Steven Smith was born in Coatbridge in Scotland. He was brought up in Whitley Bay, before briefly moving to London. He then moved to the seaside town of Brighton, where he was first receiver recognition for his hairdressing skills. Steven moved to America for eight years, working in Beverly Hills, and on his return to London in the late 90s, rose to fame working in fashionable Knightsbridge. He has styled model Katie Price, actress Denise Welch, David Hasselhoff and the cast of Baywatch. Steven had his own column in The Sun newspaper advising on hair and beauty, and was a regular on the Lorraine Kelly show, transforming GMTV viewers into their favourite stars. He made over Lorraine herself, transforming her into movie legend, Elizabeth Taylor.
Steven has been a freelance writer for the last ten years, combining showbiz interviews and travel with his eye for styling. He has written two books: Powder Boy, looking at the dark side of showbiz, and an autobiography: It shouldn't happen to a hairdresser, offering a witty and sad look at his life. He is currently penning a third book to be titled Happy in Chennai.
He has a monthly column, Tales of a single middle-aged gay man that looks at not only the light side of gay life, but also darker aspects such as rape, addiction, and chem-sex. Steven also runs his own beauty/aesthetic blog and is a patron of Anna Kennedy online; a charity that not only supports the autism community but educates the public about those that live with autism.
The festive season is calling — champagne receptions, late-night parties, and the kind of photos that live online forever. Whether you’re raising a glass at the office do, wrapping up warm for the Christmas markets, or stepping into the New Year in style, your hair deserves to look the part. Here’s how to stay sharp, confident, and camera-ready with seven expert tips from your barber.
✂️ 1. Get Your Christmas Cut Early December is crunch time for barbers — and the best styles belong to the men who plan ahead. Get in early and give yourself room for a final tidy-up before the big night. A fresh fade or refined shape-up is the difference between “I just rolled out of bed” and “leading man energy.”
Style it up and look more James Bond than Brooke Bond
💈 2. Refresh Your Style for the Season The holidays are the perfect excuse to evolve your look. Try a modern textured crop, classic side part, or sleek pompadour — timeless, confident, and effortlessly photogenic. Ask your barber to tighten the fade, add volume on top, or sharpen the outline. A small change can transform your entire presence.
Love Island Star drops into get that clean cut look with Mike ,,
🪮 3. Keep It Clean and Conditioned Cold weather is brutal on hair. Upgrade your routine with a hydrating shampoo and rich conditioner to combat dryness and static. A touch of argan oil or leave-in conditioner keeps everything smooth, polished, and party-ready. Healthy hair always styles better — no exceptions.
💨 4. Master the Blow-Dry Great hair doesn’t just happen — it’s styled. Use a blow-dryer to add lift and structure before applying product. Always direct the air in the direction you want your hair to fall. It’s a small move that separates the men who “have good hair” from the men who know how to use it.
Champion make over by Mike ready for the holidays
🧴 5. Choose the Right Product Your summer styling cream won’t cut it in December. Cold air, central heating, and long nights call for matte clays, pomades, or grooming creams with extra hold. Go matte for natural texture or add a hint of shine for an evening edge. Either way, make sure your product works as hard as you do.
🧔 6. Don’t Neglect the Beard A well-kept beard is the ultimate accessory to a strong haircut. Keep it shaped, hydrated, and defined. Use beard oil for softness and a subtle, masculine scent — the kind people notice without quite knowing why. Precision is everything.
🥂 7. Style It Up for the Big Nights The calendar’s closing parties call for extra polish. Add a little shine, slick it back, or go bold with volume — whatever gives you confidence. Remember: a great cut isn’t just about the hair. It’s about the energy you walk into the room with.
Final Word: Confidence is the best product in your grooming kit. A sharp cut, clean lines, and effortless style tell the world you’ve got it together — no matter how late the night runs.\
Michael’s Barber Shop, located at 54c Kenway Road, London SW5 0RA. It is a long-established barber shop known for its experienced staff and quality cuts at reasonable prices. You can contact them at 020 7370 6983.
Address: 54c Kenway Road, London SW5 0RA
Phone: 020 7370 6983
Reputation: Known for being a leading barber in Earl’s Court with experienced and personable barbers
Details: The shop has a quaint feel and offers quality haircuts at reasonable prices
This December, Morley Opera School invites audiences to an evening of passion, wit, and reflection with Opera Scenes: CONSEQUENCES, a vivid exploration of human choices and their inevitable aftermath. Under the expert direction of William Kerley and musical direction by Panaretos Kyriatzidis, this production offers a captivating journey through some of opera’s most powerful and emotionally charged moments. With Nicholas Bosworth at the piano and Conor Costelloe crafting evocative lighting design, the performance promises to be both musically and visually enthralling.
The program brings together a diverse range of works, from the Classical elegance of Gluck and Mozart to the modern intensity of Britten and Poulenc. Each scene has been carefully chosen to highlight the theme of consequences—how human decisions, driven by love, pride, fear, or faith, shape the fates of individuals and societies alike.
The evening opens with Gluck’s Paride ed Elena, a lyrical portrayal of the mythic lovers whose choices ignite the Trojan War. Through Gluck’s graceful yet emotionally charged score, the audience witnesses how desire can lead to destiny’s most devastating turns. The theme of secrecy and consequence continues in Domenico Cimarosa’s Il Matrimonio Segreto(The Secret Marriage), where comic misunderstandings and clandestine vows lead to both hilarity and heartbreak. Cimarosa’s sparkling ensemble writing and elegant wit remind us that even the most humorous situations often conceal real emotional stakes.
From there, the performance moves to Mozart’s Idomeneo, a masterwork of the Classical era that delves into the tension between duty and compassion. When the Cretan king must sacrifice his own son to appease the gods, Mozart’s music swells with moral anguish and divine intervention—a striking depiction of how promises made in desperation can lead to unbearable consequences.
The evening then shifts to the haunting world of Benjamin Britten’s The Rape of Lucretia, a twentieth-century chamber opera that reimagines an ancient Roman tragedy. Britten’s sparse, evocative score and stark moral commentary confront audiences with questions of innocence, violation, and redemption. It is one of the evening’s most profound explorations of consequence—where an individual act of violence reverberates through history.
Finally, the performance concludes with scenes from Francis Poulenc’s Les Dialogues des Carmélites, a deeply moving account of faith, fear, and courage during the French Revolution. In this extraordinary work, a community of nuns faces execution for their beliefs, and each character must decide how to confront mortality with dignity. Poulenc’s luminous harmonies and spiritual depth offer a fitting conclusion to a night that examines the human condition in all its complexity.
Opera Scenes: CONSEQUENCES is more than a showcase of operatic talent—it is a reflection on the moral and emotional choices that define us. Presented by the students of Morley Opera School, it demonstrates the artistry, discipline, and dramatic insight cultivated within this renowned institution. Among its talented performers is Jadwiga, a classically trained singer and music graduate who offers private singing lessons in classical, opera, and musical theatre styles https://www.morleycollege.ac.uk/event/morley-opera-school-presents-opera-scenes-consequences/
Performances take place on Thursday, December 11 at 7:30 PM, Friday, December 12 at 7:30 PM, and Saturday, December 13 at 2:00 PM at the Johnny Harris Theatre Studio, Morley College London, 61 Westminster Bridge Road, SE1 7HT. Tickets are priced at £10.00 (plus booking fee £11.55 online).
An evening of beauty, reflection, and emotional truth, Opera Scenes: CONSEQUENCES is an essential event for opera lovers and newcomers alike—a reminder that every choice, whether divine or human, carries its echo.
By Guest Writer Manchester based award winning artist and my friend Loveartpix.
November is Men’s Mental Health Month, and as usual, I want to move beyond the usual catchphrases like ‘Talking Helps‘ as it’s far more complex than that. The question I keep returning to (because it’s personal) is this: does our generic, neurotypical framing of “men’s mental health “leave too many men like me behind?
Campaigns, days, and months do matter – they reduce stigma by getting the much needed conversations going and remind us to check in on friends. But what is their impact if suicide rates are still just as high, and some of the men at greatest risk (neurodivergent men) are largely left out of the conversation?
We rarely say this plainly: autistic people face a much higher risk of suicide than non‑autistic people. A large Swedish population study found that autistic adults, especially those without intellectual disability, were around nine times more likely to die by suicide than their non‑autistic peers (Hirvikoski et al., 2016).
Autistic adults without intellectual disabilities are, on average, more likely than non‑autistic peers to experience mental health conditions such as anxiety and depression. Factors that contribute include chronic camouflaging/masking, sensory overload, social mismatch and stigma, late or missed diagnosis, and barriers to tailored support.
In clinical samples, the picture is even starker: two‑thirds of autistic adults report lifetime suicidal ideation, and about one‑third report suicide plans or attempts (Cassidy et al., 2014). If the risk is this high, why isn’t this part of the headline of our November conversations?
And what about the many who are undiagnosed – men whose autistic traits are missed or misread due to lack of awareness? How many die by suicide after years of the wrong treatment, the wrong framework, or a string of mental‑health labels that never addressed neurodivergent needs in the first place? We don’t track this well enough to know – this, for me, is very worrying.
I’m not speaking in theory. For more than two decades, I repeated the same words over and over, and the responses I received didn’t fit their box – so it was a continuous battle creating more mental health issues.
“Look Dez, you’ve taken every combination of medication we can offer you. What else do you want us to do?” – words you don’t want to hear from the psychiatrist in charge of your mental health and well being!
Even after my diagnosis, I’m basically begging for support in any way possible, but they still don’t have an answer. Right now, no services are willing to accept my case. That isn’t a lack of “talking.”It’s a system that doesn’t understand or accommodate neurodivergent needs.
“Talk to someone.” “Pick up the phone.” “Open up.” These messages are well‑meant—and sometimes they help. But they assume a neurotypical nervous system. When distress is driven by sensory overload, alexithymia (difficulty identifying and describing feelings), shutdown, or the aftermath of masking, being asked to “speak up” on a phone call, or in fluorescent‑lit rooms, with vague questions, can be not only ineffective but also actively dysregulating and even traumatic.
Personally, I often communicate better in text when I go into meltdown (and after), I need time to process, and rely on concrete, direct language and clear communication. Standard CBT delivered at a pace, full of metaphors and homework that assumes neurotypical cognition, doesn’t work unless it’s really adapted. Yet adapted therapy is patchy across the UK, and post‑diagnostic support for adults remains weak at best – if it exists at all! I’ve learned this the hard way: I’ve been “talking” for years. What’s missing isn’t the willingness to speak – it’s services that listen but don’t know how to respond to neurodivergent communication without pathologising it.
Diagnostic waiting lists have exploded. There are now well over one hundred thousand people in England awaiting autism assessments, with many waiting far longer than the 13‑week standard – often 12–24 months or more. Adult ADHD pathways are similarly overloaded. Late diagnosis isn’t just an administrative delay; it can mean decades of inappropriate treatment plans, missed adjustments at school and work, and a build‑up of trauma from being told to “try harder” in systems not built for your brain. Each missed or delayed diagnosis is a missed opportunity for prevention – especially when we know suicidality is elevated in autistic populations.
89% of autistic adults in the UK aged 40-59 are undiagnosed – Kings College London (2025)
This is why the generic approach to “men’s mental health” feels inadequate to me. Awareness months aren’t wrong – they are just incomplete. We can’t keep telling men to “open up” while offering only neurotypical doorways.
Here’s a truth I wish we’d say out loud: it’s a huge barrier when men are already “talking,” but the system still can’t understand what they’re saying. I’ve used the same words for more than twenty years. The approaches offered back haven’t matched my needs – and I am not a unique case! Even after my diagnosis, when I articulate my needs clearly, services have no adapted pathway, no training, or no remit that fits. At this moment, I’m not being accepted by any service. That isn’t impartial; it’s exclusion by design.
Neurodiversity, complex trauma, and racialised stress each demand deep, specific knowledge. Very few clinicians are experts across all three. That’s not a criticism of individuals; it’s a system‑design problem. Our pathways remain separated: autism/adhd/dyslexia over here, trauma/cptsd over there, “men’s mental health” somewhere in a campaign toolkit. Meanwhile, men sit on waiting lists, collecting labels, and learn to mask harder. Many still struggle to speak openly – especially when their experiences don’t match neat, neurotypical scripts of sadness, worry, and recovery.
Campaigns must reflect the facts: men are not all the same, and neither are their minds – neurotypical and neurodivergent.Put neurodivergent men on the list and on the panels. Highlight that autistic burnout is not laziness; that ADHD‑related rejection sensitivity can look like despair; that shutdowns and meltdowns are not misbehaviour. And tell men this clearly: if standard tools haven’t worked, maybe it’s the tool and not you!
And let’s make the suicide data visible, not buried in academic journals. If autistic men face a dramatically higher risk, surely that belongs on the first slide, the first poster, and the first funding line?
We should admit where the evidence base is thin and choose humility. Research is (hopefully) accelerating, but we’re years from fully understanding these intersections. Until then, ‘specialists’ need to listen more to lived experience – with an open mind, and not through the generalised, stereotypical lens that turns nuance into “non‑compliance.” Ask what helps. Believe the answers. Adapt!
None of this diminishes the value of awareness months; it actually refocuses them. If we want November’s messages to be more than posters and hashtags, we have to build services that fit all men, not the imaginary neurotypical everyman. The stakes are life and death. A system designed around the most complex needs will serve everyone better.
‘I have personally reached out to some well-known men’s mental health services and asked how they handle neurodivergent individuals, and I have been met with half-hearted replies and almost snubbed to my face’ – an all too common response in my experience.
Acceptance has been central to how I navigate life now – there isn’t any help out there at the moment, as the research simply isn’t there. Acceptance hasn’t removed the struggle, but it has reframed it for me. I have been ‘speaking up’ for years. I don’t need another generic neurotypical catchphrase. I need services that recognise what I’m saying – and are ready and able to respond with understanding, compassion and a willingness to make reasonable adjustments.
Sources for the statistics mentioned:
– Hirvikoski, T. et al. (2016). Premature mortality in autism spectrum disorder. A population‑based study in Sweden. Findings include markedly elevated suicide mortality, especially among autistic adults without intellectual disability.
– Cassidy, S. et al. (2014). Suicidal ideation and suicide plans or attempts in adults with Asperger’s syndrome attending a specialist clinic. Reports 66% lifetime suicidal ideation and 35% plans/attempts.
When news broke that Lubaina Himid RA, CBE would represent Britain at the 2026 Venice Biennale, the art world let out a collective cheer. At 72, the pioneering British artist—born in Zanzibar, based in Preston—has earned a place among the most influential voices of her generation. Her work, a dazzling blend of history, storytelling, and social critique, has long challenged the narratives that dominate Western culture, shining a light on the contributions of Black figures who have too often been overlooked.
Himid is no stranger to breaking ground. In the 1980s and 1990s, she curated trailblazing exhibitions like Five Black Women (1983) at London’s Africa Centre and The Thin Black Line (1985) at the ICA, putting Black female artists firmly on the map at a time when mainstream galleries barely noticed. Her daring vision earned her the Turner Prize in 2017, and a CBE followed in 2018, honours that recognise not just her artistry but her remarkable influence on the British cultural landscape.
And yet, Himid remains delightfully down-to-earth. On hearing of her Biennale invitation, she laughed, “with both disbelief and pleasure,” before reflecting on the opportunity:
“It is such a great honour and at the same time a brilliant and exciting opportunity to make something particularly special, which resonates with multiple audiences, communicates with complex histories, and looks to a more collaborative future.”
The Path to Venice
Being chosen to represent Britain in Venice is no small feat. The British Council, which manages the UK’s pavilion, conducts a rigorous selection process. Artists are nominated and assessed by curators, critics, and cultural institutions from across the country. Their proposals are scrutinised for artistic excellence, innovation, and international significance—a combination that signals not just mastery of craft, but an ability to spark conversation on a global stage. The final decision rests with the Pavilion Commissioner and the Visual Arts Advisory Group.
It’s a recognition that places an artist at the very pinnacle of contemporary British art, transforming their career and showcasing their vision to a global audience. For Himid, whose work thrives on dialogue, this platform offers a chance to create a profound, immersive experience in Venice’s historic spaces.
Reimagining the British Pavilion
Himid is renowned for pushing the boundaries of painting, sculpture, and installation, fusing textures, narratives, and sound to construct spaces that feel alive, vivid, and socially urgent. Emma Dexter, Director of Visual Arts and the British Council Collection, describes Himid’s approach as “a radical optimism combined with incisive social critique,” noting that her exhibition will transform the Pavilion into a journey of discovery.
For Venice 2026, Himid’s work promises to be both playful and profound, intimate yet expansive—a conversation across centuries and continents, a reminder that history is never neutral, and that art can illuminate the stories we have forgotten.
From her early curatorial triumphs to her recent global recognition, Lubaina Himid has always worked at the intersection of history, identity, and imagination. Venice will be the latest—and most spectacular—stage for her audacious vision, a moment that promises to resonate far beyond the gilded canals and crowded pavilions of Italy’s floating city.
In 2026, the British Pavilion will not just exhibit art—it will tell a story, vibrant and urgent, through the eyes of one of Britain’s most brilliant and fearless artists.
We’re thrilled to share some fantastic news — Firepit Art Gallery and Studios CIC has received our very first grant as a Community Interest Company! Thanks to the Greenwich Healthier Communities Fund, we’re able to bring an inspiring new initiative to life: FIREPIT FEELS.
This milestone marks an exciting step forward in our mission to make creativity accessible, inclusive, and nurturing for everyone. With the support of this grant, we’re launching a pilot programme of free and pay-what-you-can workshopsdesigned to foster creative health and wellbeing within our local community.
About FIREPIT FEELS
FIREPIT FEELS is a culturally-rooted series of workshops taking place in Greenwich Peninsula, created to support and uplift individuals from Global Majority, LGBTQIA+, and Neurodiverse communities, particularly those from disadvantaged backgrounds. Our aim is to offer a welcoming, affirming space where creativity, culture, and connection come together to enhance emotional and mental wellbeing.
We warmly invite you to take part in any — or all — of our upcoming sessions:
November 12th, 7–9pm – 🎨 Inhabiting Uncertainty on the Canvas — Painting Workshop
November 23rd, 1–3pm – 🧘♀️ Unfold: Movement & Meaning — Yoga & Journalling
December 14th, 1–3pm – 🧵 Chinese Knotting Jewellery & Mindfulness
January 8th, 7–9pm – ✏️ Our Art Circle — Drawing Workshop
January 22nd, 7–9pm – 📚 Queer Narrative — Collaging and Storytelling
Every aspect of FIREPIT FEELS has been developed collaboratively, with guidance from an Accessibility Consultantand a Psychotherapist, ensuring that the programme is inclusive, neurodiversity-affirming, and trauma-informed.
Each session is relaxed and supportive. We’ll provide sensory aids for those who find them helpful, and a dedicated welfare support guide will be on hand to make sure everyone feels safe, comfortable, and welcome throughout.
About Firepit Art Gallery and Studios CIC
Located in the heart of Greenwich Peninsula, Firepit Art Gallery and Studios CIC is a community-led art hub that celebrates creativity in all its forms. Our mission is to make the arts accessible, inclusive, and sustainable by hosting co-created workshops, exhibitions, and events that reflect the diverse voices of our community.
Run by local artists, we believe in the power of art to connect people, spark dialogue, and support wellbeing. Whether you’re a seasoned creative or a complete beginner, Firepit is your space to explore, express, and belong.
To stay updated on our events, projects, and exhibitions,
Together, let’s make Firepit Feels a space where creativity truly heals, connects, and inspires.
Are you passionate about creativity, positivity, and representation? Would you like to be part of an uplifting magazine that celebrates diversity and individuality? Then this could be the opportunity for you.
I’m Steven Smith, Editor of 2Shades Magazine — a vibrant, happy LGBTQ+ publication where everyone is welcome. 2Shades is about joy, self-expression, and living life in full colour. We share stories that inspire, entertain, and connect people from every shade of the spectrum.
At the moment, the magazine is run independently and with heart. It doesn’t yet generate profit, and I’m not taking a salary for my writing or editorial work. But what we do have is potential, readership, and passion — a growing audience who believe in what 2Shades stands for: positivity, equality, and creative freedom.
Now, with my current partner stepping down who we loved and can not thank enough , The incredible Adishia chengappa,is going into full time eduction . I’m looking for a new collaborator or investor to join me on this journey.
🌈 Why Join 2Shades?
Be part of something meaningful. 2Shades isn’t just a magazine — it’s a community celebrating LGBTQ+ life, art, culture, and individuality.
Low entry, high potential. For £1,000, you can buy into the magazine and become my creative and business partner.
Help shape the next chapter. From editorial direction and digital strategy to sponsorship, advertising, and partnerships — your ideas will directly influence how we grow.
Your voice matters. Whether you’re a writer, marketer, designer, PR professional, or creative entrepreneur, this is a rare chance to make a real impact.
Build towards profit together. As the magazine grows through advertising, sponsorships, collaborations, and events, so does your stake and reward.
🌟 What I’m Looking For
Someone who believes in the message of inclusion and positivity — LGBTQ+ and allies alike.
Someone excited by independent media and the creative world.
A person who’s proactive, imaginative, and ready to build something with heart.
Ideally someone who can bring either creative skills, marketing ideas, or business insight — but most importantly, enthusiasm.
💬 Next Steps
If this sounds like you, let’s talk. I’ll share more about our readership, digital presence, plans for the year ahead, and how we can shape this partnership together.
Your £1,000 investment secures you a share in 2Shades, a say in editorial direction, and the chance to be part of something growing, inclusive, and joyfully unique.
Let’s make 2Shades not just a magazine — but a movement that celebrates difference and spreads happiness.
“I absolutely love Christmas,” says artist and designer Piluca Camino Alcón, her voice bright with the kind of infectious joy that instantly fills the room. “They used to call me Mama Xmas because I go all out. I host a big dinner on the 24th—that’s when we celebrate in Spain—and my doors are open to anyone who wants to join, especially those who might not have someone to spend it with.” For Piluca, the season is more than decorations or gifts. “I cook like a woman possessed,” she laughs. “Meats, seafood, you name it, it’s a proper bacanal! For me, Christmas is about people, laughter, music, and those real beautiful moments that make life worth living. My dinners are never those forced family affairs where everyone pretends to like each other. Mine are full of joy, dancing and love. It’s a celebration of life itself.”
This joyous, unfiltered energy seems to define everything about her. When asked if she’s been naughty or nice this year, Piluca laughs so hard she nearly spills her coffee. “This year I’ve been both gloriously naughty and impressively nice. I shattered expectations, ignored my own rulebook, and gave full permission to my wild inner freedom. I devoured all the cookies, then hit the gym like a warrior. Balance, darling—that’s the real art!” That combination of chaos and control, wildness and discipline, runs through both her personality and her work. Born in Madrid, she first came to London on holiday with her mother-in-law and fell in love with Brixton.
“The moment I stepped into Brixton in 1996, I fell in love. The energy, the cultural and ethnic mix, the unapologetic vibrancy—it was electric. There was this raw, unfiltered love for music and the arts, a non-judgmental openness in its people, and a market bursting with flavours, colours and life. It felt like home instantly.” She has stayed ever since, building a life and career rooted in that creative spirit. “I didn’t choose to become an artist,” she says simply. “I was born one. I have created for as long as I can remember. Being an artist is not a choice but a necessity. My ultimate aim is to connect, elicit a response and inspire through my practice.”
She has certainly done that. A published illustrator, sculptor, fashion designer and community organiser, Piluca was a finalist in the arts category for the WinTrade International Awards in 2018. During lockdown she threw herself into animation projects while developing her own fashion line. “Art is how I breathe,” she says. “My life and my creativity are so deeply intertwined that separating them would be impossible. Art is my voice, my refuge, and my power.” She speaks about her upbringing with disarming honesty. “My past shaped every part of me, and art became both my shield and my weapon. It has always been my therapy, my way of making sense of the world.” When she laughs, it’s the laughter of someone who has survived, rebuilt, and decided to celebrate it all anyway. Even under the mistletoe, she admits, there are no plans or rules. “Mistletoe’s kissing? Depends who’s standing under it first,” she grins. “I don’t plan these things. I improvise.”
That sense of improvisation seems to fuel her approach to both art and life. Her inspirations span from Spanish masters like Picasso, Dalí and Velázquez to contemporary icons such as Sarah Lucas, Judy Chicago and Yayoi Kusama. She’s also deeply influenced by the raw, expressive energy of street art. “It’s rebellious, emotional, connected to the real world. That’s what I love.” Yet, despite her international sensibility, she remains deeply rooted in Brixton. “London suits me fine,” she says. “I just dream of a bigger studio one day—warehouse big!”
“My dream for the year ahead is to keep evolving—becoming stronger, fitter, sharper. To keep inspiring my kids, pushing myself, and making the most of every moment.”
Family means everything to her. She has two sons, Carlos and Malachi, and both have inherited her creative fire. “Carlos reached Grade 8 on piano, and Malachi’s preparing for his Grade 5. They’re different but equally artistic. Carlos is grounded and business-minded, while Malachi is a free spirit, completely immersed in creativity, untouched by brands or status. At six, he said he wanted to be an artist, just like I did at his age.” Her eyes soften when she speaks about them. “What I teach them both is this: creativity is what sets us apart from the animal kingdom. It’s the ability to turn imagination into something tangible—to create what didn’t exist before. Life itself is art, and art gives life its meaning.”
Earlier this year, she travelled to Chicago to collaborate with acclaimed photographer Sandro Miller on his project I Am Beautiful, exploring inner beauty and self-love. “It was surreal,” she says. “Meeting him, his wife, his team—it felt like meeting someone from my tribe, someone who has used art as both shield and weapon. It was cathartic. I grew. I can’t wait to go back.” When asked what she wants most for 2026, her answer is immediate. “To keep being granted the strength, madness and magic to make things happen.”
As the conversation turns back to Christmas, Piluca’s eyes sparkle. “Christmas is the perfect metaphor for life,” she says. “It’s messy, loud, emotional—and if you open your heart to it, it’s beautiful. I don’t care about presents; I care about presence.” You can picture her back in Brixton, fairy lights strung from every corner, music playing, food piled high, her friends and family laughing and dancing around her. “That’s Christmas to me,” she says, smiling. “A celebration of life itself.”
Zohran Mamdani: A New Dawn for New York — and a Setback for Trump’s America
By Steven Smith
Let’s get one thing straight: Sadiq Khan is a terrible mayor — but not because he is Muslim. He’s a terrible mayor because, quite simply, he hasn’t done the job well. Faith has nothing to do with competence.
I would like to think I ever judge anyone by their religion. Yet when I hear from certain extreme right-wing Christians, my instinct is that they’re often deeply uncomfortable with the LGBTQ+ community. Many cherry-pick verses from the Bible to justify their prejudices, conveniently ignoring the passages about kindness, humility and turning the other cheek — a principle that seems to have lost all meaning for them. As are extreme Muslims and many other religious devotees. I do not want them in power.
And how many of these self-proclaimed moral crusaders have later been exposed as hypocrites, caught in scandals that betray the very values they preach? No one wants to live under Sharia law, but equally, most of us are not rejecting Eastern culture or faith. Jewish politicians, for instance, aren’t out trying to convert everyone. The truth is simple: people should be judged on their integrity, their empathy, and their ability to lead — not the faith they were born into.
Historically, the right wing has struggled with LGBTQ+ acceptance. Look at Reform’s Ann Widdecombe, a devout Christian who remains openly opposed to gay rights, or Nigel Farage, who rails against same-sex marriage yet hasn’t exactly been a shining example of domestic harmony himself.
So, why shouldn’t New York — one of the most diverse cities in the world — have a Muslim mayor? The measure of leadership isn’t found in the label of one’s faith but in the breadth of one’s humanity.
When Zohran Mamdani swept to victory as New York’s new mayor, he didn’t just win an election — he ignited a cultural and political shift. At just 33, the Ugandan-born, Queens-raised son of Indian immigrants and the first Muslim to hold the office, Mamdani represents a fresh, progressive vision of leadership grounded in empathy, equity, and inclusivity. For women and LGBTQ+ citizens, his victory signals something powerful: a mayor who sees diversity not as a slogan, but as the city’s greatest strength. And for Donald Trump and the hard-right movement that thrives on fear and division, Mamdani’s rise is a direct ideological defeat.
Mamdani’s political roots run deep in social justice. Long before his mayoral run, he made his name in the New York State Assembly by fighting for tenant protections, affordable housing, and workers’ rights. But what sets him apart is his understanding that social equality must include gender and sexual equality. His policies go beyond token representation — they promise tangible protections and support for women, LGBTQ+, and trans individuals who continue to face discrimination and economic barriers in one of the world’s most diverse cities.
During his campaign, Mamdani declared: “New York must be a sanctuary — not just for immigrants, but for every person whose existence has been politicised.” That message resonated strongly with LGBTQ+ voters and women’s advocacy groups, weary of years of policy rollbacks and toxic rhetoric at the national level.
His mayoral platform includes one of the most comprehensive pro-equality agendas ever proposed for New York City. At its heart are three major commitments: establishing an Office for LGBTQIA+ Affairs to coordinate inclusive policies and investigate discrimination; pledging $65 million for gender-affirming healthcare and reproductive rights clinics; and strengthening women’s economic and reproductive rights through expanded paid family leave, subsidised childcare, and increased funding for domestic violence shelters and legal aid. These policies represent not just symbolic progress but systemic reform, tackling the intertwined roots of inequality and positioning New York as a beacon for progressive governance in a deeply divided nation.
Some observers initially wondered whether a devout Muslim mayor could fully champion LGBTQ+ and women’s rights. Mamdani’s leadership has already answered that question decisively. He has stated repeatedly that his faith teaches compassion, justice, and respect for human dignity — values entirely consistent with protecting the vulnerable. By separating personal belief from public duty, he embodies the pluralism that defines modern New York. His election sends a potent message that faith and equality are not mutually exclusive.
To understand why Mamdani’s victory is such a blow to Donald Trump, one must look beyond New York’s borders. Trumpism thrives on nostalgia — a yearning for a rigid, exclusionary version of America defined by dominance and division. Mamdani represents the opposite: a confident, multicultural future where inclusion and equality are strengths, not threats. Under Trump, the federal government rolled back protections for transgender people, restricted abortion access, and emboldened hate groups. Mamdani’s success proves that this politics of fear no longer holds sway everywhere — especially not in America’s largest city.
What happens in New York often echoes nationally. Just as Fiorello La Guardia’s social reforms and Michael Bloomberg’s urban policies shaped national conversations in their eras, Mamdani’s agenda may set the tone for a new wave of progressive mayors. His approach fuses social justice with fiscal realism — leveraging the city’s enormous budget to create measurable improvements in equality and opportunity. His administration’s first-year priorities include making the Metropolitan Transportation Authority free for students and low-income riders, expanding affordable housing projects on city-owned land, increasing investment in public schools with inclusive sex education, and introducing gender-balanced representation in city boards and commissions.
Mamdani’s election is also a cultural moment — one that renews New York’s identity as a sanctuary for those who dream of freedom in all its forms. From Stonewall to suffrage, the city has long been a crucible of progress. His leadership promises not only policy change but also a revival of civic optimism: a belief that governance can be both compassionate and competent. His first speech after victory captured this perfectly: “We are not here to manage decline. We are here to imagine abundance — for women, for queer and trans people, for every New Yorker who has been told to shrink their dreams.”
Let’s get one thing straight: Sadiq Khan is a terrible mayor — but not because he is Muslim. He’s a terrible mayor because, quite simply, he hasn’t done the job well. Faith has nothing to do with competence.
Nor would I ever judge anyone by their religion. Yet when I hear from certain extreme right-wing Christians, my instinct is that they’re often deeply uncomfortable with the LGBTQ+ community. Many cherry-pick verses from the Bible to justify their prejudices, conveniently ignoring the passages about kindness, humility and turning the other cheek — a principle that seems to have lost all meaning for them.
And how many of these self-proclaimed moral crusaders have later been exposed as hypocrites, caught in scandals that betray the very values they preach? No one wants to live under Sharia law, but equally, most of us are not rejecting Eastern culture or faith. Jewish politicians, for instance, aren’t out trying to convert everyone. The truth is simple: people should be judged on their integrity, their empathy, and their ability to lead — not the faith they were born into.
Historically, the right wing has struggled with LGBTQ+ acceptance. Look at Reform’s Ann Widdecombe, a devout Christian who remains openly opposed to gay rights, or Nigel Farage, who rails against same-sex marriage yet hasn’t exactly been a shining example of domestic harmony himself.
So, why shouldn’t New York — one of the most diverse cities in the world — have a Muslim mayor? The measure of leadership isn’t found in the label of one’s faith but in the breadth of one’s humanity. rise represents a decisive shift away from the politics of grievance and exclusion. His administration promises to put women’s rights, LGBTQ+ equality, and social justice at the heart of city governance. For a nation still grappling with polarisation, his victory is both an inspiration and a challenge: proof that diversity can win, compassion can govern, and inclusion can be a source of strength rather than division. For Donald Trump and those who profit from cultural conflict, Mamdani’s triumph is a warning shot: the future belongs to those who build bridges, not walls. He is a mayor for all and a flash that thinking Americans have had enough of the red hat .
Grit, grace, and a touch of glittering illusion — that’s what defines Angus Baskerville’s extraordinary memoir, Naughty but Neurodiverse – An Aspie’s Road to Magic. It’s a book that doesn’t just tell a story; it invites you into the world of a young man who found light in the places most would have given up hope.
Bullied. Excluded. Expelled from three schools. For many, that might have been the end of the story. But for Angus, it was the beginning of something far more powerful. Diagnosed with autism and ADHD at fifteen, he finally had an explanation for the whirlwind he had lived with all his life. Yet it wasn’t until discovering magic at seventeen that everything changed.
Magic gave him more than a skill — it gave him purpose, structure, and a way to communicate in a world that often misunderstood him. His journey from isolation to inspiration unfolds with raw honesty and a quiet kind of triumph that lingers long after you turn the last page.
It’s impossible not to feel moved by his transformation. The pivotal moment comes when Angus performs at Autism’s Got Talent, the groundbreaking showcase created by Anna Kennedy OBE. Stepping into that spotlight, Angus wasn’t just performing tricks — he was reclaiming his identity. That night became the launchpad for a remarkable career that would take him from misunderstood teen to award-winning magician, Magic Circle member, and autism advocate.
Today, Angus Baskerville performs across the UK, dazzling audiences with performances that weave illusion and insight. He leads corporate workshops, runs school magic clubs, and continues to champion autism awareness with the charity Anna Kennedy Online. Through it all, his message remains beautifully simple — being different is not a flaw to fix, but a gift to embrace.
Naughty but Neurodiverse is an emotional, uplifting, and often funny read that captures the resilience of the human spirit. Baskerville writes with warmth and disarming honesty, sharing moments of confusion, humour, and triumph. His story gives readers — whether autistic, parents, teachers, or simply curious souls — a new lens through which to see neurodiversity: one filled with creativity, courage, and heart.
This isn’t just a memoir; it’s a manifesto for understanding and acceptance. Angus reminds us that the real magic lies not in illusion, but in authenticity — in daring to be unapologetically yourself in a world that often tells you to hide your light.
In a time when inclusion is still learning to find its true meaning, Angus Baskerville stands out as a shining example of what can happen when passion meets purpose.
A heartwarming, inspiring, and utterly magical read — one that deserves a standing ovation.
Where to Buy: Naughty but Neurodiverse – An Aspie’s Road to Magic is available now on Amazon UK.
Angus says:
“If even one person reads this and feels seen, understood, or inspired — then it’s all been worth it.”
LONDON, ENGLAND - NOVEMBER 01: Victoria Featherstone Pearce and Karin Ridgers seen attending the Vegan Women's Club launch at 45 London in Shoreditch on November 01, 2025 in London, England. (Photo by Ricky Vigil M/GC Images)
The Gorgeous Victoria Featherstone Pearce , with the glamours Karin Ridgers and Juliet Gellatley
Founder And Director @ Viva!
Glitz and glamour poured into Shoreditch on a rain-soaked Saturday night as 2Shades Magazine joined the celebration for the official launch of the Women’s Vegan Club at the ultra-chic 45 London Despite the downpour, nothing could dampen the excitement as guests in sequins, faux fur, and high spirits gathered to raise a glass — or rather, a coconut-rimmed cocktail — to compassion, community, and cruelty-free living.
The gorgeous Victoria Featherstone Pearce with 2shades Steven Smith at the launch of The Woman’s Vegan club
The event wasn’t just for women — men were warmly welcomed too — but it was very much a celebration of female empowerment and ethical entrepreneurship. The room shimmered with warmth and laughter as founders, patrons, and supporters mingled over divine canapés and cocktails, united by one shared passion: veganism.
In a world where being vegan can still attract raised eyebrows or outright discrimination — whether in the workplace, at the dinner table, or even in friendships — the Women’s Vegan Club has created a space where compassion is something to be proud of. This is a club about inclusion, not exclusion, and about supporting each other in living authentically and kindly.
Cake by Freya Cox
And what a line-up of women at its helm. Three of my favourite ladies are involved — one as an ambassador and two as co-founders — each an inspiring powerhouse in her own right.
Model, vegan activist, and lifelong animal rights advocate Victoria Featherstone Pearce is the embodiment of grace and grit. Best known for her tireless campaigning and for co-owning K-9 Angels, a charity dedicated to rescuing and rehabilitating dogs worldwide, Victoria has been a compassionate force for change in the animal welfare movement. As a VegfestUK blogger and campaigner for both PETA and Animal Aid, she has fronted numerous awareness initiatives encouraging a kinder lifestyle. A devoted mum to her seven rescue dogs, Victoria’s dream is to one day open her own animal sanctuary — a place where every creature has a home and a second chance. Her work reflects a lifetime of dedication to animal welfare and her belief that kindness should be the foundation of everything we do.
The other visionary behind the Women’s Vegan Club is Karin Ridgers, an award-winning entrepreneur, broadcaster, and vegan advocate of more than 30 years. Karin is the founder of MAD-Promotions PR and the creative force behind VeggieVision TV, an online platform championing vegan businesses and ethical living. Her energy is infectious, her passion unshakable. Karin has long been recognised for her dynamic public speaking and unwavering support for cruelty-free campaigns. Through her work, she continues to inspire and connect people across generations, proving that compassion and confidence go hand in hand. When Karin took the stage later that evening, her speech was electric — part rally cry, part love letter to the movement. Her words reminded us that veganism isn’t a passing trend, but a moral choice and a lifestyle built on empathy. As I watched her speak, I couldn’t help thinking she should be in Parliament — we need voices like hers there.
Representing the club as its ambassador is Wendy Turner Webster, a beloved British television presenter and producer best known for hosting the long-running UK show Pet Rescue. An award-winning animal rights campaigner, Wendy has dedicated much of her life to championing the ethical treatment of animals, both on-screen and behind the scenes. Her work spans decades of advocacy — from campaigning for cruelty-free beauty to promoting vegan living through her media appearances. Her passion is as genuine as her warmth, making her a perfect fit for a club that’s about real change, not just polished image.
Now, full disclosure — I’m not entirely vegan… yet. One of my best friends in Dubai is, and when I stay with her, I become a temporary convert. And I have to admit, I love it. So, as someone who flits between plant-based and pescatarian, I was fascinated to see how this night would blend style and ethics.
From the moment I arrived, it was clear this was no ordinary launch. Guests were greeted with a warming vegan ginger and rum cocktail — the perfect remedy for a chilly London evening. The canapés were works of art: the standout being a delicate broccoli and black garlic bite that I’m still thinking about days later. The atmosphere was buzzing yet intimate. The crowd was a lively mix of media personalities, campaigners, and creatives — the kind of people who make you believe that small changes can truly change the world.
The Great British Bake off Freya Cox
Victoria’s speech was heartfelt and deeply moving. I’ve known her since our days moving in the same media circles, and what has always struck me about her is her honesty and kindness. Hearing her speak about her personal journey into veganism — the challenges, the triumphs, and the quiet conviction behind her choices — left more than a few misty eyes in the room. Then came Karin’s rousing address — part Emmeline Pankhurst, part stand-up charm — reminding everyone that activism can be elegant, and leadership can be laced with humour. https://www.veganwomensclub.com/pricing
And then came a surprise highlight: an impromptu speech by Great British Bake Off’s own Freya Cox. Funny, humble, and full of life, Freya had the audience roaring with laughter — and soon queueing eagerly for a slice of the vegan cake she had created especially for the night. In true showbiz fashion, the cake even matched Victoria’s gown — a dazzling touch of edible couture. Imagine the jam roly-poly of your schooldays, only reinvented as a masterpiece of modern vegan patisserie.
But it wasn’t all “let’s hear it for the girls.” Victoria’s dashing husband, Stephen Pearce, added his own twist to the evening’s delights by introducing his line of vegan honey — made not from bees, but from pine needles. The taste was rich, aromatic, and unexpectedly moreish. As Dr Anna Kennedy OBE declared while snapping up a pot, “Just wonderful!” (Watch this space for more on that.) Stephen also unveiled a range of mouth-watering vegan cheeses that had even the most sceptical guests going back for seconds
The party carried on late into the evening, the room shimmering with the glow of good company and shared purpose. People danced, laughed, swapped numbers, and made plans for collaborations and causes. What united everyone there wasn’t just veganism — it was the belief that kindness, creativity, and community can coexist beautifully.
Annette Wardell seduces the crowd with her magical voice .
By the end of the night, it was clear that the Women’s Vegan Club isn’t just a social group — it’s a movement. A space where women can support one another, promote sustainable change, and still look absolutely fabulous while doing it. As I left, rain still falling softly on the cobbles of Shoreditch, I couldn’t help but smile. Compassion has never looked so glamorous.
Follow the Women’s Vegan Club https://www.veganwomensclub.comSteven’s Note: 2Shades Magazine celebrates women who lead with purpose, style, and heart — those who use their voice to make the world a kinder, brighter, and more inclusive place
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