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Steven’s Viewz A Christmas Message wishing for Empathy in 2026.

As we approach the end of another eventful year and step into the promise of 2026, I want to begin by wishing every one of you a very Happy Christmas. Whether you celebrate the season quietly, joyfully, or somewhere in between, I hope the coming weeks bring you warmth, connection, and moments of genuine peace. Christmas is a time of reflection as much as celebration, and for me, looking back over 2025 brings both change and gratitude.

One of the biggest changes this year was saying farewell—though never goodbye—to my gorgeous friend and co-founder of 2ShadesAdishiri Chengappa. Many of you will know her as the bright, compassionate, and fiercely driven woman who helped bring this magazine to life. Adishiri has returned to India to study counselling, and I have absolutely no doubt she will become a brilliant one. Her heart, her empathy, and her ability to really listen to people make her an extraordinary human being, and those are precisely the qualities that will make her excel in her new profession.

Although Adishiri is stepping down from the magazine to focus on her studies, she remains a lifelong friend—both to 2Shades and to me personally. Our bond is permanent, and her contribution to the magazine will always be part of its foundations. Behind the scenes, we are now in discussions with a new partner who will join the 2Shades family and help carry the torch forward.

For those of you who may be newer readers, let me say this clearly: 2Shades has never been “just” an LGBTQ+ magazine. From day one, we envisioned a vibrant, inclusive space—a place for everyone. A magazine that is joyful yet unafraid; stylish yet unfiltered; a platform for voices that deserve to be heard. We speak our minds, we cover subjects that others shy away from, and we stand firmly by our philosophy that representation and honesty matter.

Over the years, we’ve covered everything from fashion, art, and entertainment to some of the most difficult and deeply important topics affecting people today. We have reported on male rape, mental health, identity, domestic violence, addiction, grief, and more. The world is multifaceted, and so are the people in it; 2Shades aims to reflect that complexity.

A huge part of what makes this magazine special is our remarkable team of columnists. Our Agony Aunt, Heidi Gammon, continues to grow in popularity, offering advice with wit, warmth, and plain-spoken honesty. Dr Anna Kennedy OBE brings vital insight, advocacy, and compassion through her work in autism awareness and support. Our beauty expert Clare McSweeney adds glamour, empowerment, and the kind of practical advice that boosts confidence. And this year we welcomed Richard Andrews, who’s new “Money Matters” column is already proving invaluable to readers navigating finances during turbulent times.

Clare 2Shades columnist with Aston Avery she is on Gateway every month .

All of them are thriving on social media, and their readership continues to soar—a testament to the authenticity and relevance they bring.

What makes all of this even more remarkable is that the magazine still has no sponsors. I work entirely for free, as do many involved. And we do it because we believe in 2Shades, in its purpose, and in the community surrounding it. But as we look ahead to the future—and to the possibility of expanding globally—sponsors and advertisers will eventually be essential. If you’ve enjoyed the work we’ve done, if the magazine has informed, entertained, or supported you in any way, then please help us grow by spreading the word. Share the link, recommend us, tell people who we are and what we stand for. That simple act makes a world of difference.

And speaking of difference: there is something else I’d like to ask this Christmas.

If you feel moved to show appreciation for the magazine’s work this year, please consider donating to Anna Kennedy Online, a charity that means an incredible amount to me personally. Not only is Anna a dear friend, but I am honoured to have been a patron of her autism charity for nearly twelve years—something I remain immensely proud of. The work AKO does is life-changing for autistic children, adults, and families across the UK. If you would like to donate, the details are below; even the smallest contribution helps.

Dr Anna Kennedy OBE with me.

Looking ahead, my biggest hope is that 2026 will be the year 2Shadesbecomes a global success. A huge portion of our readership already comes from the United States and Australia, which shows that our message resonates far beyond the UK. We speak to universal experiences—identity, struggle, connection, joy, and truth. These things transcend borders.

And that brings me to my wish for 2026, a simple yet powerful one:
More empathy. More understanding. More respect.

We live in an increasingly polarised world, where disagreement is seen as a personal attack and differing opinions are met with hostility rather than curiosity. One of the wisest things I heard this year came from Peter Tatchell at the screening of “Legendary Children: All of Them Queer.” He said:

“By going into other places and organisations and being your authentic self, making a positive difference, people will start to change their views.”

That stayed with me, because it reminds us that real progress rarely comes from shouting or fighting—it comes from presence, compassion, and consistency.

Yet too often, respect is missing from the smallest everyday interactions. I’ll give you an example. I have not eaten red meat or pork for 49 years. It’s part of who I am. I don’t need to explain why; it doesn’t need to be debated. Yet more times than I can count, I’ve sat down to a meal only to be told, “Oh, just scrape it off,” as if my boundary were an inconvenience rather than something worthy of respect.

It’s such a small thing, but small things matter. Empathy shows itself in the details. Most people, of course, are thoughtful and considerate—but we all know others who refuse to see beyond their own beliefs. They hold strong opinions on everything yet become instantly outraged if you question theirs. They expect understanding but rarely offer it in return.

And then there are those who appear addicted to drama—who cannot be content unless they are creating conflict or turning an event into something about them. Rather than bringing joy, talent, or positive energy to a gathering, they bring chaos. It is, in my opinion, a kind of addiction in itself. A hunger for attention that stifles empathy and dims the light for everyone else. As such addiction is an illness and I have empathy there. However when an illness is contagious or has a knock on effect on your mental health you need to walk away in the end.

Imagine how different the world could be if empathy were something we practised as naturally as breathing. If instead of reacting, we paused. Instead of judging, we listened. Instead of assuming, we asked.
If 2026 could bring even a fraction more understanding into everyday life, what a transformation we would see.

So as we wrap presents, raise glasses, and welcome the new year, my message is this:
Celebrate with kindness. Speak with honesty. Live authentically. Respect differences—not just the ones that are easy, but the ones that challenge you. And above all, look for ways to make someone else’s world a little better.

To every reader, supporter, contributor, and friend of 2Shades: thank you for being part of this journey. Here’s to a beautiful Christmas, a hopeful New Year, and a 2026 filled with courage, connection, and compassion.

With love and gratitude,
Steven

PLEASE DONATE BELOW .

https://www.paypal.com/donate/?hosted_button_id=RKNE6GRMHJUP2

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Why Israel Should Be Included in the Eurovision Song Contest

Keep Israel in the Eurovision contest .


Steven’s Viewz

We hear it time and time again: “The Eurovision Song Contest is not political.” And while we all know that the voting patterns can sometimes be… entertaining, to say the least, at its heart Eurovision remains a celebration of music, creativity, and community. It has long been affectionately referred to as the “Gay New Year,” bringing joy, glamour, and unapologetic self-expression to millions around the world. For many viewers, it is more than a show — it is a moment of unity.

The spirit of Eurovision has always been about artists coming together to share their talent, culture, and stories. It was never intended to be a platform for political punishment, nor a place where artists are excluded because of the actions of their governments.

When I interviewed Peter Tatchell this year, he said something that resonated deeply with me: the way forward for the LGBTQ+ community is to keep being a shining beacon across all platforms. I couldn’t agree more. Visibility, inclusion, and dialogue are how progress is made — not through shutting doors.

Madonna in Israel at the Eurovision Song Contest .

I don’t live in some insulated “gay bubble,” nor would I want to. Real change happens when we remain open to conversation, even with those whose governments or policies we may profoundly disagree with. Excluding countries from Eurovision is not a solution; it brings nothing constructive to the table. In fact, it risks undermining the very principles Eurovision claims to stand for: openness, inclusivity, and the celebration of cultural diversity.

Israel, in particular, has a long and meaningful relationship with the contest. It is a country where LGBTQ+ people are welcomed, recognised, and celebrated — a fact often overlooked in broader political debates. Eurovision itself has benefited enormously from Israel’s participation. It gave us Dana International, the first (known) transgender winner, whose victory in 1998 was a landmark moment for queer visibility worldwide. Beyond Dana, Israel has consistently showcased diverse performers and daring artistic vision, enriching the contest’s legacy.

Rather than silencing or excluding, Eurovision should remain a platform where artists from all backgrounds, beliefs, and nations can share their voice. Music has always had the power to connect people beyond politics, beyond borders, and beyond conflict. Using your voice to send a message is a beautiful and powerful thing — but using silence as a form of punishment rarely fosters understanding or change.

When we welcome artists from countries whose governments we may disagree with, we create the possibility for conversation, empathy, and cultural exchange. When we block them, we lose that opportunity. Eurovision should not become a battleground of boycotts and bans; it should remain what it was created to be: a stage that celebrates unity in diversity.

Let’s not allow hatred, division, or political pressure to turn Eurovision into something it was never meant to be. Let’s welcome all who bring music to the stage — and keep the contest a place where voices are heard, not silenced.

END

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Columns Culture Lifestyle

Lubaina Himid: Britain’s Bold Vision for the Venice Biennale 2026

By Steven Smith.

When news broke that Lubaina Himid RA, CBE would represent Britain at the 2026 Venice Biennale, the art world let out a collective cheer. At 72, the pioneering British artist—born in Zanzibar, based in Preston—has earned a place among the most influential voices of her generation. Her work, a dazzling blend of history, storytelling, and social critique, has long challenged the narratives that dominate Western culture, shining a light on the contributions of Black figures who have too often been overlooked.

Himid is no stranger to breaking ground. In the 1980s and 1990s, she curated trailblazing exhibitions like Five Black Women (1983) at London’s Africa Centre and The Thin Black Line (1985) at the ICA, putting Black female artists firmly on the map at a time when mainstream galleries barely noticed. Her daring vision earned her the Turner Prize in 2017, and a CBE followed in 2018, honours that recognise not just her artistry but her remarkable influence on the British cultural landscape.

And yet, Himid remains delightfully down-to-earth. On hearing of her Biennale invitation, she laughed, “with both disbelief and pleasure,” before reflecting on the opportunity:

“It is such a great honour and at the same time a brilliant and exciting opportunity to make something particularly special, which resonates with multiple audiences, communicates with complex histories, and looks to a more collaborative future.”

The Path to Venice

Being chosen to represent Britain in Venice is no small feat. The British Council, which manages the UK’s pavilion, conducts a rigorous selection process. Artists are nominated and assessed by curators, critics, and cultural institutions from across the country. Their proposals are scrutinised for artistic excellence, innovation, and international significance—a combination that signals not just mastery of craft, but an ability to spark conversation on a global stage. The final decision rests with the Pavilion Commissioner and the Visual Arts Advisory Group.

It’s a recognition that places an artist at the very pinnacle of contemporary British art, transforming their career and showcasing their vision to a global audience. For Himid, whose work thrives on dialogue, this platform offers a chance to create a profound, immersive experience in Venice’s historic spaces.

Reimagining the British Pavilion

Himid is renowned for pushing the boundaries of painting, sculpture, and installation, fusing textures, narratives, and sound to construct spaces that feel alive, vivid, and socially urgent. Emma Dexter, Director of Visual Arts and the British Council Collection, describes Himid’s approach as “a radical optimism combined with incisive social critique,” noting that her exhibition will transform the Pavilion into a journey of discovery.

For Venice 2026, Himid’s work promises to be both playful and profound, intimate yet expansive—a conversation across centuries and continents, a reminder that history is never neutral, and that art can illuminate the stories we have forgotten.

From her early curatorial triumphs to her recent global recognition, Lubaina Himid has always worked at the intersection of history, identity, and imagination. Venice will be the latest—and most spectacular—stage for her audacious vision, a moment that promises to resonate far beyond the gilded canals and crowded pavilions of Italy’s floating city.

In 2026, the British Pavilion will not just exhibit art—it will tell a story, vibrant and urgent, through the eyes of one of Britain’s most brilliant and fearless artists.

https://www.tate.org.uk/whats-on/tate-modern/lubaina-himid

https://www.royalacademy.org.uk/art-artists/name/lubaina-himid-ra-elect

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Firepit Art Gallery and Studios CIC: Launching Our First Grant-Funded Project – FIREPIT FEELS

We’re thrilled to share some fantastic news — Firepit Art Gallery and Studios CIC has received our very first grant as a Community Interest Company! Thanks to the Greenwich Healthier Communities Fund, we’re able to bring an inspiring new initiative to life: FIREPIT FEELS.

This milestone marks an exciting step forward in our mission to make creativity accessible, inclusive, and nurturing for everyone. With the support of this grant, we’re launching a pilot programme of free and pay-what-you-can workshopsdesigned to foster creative health and wellbeing within our local community.

About FIREPIT FEELS

FIREPIT FEELS is a culturally-rooted series of workshops taking place in Greenwich Peninsula, created to support and uplift individuals from Global Majority, LGBTQIA+, and Neurodiverse communities, particularly those from disadvantaged backgrounds. Our aim is to offer a welcoming, affirming space where creativity, culture, and connection come together to enhance emotional and mental wellbeing.

We warmly invite you to take part in any — or all — of our upcoming sessions:

  • November 12th, 7–9pm – 🎨 Inhabiting Uncertainty on the Canvas — Painting Workshop
  • November 23rd, 1–3pm – 🧘‍♀️ Unfold: Movement & Meaning — Yoga & Journalling
  • December 14th, 1–3pm – 🧵 Chinese Knotting Jewellery & Mindfulness
  • January 8th, 7–9pm – ✏️ Our Art Circle — Drawing Workshop
  • January 22nd, 7–9pm – 📚 Queer Narrative — Collaging and Storytelling
  • January 31st, 1–3pm – 🌿 Creative Connections — Meditation & Sustainable Crafting

You can find more details and book your place for any of the sessions

Designed with Care and Accessibility in Mind

Every aspect of FIREPIT FEELS has been developed collaboratively, with guidance from an Accessibility Consultantand a Psychotherapist, ensuring that the programme is inclusive, neurodiversity-affirming, and trauma-informed.

Each session is relaxed and supportive. We’ll provide sensory aids for those who find them helpful, and a dedicated welfare support guide will be on hand to make sure everyone feels safe, comfortable, and welcome throughout.

About Firepit Art Gallery and Studios CIC

Located in the heart of Greenwich PeninsulaFirepit Art Gallery and Studios CIC is a community-led art hub that celebrates creativity in all its forms. Our mission is to make the arts accessible, inclusive, and sustainable by hosting co-created workshops, exhibitions, and events that reflect the diverse voices of our community.

Run by local artists, we believe in the power of art to connect people, spark dialogue, and support wellbeing. Whether you’re a seasoned creative or a complete beginner, Firepit is your space to explore, express, and belong.

To stay updated on our events, projects, and exhibitions, 

Together, let’s make Firepit Feels a space where creativity truly heals, connects, and inspires.

https://www.firepit.art

https://www.firepit.art/newsletter

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Steven’s Viewz

Zohran Mamdani: A New Dawn for New York — and a Setback for Trump’s America

By Steven Smith

Let’s get one thing straight: Sadiq Khan is a terrible mayor — but not because he is Muslim. He’s a terrible mayor because, quite simply, he hasn’t done the job well. Faith has nothing to do with competence.

I would like to think I ever judge anyone by their religion. Yet when I hear from certain extreme right-wing Christians, my instinct is that they’re often deeply uncomfortable with the LGBTQ+ community. Many cherry-pick verses from the Bible to justify their prejudices, conveniently ignoring the passages about kindness, humility and turning the other cheek — a principle that seems to have lost all meaning for them. As are extreme Muslims and many other religious devotees. I do not want them in power.

And how many of these self-proclaimed moral crusaders have later been exposed as hypocrites, caught in scandals that betray the very values they preach? No one wants to live under Sharia law, but equally, most of us are not rejecting Eastern culture or faith. Jewish politicians, for instance, aren’t out trying to convert everyone. The truth is simple: people should be judged on their integrity, their empathy, and their ability to lead — not the faith they were born into.

Historically, the right wing has struggled with LGBTQ+ acceptance. Look at Reform’s Ann Widdecombe, a devout Christian who remains openly opposed to gay rights, or Nigel Farage, who rails against same-sex marriage yet hasn’t exactly been a shining example of domestic harmony himself.

So, why shouldn’t New York — one of the most diverse cities in the world — have a Muslim mayor? The measure of leadership isn’t found in the label of one’s faith but in the breadth of one’s humanity.

When Zohran Mamdani swept to victory as New York’s new mayor, he didn’t just win an election — he ignited a cultural and political shift. At just 33, the Ugandan-born, Queens-raised son of Indian immigrants and the first Muslim to hold the office, Mamdani represents a fresh, progressive vision of leadership grounded in empathy, equity, and inclusivity. For women and LGBTQ+ citizens, his victory signals something powerful: a mayor who sees diversity not as a slogan, but as the city’s greatest strength. And for Donald Trump and the hard-right movement that thrives on fear and division, Mamdani’s rise is a direct ideological defeat.

Mamdani’s political roots run deep in social justice. Long before his mayoral run, he made his name in the New York State Assembly by fighting for tenant protections, affordable housing, and workers’ rights. But what sets him apart is his understanding that social equality must include gender and sexual equality. His policies go beyond token representation — they promise tangible protections and support for women, LGBTQ+, and trans individuals who continue to face discrimination and economic barriers in one of the world’s most diverse cities.

During his campaign, Mamdani declared: “New York must be a sanctuary — not just for immigrants, but for every person whose existence has been politicised.” That message resonated strongly with LGBTQ+ voters and women’s advocacy groups, weary of years of policy rollbacks and toxic rhetoric at the national level.

His mayoral platform includes one of the most comprehensive pro-equality agendas ever proposed for New York City. At its heart are three major commitments: establishing an Office for LGBTQIA+ Affairs to coordinate inclusive policies and investigate discrimination; pledging $65 million for gender-affirming healthcare and reproductive rights clinics; and strengthening women’s economic and reproductive rights through expanded paid family leave, subsidised childcare, and increased funding for domestic violence shelters and legal aid. These policies represent not just symbolic progress but systemic reform, tackling the intertwined roots of inequality and positioning New York as a beacon for progressive governance in a deeply divided nation.

Some observers initially wondered whether a devout Muslim mayor could fully champion LGBTQ+ and women’s rights. Mamdani’s leadership has already answered that question decisively. He has stated repeatedly that his faith teaches compassion, justice, and respect for human dignity — values entirely consistent with protecting the vulnerable. By separating personal belief from public duty, he embodies the pluralism that defines modern New York. His election sends a potent message that faith and equality are not mutually exclusive.

To understand why Mamdani’s victory is such a blow to Donald Trump, one must look beyond New York’s borders. Trumpism thrives on nostalgia — a yearning for a rigid, exclusionary version of America defined by dominance and division. Mamdani represents the opposite: a confident, multicultural future where inclusion and equality are strengths, not threats. Under Trump, the federal government rolled back protections for transgender people, restricted abortion access, and emboldened hate groups. Mamdani’s success proves that this politics of fear no longer holds sway everywhere — especially not in America’s largest city.

What happens in New York often echoes nationally. Just as Fiorello La Guardia’s social reforms and Michael Bloomberg’s urban policies shaped national conversations in their eras, Mamdani’s agenda may set the tone for a new wave of progressive mayors. His approach fuses social justice with fiscal realism — leveraging the city’s enormous budget to create measurable improvements in equality and opportunity. His administration’s first-year priorities include making the Metropolitan Transportation Authority free for students and low-income riders, expanding affordable housing projects on city-owned land, increasing investment in public schools with inclusive sex education, and introducing gender-balanced representation in city boards and commissions.

Mamdani’s election is also a cultural moment — one that renews New York’s identity as a sanctuary for those who dream of freedom in all its forms. From Stonewall to suffrage, the city has long been a crucible of progress. His leadership promises not only policy change but also a revival of civic optimism: a belief that governance can be both compassionate and competent. His first speech after victory captured this perfectly: “We are not here to manage decline. We are here to imagine abundance — for women, for queer and trans people, for every New Yorker who has been told to shrink their dreams.”

Let’s get one thing straight: Sadiq Khan is a terrible mayor — but not because he is Muslim. He’s a terrible mayor because, quite simply, he hasn’t done the job well. Faith has nothing to do with competence.

Nor would I ever judge anyone by their religion. Yet when I hear from certain extreme right-wing Christians, my instinct is that they’re often deeply uncomfortable with the LGBTQ+ community. Many cherry-pick verses from the Bible to justify their prejudices, conveniently ignoring the passages about kindness, humility and turning the other cheek — a principle that seems to have lost all meaning for them.

And how many of these self-proclaimed moral crusaders have later been exposed as hypocrites, caught in scandals that betray the very values they preach? No one wants to live under Sharia law, but equally, most of us are not rejecting Eastern culture or faith. Jewish politicians, for instance, aren’t out trying to convert everyone. The truth is simple: people should be judged on their integrity, their empathy, and their ability to lead — not the faith they were born into.

Historically, the right wing has struggled with LGBTQ+ acceptance. Look at Reform’s Ann Widdecombe, a devout Christian who remains openly opposed to gay rights, or Nigel Farage, who rails against same-sex marriage yet hasn’t exactly been a shining example of domestic harmony himself.

So, why shouldn’t New York — one of the most diverse cities in the world — have a Muslim mayor? The measure of leadership isn’t found in the label of one’s faith but in the breadth of one’s humanity. rise represents a decisive shift away from the politics of grievance and exclusion. His administration promises to put women’s rights, LGBTQ+ equality, and social justice at the heart of city governance. For a nation still grappling with polarisation, his victory is both an inspiration and a challenge: proof that diversity can win, compassion can govern, and inclusion can be a source of strength rather than division. For Donald Trump and those who profit from cultural conflict, Mamdani’s triumph is a warning shot: the future belongs to those who build bridges, not walls. He is a mayor for all and a flash that thinking Americans have had enough of the red hat .

END

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Autism’s Got Talent Returns to London’s Mermaid Theatre with a Dazzling Global Line-up


On Saturday the 11 October, the spotlight shines on extraordinary talent as Autism’s Got Talent takes centre stage at the Mermaid Theatre in London. Organised by the award-winning charity Anna Kennedy Online, this uplifting and inclusive event brings together over 24 performers from around the world, including the United States, for an evening that promises inspiration, celebration, and unforgettable entertainment.

With doors opening at 6:00 PM and the show starting at 7:00 PM, this year’s event is set to be one of the biggest yet — showcasing not only incredible talent but also the power of inclusion and acceptance.

Dr Anna Kennedy OBE

A Stage That Changes Lives

Unlike traditional talent shows, Autism’s Got Talent isn’t about competition — it’s about celebration. It provides a rare and empowering platform for performers who are autistic or neurodivergent, allowing them to share their unique voices, stories, and creative gifts.

Founded by autism ambassador and campaigner Anna Kennedy OBE, the event was born out of a desire to challenge stereotypes, raise awareness, and offer meaningful opportunities for those often overlooked in mainstream media and entertainment.

“This is not just a show — it’s a movement,” says Anna Kennedy. “Autism’s Got Talent is about breaking down barriers and giving people a chance to shine. Every performer brings something special to the stage, and the audience leaves inspired and moved.”

From singers and dancers to poets, musicians, magicians and comedians, the show highlights the diverse range of talentwithin the autism community. Many of the performers have never had the chance to appear on a professional stage before — making the experience deeply personal and empowering.

Award winning presenter Aston Avery

Star-Studded Presenters & World-Class Venue

Hosting this year’s spectacular event are award wining  Gateway DJAston Avery, and youth theatre organiser  Phil Barnett , a dynamic trio known for their charisma, warmth, and dedication to the autism community. Their presence helps create a relaxed, friendly atmosphere where performers feel supported and celebrated.

The iconic Mermaid Theatre — a central London venue known for its stunning acoustics and accessibility — is the perfect backdrop for the evening. Its state-of-the-art stage and welcoming environment make it ideal for a show of this scale and heart. Visit: www.the-mermaid.co.uk


What to Expect

With over two dozen acts from across the UK, Europe, and America, audiences can expect an exciting mix of performances filled with energy, passion, and originality. No two acts are alike, and every moment of the show is infused with authenticity and emotion.

The audience is encouraged to cheer, clap, and support every performer — creating an atmosphere of celebration rather than judgment. The focus is on ability, creativity, and joy.

Whether it’s a powerful vocal performance, an emotional poem, a jaw-dropping dance routine, or a surprise act that defies genre, every artist takes the stage with courage and pride.

Anna Kennedy and her dedicated team behind Anna Kennedy on line

More Than Just a Show

Proceeds from the event go directly to Anna Kennedy Online, a UK charity that provides vital support, resources, and advocacy for individuals and families diagnosed by autism. The charity works year-round to raise awareness, run workshops, support networks, and create opportunities like Autism’s Got Talent.

“This event shows what’s possible when we give people the space and support to thrive,” says Anna Kennedy. “It’s about changing perceptions, building confidence, and proving that being different is something to be celebrated.”


some of the shows past acts

Event Details

  • Date: Saturday the , 11 October 2025
  • Venue: The Mermaid Theatre, London
  • Doors Open: 6:00 PM
  • Show Starts: 7:00 PM
  • Tickets & Infowww.annakennedyonline.com

Final Word

In a world where neurodiverse individuals often face barriers to expression, Autism’s Got Talent offers something truly special: a night where every voice matters, every performance is met with applause, and talent is judged not by convention — but by heart.

Whether you’re a long-time supporter of the autism community or simply looking for an evening of uplifting entertainment, this is one event you won’t want to miss.

In particular, Anna Kennedy on Line would like to thank their sponsors Mermaid Theatre, The Harley Street Skin Clinic, Orange Orchid, Talem Law, SEND Tutoring, and SEN Tutoring for their invaluable support. Without you, we simply could not continue to do what we do.

https://www.harleystreetskinclinic.com

https://orange-orchid.co.uk

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Why Years and Years Should Be Compulsory Viewing for All

Steven’s Viewz

https://www.netflix.com/gb/title/80219056

The word visionary gets thrown around far too easily. But Russell T Davies’s Years and Years earns the label. Six years after it first aired, it looks less like drama and more like a blueprint for the world we’re stumbling into.

Rewatch it now, and it feels psychic. Political chaos, social unrest, the rise of populism—it’s all there. And unless we wise up, the show won’t be a warning. It will be a prophecy.

Russell T Davies a psychic for sure a genius in his craft .

No, we don’t have Vivienne Rook. But we do have her male counterpart: Nigel Farage. Like Rook, he plays the grinning “man of the people,” shaking hands in Runcorn and smiling for the cameras. But behind the performance lies something darker—homophobia, intolerance, and politics built on fear.https://en.wikipedia.org/wiki/Russell_T_Davies

I do not support Reform UK, but it would be foolish to dismiss their rise. This isn’t business as usual. Their growing popularity is dangerous, particularly for LGBTQ+ communities and minority groups. A few months ago, I pointed out how clever it was to put Sarah Pochin—the friendly, mum-next-door figure—front and centre in Runcorn, a town already uneasy about immigration and crime. But that was just a mask. The real Reform heavyweights—Anne Widdecombe and others—are waiting in the wings.

Vivienne Rook played by Emma Thompson . The smiling pr face of Reform Sarah Pochin and the real deal Farage and Widecombe .

Meanwhile, protests against asylum seekers grow louder. Hotels are shutting, talk of “temporary camps” is surfacing, and once again Years and Years looks disturbingly accurate.

The truth is simple: Britain needs immigration. Since Brexit, we’ve been short of workers. And asylum seekers are not faceless statistics—they’re people fleeing torture, persecution, or death. Yes, a small minority will cause problems, but scapegoating the many for the sins of the few is cowardly politics.

And what do the hotel protests achieve? Nothing but anger. The Vile e image of men and woman wrapped in the St George’s Cross turning the English flag into a symbol of division.

A flag of our country we should be proud of . Not one used for racism .

Davies warned us about this too. Suppressing extreme voices doesn’t silence them—it pushes them underground, where they grow more dangerous. In Years and Years, those who should never have been jailed became martyrs. In real life, extremists are being elevated in exactly the same way.

Meanwhile, fear grips ordinary people. In London, as in most major towns, there are streets best avoided at night. That fear is oxygen for extremists.

We’re also hollowing out our culture. Hard-won expertise is being replaced with one-week certificates. People call themselves “experts” in trades and professions that once took years of graft. We let them.

And we celebrate the wrong things. We tell ourselves we want a country built on skills, morals, and manners—yet we reward celebrity over substance. How can we build anything solid when voters shrug at lies, when eight-year-old girls aspire not to be nurses or teachers but the next Katie Price? If we don’t act, the rot will be ours to own.

Then there’s technology. Phones have become extensions of our bodies. AI is already replacing jobs. Humans risk becoming redundant in a world they created.

And celebrity still rules. We’ve already lived through the reality TV star who became President of the United States. His orange finger hovered over the nuclear button while he shouted, “You’re fired!” The laugh track is gone. The danger is real.

Davies even nailed the imagery: the “£1 T-shirt,” the slow creep of authoritarianism, the erosion of freedoms. Years and Years feels less like fiction with every passing headline.

Unless we wake up, unless we stop normalising dangerous rhetoric, it won’t be long before Farage—or someone worse—takes the helm. And then Years and Years will no longer be television. It will be our future.

https://www.netflix.com/gb/title/80219056

END Steven Smith contact Jane Compton or spman@btinternet.com

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Is Everyone a Little Bit Racist? By Steven Smith

Avenue Q

Is everyone a little bit racist ?

In the wake of current events, 2Shades asks the question: “Is everyone unintentionally a little racist?” Are we, as a society, guilty of labelling others at a glance? Does our upbringing dictate our fear of those perceived as different? How can we move forward and ensure that everyone is seen — and treated — as equal?

These days, you can’t escape slogans like “Black Lives Matter” and “Trans Rights.” They’re everywhere — and it breaks my heart that we still need to say those words. We think of ourselves as a civilised society, yet some people still feel the need to proclaim that their lives have value. Even during the pandemic, crowds took to the streets, desperate to have their voices heard.


Strike at the Root

How, in 2025, do people still feel like their lives matter less? And why does anyone need reminding that a life matters? We all breathe the same air and wake up with similar hopes, dreams, and stresses. Why should anyone feel like others see them as lesser?

It’s time to ensure that future generations never need to be reminded of their worth. As with many serious issues, we must strike at the root. Since no one is born a racist, let’s teach children that we are all the same.

Racist — someone who believes that other races are inferior to their own and therefore treats them unfairly, discriminating against other races, religions, or anyone perceived to be part of a minority group.


Avenue Q and the Racist Song

About ten years ago, I was sitting in the notoriously uncomfortable Noël Coward Theatre — wondering if the Marquis de Sade had designed the seats for people under 5’2” who hadn’t eaten in weeks — waiting to see one of my guilty pleasures: Avenue Q. It’s a kind of adult puppet show that has me in stitches every time.

But there’s one song that makes me squirm: “Everyone’s a Little Bit Racist.”

Princeton, the puppet, asks Kate Monster, “You’re a monster, right? So are you related to Tricky Monster, my neighbour?” Horrified, Kate calls him out — and Princeton points out some of her own biases. Then they burst into song:

“Everyone’s a little bit racist sometimes…”

At first, I was indignant. “Don’t put me in that category!” I thought, leaving the theatre. Yet Kate Monster’s reaction hit a nerve. You wouldn’t believe how many times I’ve been asked if I know a certain gay person — just because I’m gay.


The Gay Book

At a wedding in Guernsey, a woman I’d never met ran up to me and blurted out, “I hear you’re gay! David from EastEnders is gay — do you know him?”

I replied, “No, but I’ll look him up in the gay book.”

Her eyes widened. “There’s a book?”

I assured her there was (she didn’t get the irony) and off she went to tell her friends — who seemed to find me fascinating purely because of my sexuality.

Was it ignorance, racism, homophobia, or just misguided curiosity? Either way, I felt uncomfortable — half-expecting a wicker man to be erected in the town square.

Yes, many people — even with good intentions — can be unintentionally racist or discriminatory. This subject is close to my heart, which is why I’ve hesitated to speak out. Take my beautiful best friend of ten years, Dee. Her incredible personality and talent struck me first — not the colour of her skin.


“This Is My Gay Friend”

My eyes roll when I hear someone say, “This is my gay friend.”

My friends aren’t defined by race, sexuality, or religion. They’re defined by loyalty, kindness, and character. That’s what I see in another human being.


The N Word

Race only becomes relevant when a friend opens up about painful experiences — like when, as a child, her white friend’s mother told her she wasn’t allowed to play with her anymore because she was a n——. She ran home in tears. Her mother gently said, “Sometimes people in this world aren’t very nice.”

Even as she told me this story, I could see from her eyes — from her posture — that the wound still hurt.


Statues and Cancel Culture

How do we fix things so that no child ever feels this way? Peaceful protest is one way — but let’s steer clear of mob mentality. Keep perspective.

Churchill, Gandhi, and other historic figures were undeniably racist by today’s standards. But judging them solely by modern values brings little progress. Where do we draw the line?

If a statue needs to come down due to proven atrocities, let’s campaign — legally and collectively — for its removal. Not through vigilantism.

I’m also unsure we’re achieving anything by banning old TV shows. These are cultural artefacts — uncomfortable, yes, but historically significant.

When I heard Fawlty Towers’ “The Germans” had been banned, it felt like the final straw. Little Britain is apparently gone too.


Racism Off the Scale

If you want to see truly racist shows, look at the 1970s — Alf GarnettGeorge and Mildred, or Not on Your Nellie. In one episode, Hylda Baker asks a Black policeman for directions, then says, “You won’t know, you’re not from here either.”

Benny Hill was rife with misogyny, homophobia, and racism — yet celebrated in the US. Even the Carry On films were full of it. Bo’ Selecta! was criticised by Trisha Goddard, though Mel B and Craig David participated. And White Chicks, where two Black men disguise themselves as white women, is still one of my favourites.

Trying to erase the past is futile. By all means, campaign — but let’s make democratic decisions, not let the loudest voices dictate.


“All Lives Matter” — But You’re Missing the Point

Yes, all lives do matter — but that’s not the point. It’s not that Black lives matter more — it’s that they haven’t mattered enough. Imagine seeing images implying your ancestors’ lives were worthless. How would you feel?


Foundations of Prejudice

Let’s not pretend racism only comes from white people. It exists in every race. So let’s examine the root causes.

It starts with children. Schoolbooks shouldn’t include just one token non-white character. Representation should be equal and authentic. Let’s integrate, educate, and explore our complex past while teaching why things must change.


Redheads

Growing up in 1970s Scotland, there were no children of colour in my school. But I still stood out — red hair, Scottish accent. I was different. I was bullied.

Even today, redheads are mocked. I’ve explained that redheads often have more sensitive skin — and even educated people look puzzled.

Katie Hopkins once said, “There’s nothing worse than a ginger boy in younger years.” Hateful. Nasty.

Me at 63 but back in school being a red head got be bullied ,

Your Correspondent

We may not be born racist, but it’s a poisonous lesson many absorb early. My dad hated the Welsh. He’d tell stories about a man who stole his army uniform and say, “Never trust them.” Yet he adored Katherine Jenkins. His views were racist, misogynistic, and homophobic — but typical of his time.


Enoch Powell

At family gatherings, kindly grandmothers would say things like, “I don’t mind the coloureds, as long as they don’t move in next door — it brings down the property value.”

A friend’s mum once declared, “Enoch Powell had the right idea.”
His Rivers of Blood speech still echoes in some circles.

We must teach our children that judging or bullying others is never acceptable. We may come from different heritages, but we are one people.


Grace Jones and Harlem

My musical influences included Diana Ross, Nina Simone, and Ella Fitzgerald. Moving to London, I encountered other cultures — clubbing at places like The Embassy and Bangs Adams, dancing to Grace Jones and Sister Sledge. To me, dark skin was beautiful.

In New York, I was warned not to go to “Black neighbourhoods.” Why? “They’re dangerous.” That attitude is the problem. I went anyway.

Harlem in the ’70s was vibrant, full of life. But segregation — fuelled by fear — persists.


My early musical influences Diana Ross , Nina Simone , Sister Sledge

Hair

One good thing about the US: to become a licensed hairdresser, you must learn to style all hair types. Not so in the UK, where separate salons still exist for Black and white clients.

I’ve shown up to jobs where actresses looked horrified. One woman said, “No offence, honey, but no white boy’s touching my weave.”

She loved it in the end. The UK could learn a lot from America on this front.


Dee and Me

Dee and I are often mistaken for a couple. We’re not. But we’ve faced attitude — from both Black and white people — even in cosmopolitan London.

At a Caribbean funeral, I was twice asked to park cars. One man said, “Easy mistake. You all look the same.”

Harlem 1970

Conclusion

Racism is learned — and it’s everywhere. Real change won’t come from reactive outbursts. It starts with education. It starts with talking, not shouting.

Let’s stop teaching kids that some people are worth less. Let’s support organisations like Diversity Role Models, which go into schools and promote inclusivity.

Sometimes I wonder — if Earth were attacked by aliens, would we finally unite?
Looking at today’s governments, I doubt it. After all, they can’t even agree on how to fight a virus.


Contact Steven at: spman@btinternet.com

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Steven’s Viewz

Yes — Steven’s Viewz is back, and this month’s edition is bursting with variety, insight, and just the right dose of controversy! As always, Steven brings his unique voice and unfiltered perspective to the table, tackling topics that range from the deeply thought-provoking to the wonderfully unexpected.

This issue explores everything from equality in marriage — reminding us how far we’ve come and how far we still have to go — to the growing interest in magic mushrooms and their potential benefits in mental health treatment. It’s bold, it’s current, and it’s never afraid to ask the uncomfortable questions.

Farage and the Marriage Debate

Laure Ferrari with Nigel charming lady .

If you’re wondering whether the Reform Party under Nigel Farage might take a stance against the LGBTQ+ community, you may not have to look very far. A closer glance at Farage’s voting record reveals that he once voted against same-sex marriage—a move that speaks volumes about his social and political outlook.

This position seems somewhat ironic, given Farage’s own colourful marital history. Having been through two failed marriages himself, one might imagine he’d be a little more open-minded—or at the very least, more humble—when it comes to other people’s right to marry. Love, after all, comes in many forms, and marriage is a deeply personal choice that should be available to all consenting adults, regardless of gender or sexual orientation.

I had the chance to meet Farage briefly once, and I’ll say this: his current partner, Laure Ferrari, is a charming and intelligent woman. But perhaps Farage would be better served reflecting on his own relationship history before trying to legislate who can and cannot get married. A man who has struggled to sustain long-term commitments might want to tread lightly before denying others the right to even try.

If Farage is basing his stance on traditional or biblical values—as he often implies—then perhaps he should revisit those same values in the mirror. The Bible, after all, says a great deal about humility, compassion, and loving thy neighbour—principles that seem to get conveniently overlooked in his rhetoric. Selective morality has never made for good leadership, and voters are waking up to that.

Farage often touts his children as a source of pride, and no doubt he is a dedicated father. One of his children is an outspoken supporter of Donald Trump, which tells you a great deal about the household dynamic and political leanings. That said, it’s good to hear that despite having had testicular cancer, he’s clearly not firing blanks.

Isabelle Farage did an internship in Washington DC

While loyalty to family is admirable, it doesn’t excuse positions that marginalise entire communities or strip people of their rights in the name of so-called tradition. It’s worth asking: what kind of future does the Reform Party really envision? A society where love is judged and legislated? Where equality is rationed out depending on who fits into a narrow, outdated mould? The UK has made great strides in LGBTQ+ rights, and going backwards is not what people want—or need.

In the end, Farage’s views on marriage may say more about him than they do about society at large. Rather than acting as the moral gatekeeper, perhaps it’s time he looked inward and asked himself why love between two people—regardless of gender—should ever be up for debate.

Love is love. And no politician, no matter how many headlines they chase, should have the power to decide otherwise.

https://www.testicularcanceruk.com

Erin Patterson mushroom murderer .

I think it’s safe to say that no one will be rushing to give Erin Patterson — the so-called “mushroom murderer” — a job in the prison kitchen anytime soon. The tragic case has cast a long shadow over what has always seemed like a fairly harmless food.

Come to think of it, all my wonderful vegan friends who create amazing mushroom-based dishes might find me double-checking what varieties they’re actually using from now on! Mushrooms truly are one of nature’s wonders — packed with nutrients, flavour, and even potential healing properties. In fact, magic mushrooms (when used in microdosing) are showing promising results in mental health treatments, including anxiety, PTSD, and depression.

However, not all mushrooms are safe. Some look similar to edible varieties but are highly toxic, even deadly. It’s always best to source mushrooms from trusted suppliers or foragers who are fully trained in identification.

Death Cap mushrooms .

Here are a few of the most dangerous mushrooms to avoid:

  • Death Cap (Amanita phalloides)
  • Destroying Angel (Amanita virosa)
  • Funeral Bell (Galerina marginata)
  • Deadly Webcap (Cortinarius rubellus)
  • Panther Cap (Amanita pantherina)
  • False Morel (Gyromitra esculenta)

Mushrooms can nourish or kill — respect is key.

Driving me mad

Let’s make one thing clear: this is not a rant about women drivers. That said, there’s one male driver left such an impression that part of my heart still feels stranded in the Cotswolds — I’ve no idea how I survived that journey.

Now, one friend, bless her, assured me she had an advanced driving licence. This was just as we found ourselves parked in the central reservation, waiting for the next juggernaut to thunder past or into us I was gasping for air. “If I take the wrong one, it can be miles before I can turn back,” she said calmly — completely puzzled by my look of terror.

With the number of high-profile motorway deaths recently, I think I’m fully justified in being a back-seat driver. One friend drove with a small dog on her lap, a slurpy drink in one hand, and then decided it was the perfect time to apply lipstick. She seemed genuinely shocked when I wanted to get out of the car.

Taking a call while holding the phone in one hand should absolutely be illegal — and yet, some of my lady friends seem to do it as if it’s second nature. Zero awareness. Zero empathy.

One particularly playful argument — when I declined a Greggs coffee in favour of a Starbucks ” How can you afford that your broke ” — nearly ended in disaster, as the car narrowly missed a truck. When I instinctively threw my hands up onto the dashboard, I got snapped at: “That’s their fault — and if you keep doing that, you can get out!”

Apparently I’m the difficult one. But when we finally reached one friend’s house, her daughter-in-law took one look at me and said, “How did you survive that? It’s a suicide mission waiting to happen.”

Another friend got a ticket (thankfully not while I was in the car).

With drones now being used to catch drivers holding phones, drinks, or simply not holding the wheel — well, I say: bring it on!

Happily Ever After

The gorgeous couple Mel B and Rory McPhee

It’s lovely to finally see some heartwarming news in the papers for a change! Scary Spice herself — the fabulous Mel B — has officially tied the knot with her long-time partner, Rory McPhee. He’s a professional hairdresser, and from the photos, they both looked absolutely gorgeous on their big day. There was an effortless glamour about them, and Mel B radiated happiness.

After everything Mel has been through in her personal life, it’s refreshing to see her smiling, looking confident, and surrounded by love. The wedding seemed like something straight out of a modern-day fairytale — intimate, stylish, and full of joy. I really hope that, just like in the stories, this marks the beginning of a “happily ever after” for the couple.

It’s easy to forget that celebrities are real people, with real hopes, heartbreaks, and dreams. Mel has always been a bold, outspoken figure, and her resilience over the years is truly inspiring. Seeing her find love again is a reminder that there’s always hope — no matter what life throws at us.

Here’s to new beginnings, lasting happiness, and a bit of Spice Girls sparkle. Congratulations, Mel and Rory — wishing you a lifetime of love and laugher .

END

E-mail Steven at spman @btinternet.com

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Steven’s Viewz for May .

Picture Annemarie Bickerton

The brilliant Maggie Oliver pointed this out years ago , She should be made a Dame.,

Please stop using the phrase “Asian grooming gang” when referring to the perpetrators of certain crimes. This terminology is inaccurate, misleading, and deeply harmful. Asia is a vast continent made up of 49 countries, including China, India, Japan, Thailand, and many others. The term “Asian” encompasses a wide and diverse range of ethnicities, cultures, and nationalities. Using such a broad and general label unfairly tarnishes millions of innocent people and communities who have no connection whatsoever to the crimes being discussed.

In fact, 99 percent of the perpetrators in these high-profile grooming cases are groups of men who are almost all of British-Pakistani heritage. It is important to be precise and responsible in the language we use, especially when discussing sensitive topics like criminal behaviour and ethnicity. Referring to them simply as “Asian” is not only factually incorrect but also fuels prejudice and racial stereotyping against a much broader group of people. If we are serious about justice and protecting victims, we must also be committed to accuracy and fairness in how we speak about perpetrators. Let’s challenge harmful generalisations and work towards more honest and respectful conversations.

Puff Daddy No Gent but is he Guilty ?

Is anyone else watching the Sean Combs trial and having mixed feelings about what’s really going on here? On the surface, it’s easy to say he’s a misogynist, a sex addict, and someone with serious control and ego issues. From the evidence and stories that have come out, it seems very likely that he was physically abusive to his partner, and there’s no doubt that he treated women terribly and surrounded himself with yes-people who enabled his behavior. There are, unfortunately, a lot of men in power who behave this way. But the real question is: is he actually guilty of the specific criminal charges being brought against him right now?

What strikes me is the timing and context of these allegations. Many of the so-called “victims” being interviewed attended his parties multiple times — not just once. They were around him, in his world, apparently of their own choice. Then, after his lawsuit with Cassie was suddenly and quietly settled, more people rushed forward. It feels less like a search for justice and more like a feeding frenzy. My guess is that Combs paid Cassie off in hopes of burying the scandal and keeping his chaotic lifestyle — which included drugs, sex parties, and power games — out of the public eye. But ironically, that move seems to have backfired. It may have opened the floodgates for others who saw an opportunity to cash in, whether or not they were truly victims.

Another strange point is how the prosecution is painting every decision he made in the worst possible light. They even suggested that asking children to leave his famous White Party was done to make way for a dark and sinister after-party. But when he said his own children were in bed, it sounded to me like a parent being responsible. Not everything has to be spun into something criminal. Yes, he’s no role model. He’s not boyfriend of the year, or a gentleman by any means, and he clearly has a serious problem with self-control. But does he really deserve to spend life in prison? He is clearly a great dad and son.

To be clear, I’m not defending his past behavior or saying he’s a good man. . But this trial seems to be built on a very shaky foundation. It feels more like a pile-on driven by money, media attention, and opportunism rather than a solid case based on undeniable evidence. It’s also hard not to notice how quickly public opinion can turn — one moment he’s a powerful mogul, and the next he’s being torn to pieces before a verdict has even been reached.

There’s a lot about this case that doesn’t sit right with me. It’s messy, full of contradictions, and seems more about dollars than truth. If he’s truly guilty of a crime, then justice should absolutely be served. But right now, it feels like the court of public opinion is doing more talking than the actual courtroom.


Do not be fooled by the smiling face .

In a very clever PR move, the Reform Party has put Sarah Pochin forward as a candidate in Runcorn and Helsby, and she won by just six votes from Labour. Sarah is attractive, clean-cut, and comes across as wonderfully composed.

Runcorn is an area with ongoing issues surrounding immigration, and many locals are uneasy. But let’s not forget the real face of Reform in its female form: Ann Widdecombe. She may have called it right on the Meghan Markle saga long before our brief national love affair with her was over, but let’s not pretend she represents progress. Widdecombe is staunchly anti-LGBT, deeply religious, and belongs more in The Handmaid’s Tale than modern British politics.

Reform UK boldly claims it will “sort out the migrant crisis.” Will they?

Let’s be honest—none, and I mean none, of the main political parties have come up with one sensible idea about how to handle the Channel crossings. From deporting so-called illegals to Rwanda (at huge cost to the taxpayer), to the absurd idea of sending the army to patrol beaches—none of it amounts to a workable plan.

Some might suggest, sarcastically, stationing the army on the coast to shoot migrants as they arrive. Or even going full medieval—beheading them and putting their heads on poles as a warning. That would surely deter others, right?

Of course not. We do not live in the Dark Ages.

But look around the world. In places like Singapore, simply overstaying your visa can get you locked up and caned. Unsurprisingly, they have very little trouble with illegal immigration. In Denmark, the government banned the burka, denied benefits to migrants who fail to integrate, and charged newcomers for public services. The result? A sharp drop in new arrivals.

To be clear, I’m not suggesting we copy Singapore or Denmark. My point is this: where is the clear, practical plan from any UK party? Even listening to Ann Widdecombe, all we hear is bluster—Reform will “sort it out”—but with no explanation of how.

The truth is, we need immigration. Not just highly educated professionals, but hard-working labourers too. After Brexit, I listened to developers across the country who were stuck because their brilliant, dedicated Eastern European workers had gone home. Let’s welcome those people back. But if they commit a crime—out they go.

At its core, this is not just a British problem. The real issue lies in the countries people are fleeing. Until we help fix the root causes—war, poverty, corruption—the tap won’t turn off.

Reform UK won’t stop immigration. What they will do is damage the rights of LGBTQ people and harm the arts and culture sectors in this country.

So don’t be fooled by Sarah’s smiling face. Remember her friend Ann—she is the real face of Reform UK.

My dream job.

I can. not wait for The Autism and Art show my this week.