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A Night of Pink Glamour, Giving, and Great Hearts


The Pink Ribbon Gala Ball

The incredible Lisa Allen Pink Ribbon foundation with me.

The incredible Pink Ribbon Foundation .

Under Globe Theatre | 2nd October https://underglobe.co.uk

Lisa Allen

Bringing People Together for a Cause That Matters

That spirit of unity was alive and shining at this year’s PINKLondon gala hosted by the Pink Ribbon Foundation and held on Thursday 2nd October at the magnificent Underglobe on the banks of the River Thames. The evening sparkled with generosity, elegance, and heartfelt emotion — a true celebration of hope and humanity.

PINKLondon2025, held in association with Filippo ioco, celebrated a double milestone this year — marking the 25th anniversary of the Pink Ribbon Foundation and the 11th PINKLondon event in collaboration with Filippo ioco and iocoBenefits.

At the heart of it all was Lisa Allen, the powerhouse behind the Pink Ribbon Foundation. Through her tireless work, Lisa continues to inspire countless people to raise awareness and funds for breast cancer charities across the UK.

The Power of Art and Connection

The magic of the evening began long before the first champagne cork was popped. Through my mutual connections, Lisa met Anne-Marie Bickerton, a self-taught artist and photographer whose work radiates empathy and creative passion.

Anne-Marie had previously curated a moving exhibition featuring Dr Pam Spurr, the much-loved psychologist and media personality. During that show, Dr Spurr auctioned one of her own paintings to support breast cancer charities — an inspiring gesture that beautifully captured the evening’s theme of giving through art.

Piluca artist .

Also lending her talents was the artist Piluca, a bold and brilliant street artist whose colourful murals speak of empowerment, identity, and strength. Her creative energy lit up the exhibition and later became an integral part of the Pink Ribbon story.

The wonder that is Annemarie Bickerton

Ambassadors of Art and Strength

On that glittering October night, Anne-Marie Bickerton and Piluca Camino Alcon were officially named Ambassadors for the Pink Ribbon Foundation. Their shared belief that “art doesn’t just heal — it educates” has driven remarkable projects that use creativity to inspire awareness.

Among them is the groundbreaking exhibition “BUSTOUT”, featuring one hundred artistic photographs celebrating women’s bodies in all their diversity. Displayed at the Firepit Gallery, the show — curated by Anne-Marie and Piluca — was as provocative as it was empowering, challenging taboos and encouraging conversations about self-acceptance, self-checking, and health.

Lisa Allen and Piluca and Annemarie Bickerton at the Firepit Gallery

Anne-Marie’s Fight — In and Out of the Ring

For Anne-Marie, 2025 has been a year of courage and change. Alongside her art, she’s taken up boxing — a decision born from both love and determination. Her 15-year-old son Sam, who lives with autism and had been the target of bullying, joined a local boxing class to build confidence. Wanting to support him and lead by example, Anne-Marie laced up her own gloves.

Months of hard training led to an extraordinary moment: a charity boxing match at The Troxy, where Anne-Marie stepped into the ring to raise funds and awareness for autism and mental health causes. Her bravery resonated deeply within the Pink Ribbon community — a powerful reminder that strength can take many forms.

Wonderful night with Annemarie Bickerton Piluca and Dave Peacock

The Great Gatsby Glamour

This year’s PINKLondon gala theme was pure vintage glamour — The Great Gatsby. Guests dazzled in sequins, pearls, and feathers, stepping into a scene straight out of the roaring 1920s. The historic Underglobe was transformed into a world of champagne bubbles, jazz melodies, and pink-tinted lights.

Leading the celebrations, Lisa Allen made a stunning entrance, embodying the glamour and grace of the era. Her passion and dedication shone as she welcomed guests, thanked supporters, and reminded everyone why they were there — to celebrate hope, honour survivors, and fund life-changing work.

Lisa as a cake went at auction for £250

In a moment of light-hearted fun, a spectacular pink cake featuring Lisa’s own face was auctioned for charity — lovingly created by Keith Scovell (aka Kakesby Keith), who outdid himself with a confection as stylish as its inspiration.

let them eat cake Keith Scovell and partner Daniel Molin

Stars, Ambassadors, and Friends

The guest list sparkled with Pink Ribbon’s brightest stars and supporters. Among them were:

  • Danielle Mason, actress and model, whose warmth and advocacy continue to inspire
  • Haley Sparkles, television presenter and long-time supporter of women’s health
  • Sally Morgan, the nation’s favourite psychic medium, who brought humour and heart to the night
  • Donna Preston, actress, writer, and comedian best known for her role as Despair in Netflix’s The Sandman, as well as The Hitman’s BodyguardHard Cell, and Hey Tracey!
  • Shaun Dooley, actor and narrator known for his versatile roles in It’s a SinGentleman JackBroadchurchThe Witcher, and Changing Ends — the autobiographical comedy about Alan Carr’s childhood
  • Lorraine Stanley, actress best known for her long-running role as Karen Taylor in EastEnders, as well as for London to BrightonCall the Midwife, and Made in Dagenham
  • Kelly Reeves, the talented photographer whose stunning shots of the evening appear throughout this feature
The gorgeous Danielle Mason .

Also honoured were Juliette Morrison and her family — among Pink Ribbon’s most proactive ambassadors — for their ongoing dedication and tireless fundraising. Their recognition was one of the evening’s most touching moments.

Adding to the sense of family and continuity was the appearance of Jacqueline Abbott, Lisa’s remarkable mother, who became an ambassador last year. Her warmth and quiet strength embody everything the charity stands for.

Entertainment with Heart and Sparkle

The Brooks & Baker entertainment was as dazzling as the guests. Gatsby-style performers twirled across the stage, while guests joined in a lively Charleston dance class — feathers flying and laughter filling the room.

The event also featured fantastic entertainment from the talented West End Kids — invited back after a wonderful performance at PINKLondon2024 — along with a special performance by singer Russell Jones, who travelled all the way from Wales to join the celebration and support the cause.

Then came the show-stopper: an electrifying performance by Oulalahoop, whose energy and charisma set the crowd alight. It was impossible not to be swept up in the rhythm, as applause echoed around the theatre.

The evening’s raffle was led by Shaun Dooley, the acclaimed actor and patron of Pink Ribbon, known for his role in It’s a Sin. His heartfelt words about compassion and community struck a chord with every guest, reminding all present that the true purpose of the evening went far beyond glamour.

A Night of Unity and Friendship

Also in attendance was Dr Anna Kennedy OBE, renowned autism campaigner and founder of the charity Anna Kennedy Online. She attended in support of her friend, author Samantha Lee Howe, adding another layer of solidarity to the night — one that bridged communities and causes.

That sense of shared purpose defined the entire event. Whether through art, performance, or simple acts of kindness, the gala proved that compassion can connect worlds.

Dr Anna Kennedy OBE joined Lisa Allen in Gatsby gown .

The Heart Behind the Glamour

As the final song faded and glasses clinked in a final toast, there was a sense that something truly special had happened. The PINKLondon2025 gala wasn’t just another glamorous event — it was a statement of unity, creativity, and love.

Lisa Allen’s closing words summed up the evening perfectly:

“Pink Ribbon isn’t just about raising funds — it’s about raising each other up.”

And that’s exactly what she did.

From dazzling performances to heartfelt moments, from laughter to tears of joy, the night was a triumph. PINKLondon2025 reminded everyone that when passion meets purpose, miracles truly happen.

Some of the items in the goody bags ,

Photo Credits

Photography: Kelly Reeves and Brett Cove
Cake: Keith Scovell

With special thanks to Lisa Allen, Anne-Marie Bickerton, Piluca, and all the Pink Ribbon ambassadors and supporters who made the evening unforgettable

https://www.pinkribbonfoundation.org.uk

https://www.firepit.art

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Autism’s Got Talent 2025: A Night to Remember at London’s Mermaid Theatre By Steven Smith

Aston Avery. Phill Barnett Anna Kennedy OBE with the amazing OJ

The stars shone brightly at London’s historic Mermaid Theatre on Saturday, October 11th, 2025, as it played host to Anna Kennedy Online’s “Autism’s Got Talent 2025.”

Now a highlight in the charity’s calendar, this dazzling showcase once again celebrated the creativity, courage, and individuality of autistic performers from across the UK — and beyond. With one act even flying in from the United States, the night proved that talent truly knows no borders.

A Stage Alive with Talent
From the moment the curtain rose, the audience was captivated. Hosting the show with warmth and humour was Phil Barnett, youth theatre director and People’s Strictly finalist. His charm and easy rapport made every performer feel right at home. Alongside him was his co-presenter, Aston Avery — autistic, award-winning radio presenter and a true hero in his own right.

Joining them on stage was Dr Anna Kennedy OBE, founder of the charity and tireless advocate for autism awareness. Dressed in a sparkling black gown that “out-glittered the boys,” as Barnett playfully remarked, Dr Kennedy radiated pride and grace throughout the evening.

The show opened and closed with high-energy routines from Maggie Paterson’s PPAS Dance Performers, whose vibrant choreography, enthusiasm, and teamwork perfectly captured the inclusive spirit of the event.

“Autism’s Got Talent isn’t just a show — it’s a platform for hope, creativity, and inclusion.”
— Dr Anna Kennedy OBE

All that glitters compares Aston Avery . Phill Barnett

The Stars Take the Stage
With 21 acts performing, the line-up offered a kaleidoscope of creativity and talent. Among them was Xander Hall, whose soulful rendition of Simply Red’s Money’s Too Tight to Mention was, as the crowd agreed, not just good — it was simply brilliant.  OJ O’Neil  powerhouse vocals that filled the theatre with emotion and drew enthusiastic applause.

Xander Hall gives that simply special performance

Jessica Hamer  showcased confidence and individuality, while Kirk Cramer, a devoted fan of Les Misérables, brought the house down with a stirring rendition inspired by his favourite musical — the passion in his voice earning a well-deserved standing ovation.

Laughter filled the theatre thanks to Xena-Ivy Devenney and her mischievous puppet Polly, whose cheeky jokes and comic timing delighted the audience. Polly’s antics became one of the night’s most funny  moments, reminding everyone that humour can be its own form of artistry.

Oh no Charity patron Steven Smith is being eaten by the wonderful Polly let’s hope she does not get indigestion. . With comedy genus Xena

Dynamic duo David Sanchez-Ramade and Dani Cano brought rhythm and flair with their video that had people standing while Lucy ClewerBella Jackson, and Zoe Steede offered moments of reflection and grace.

George PondChapman Shum, and Richard Stevens kept spirits high. Stevens, known for his fundraising walks for Anna Kennedy Online, swapped his walking boots for a microphone and delivered a performance worthy of the Rat Pack — smooth, confident, and full of charm.

Richard Stevens

Lucy Glennon and Joshua Fowler kept the energy flowing, paving the way for one of the night’s most unique acts: Lana Mitchell’s “Periodic Table Resistile.” Blending rhythm, science, and creativity, it left the audience in awe and earned thunderous applause for its originality.

Chirag and Mahendra Dodhi  brought love and peace to the evening and Daisy Hutchinson had everyone moved ,

Angus Baskerville, who began his magic journey with Autism’s Got Talent, returned to the stage not only as a bestselling author but also to enthral the audience with his unique act. Angus is now one of the charity’s champions .

Angus Baskerville brought Magic to the evening .

Glitter, Glamour, and Heart
Beyond the performances, the evening radiated a genuine sense of community and celebration. Families, friends, and supporters filled the theatre with warmth and applause.

Vicky Michelle pictured by Terry Scott

Celebrities including ‘Allo ‘Allo! star Vicky Michelle, GB News presenter Nana Akua, charity patron and author Steven SmithBBC Smoogie Queens actress Ionica Adriana, and Sophie Cooper from Harley Skin Group were among those showing their support and presenting some of the acts — a reflection of how widely Autism’s Got Talent has touched hearts across the board.

The lovely Sophie Cooper from Harley Street skin Clinic one of the main sponsors

“Every performer tonight is breaking barriers and showing the world what’s possible through understanding and inclusion.”
— Steven Smith, Author and Charity Patron

A Global Stage for Neurodiversity
Each performer brought something entirely their own — whether music, movement, storytelling, or laughter. It was a night that celebrated difference as a source of strength, and every act shone with authenticity and courage.

Audience reactions were unanimous: uplifting, inspiring, and unforgettable. There were moments of laughter, moments of awe, and moments where the entire theatre simply glowed with pride.

Earlier showcases, such as Autism’s Got Talent Whitley Bay, have drawn similar praise for being “positive, emotional, and full of pride.” The 2025 London event more than lived up to that legacy — in fact, it may have been the most spectacular edition yet.

The Magic of Anna Kennedy Online
For over a decade, Anna Kennedy Online has been a driving force for autism awareness, education, and acceptance. Founded by Dr Kennedy after her personal experiences as a parent, the charity continues to empower autistic people and their families through advocacy, workshops, and creative projects.

Yet Autism’s Got Talent remains its shining jewel — a celebration of the many ways autistic individuals contribute to art, culture, and society. Every performance is a reminder that talent comes in countless forms, and every voice deserves to be heard.

“Together, we can make a difference — one talent at a time.”
— Dr Anna Kennedy OBE

He flow in from the USA  Kirk Cramer,

A Standing Ovation for Inclusion
As Maggie Paterson’s dancers returned for the closing number, the Mermaid Theatre rose to its feet. The applause was thunderous — not just for the performers, but for the families, volunteers, organisers, and, of course, Dr Kennedy, whose vision continues to change lives.

In a world that often talks about inclusion, Autism’s Got Talent shows what it truly looks like — joy, creativity, and community coming together under the spotlight.

Autism’s Got Talent 2025 was more than an evening of entertainment. It was a statement — a glittering celebration of individuality, expression, and belonging.

The show would not be possible without the talents behind the scenes — Fiona Shepard  and the invaluable Lisa Robins, the “glue” who keeps the team and talent together.

The wonderful Lisa Robbins and host Phillip Barnett

As the audience spilled out into the crisp London night, one thing was certain: when everyone is given the chance to shine, the world becomes brighter for us all.

Look out, 2026 — they’ll be back!

Please support: https://annakennedyonline.com

Pictures Terry Scott and Tally

Some of the Dream team behind Autism’s Got Talent that volunteer .
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Autism’s Got Talent Returns to London’s Mermaid Theatre with a Dazzling Global Line-up


On Saturday the 11 October, the spotlight shines on extraordinary talent as Autism’s Got Talent takes centre stage at the Mermaid Theatre in London. Organised by the award-winning charity Anna Kennedy Online, this uplifting and inclusive event brings together over 24 performers from around the world, including the United States, for an evening that promises inspiration, celebration, and unforgettable entertainment.

With doors opening at 6:00 PM and the show starting at 7:00 PM, this year’s event is set to be one of the biggest yet — showcasing not only incredible talent but also the power of inclusion and acceptance.

Dr Anna Kennedy OBE

A Stage That Changes Lives

Unlike traditional talent shows, Autism’s Got Talent isn’t about competition — it’s about celebration. It provides a rare and empowering platform for performers who are autistic or neurodivergent, allowing them to share their unique voices, stories, and creative gifts.

Founded by autism ambassador and campaigner Anna Kennedy OBE, the event was born out of a desire to challenge stereotypes, raise awareness, and offer meaningful opportunities for those often overlooked in mainstream media and entertainment.

“This is not just a show — it’s a movement,” says Anna Kennedy. “Autism’s Got Talent is about breaking down barriers and giving people a chance to shine. Every performer brings something special to the stage, and the audience leaves inspired and moved.”

From singers and dancers to poets, musicians, magicians and comedians, the show highlights the diverse range of talentwithin the autism community. Many of the performers have never had the chance to appear on a professional stage before — making the experience deeply personal and empowering.

Award winning presenter Aston Avery

Star-Studded Presenters & World-Class Venue

Hosting this year’s spectacular event are award wining  Gateway DJAston Avery, and youth theatre organiser  Phil Barnett , a dynamic trio known for their charisma, warmth, and dedication to the autism community. Their presence helps create a relaxed, friendly atmosphere where performers feel supported and celebrated.

The iconic Mermaid Theatre — a central London venue known for its stunning acoustics and accessibility — is the perfect backdrop for the evening. Its state-of-the-art stage and welcoming environment make it ideal for a show of this scale and heart. Visit: www.the-mermaid.co.uk


What to Expect

With over two dozen acts from across the UK, Europe, and America, audiences can expect an exciting mix of performances filled with energy, passion, and originality. No two acts are alike, and every moment of the show is infused with authenticity and emotion.

The audience is encouraged to cheer, clap, and support every performer — creating an atmosphere of celebration rather than judgment. The focus is on ability, creativity, and joy.

Whether it’s a powerful vocal performance, an emotional poem, a jaw-dropping dance routine, or a surprise act that defies genre, every artist takes the stage with courage and pride.

Anna Kennedy and her dedicated team behind Anna Kennedy on line

More Than Just a Show

Proceeds from the event go directly to Anna Kennedy Online, a UK charity that provides vital support, resources, and advocacy for individuals and families diagnosed by autism. The charity works year-round to raise awareness, run workshops, support networks, and create opportunities like Autism’s Got Talent.

“This event shows what’s possible when we give people the space and support to thrive,” says Anna Kennedy. “It’s about changing perceptions, building confidence, and proving that being different is something to be celebrated.”


some of the shows past acts

Event Details

  • Date: Saturday the , 11 October 2025
  • Venue: The Mermaid Theatre, London
  • Doors Open: 6:00 PM
  • Show Starts: 7:00 PM
  • Tickets & Infowww.annakennedyonline.com

Final Word

In a world where neurodiverse individuals often face barriers to expression, Autism’s Got Talent offers something truly special: a night where every voice matters, every performance is met with applause, and talent is judged not by convention — but by heart.

Whether you’re a long-time supporter of the autism community or simply looking for an evening of uplifting entertainment, this is one event you won’t want to miss.

In particular, Anna Kennedy on Line would like to thank their sponsors Mermaid Theatre, The Harley Street Skin Clinic, Orange Orchid, Talem Law, SEND Tutoring, and SEN Tutoring for their invaluable support. Without you, we simply could not continue to do what we do.

https://www.harleystreetskinclinic.com

https://orange-orchid.co.uk

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Fighting Spirit: Artist and Mother Annemarie Bickerton Steps Into the Ring

In a world where many talk about what they might do someday, there are others who quietly get on with it—people who take action, push boundaries, and in doing so inspire those around them. Artist and photographer Annemarie Bickertonbelongs firmly in the latter category.

On Saturday, September 27, 2025, Bickerton swapped her camera for boxing gloves, stepping into the ring at The Troxy in London for an Ultra White Collar Boxing (UWCB) charity event. The evening brought together novice boxers from across the capital, each of them having undergone ten weeks of intensive training, with the dual aim of testing themselves and raising money for good causes.

For Bickerton, that cause was the Pink Ribbon Foundation, a UK charity that provides financial support to organisations helping those affected by breast cancer. It was a natural fit: she has previously worked with the foundation, staging her acclaimed “BustOut” exhibition at the Firepit Gallery at the O2. That exhibition combined bold visual art with advocacy, raising awareness and funds in equal measure.

This time, however, the setting was very different. The Troxy’s historic stage was transformed into a boxing arena, the atmosphere electric as friends, family, and supporters packed into the venue. Bickerton’s match ended officially as a draw, though audience members were quick to call it a clear win on her part.

The result, though, tells only part of the story. What makes Bickerton’s achievement stand out is the journey that led her there. For ten weeks, she trained with discipline and determination, rising early, attending gruelling sessions, and absorbing the technical and mental demands of boxing. “It was not natural for me at all,” she admitted beforehand. Yet she persevered, embodying the UWCB ethos of ordinary people doing extraordinary things for charity.

Bickerton’s decision to take up boxing was not made in isolation. She had first introduced the sport to her son, who lives with autism, as a way to build confidence and resilience. Facing bullying at school, he found empowerment in the discipline and structure of training. Inspired by his progress, Bickerton decided to follow suit. “Lead by example” became more than a phrase—it became a lived reality.

Those who know her were not surprised. Bickerton has long been recognised for her willingness to tackle challenges head-on, whether in her artistic practice or personal life. As a photographer and artist, she has built a reputation for bold, thought-provoking work that often blends beauty with social commentary. As a mother, she has consistently sought opportunities that empower her son and others facing adversity.

Her move into boxing might seem like a departure, but in many ways, it continues a consistent theme: using creativity, courage, and perseverance to make an impact.

Events like UWCB are not only about individual achievement but also about collective contribution. Since its founding, the organisation has raised millions of pounds for charities across the UK, with participants from all walks of life. Bickerton’s fight was one of dozens staged that evening, each carrying a personal story and a charitable purpose. Together, they highlighted the power of community fundraising through unconventional means.

For Bickerton, the fight capped months of hard work and represented more than just a physical test. It was a statement about resilience, visibility, and the importance of action. “Annemarie is a great example of what’s right in this world,” said one supporter. “She doesn’t just talk—she does.”

That ethos has earned her admiration not only from those close to her but from a wider circle who see in her story a reminder of what determination can achieve. In an age when so much energy is spent on words, Bickerton’s actions—whether through art, activism, or sport—speak louder.

As the cheers faded at the Troxy, the impact of her fight extended far beyond the ring. Funds had been raised for a vital cause, awareness had been heightened, and a powerful example had been set for her son and others: that courage comes in many forms, and that sometimes the greatest victories are not about titles or trophies but about showing up, standing tall, and refusing to back down.

With her gloves now set aside, Bickerton returns to her life as an artist, mother, and advocate. Yet the echoes of that night in the ring remain—a testament to the fighting spirit of a woman who refuses to be defined by limits.

More information:
Ultra White Collar Boxing
Pink Ribbon Foundation

https://www.firepit.art

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Steve’s Viewz for October


The Outpouring Over Charlie Kirk RIP.

We’ve all witnessed the sudden outpouring of grief, tributes, and public mourning for Charlie Kirk. Before I get the inevitable backlash, let me be clear: the loss of any human life is a tragedy. Death, no matter the circumstances, is not something to celebrate. But that doesn’t mean we must ignore the uncomfortable truth about who a person was and the impact they had on the world around them.

Anyone who dies while promoting hatred—whether it be racism, homophobia, misogyny, or transphobia—has left behind a legacy of division. And while it’s wrong to revel in someone’s death, it’s equally wrong to pretend that their life was lived in service of goodness, compassion, or truth when the opposite is much closer to reality.

There’s an old saying: “Keep your friends close, but your enemies closer.” I am one hundred percent against cancel culture. Silencing voices and driving them underground only makes them more dangerous; it allows toxic ideologies to fester where they cannot be challenged or confronted. We need to keep our eyes on the people who preach hate, not push them into the shadows.

But here’s my question: where is the same level of public mourning for the innocent children killed in American school shootings? Where are the candlelit vigils, the elaborate civil ceremonies, the hours of televised tributes for those whose only “crime” was going to class in a nation that has normalised mass shootings? Where is the nationwide grief for the everyday victims of America’s gun obsession?

The outpouring for Charlie Kirk feels performative—dramatic, over the top, and completely misplaced. I scrolled through social media and was struck by the sheer number of posts about him. Yet for the children lost in Uvalde, in Sandy Hook, in countless other tragedies, there was silence after the first wave of news coverage. No weeks-long grief, no cultural pause for reflection. The contrast is staggering.

Let’s get something straight: Charlie Kirk did not save lives. He didn’t cure HIV, discover a vaccine for the common cold, or dedicate his life to lifting people out of poverty. He built a platform by spreading fear, misinformation, and divisiveness. To canonise him now as if he were some kind of saint is not just dishonest, it is deeply disrespectful to those he harmed with his rhetoric.

And what exactly was “Christian” about his teachings? Jesus—let’s remember, a brown-skinned, Arabic-speaking man from the Middle East—preached love, compassion, and radical inclusion. He spent his time with outcasts, outsiders, and the marginalised: fishermen, tax collectors, a prostitute, and a ragtag group of twelve unmarried men. The essence of his teaching was simple: love thy neighbour as thyself.

Religion, like a gun, can be used for protection and peace when in the right hands. But in the wrong hands, it becomes a weapon of hate and fear. Charlie Kirk chose the latter. He wielded scripture selectively, twisting it into a justification for exclusion rather than inclusion, for condemnation rather than compassion. That is not godly—it is a betrayal of the very faith he claimed to represent.

What baffles me most is why so many people queued up to debate him, as though he were some kind of great theological authority. He wasn’t. He was poorly informed, cherry-picking passages of scripture to suit his agenda, ignoring centuries of scholarship, and offering nothing more than the shallowest of arguments. This was not a man who should be celebrated as a thinker, let alone a prophet.

I do feel for his family. Losing a loved one is painful, no matter who they were. I wish he had used his influence for good—to inspire, to uplift, to build bridges instead of walls. Instead, he chose narcissism, self-promotion, and hate. That is the legacy he leaves behind.

The most ungodly thing of all is an ill-informed Christian who believes their interpretation of the Bible gives them licence to judge others. Freedom of speech must exist for both sides, but so too must accountability. Words matter. Influence matters. And when someone spends their life spreading division, we cannot in good conscience rewrite history just because they are no longer here.

Yes, love thy neighbour. Yes, treat others with compassion. But let us also extend that compassion to the innocent children gunned down in schools, to the victims of bigotry, to those whose lives were cut short by violence. If Charlie Kirk is to receive public mourning, then surely those who lived with love in their hearts, rather than hate, deserve at least as much.

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“I Was Nearly Exterminated !”

Picture Anna Marie Bickerton

An Interview with David J Howe

How Doctor Who – and the Daleks – saved his life.

Even before David J Howe was born, the world of print and storytelling was already close at hand. His father worked in the printing department at the Daily Express newspaper, a job he kept until the paper moved out of Fleet Street in 1984. Neither father nor son could have foreseen that David’s fascination with a certain Saturday evening television programme would grow into a lifelong obsession — one that would shape his career, his friendships, and ultimately even save his life.

We sat down with David to talk about Doctor Who, the Daleks, and his extraordinary new memoir Who Me!.

John Pertwee and David ,,,

From Fan to Creator

Q: Do you remember when the magic of Doctor Who first gripped you?

David: I was just a boy in South London during the 1960s, when Dalek toys were everywhere. Like a lot of children, I was completely captivated. By the time I was 15, I was so inspired that I decided to build my own Dalek. My father used to bring home waste plastic from the printing floor, and I scavenged other bits and pieces. Using those materials, I built a full-size Dalek from scratch. It was a labour of love — and in a way, the start of everything that followed.

Father and son build a Dalek

Working with the Doctor

Q: Your journey from fan to authority on the show is remarkable. What were the big turning points?

David: I began collecting, writing, and eventually contributing to the world of Doctor Who. One of the most extraordinary moments was working with Jon Pertwee himself. Helping him with his autobiography was a privilege and a huge learning experience. Over the years, I became more and more involved in chronicling the programme’s history — from conventions and events to writing books that many fans now consider reference staples.


https://www.amazon.co.uk/Who-Me-publishing-decades-history/dp/1835013309/ref=sr_1_1?crid=2W87D524O4N1M&dib=eyJ2IjoiMSJ9.XwlZPLdXkWi3Ck2dDv-GKE6NXSnDhUCaHdD3b4JylbmbCUnODIzOKyFW2m8kTV531EvFaZRAxejNEfL7VG0Eblc2p5CT28I47AUl8YByXr6QnaD5oDRQ218XrpxrrAZkyf0ahVXBZfewIpymAyhu1hw7wGmL5GGdmv2fw8IK1pImipMHSf2HQMbngr3JM3Ujj8-z7pOjolY5CeioCONO1RgP0HaSEMXOBUMyq1o2Or8.rE0qe7VVeX6Nqlde2kQArEPPWrUAzswxxBufU-VZyb8&dib_tag=se&keywords=dr+who+books+david+j+howe&qid=1756821305&sprefix=david+j+howe+%2Caps%2C238&sr=8-1

A Life-Saving Detour

Q: You’ve said that Doctor Who quite literally saved your life. Can you tell us about that?

David: Yes, it’s true. A few years ago, I was heading to Cardiff for a Doctor Who exhibition — specifically to see the Daleks. On the way, I suffered a massive heart attack. If I had been at home, I wouldn’t have survived. But because of that trip, I happened to pass right by Cardiff University Hospital, one of the best cardiac hospitals in the country. I was rushed straight there. Without that coincidence, without that journey to see the Daleks, I simply wouldn’t be here today.

And of course, I wasn’t alone. My wife, bestselling author Samantha Lee Howe, has been my rock through it all. Without her support, recovery would have been a much harder road.

David with his beautiful wife and best selling author Samantha Lee Howe .

The Memoir: Who Me!

Q: Your new book, Who Me!, comes out this October. What can readers expect?

David: The book is my story, but it’s also the story of Doctor Who told through a very personal lens. I wanted to show how a television programme can shape a life, a culture, and even a country. I take readers behind the scenes — from the earliest fan conventions to my work documenting the series in print. I talk about working with Jon Pertwee, interviewing actors like Peter Davison, and even how the BBC began to understand and build its merchandise empire.

More than that, it’s about the joy of fandom, the friendships forged, the challenges faced, and the way Doctor Whobecame — and remains — a defining part of British popular culture.


Final Thoughts

Q: Why should readers pick up Who Me!?

David: Because it’s not just a fan’s tale. It’s a story about passion, perseverance, and the power of popular culture. Anyone interested in Doctor Who, or in British television history more broadly, will find something to enjoy. And I hope it shows that sometimes, what we love most can guide our lives in ways we never expect.

David with 70;s icon and Dr Who assistant Frazer Hines

📖 Who Me! by David J Howe
Publication date: 9 October 2025
Formats: Hardback, Digital, Audio
Publisher: Bedford Square
Available on Amazon

Categories
Columns Lifestyle People

Tyson Fury a sensitive man .?

On the back of Tommy Fury documentary The Good . The Bad .The Fury that I really enjoyed I am re running my article on Tyson from 2022

 

Hero or villain? Steven Smith looks at what it takes to be the man who has everyone talking, the heavyweight boxing champion of the world, Tyson Fury. 

A hero to the poor with his charitable donations to the homeless, a champion for mental health and the self-proclaimed ‘King of the Gypsies’. Tyson standing at 6’9” embodies all that can be labelled as masculine, yet unlike many hard men, this giant breaks the mould. He has started to wear his heart on his sleeve and has opened up, talking frankly of his demons, depression, and personal battles with addiction.

Tyson also adds to the list that he is bipolar and suffers from anxiety. But is it possible that the man of the moment, who is so desperate for the world to perceive him as super masculine is still, as his father John Fury described him, a shy and sensitive overweight boy inside? Was it this shy boy that begged for the acceptance of his boxing coach father? Was it his unconventional gypsy upbringing that pushed him into a mould of boxing and masculinity, which subsequently became the root of Tyson’s demons and depression? Is it the often toxic masculinity that is piled on to so many young men during their upbringing, the cause of his trauma and mental health issues later in life?

Now, I like Tyson Fury. He is fascinating, and from the minute he burst on to our screens, I was aware of him. There was something that made me want to stop and listen; he appeared to be a model hero on paper. His smile lights up the screen, and his enthusiasm for life makes me want to know more. Then there is the unconditional love that he has for his family, which simply melts your heart.

The best part of my life is taking my kids to school. I could live in a cardboard box and eat cheese sandwiches, as long as my family is with me“.

Tyson tells us though it is doubtful that his gorgeous wife Paris, who he has been with since they were teenagers, would ever let it come to that. She is one shrewd cookie and lives like a footballer’s wife rather than a gypsy though you can’t imagine Victoria Beckham arriving in Vegas and going straight in to do David’s dirty dishes.

But of course, once it was pointed out that this man, who I would want on my team in any battles, did not just have traditional values but what some might consider downright prehistoric values, I was speechless.

Unbelievably, in 2015, in an interview on The Jeremy Vine show, with gay rights campaigner Peter Tatchell, he compared gays to paedophiles, claiming that homosexuality is “One of the three things that will lead to the apocalypse; the other two being abortion and paedophilia”.

Even his younger brother Love Island star Tommy seems to have taken the anti-gay stance  On a now disabled Twitter account, Tommy tweeted his older brother, Tyson, allegedly stating “Come on bro, let’s get dis win good luck brother and Chisora is a f***** and he’s gettin it proper @TysonFury”.

In 2018 he was nominated for Sports Personality of the Year, yet his homophobic comments and derogatory sex views came back to haunt him, with calls to remove him and comments made including:

So, when Tyson Fury is called the people’s champion, it begs the question: which people?”

Challenged about his views by one reporter, he sat in his van replying “Jesus loves you”.

Tyson has since apologised for his outburst and controversial views.

Were these Tyson’s views or were they opinions that had been drummed into him from an early age by someone else? Or was it a culture of growing up in the gypsy community, not known to embrace and welcome gay people among their tribe?

Fellow gypsy fighter, Billy Joe Saunders says, “Where we come from, if you show weakness, you might as well give up on life as a fighter”. It’s a world where men fought, and women, as quoted by Tyson himself, were ‘best flat on their back or in the kitchen’.

Tyson comes from a world where LGBTQ is stamped on with ferocity. Anyone who has read ‘Gypsy Boy’ by Mikey Walsh will find it not only a harrowing experience but a moving and humorous one too. Brilliantly written, it tells the story of a gay boy brought as a Romanian and unable to conform to his expectations of masculinity. The description of the brutality he suffered, at the hand of his father, as the reader, stained the pages with my tears.

Yet, at the end of the book, his father unexpectedly turned up to see Walsh, now a teacher, despite the violence

Could growing up in a tightly knit community with some values and beliefs that are from a by-gone age, be like other, almost closed communities or cults and brainwash their young?

Tyson appears to be an intelligent man, embracing all that life has to offer, in a way an old soul that could see that the bright lights of Hollywood or Vegas could not compare to his roots in Morecambe, or make him any happier for that matter.

“From the age of six, all I ever dreamed of was being a boxer, now I have it all; I am the greatest boxer in the world yes, I have sinned, suffered from depression and anxiety, and I am bipolar”, he tells viewers.

Tyson does not have it all; regrettably, he does not have good mental health, something money or fame can’t replace.

His dad, John Fury, is not a likeable character; there is something a little sad about him, almost broken, floored and in denial. He tells us that Tyson’s mental health has been impacted due to being so successful and mixing with millionaires and celebrities.

There is something that screams ‘pushy show biz mum’ about him. That statement about his son confirmed my suspicions; that he would like very much to have been Tyson.

I am sure that I have depression but, in my day, we had to worry about keeping a roof over my family’s head and food on the table, there was no time to think of any of that”.

I am sure at heart he loves his son, but he displays little understanding or empathy for mental health issues. To be fair to John, however, he did come from an age where issues such as mental health were rarely discussed.

In the first of the series John who is banned from America for a criminal conviction, after being released from prison in 2015 following a four-year completion of an 11-year sentence, for gouging another man’s eye out during a brawl at a car auction, tells us that Tyson was a shy, sensitive, fat kid. “I brought all my boys up the same; to fight; I trained them myself”. John, a bare-knuckle boxer must have had the same training from his father as a boy and probably would not think that any of his boys could be different. Young men or boys who have toxic masculinity forced upon them can have extreme consequences to their mental wellbeing, particularly on the sensitive child or those that do not fit the macho mould.

What does toxic masculinity mean?

Researchers have defined it as encompassing;

  • Suppressing emotions or masking distress
  • Maintaining an appearance of hardness
  • Violence as an indicator of power (think: “tough-guy” behaviour)

In other words, toxic masculinity is what can come of teaching boys that they can’t express their emotions openly; that they have to be “tough all the time”; that anything other than that makes them feminine or weak. (No, it doesn’t mean that all men are inherently toxic.) The harmful side effects can, however, develop into homophobia, or misogyny. 

Toxic masculinity, according to Psycom and several surveys, can lead to suicide, depression, anxiety, addiction, and drug use.

A 2017 survey by the Equality and Human Rights Commission found that gypsies, travellers and Roma were found to suffer “poorer mental health than the rest of the population in Britain” and were “more likely to suffer from anxiety and depression”.

Only last year Billy and Joe Smith, stars of My Big Fat Gypsy Wedding were found dead in a suicide pact. They had both been struggling with mental health issues.

Now, looking back, I was a sensitive kid too. My dad introduced me to football by heading the ball at my head in the front room. It made me cry, and I hated football from then on. As an adult, I am quite sporty, but Dad could never really teach me anything. The last thing I needed was tough love.

Is it not possible that locked in this huge massive man is the shy, sensitive kid at loggerheads with who he has become? Desperate to please his father, who needed his shy son to “Man up”. The poor man can find a cloud in every silver lining; it must have been hard for the young Fury.

To be honest, the penny drops on what it was that that I saw in Tyson. He had the traits of another beautiful man who had the same personal scenario. He too could be charming, but many said he was bad news; he lived with depression, anxiety and had addiction issues, yet there was something I adored about him.

He had a troubled childhood and was abandoned as a kid by his father. He told me about the days his dad left, with such vivid description, despite being only 8 years old at the time. It was at that moment I saw that very child looking at me through man’s eyes. Taking a shot, I told him “that frightened child is with you every day, you protect him with your front”. There was a silence and the relief that someone had seen the real him, and because he did not feel judged, he could be himself. That’s what I saw in Tyson.

My money is on the fact that Tyson is at loggerheads with himself.

Everyone around him seems to be at loggerheads with Tyson’s new direction. Whilst embracing wealth and lifestyle, some of them claim to want to stay with the traditions of the travelling community.

Tyson wants to set precedents and make changes within the gypsy community. He hates “dream crushers”, whatever his kids want to be, he will be fully supportive.

Yet in a U-turn, wife Paris, who earlier in the show, ‘Tyson Fury Gypsy King’, says she lived her earlier years as a traveller in a caravan now says that she could not bear to leave her beautiful home with hot water and mod cons and her beloved trips to Marbella.

GQ picture Tommy Fury BBC I player .

Paris wants the kids raised as travellers. The kids will leave school at 11, and when they marry, they can then leave home, (No room for any of the kids to be gay in that plan then). Daughter Venezuela, who wants to be a dancer or gymnast, calls her mum ‘dream crusher’. Paris comments that Venezuela is already too tall to become either; Venezuela does have a point.

You like Paris in the show, but it’s hard not to, but you want to give her a reality check. When she is not cooking for the massive family, Paris seems to spend the rest of her time in the hairdressers.

Tyson clashes with her; he is keen as ‘King’ to make changes; the kids should stay in school; they can embrace both lifestyles. Here is where I thought he could bring about change, as he moves among the likes of the ‘queens’ dream’ gay ally, Robbie Williams, along with other showbiz pals.

It is possible to educate a homophobe, misogynist, or even a bigot, especially if you take them out of an environment that is steeped in it.

My bet is if Tyson’s demons do not cause him to self-destruct, let’s hope he fights them as hard as any opponent. Tyson could be the king that brings a kinder, more tolerant era to the gypsy community.

After all, a man who pays €200 for two lobsters and sets them free can’t be all that bad!

https://www.psycom.net/depression-in-men/depression-in-men-toxic-masculinity/

https://www.mirror.co.uk/sport/boxing/tyson-fury-pays-200-two-21531982

Categories
Columns Lifestyle

Why Years and Years Should Be Compulsory Viewing for All

Steven’s Viewz

https://www.netflix.com/gb/title/80219056

The word visionary gets thrown around far too easily. But Russell T Davies’s Years and Years earns the label. Six years after it first aired, it looks less like drama and more like a blueprint for the world we’re stumbling into.

Rewatch it now, and it feels psychic. Political chaos, social unrest, the rise of populism—it’s all there. And unless we wise up, the show won’t be a warning. It will be a prophecy.

Russell T Davies a psychic for sure a genius in his craft .

No, we don’t have Vivienne Rook. But we do have her male counterpart: Nigel Farage. Like Rook, he plays the grinning “man of the people,” shaking hands in Runcorn and smiling for the cameras. But behind the performance lies something darker—homophobia, intolerance, and politics built on fear.https://en.wikipedia.org/wiki/Russell_T_Davies

I do not support Reform UK, but it would be foolish to dismiss their rise. This isn’t business as usual. Their growing popularity is dangerous, particularly for LGBTQ+ communities and minority groups. A few months ago, I pointed out how clever it was to put Sarah Pochin—the friendly, mum-next-door figure—front and centre in Runcorn, a town already uneasy about immigration and crime. But that was just a mask. The real Reform heavyweights—Anne Widdecombe and others—are waiting in the wings.

Vivienne Rook played by Emma Thompson . The smiling pr face of Reform Sarah Pochin and the real deal Farage and Widecombe .

Meanwhile, protests against asylum seekers grow louder. Hotels are shutting, talk of “temporary camps” is surfacing, and once again Years and Years looks disturbingly accurate.

The truth is simple: Britain needs immigration. Since Brexit, we’ve been short of workers. And asylum seekers are not faceless statistics—they’re people fleeing torture, persecution, or death. Yes, a small minority will cause problems, but scapegoating the many for the sins of the few is cowardly politics.

And what do the hotel protests achieve? Nothing but anger. The Vile e image of men and woman wrapped in the St George’s Cross turning the English flag into a symbol of division.

A flag of our country we should be proud of . Not one used for racism .

Davies warned us about this too. Suppressing extreme voices doesn’t silence them—it pushes them underground, where they grow more dangerous. In Years and Years, those who should never have been jailed became martyrs. In real life, extremists are being elevated in exactly the same way.

Meanwhile, fear grips ordinary people. In London, as in most major towns, there are streets best avoided at night. That fear is oxygen for extremists.

We’re also hollowing out our culture. Hard-won expertise is being replaced with one-week certificates. People call themselves “experts” in trades and professions that once took years of graft. We let them.

And we celebrate the wrong things. We tell ourselves we want a country built on skills, morals, and manners—yet we reward celebrity over substance. How can we build anything solid when voters shrug at lies, when eight-year-old girls aspire not to be nurses or teachers but the next Katie Price? If we don’t act, the rot will be ours to own.

Then there’s technology. Phones have become extensions of our bodies. AI is already replacing jobs. Humans risk becoming redundant in a world they created.

And celebrity still rules. We’ve already lived through the reality TV star who became President of the United States. His orange finger hovered over the nuclear button while he shouted, “You’re fired!” The laugh track is gone. The danger is real.

Davies even nailed the imagery: the “£1 T-shirt,” the slow creep of authoritarianism, the erosion of freedoms. Years and Years feels less like fiction with every passing headline.

Unless we wake up, unless we stop normalising dangerous rhetoric, it won’t be long before Farage—or someone worse—takes the helm. And then Years and Years will no longer be television. It will be our future.

https://www.netflix.com/gb/title/80219056

END Steven Smith contact Jane Compton or spman@btinternet.com

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Columns Lifestyle People

Anna Kennedy talks about bringing Autism’s Got talent to Whitley Bay.

Anna Kennedy talks about bringing Autism’s Got Talent to Whitley Bay.

Picture Terry Scott. https://annakennedyonline.com/category/autisms-got-talent/

From London to the North East: Dr Anna Kennedy OBE brings her award-winning showcase of autistic talent to the Playhouse Theatre this September

Whitley Bay Playhouse is set to welcome a spectacular event to the North East this autumn. On Saturday 6th September 2025, the award-winning showcase Autism’s Got Talent—founded by Dr Anna Kennedy OBE—will light up the stage in collaboration with Alisar Jane, founder of the True Colours Theatre CIO Foundation. Ahead of the event, Anna Kennedy shares her thoughts.

Autism’s Got talent at the Mermaid Theatre .

How did you come up with the idea for Autism’s Got Talent?
The idea grew out of my anti-bullying campaign “Give Us a Break”, which was created to support autistic children and adults. After the campaign, I began receiving videos from autistic individuals showcasing their talents—singers, dancers, poets, actors, magicians, and musicians. I realised there needed to be a platform to celebrate these abilities and challenge negative stereotypes. That’s how Autism’s Got Talent was born.

Are the judges ever critical, or is the focus on encouragement?
There are no judges—it isn’t a competition. Autism’s Got Talent is purely a showcase, shining a light on the talents of autistic children and adults, from the age of five upwards, with no upper age limit.

How many performers usually take part?
Each year, we usually select around 20 performers from across the UK and overseas.

Amongst the celebrity presenters and supporters actress Kacey Ainsworth .

The show has been a huge success in London, attracting performers from as far as the USA. Why did you choose Whitley Bay as a location for the event?
London is now in its 14th year of hosting Autism’s Got Talent. Over the years we’ve collaborated with many groups and charities nationwide, and I was particularly impressed by the work of Alisar Jane and her team at the True Colours Theatre Foundation in the North East. After visiting their theatre school, it felt like the perfect partnership, and Whitley Bay’s Playhouse Theatre was the ideal venue.

You also run the autism charity Anna Kennedy Online. In what ways does the charity support individuals and families?
Anna Kennedy Online is run by a dedicated team of volunteers. We support individuals and families in many ways—raising awareness and acceptance, providing free workshops and training, and offering practical advice. We also use our website and social media to share up-to-date information, news, and resources about autism and overlapping conditions.

Another of your flagship events is The Autism Hero Awards. How long has that been established?
The Autism Hero Awards is now in its 6th year. Nominations are currently open and will close in March 2026.

With the current government cutbacks, do you worry that people living with autism will be disproportionately affected?
Yes, I believe they will. I’ve spoken with many parents, carers, and autistic individuals who are very concerned. Organisations such as the National Autistic Society are warning that the cuts could increase poverty and social isolation, as people risk losing access to essential financial support, healthcare, and community services.

You are originally from the North. What inspired your move down South?
Both my husband Sean and I were born in Middlesbrough. We’ve lived in London for almost 40 years now. Sean moved first to study at a West London university, and I followed a couple of weeks later—we didn’t want to be apart!

What can audiences expect from Autism’s Got Talent in Whitley Bay?
They can expect a magical evening, filled with extraordinary performances from autistic children and adults. The Playhouse Theatre will come alive with music, dance, poetry, comedy, and more. It’s a celebration of talent, positivity, and community spirit—we cannot wait to share it with Whitley Bay!

END . 

https://www.playhousewhitleybay.co.uk/events/autisms-got-talent/

https://annakennedyonline.com/category/autisms-got-talent/

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Columns Health and Fitness Lifestyle Travel Uncategorized

A Dream in Saussignac

Celebrating my best pals birthday was just a dream.

My best pals birthday in superb surroundings .

France’s Dordogne is no stranger to charm, but this tiny wine-soaked village might just be its best-kept secret

By Steven Smith

Five days in a southwest French village left me sun-warmed, wine-softened, and wondering how I’d lived this long without knowing Saussignac existed. This is rural France at its most painterly — all rolling vineyards, candlelit dinners, and the slow thrum of a life well-lived.

The Birthday That Changed Everything

When my best friend invited me away for her birthday, I braced for Dubai. Maybe Ibiza. Somewhere loud and expensive, where my idea of a lie-in would be drowned out by basslines and foam cannons.

Instead, she said, “Saussignac.”

The name meant nothing to me — until an artist friend described it as “wines of the gods, food like nectar, and a village so pretty it could be in a Merchant Ivory film.” He added, with a wink, “Some hotels feel like art galleries — all taste, style, and warmth.”

Two weeks later, we were landing at Bergerac Airport, a dinky 1960s gem that could double as a film set. In 10 minutes, we were in the hire car. In 20, we were in another world.

“Darling, you don’t do anything there. You immerse yourself in beauty.”

First Glimpse of a Slower Life

The drive was a moving painting: rolling vineyards, fields of wildflowers, terracotta-tiled farmhouses unchanged for centuries. Every curve of the road offered a new gasp-worthy view.

My Secret Sanctuary

While the rest of the party checked into the lively hub of the village, I chose a private B&B run by Dutch hostess Ingrid Leenders.

Her place is a pocket of peace: rustic gardens, a tiled pool, and rooms with open-plan bathrooms (romantics, take note). No TV, but strong Wi-Fi, a coffee machine, and a small fridge. Each morning at seven sharp, breakfast appeared — fresh bread, cheeses, eggs, and orange juice.

Ingrid herself? A doll. Always ready with tips, and never in the way.

📧 Bookingsingridleenders@outlook.com
📱 WhatsApp: +31 622 796 060

The Social Set: Le 1500

Meanwhile, my friends took over Le 1500, a 12th-century building transformed into a boutique haven by retired businessman-turned-artist 58 year old Michael F. Rumsby and his husband, Lee McNeal.

Every room is a curated mix of antiques and art. A history room and library invite slow afternoons. Outside, the walled garden hides a pool, bar, and dining terrace that in summer becomes an event space — open-air films, long-table dinners, and the infamous Bad Boys Burger Night.

🌐 Websitewww.le1500.rocks

Le 1500

Saussignac on a Plate

Our first evening was spent at Mélange, a family-run restaurant with stone walls, castle views, and a menu that changes weekly. Owners Melanie and Charlie are culinary magicians — especially for those of us with “difficult” diets. My pescatarian self and vegan friends were both spoiled.

🌐 Websitemélange.fr

The Dream Venue

If I ever marry, it will be at Château Lestevenie.

Owners Petrie and Jaco, both South Africans trained in the Stellenbosch winelands, host Summer Soirées so perfect they feel scripted: live jazz, vineyard sunsets, and rotating menus of Mexican, Indian, and French cuisine — all paired with their own sparkling Lestevenie Brut.

🌐 Websitechateaulestevenie.com

https://chateaulestevenie.com/our-story/

Wine with a View

Just a short stroll from the village, Château Fayolle offers 130 acres of vines and woodland, plus terrace lunches that must be pre-ordered.

Wine here is history: since 1254, Saussignac and Bergerac bottles have graced Europe’s finest tables. Today, owners Frank and Riki Campbell are taking it global.

🌐 Websitechateaufayolle.com

A Golfer’s French Fantasy

Some in our group opted for Château des Vigiers — a blend of fairways, fine dining, and château glamour between Bergerac and Saint-Émilion. It’s home to a championship golf course, a Michelin-starred restaurant, and a choice between historic suites or sleek relais rooms.

🌐 Websitevigiers.com

An Unexpected Spice Hit

In Bergerac, we found Jardin de Kashmir — hands down the best Indian restaurant I’ve ever eaten at. Flavours deep enough to make you close your eyes.

🌐 Websitekashmirbergerac.fr

Living the Slow Life

Saussignac isn’t about ticking off sights. It’s about strolling past shuttered stone houses, tasting wine under vine-laced terraces, and lingering until the sky blushes.

Bring a car — taxis are rare and expensive. Pre-book meals and flag any dietary quirks in advance. And then? Let the place work its quiet magic.

“By the end of the week my body was lighter, my mind calmer, my soul recharged.”

If You Go

Best time to visit: May–September for warm evenings and vineyard events.
Getting there: British Airways (London City) and Ryanair (Stansted) fly direct to Bergerac. Car hire essential.
Don’t miss: Mélange for dinner, Château Lestevenie’s Summer Soirée, Château Fayolle’s terrace lunch.
Pack for: Lazy afternoons, lingering dinners, and the urge to never leave.

END