Categories
Columns Health and Fitness People

To beard or not to have a beard that is the question?.

2Shades writer Steven Smith grows. a beard picture by Graham Martin

As the singer Kelis would say, “Her milkshake brings all the boys to the yard”. One thing that will always bring me howling to the yard is a man with facial hair or, at the very least, that five o’clock shadow.

In the late 70’s, the clones with their check shirts and ’taches emulated what many gay men saw as the ultimate heterosexual man with Tom Selleck and Burt Reynolds the undisputed poster boys. And let’s not forget the fantasy images of Tom of Finland. 

Image: Tom of Finland foundation

In my experience, much as the clones looked “hot”, what was on the lid was often not what was in the can. Many were hiding their dislike of their own sexuality by playing it pseudo straight, something that was compounded when, in New York in the 80s, I was outside the Munster Bar and a friend advised me, “Babe: if you get into any trouble scream for the drag queens. They will come running. The clones will just go hollering back into the bar.” 

Freddie Mercury brought the clone ’tache look back to life for Queen’s third studio album, “The Game” – a trend many said was inspired by the San Francisco gay clubs. The look was prevalent in London at Heaven, the Coleherne and the Earl’s Court Catacombs. Freddie is actually quoted as saying that when he looked back on all that black nail varnish, chiffon and satin, he thought, “God, what was I doing?”

The much-missed Freddie Mercury.

I recall having lunch with the late, amazing Kenny Everett and the Daily Mail journalist Lester Middlehurst in early 90s Los Angeles, when I couldn’t help but notice that both men had moustaches. Kenny was delightful and so very sweet. Still, he commented that I should really grow a ’tache. Men without them simply looked like women to him.

My partner of 18 years had a sexy ’tache, and his hair was standing up on the crown where someone had cut it too short, when I first spotted him. Devilishly handsome, I loved his ’tache. Although I’ve always remained smooth faced, I guess I always went with the theory that opposites attract. It just did not feel right to me if I missed even one day with the razor. 

Movember, the well-known charity, was behind my only attempt to grow a ’tache. One week in and friends kept asking if I had not washed. Two weeks on and it was starting to show, and though not impressive, it was there. A beautician friend of mine offered to get rid of a few nose hairs.

During the action she waxed half my newly sprouted moustache off. I let out a little shriek of horror. “WHERE’S MY MOUSTACHE GONE?” 

“Is that what that was?” came the reply.

It seems that 2020 saw an explosion of male facial hair adorning our screens. My favourite actor, Colin Farrell, makes me go weak at the knees with his Irish accent and ’tache. Eurovision, though cancelled, gave us the Russian band “Little Big”. Joining them from the gypsy Russian band “The Hatters” was Yuriy Muzychenko. 

Yuriy – “Little Big”.

Yuriy, with his many stages of facial hair, is sex on legs, as well as being uber-talented. Since “Little Big” seem to embrace the ’tache so easily, it’s a pity their stance on LGBTQ issues seems a little questionable. Tom Hardy and Jake Gyllenhaal are wearing the beard this season and it looks (as Americans would say) totally  awesome on them.

Colin Farrell. Phwoarrr.

Graham Martin, one of London’s premier LGBTQ photographers, has seen an explosion of his clients sporting facial hair. Graham, who himself wears a distinguished silver-fox goatee, tells me that half his male clientele have some sort of ’tache or beard, compared to around one in ten just five years ago. Designer stubble started sneaking in, and the odd ’tache. The demand for the more rough-and-rugged look started pushing ahead of the usually popular twink or surfer look. 

Your correspondent with Graham Martin.

It could be that the gay scene is evolving. When I first came out in the late 70s, I was told at the tender age of 16 to have fun as “you’re washed up by 25”. Nasty lies fed to me by the chicken-hawks, as they were called back then.

At one point during the groundbreaking (and sure to win every award going) “It’s a Sin”, written by Russell T Davies, two of the characters are chatting. Curtis tells Richie he slept with a man who was 36; both express their disgust. Arguably the gay scene has always been youth obsessed, with a tendency towards the Dorian Gray complex.

Still, change certainly has come upon us. The Daddies, Silver Fox and The Bear, Wolf and Well-Over-40 seem to be the new in. One Silver-Haired Daddy who is in his sixties, wearing a ’tache and beard, says he is inundated with young men wanting to meet, as well as guys his own age. All seem to love the beard.

Michael Edde is a popular barber in London’s Earl’s Court with a large gay clientele. He has seen a huge increase in beards and ’taches. 

Legendary barber Michael Deeds.

“The best way to get your beard looking good is to grow it for ten to fifteen days and have it professionally shaped”, says Michael. “Obviously during lockdown this is impossible. My recommendation is to use conditioner or beard oil, and you might try using Buddha clippers. Start with the highest gauge and work down till you get the shape you’re happy with. Many of my male clients love a beard.” 

Picture Graham Martin

Being on my own during lockdown, I gave up shaving for a day or two and decided I quite liked the look. The second time around I had better luck, and my ’tache seemed to come through strongly this time. I had a little help from Watermans’ “GROWME” shampoo.

https://watermanshair.com

By week four, I had a beard and a ’tache for the first time in my 59 years.

Reactions were, erm, varied. Some people burst out laughing. Two girlfriends thought I looked like a Joe Swash tribute act. But for the most part, it went down very well. Graham Martin thought it was an attribute. My ex loved it, and even my sister thought it was cool. One thing that did stand out is the fact I am ginger, and much as I have hidden this since I was 18 by dyeing my hair blond, there was no way of hiding it with the beard. Maybe in my sixth decade, embracing my red-headed Scots heritage might not be a bad thing. It has certainly been fun trying it, and it may be here to stay. 

Certainly now, I can say with conviction, “Who’s your Daddy?” 


Graham Martin photography 

https://www.menart.co.uk

Movember: charity for men’s health and suicide prevention 

https://uk.movember.com

Click here for Michael’s Barbers. 

Categories
Columns Culture Health and Fitness People

Lewis Capaldi “There are tears for a star of The People”

Steven Smith sheds a tear at Glastonbury .

Lewis Capaldi at Glastonbury


Lewis Capaldi at Glastonbury

It’s hard to believe it’s a beautiful sunny day. I’m standing in a field surrounded by almost ten thousand people, with one of my best friends beside me It should be a moment of sheer joy. And yet, I’m crying.

Why? Because Lewis Capaldi is performing.

More than just singing, he is baring his soul. And somehow, it feels as though he’s opening it just for me. There’s a rawness in his voice and vulnerability in his presence that goes beyond a typical performance. As a man, I felt an instant, emotional connection to his struggle, his humour, and his humanity.

Capaldi’s return to the stage feels like one of the landmark performances of this century. Not simply because “he’s back,” as he says but because he has redefined what it means to be a male performer in the modern age. There was a time when baring your soul in music was reserved for iconic women—Judy Garland, Liza Minnelli, Nina Simone—divas who transformed pain into power and emotion into art. But Capaldi proves that a man can do the same. His voice isn’t just strong; it’s expressive, vulnerable, and unashamedly real.

There’s a reason we relate to artists like these so deeply: they tell our stories. And when we see them, we feel seen. Capaldi doesn’t posture or hide behind image or ego. He stumbles, jokes, apologises, laughs at himself—and keeps going. In a world often obsessed with perfection, his imperfections are his greatest strength.

Capaldi may not see himself this way, but he is one of the great performers of our time. Not only because of his incredible voice, but because of his natural wit, honesty, and charm. Who could forget his now-famous moment on The Graham Norton Show, when he hilariously recounted watching Fifty Shades of Grey star Jamie Dornan wield a whip, joking that he was holding one part of his anatomy while Dornan had the other? It’s outrageous, but entirely Capaldi—bold, cheeky, and completely unfiltered.

But behind the banter lies something even more powerful. His recent public struggles with mental health and Tourette’s have made him not just relatable but important. His openness has created space for men to talk about vulnerability without shame. Watching him on stage—pausing mid-song, taking deep breaths, letting the audience carry him when needed—is nothing short of brave.

I’ve attended many performances in my life, from pop concerts to opera at the Royal Opera House, where I once saw a devastatingly beautiful Tosca. I cried But nothing prepared me for the emotional impact of Capaldi live—it was so unexpected. He may not wear a tuxedo or stand beneath a chandelier, but make no mistake—this was high art. And perhaps more importantly, it was deeply human.

There’s a rare intimacy between Capaldi and his audience. At times, the concert felt more like a conversation than a show. People sang not just with him, but for him, filling in lyrics when his voice cracked or faltered. It wasn’t just support—it was love. Genuine, messy, joyous love.

In a world full of polished pop stars, here is someone who dares to be completely himself. He reminds us that music isn’t always about escapism; sometimes, it’s about facing pain head-on and finding beauty in the cracks. His songs speak to heartbreak, loneliness, and the strange, funny bits of life that connect us all.

So yes, on this perfect sunny day, in the middle of a field with thousands of others and one of my dearest friends, I cried. Not because I was sad, but because I felt something real—raw, universal, and unforgettable.

Lewis Capaldi, whether he realises it or not, has become a star of the people. And as tears rolled down my face, I felt honoured to witness it.

Categories
Culture People Travel

Frances Barber

Yes she is back rush to get your tickets Frances Barber is revising her role as Billie Trix in MUSIK . Here is a chance to read an old interview https://wiltons.org.uk/whats-on/musik/?utm_medium=paid&utm_source=fb&utm_id=6738324614492&utm_content=6738324614292&utm_term=6738324614092&utm_campaign=6738324614492&fbclid=IwY2xjawKUYcBleHRuA2FlbQEwAGFkaWQAAAYhAiaT7GJyaWQRMDdFa3VNSUZiVFhDUFg2WUwBHtxZTOefyfQEcI2Tp_6T4ceeeAYF9pywZrnuZVjMu8IhMckfz19pVQ_-lduT_aem_AxBADBFBU3XzTe2Bkfq9Tw

Frances Barber Talks to Steven Smith

A true gay icon blows into town this October with her one-woman show. No, I’m not talking about Madonna — this icon of the stage won’t charge you hundreds to see her and will be on time. Frances Barber will be reviving her role as Billie Trix, the washed-up, drug-taking pop star who will have you howling with laughter. Steven Smith chats with Frances ahead of the show.

You appeared in ‘Closer to Heaven’ at the Arts Theatre in 2001, written by Jonathan Harvey with music by the Pet Shop Boys. It’s said that ‘MUSIK’ was written especially for you. How did you get together, and what makes the collaboration work so well?

It seems like yesterday that Closer to Heaven opened to savage reviews. It was ahead of its time — the critics just didn’t know what to make of it. Most of them had no idea about clubs like Heaven or the gay scene and drug culture. But one thing they did take to was Billie Trix, the washed-up, drug-taking German singer I was lucky enough to play.

Jonathan Harvey is a brilliant writer, and the Pet Shop Boys’ music is superb. It’s been 19 years since the show opened and we’ve remained friends. One night at dinner we just said, “We have to do it.” We’re all passionate about what we do, so it works well.

I was lucky enough to see ‘MUSIK’ the first time around — it was simply genius! What were your musical influences growing up, and what about now?

Well, you might be surprised by how eclectic my taste is. Being one of six children, I had diverse music coming at me from all angles. My older siblings were into Eric Clapton, Cream and The Beatles, while Mum and Dad liked Sinatra and Shirley Bassey. My mum would’ve been bowled over if she’d seen me at her 80th birthday!

For me, Northern Soul, Punk, and David Bowie’s Aladdin Sane were huge influences.

If you had actually met Andy Warhol, what two questions would you have asked him?

Oh gosh! First, how did he come up with the idea for the Campbell’s soup images? Was he under the weather, opened a tin, and thought, “Here’s an idea”?

And second, the obsession he seemed to have with Marilyn — the four images he created: victim, survivor, manipulator, glamour. I’ve always wondered what he really thought of her.

Your character in ‘MUSIK’, Billie Trix, transitions from music to art. If you could spend one day at any gallery in the world, where would it be? Whose artwork do you find most inspiring?

To be straight with you, I’m not an art connoisseur myself. I just know what I like, and I enjoy going to galleries and looking at art. The Rijksmuseum in Amsterdam is one of my favourites — the lighting there is beautiful, and The Night Watch is so powerful.

Peter Greenaway brings art to his films in so many ways, but it’s his lighting that’s truly magical. Filming A Zed & Two Noughts was just a beautiful experience.

Billie Trix amusingly appears to inhale half of Peru during the show! Drugs are increasingly prevalent in the UK and LGBTQ+ party community — especially ‘Ket’ and ‘GHB’, which are sadly linked to deaths. Do you think ‘MUSIK’ will spark conversations about drug use or glamorise it? Is there enough public information about these newer drugs?

Look, what people do is none of my business — we’re all grown-ups and live our lives. But yes, this new trend does worry me, especially for young people. I only became aware of chem-sex parties while I was working in LA.

People can do what they like, but when you read that someone has raped over 170 people using one of these popular drugs, you really think: it’s time for more education and awareness.

You’re a gay icon and also a passionate supporter of LGBTQ+ rights. Are you concerned that these rights might be affected by the current political climate, those who voted against gay marriage and LGBTQ+ education in schools without parental consent?

My feeling is that Boris Johnson is more liberal than his predecessors. He has a little crazy streak in him and I don’t think he’ll allow LGBTQ+ rights to be rolled back — at least I hope he won’t. But let’s not forget, there are people in all parties who don’t exactly wave the rainbow flag.

You resigned from the Labour Party and criticised Jeremy Corbyn. Were you surprised by the election results? Would you consider returning under a new leader, and do you see any strong candidates emerging?

I joined the Jewish Labour Movement, so I still have a vote. Like many others, I was expecting a hung parliament — it was a bit of a wake-up call. Lisa Nandy is getting my attention as a potential leader, though.

You appeared alongside Annette Bening, Jamie Bell, Vanessa Redgrave and Julie Walters in Film Stars Don’t Die in Liverpool. Have you ever considered moving to Los Angeles? Do you feel more passionate about film or theatre?

Oh, I’ve done the LA thing! A few years ago, I gave it a go and it was… interesting. I’m glad I waited until later in life — I’m not sure the younger me would’ve coped with it, to be honest. It’s not as exciting as you’d think.

Who would you love to work with that you haven’t yet had the chance to?

There are so many wonderful people I’ve had the pleasure of working with — from Dame Judi Dench to Vanessa Redgrave. But Helen Mirren? She’d be a dream. She’s just superb.

You famously dated legendary director Danny Boyle. Are you in a relationship now?

Oh dear, Danny! It’s wonderful how well he’s done. Yes, we’re still in touch — I called him when he won the Golden Globe to congratulate him. And yes, I am in a relationship. Silence! (laughs) — They’re not in the business, but I’m happy.


Quickfire Round

City or beach break?
Oh, beach break.

Your favourite place in London?
The Tate Modern — I just love it there.

What film would you take your partner to see?
Without a doubt, Some Like It Hot — Jack Lemmon, Tony Curtis, Marilyn Monroe. It’s perfect in so many ways.

Chinese or Japanese food?
Japanese.

If you were Mayor for a day, what one thing would you change about London?
This won’t make me popular, but I don’t care — get rid of those cycle lanes! They make the roads worse.


Categories
Culture Lifestyle People Poetry Uncategorized

“Everything You Need to Know About Headshot Photography”

With celebrity photographer Annemarie Bickerton by Steven Smith

https://www.annemariebickerton.co.uk

https://www.annemariebickerton.co.uk

A great headshot can open doors — whether you’re an actor, a creative, or a professional. Choosing the right photographer, preparing properly, and understanding the process can make all the difference.
In this guide, I answer some of the most common questions about headshot photography, share tips from my personal experience, and offer advice for anyone considering a career behind the camera.

https://www.annemariebickerton.co.uk

1. What should I look for when searching for a photographer to do my headshots?
Recommendations and word-of-mouth referrals are a great place to start.
Always review a photographer’s previous work by browsing their website and social media profiles. Pay attention to the style and quality of their photography.
Check if they specialize in headshots or if they have broader experience in different types of photography — both can be beneficial.
Most importantly, ask yourself: Do you like their work? Trust your instinct and choose someone whose style resonates with you.

2. If I am an actor looking to use the headshots for my “Spotlight” profile, are there specific rules I should follow?
Yes, there are a few important guidelines to keep in mind:

  • The photograph must look like you — authenticity is key.
  • It should be a close-up of your face, typically from the shoulders upwards, and usually in portrait orientation (standard size is 10”x8”).
  • Submit a selection of no more than six images, showcasing slightly different looks — for example, hair styled up and down, smiling and serious expressions. There’s no need for exaggerated acting in your photos.
  • Keep makeup minimal and natural. Simple is best.
  • Your headshot should invite the viewer to want to know more about you, sparking curiosity.
  • If you have facial hair, it’s a good idea to show options both with and without it, helping casting directors visualize you in various roles.
https://www.annemariebickerton.co.uk

3. Is there anything I should avoid before a photoshoot, like spray tans or getting a new haircut?
Absolutely!
Avoid making drastic changes to your appearance just before the shoot.
Skip the heavy spray tans or any extreme fake tanning — you don’t want to look “Tango’d”!
Stay true to your natural look, as the photos need to reflect how you appear in person.

4. What should I do to prepare before the shoot?
Stay in touch with your photographer beforehand. They can offer advice on what clothes to bring and what styles work best.
Connecting with the photographer ahead of time will also help you feel more relaxed and confident on the day.
Plan your journey carefully. Know your route and allow plenty of time so you can arrive calm and not rushed.

https://www.annemariebickerton.co.uk

5. On the big day, how should I arrive at the shoot?
Aim to arrive early.
Give yourself time to settle in, organize your clothes, and make final choices about what you’ll wear.
The more prepared and calm you are, the better your photos will turn out.

6. If I’m not used to posing for the camera, do you have any tips?
Yes!
Most importantly, trust your photographer.
Follow their guidance and instructions — they know how to get the best out of you.
Relax and be yourself. A good photographer will help you feel comfortable and confident.

https://www.annemariebickerton.co.uk

7. How did you become a photographer?
I went straight from school into studying photography at college. After graduating, I joined a small business studio in Victoria called The Downstairs Studio, where I quickly gained valuable experience in headshots and corporate photography.
At just 18 years old, it was both challenging and exciting to find myself covering press releases and presentations, even venturing into the House of Commons!
I made a point of looking up to photographers whose work I admired and started assisting them to gain real-world experience.
Soon after, I joined a studio full-time, using every opportunity to learn about lighting, observe different shoots, and build my own portfolio.
At the time, it was common practice to take your physical portfolio to magazine picture editors and pitch yourself directly.
My first commission came from The Mirror Magazine, and from there, many doors opened.
That was over 30 years ago — and the journey continues!

Annemarie Bickerton in the studio at work https://www.annemariebickerton.co.uk

8. Do you have any tips for those wanting to get into photography?
Assisting established photographers is one of the best ways to break into the industry. Learning directly from professionals is invaluable.
Working as a studio assistant is another great way to meet photographers and build connections.
Be enthusiastic, be helpful, and ask lots of questions!
These days, you also have an incredible range of online resources at your fingertips. Platforms like YouTube offer endless technical guidance.
Research photographers whose work you admire and learn from their approach and style.

https://www.annemariebickerton.co.uk

9. Which photographers do you admire?
David Bailey — an incredible inspiration, especially his approach to portraiture and fashion.
Henri Cartier-Bresson — a master of capturing moments in time and a true storyteller through reportage photography.
Helmut Newton — I loved how he challenged norms and pushed boundaries through his striking portraits.
Of course, there are many others, but these are some of the greats who have shaped my vision.

https://www.annemariebickerton.co.uk

10. You are exhibiting at “Autism and Art” in May. Are you looking forward to it?
Absolutely!
Photography and art offer wonderful ways to communicate and express oneself.
They can also be incredibly therapeutic.
Exhibitions like “Autism and Art” are so important because they inspire others to challenge themselves, find their own creative outlets, and perhaps discover a new passion.
I’m very excited to be part of it and to see how art can continue to open doors and touch lives.

Contact Annemarie https://www.annemariebickerton.co.uk
07968 178885

press media Steven Smith 07969106222 spman@btinternet.com


Categories
Columns Lifestyle

What a Night at Our 6th Annual AnnaKennedyOnline Charity Autism Hero Awards!

Dr Anna Kennedy OBE column in 2Shades magazine .. pictures by Terry Scott and Annemarie Bickerton

Presenter Aston Avery and Phillip Barnett with Dr Anna Kennedy OBE https://annakennedyonline.com

Dr. Anna Kennedy OBE Column in 2SHADES MAGAZINE

Hello everyone,

Apologies for the delay in sharing my column—my head has been spinning! It’s been such a busy time, with so many exciting things on the horizon that I can’t wait to tell you about.

First and foremost, a heartfelt thank you to everyone involved in last month’s Autism Hero Awards.

We had an unforgettable evening at the 6th Annual AnnaKennedyOnline Charity Autism Hero Awards.
✨ A huge congratulations to all our winners and finalists! ✨

Thank you to everyone who attended and supported the event—our incredible judgesVIP guestsfabulous performersEve Devenney and Angus Baskerville, and all our amazing charity supporters.

HUGE thank you and much love to all of my AnnaKennedyOnline volunteers. Your time, dedication, and support made this night a tremendous success. I couldn’t do what I do without you!

Vicki Michelle and Steven Smith with Dr Anna Kennedy OBE

Special Thanks:

  • 💫 Aston Avery and Phil Barnett  , our brilliant MCs for the evening – the AKO dynamic duo!
  • 💫 Lisa Robins, my PA and friend, who has stood by my side and worked tirelessly for nearly 15 years.
  • 💫 Tally Nothey, for creating our amazing programmes and marketing materials.
  • 💫 Maggie Paterson and her team of dancers from PPAS, who have supported our events for the past 14 years.
  • 💫 Steven Smith, one of our charity Patrons and a dear friend, for your unwavering support over the last 9 years. Your presence means the world to us.

📣 Check out the full list of our 2024/2025 Winners and Finalists:
👉 Click here to view

Lisa and I recently travelled up north to Whitley Bay to prepare for the next Autism’s Got Talent showcase. If you’re interested in participating in the London event, entries close on May 31st! You can find all the details here: https://annakennedyonline.com/autisms-got-talent/.

Whitley Bay play house https://www.visitnorthtyneside.com/activities/activity/playhouse-whitley-bay/

We’re also thrilled to announce our first-ever Autism and Art Show, taking place at the FirePit Gallery in London. If you’d like to have your artwork featured, please email: spman@btinternet.com. One of the incredible artists whose work will be featured is

https://www.greenwichpeninsula.co.uk/whats-here/firepit. COOL ART2021

And now—on to your questions!

Dr Anna Kennedy OBE

Dear Anna,

I live with autism, anxiety, and depression, which severely affect my ability to work in a mainstream job. I would love to work and have tried setting up various home-based businesses, but unfortunately, none have been successful.

Being in my 40s, my main source of income is Universal Credit, but they are now trying to take it away and force me into employment. I have explained that my day-to-day life is unpredictable, and committing to a job would be impossible, but they are not listening and say If I can go out and about I can go to work ,

What can I do?

Elizabeth, Brighton

Hello Elizabeth,

Thank you for your message. We have received many messages since the announcement of welfare cuts by the government recently. 

Universal Credit, a UK benefit system, can pose challenges for autistic individuals, potentially leading to pressure to work despite the difficulties you have mentioned. It would appear that some autistic people may face having benefits reduced or stopped if they don’t meet certain work related requirements. In my opinion the Universal Credit system may lack the flexibility needed to accommodate the needs of autistic individuals like yourself.

A good organisation to contact to ask for advice is Disability Rights UK or DAWN of which I am an Ambassador. www.dawnsupport.co.uk 

Sending you best wishes 

Anna 


Dear Anna,

My son is autistic, very active, and an absolute joy. He’s now 24, and my husband and I feel it’s time for him to gain independence by moving into his own studio or flat. However, he is completely against the idea and has a meltdown every time we bring it up.

Is there an advice board or resource that can help young autistic adults transition to independent living? What should we do?

Joe, Bradford

Hello Joe,

Thank you for your message and yes this can be a tough for all, the transition of moving home into independent living.

Planning and Preparation is key and to engage your son in the planning process. Start my talking and allowing them to express their preferences and needs. This will be a gradual process , a sudden shift can cause great anxiety. Research different housing options, including independent living, shared housing maybe an option or specialist housing to fit his needs.You will need patience and understanding , this is challenging all round.

A good link to check is Autism Central Living Independently http://www.autismcentral.org.uk

My son Patrick has been living in his flat for almost 4 years now. Small steps but we got there in the end.

Good Luck!


Dear Anna,

I am a huge fan and would love to see you have your own show!

I’m 16 and living with a variety of challenges. One thing that really depresses me is the thought that I may never get to meet someone special. It feels like the prospect of romance is zero for me.

Are there ways for autistic people to meet and build relationships?

https://www.netflix.com/gb/title/81265493

Clive, Barking

Thank you Clive for your kind words.

A good programme to watch on Netflix where my Overseas Ambassador Dani Bowman is taking part in is ‘Love on the Spectrum. ‘

There is also useful information on the Ambitious about Autism website. They offer a UK wide platform for autistic young people aged between 13 and 25 providing a safe online space to connect and understand your autistic identity. It also features ‘Relationships and Intimacy My way’ plus lots of resources.

Wishing you lots of luck in finding love x 

Anna

Categories
Columns Culture People

Thomas Farthing

Thomas Farthing Simon Barnes pictures .


Men’s Fashion Secret Thomas Farthing 

When I had  just turned 13, my mother took me and my sister on a trip to London for the first time. What made this journey so magical, apart from the bustle and excitement of the big city, was entering the doors of Barbara Hulanicki’s Biba store. From its elegant black and gold art deco logo to its amazing layout and stunning fashions, Biba bowled me over.

The New York Dolls were performing that night in the Rainbow Rooms at the top of the shop. The food court was full of exotic delights I’d never heard of and my mum treated me to an apple strudel, with its deep apple and raisin filling sprinkled with cinamon and covered in in spiral pastry.

I got my first man bag and a trendy vest and I felt like a million dollars. I imagined I was Marc Bolan, and I counted the minutes I could escape dull Whitely Bay to live in this electric city, somewhere I felt for the first time that I truly belonged.

I did move to London and have had many adventures along the way. But there have been very few shops that gave me the buzz that Biba did all those years ago. Much as I love shopping, these days the excitement is sadly lacking, as chain stores take over our high streets with their dull product ranges and uniform window displays. Everything looks the same, although there are some exceptions, of course, such as the Harrods food hall.

But now I’ve discovered a fashion store that gives me the same thrill I experienced when I entered Biba as a teenager.

A few weeks ago, I was told that I would be modelling at the Ideal Home Christmas Show and needed to be fitted at the Thomas Farthing http://www.thomasfarthing.co.uk/ store in Museum Street, right by the British Museum. So one chilly autumn evening, fellow model Frankie Holloway and I took ourselves off to Bloomsbury.

Entering Thomas Farthing is like going back in time to a more elegant era. From the penny farthing leaning against the shop window to the classy Edwardian interior, it has a magical feel, like entering the dream kingdom of Narnia and a world away from the depressing chain store experience.

It’s packed full of delights for the stylish man and has some lovely touches, from the quirky duck decked out in a bow-tie to a set of battered luggage you imagine might have accompanied a young man about town on his grand tour of Europe in a bygone century.

Frankie and I couldn’t wait to try on their amazing and unique designs, which are hand made to the highest quality and finish.

Run by Adam Skyner and his stunning fiancee, Jenna Louise Hardy, the shop has been open for a year. Judging by the eclectic clientele, including tourists seeking the Downton Abbey look, it’s going to be a huge success.

Jenna and Adam have a skilful eye and quickly dressed Frankie in a style that I can only describe as Downton Abbey meets Al Capone – the only thing missing was the violin case! But he looked amazing and loved the style.

It was my turn next and, being a 17 1/2 inch neck and 48 inch jacket, I am always a little nervous that I’ll look like a bulky bear if I have too many layers. That’s just how I felt on our first attempt at a fantastic winter tweed suit, but Jenna quickly jumped in as she realised I needed a more tailored look. She produced the most wonderful coat and Adam grabbed a shirt that fitted like a glove. It all came together and I just loved the finished look, which was topped off with a red bowler hat.

http://www.thomasfarthing.co.uk

Adam came from Stumper & Fielding in Portobello Road and he and Jenna clearly have a passion for what they do. Jenna even showed me how to wear my waistcoat with the last button undone, the traditional way it would have been worn by an Edwardian gentleman.

Needless to say, when we modelled Thomas Farthing’s clothes at the Christmas Ideal Home Exhibition for Angel Sinclair’s Models of Diversity http://www.modelsofdiversity.org/ the outfits had the audience applauding.

The store stocks classic Irish and UK designs, Loake, McGee, Gurteen, Peregrine, Hanan Fulton, as well as their own Thomas Farthing brand. 

Jack Eyers 

http://www.thomasfarthing.co.uk

Thomas Farthing

Thomas Farthing

40 Museum St

London

WC1A 1LU

020 7831 1600
Copyright Steven R Smith