets like love handles or lower belly fat.
Fat-Dissolving Injections: Suitable for relatively slim individuals with small, persistent pockets of fat that just won’t budge.
3. Recovering After winter bugs and flu Do Vitamin Drips Work? Stacey Moore, Southend
Q: My whole family has had virus, and we’re feeling completely wiped out. I’m 58, my husband’s 59, and our daughters are in their twenties. I’ve seen celebrities using vitamin drips—do they really work, and could they help us bounce back?
A: Dear Stacey – I’m so sorry to hear your family has been through such a tough time. You’re right: after any viral illness, the body experiences significant nutrient depletion—minerals, vitamins, amino acids, and proteins are all used to support your immune system. That’s why fatigue and weakness are common after recovery.
Intravenous (IV) vitamin therapy isn’t a cure, but it can be an excellent way to restore those lost nutrients quickly. These drips are classed as supplements rather than medicines, but many people find they help improve energy and speed up recovery.
4. Jawline Goals: Trial Before Commitment Sally Perkins Richmond Upon Thames
Q: Since lockdown, my fiancé has become really self-conscious about his appearance. He’s now obsessed with getting a jaw implant to square off his otherwise lovely face. Is there anything temporary he could try before committing to something permanent?
A: Dear Sally – It’s not unusual to become more appearance-focused in the age of social media, especially with the rise of the “perfect jawline” trend. While a defined, squared jaw is often seen as more masculine and attractive, surgery isn’t the only option.
Before considering a permanent implant, we strongly recommend trying Hyaluronic Acid (HA) filler, which can non-surgically contour the jawline. The results can last up to a year and are completely reversible, giving your fiancé the chance to see if the look is really for him—without the risks associated with surgery.
Clare Mc Sweeney
5 Sweating Struggles: A Fix for Underarm Sweat Ray King, Clapham, London
Q: I start sweating under my arms about 20 minutes after showering—even with deodorant and a fresh shirt. My boyfriend waxes and says it helps, but I’m a big guy and don’t think smooth armpits are for me. It’s becoming quite embarrassing. Any advice?
A: Dear Ray – You’re describing hyperhidrosis, a common condition that causes excessive sweating—and you’re definitely not alone.
A highly effective solution is Botox injections in the underarms. This medical treatment temporarily blocks the nerves that trigger sweat glands, dramatically reducing perspiration. The effects typically last between 3 to 6 months and can be life-changing for many clients.
A great headshot can open doors — whether you’re an actor, a creative, or a professional. Choosing the right photographer, preparing properly, and understanding the process can make all the difference. In this guide, I answer some of the most common questions about headshot photography, share tips from my personal experience, and offer advice for anyone considering a career behind the camera.
1. What should I look for when searching for a photographer to do my headshots? Recommendations and word-of-mouth referrals are a great place to start. Always review a photographer’s previous work by browsing their website and social media profiles. Pay attention to the style and quality of their photography. Check if they specialize in headshots or if they have broader experience in different types of photography — both can be beneficial. Most importantly, ask yourself: Do you like their work? Trust your instinct and choose someone whose style resonates with you.
2. If I am an actor looking to use the headshots for my “Spotlight” profile, are there specific rules I should follow? Yes, there are a few important guidelines to keep in mind:
The photograph must look like you — authenticity is key.
It should be a close-up of your face, typically from the shoulders upwards, and usually in portrait orientation (standard size is 10”x8”).
Submit a selection of no more than six images, showcasing slightly different looks — for example, hair styled up and down, smiling and serious expressions. There’s no need for exaggerated acting in your photos.
Keep makeup minimal and natural. Simple is best.
Your headshot should invite the viewer to want to know more about you, sparking curiosity.
If you have facial hair, it’s a good idea to show options both with and without it, helping casting directors visualize you in various roles.
3. Is there anything I should avoid before a photoshoot, like spray tans or getting a new haircut? Absolutely! Avoid making drastic changes to your appearance just before the shoot. Skip the heavy spray tans or any extreme fake tanning — you don’t want to look “Tango’d”! Stay true to your natural look, as the photos need to reflect how you appear in person.
4. What should I do to prepare before the shoot? Stay in touch with your photographer beforehand. They can offer advice on what clothes to bring and what styles work best. Connecting with the photographer ahead of time will also help you feel more relaxed and confident on the day. Plan your journey carefully. Know your route and allow plenty of time so you can arrive calm and not rushed.
5. On the big day, how should I arrive at the shoot? Aim to arrive early. Give yourself time to settle in, organize your clothes, and make final choices about what you’ll wear. The more prepared and calm you are, the better your photos will turn out.
6. If I’m not used to posing for the camera, do you have any tips? Yes! Most importantly, trust your photographer. Follow their guidance and instructions — they know how to get the best out of you. Relax and be yourself. A good photographer will help you feel comfortable and confident.
7. How did you become a photographer? I went straight from school into studying photography at college. After graduating, I joined a small business studio in Victoria called The Downstairs Studio, where I quickly gained valuable experience in headshots and corporate photography. At just 18 years old, it was both challenging and exciting to find myself covering press releases and presentations, even venturing into the House of Commons! I made a point of looking up to photographers whose work I admired and started assisting them to gain real-world experience. Soon after, I joined a studio full-time, using every opportunity to learn about lighting, observe different shoots, and build my own portfolio. At the time, it was common practice to take your physical portfolio to magazine picture editors and pitch yourself directly. My first commission came from The Mirror Magazine, and from there, many doors opened. That was over 30 years ago — and the journey continues!
8. Do you have any tips for those wanting to get into photography? Assisting established photographers is one of the best ways to break into the industry. Learning directly from professionals is invaluable. Working as a studio assistant is another great way to meet photographers and build connections. Be enthusiastic, be helpful, and ask lots of questions! These days, you also have an incredible range of online resources at your fingertips. Platforms like YouTube offer endless technical guidance. Research photographers whose work you admire and learn from their approach and style.
9. Which photographers do you admire? David Bailey — an incredible inspiration, especially his approach to portraiture and fashion. Henri Cartier-Bresson — a master of capturing moments in time and a true storyteller through reportage photography. Helmut Newton — I loved how he challenged norms and pushed boundaries through his striking portraits. Of course, there are many others, but these are some of the greats who have shaped my vision.
10. You are exhibiting at “Autism and Art” in May. Are you looking forward to it? Absolutely! Photography and art offer wonderful ways to communicate and express oneself. They can also be incredibly therapeutic. Exhibitions like “Autism and Art” are so important because they inspire others to challenge themselves, find their own creative outlets, and perhaps discover a new passion. I’m very excited to be part of it and to see how art can continue to open doors and touch lives.
What a night! It is truly an honour to be the patron of Anna Kennedy Online. The team has become like family, and with great excitement, I stepped out on Saturday for the annual Autism Hero Awards.
The Autism Hero Awards 2025: A Night of Celebration and Inspiration
Red Carpet Ready GBNEWS Nana Akua and fiancé Stephen Gillian .
On March 15, 2025, the prestigious Autism Hero Awards, hosted by Dr. Anna Kennedy OBE, took place at the Holiday Inn Regents Park, London. Organized by the charity Anna Kennedy Online, this highly anticipated event honoured the remarkable achievements of individuals, organisations, and initiatives making a positive impact in the autism community. With inspiring award categories, special performances, and celebrity guests, the night was a spectacular celebration of talent, resilience, and advocacy.
Anna Kennedy surrounded by glitz and glamour towering above her Actor Matthew Blake and entrepreneur Richard Andrews
A Star-Studded Guest List
The event welcomed an impressive lineup of celebrities, including bestselling author Samantha Lee Howe, actress Vicki Michelle, actor Gary Webster, television personality Wendy Turner Webster.
Tiano’s Christopher Hamilton with Anna Kennedy OBE
Heartstopper star Bradley Riches, presenter Nana Akua, and fiancé author Stephen Gillian. 70 years In the business Frazer Hines danced till midnight . Olympic champion and patron Joe Luck was on hand ,
Award winning author and screen writer Samantha Lee Howe who judged the awards along with me Steven Smith
Adding to the glamour was singing sensation Tiano’s Christopher Hamilton. Actress and presenter Danielle Mason, Pink Ribbons’ Lisa Allen, and artist Piluca Camino Alcon also graced the event. The evening’s main hosts, award-winning presenter Aston Avery and youth theatre organiser Phillip Barnett, ensured the night flowed seamlessly with warmth and professionalism.
Model actress and presenter Danielle Mason joined the celebrities and crowd .
The Autism Hero Awards is more than just an event—it is a movement that recognises the incredible contributions of individuals and organisations within the autism community. Each category highlights a different aspect of support, advocacy, or achievement, celebrating efforts both big and small.
A night to remember
Award Winners and Highly Commended Recipients
Young Person of the Year Award Winner: Lucy Lovett Highly Commended: Jiya Rai, Chapman Shum
Outstanding Community Award Winner: True Colours Theatre CIO Foundation Highly Commended: Craig Henderson, Doncaster Autism Service
Terry Scott is ready to do his thing as Aston Avery presents and Nana Akua and Anna Kennedy present and award to True Colours .
Sibling of the Year Award Winner: Brooke Scaysbrook-Smith Highly Commended: Kayden Francis, Rosie Simmons
Parent/Carer of the Year Award Winner: Nicole Simmons Highly Commended: Amanda Inglis, Satia Rai
veteran acting royalty Frazer Hines .
The Lifetime Award Winner: Elspeth Jones Highly Commended: Annie Sands, Joely Williams
Leading Business Award Winner: Skye Stack Highly Commended: Pamela Capriglione, Hiyed CIC
People’s Autism Hero of the Year Award Winner: Blaise Heywood Highly Commended: Jenny Robinson, Rose Connelly
Two of the judges actor Gary Webster and presenter and author Wendy Turner
Creative Arts and Media Award Winner: Curran Dobbs Highly Commended: Libby Barrett, Amaya Edwards
Support Group of the Year Award Winner: Kim Drake – Little Hero’s ASD Support Group
Personal Achievement Award Winner: Thomas Howard Highly Commended: Amaya Edwards, Kelsey McInearney
Online Social Network Award Winner: Daniel Jones
The star of the night Vega
Human-Animal Bond Award Winner: Philippa Jane Sjoberg & Scrumpy Highly Commended: Sarah Allen & Patsy, Bobby Clark & Zeus
The judges Steven Smith Samantha Lee Howe Brad Riches , Gary Webster with Anna Kennedy OBE
A Night of Emotional Speeches and Performances
The night was filled with heartfelt speeches from winners and nominees, many sharing personal stories of perseverance and triumph. One of the most touching moments came from Thomas Howard, who received the Personal Achievement Award for his relentless advocacy in making neurodiversity training mandatory in higher education. His emotional speech moved the audience, reinforcing the importance of awareness and inclusivity.
On hand celebrity magician Angus Baskerville entertained .
The Impact of the Autism Hero Awards
Events like these play a crucial role in breaking down barriers, fostering inclusion, and encouraging ongoing support for autistic individuals. Dr. Anna Kennedy OBE, the driving force behind the awards, delivered a passionate speech about the importance of community support, education, and advocacy. Her dedication continues to bring positive change and hope to countless individuals and families.
Looking Ahead
As the curtains closed on another successful Autism Hero Awards ceremony, attendees left inspired and determined. The event once again proved the importance of recognising and celebrating achievements within the autism community. With each passing year, the Autism Hero Awards grow stronger, touching more lives and expanding their reach.
Upcoming Event: Autism & Art Show
Anna Kennedy Online in Association with Firepit Art Gallery CIC Presents Their Inaugural 🎨 “AUTISM & ART SHOW” 🎨
VIP Red Carpet Launch: May 22nd, 2025 Exhibition Dates: May 22nd – May 27th, 2025
“For people on the autism spectrum, art is a powerful medium that encourages self-expression.”
Anna Kennedy Online, in collaboration with the Firepit Art Gallery, is proud to present the first-ever “Autism & Art Show.” This exciting event showcases incredible artwork from autistic artists and their allies, with all profits supporting the charity Anna Kennedy Online. Art is more than just a passion—it serves as a therapeutic outlet, offering solace and joy to many individuals on the autism spectrum.
Are you an artist on the autism spectrum or an ally who wishes to contribute? Donations of artwork or a percentage of sales are welcomed to support this meaningful cause. Showcase your work at one of London’s most vibrant galleries!
🎟 Get Your VIP Night Tickets Below! https://bit.ly/42Jo4OA (Other exhibition dates are free to attend, but donations to the charity are greatly appreciated.)
📍 Event Location: Firepit Art Gallery CIC Firepit Gallery No.2, Upper Riverside, 10 Cutter Ln, Ground Floor Unit, Greenwich Peninsula, London SE10 0XX
🔗 Learn More & Support the Charity
Chris Wilde one of the artist who work will be on show .
2Shades Magazine 