Steven Smith was born in Coatbridge in Scotland. He was brought up in Whitley Bay, before briefly moving to London. He then moved to the seaside town of Brighton, where he was first receiver recognition for his hairdressing skills. Steven moved to America for eight years, working in Beverly Hills, and on his return to London in the late 90s, rose to fame working in fashionable Knightsbridge. He has styled model Katie Price, actress Denise Welch, David Hasselhoff and the cast of Baywatch. Steven had his own column in The Sun newspaper advising on hair and beauty, and was a regular on the Lorraine Kelly show, transforming GMTV viewers into their favourite stars. He made over Lorraine herself, transforming her into movie legend, Elizabeth Taylor.
Steven has been a freelance writer for the last ten years, combining showbiz interviews and travel with his eye for styling. He has written two books: Powder Boy, looking at the dark side of showbiz, and an autobiography: It shouldn't happen to a hairdresser, offering a witty and sad look at his life. He is currently penning a third book to be titled Happy in Chennai.
He has a monthly column, Tales of a single middle-aged gay man that looks at not only the light side of gay life, but also darker aspects such as rape, addiction, and chem-sex. Steven also runs his own beauty/aesthetic blog and is a patron of Anna Kennedy online; a charity that not only supports the autism community but educates the public about those that live with autism.
Autism Hero Awards Judging 2026 – A Day of Inspiration at the Holiday Inn Regent’s Park
On 26th February 2026, the Holiday Inn London Regent’s Park played host to an extraordinary day of compassion, celebration and heartfelt deliberation as the judging for this year’s Autism Hero Awards took place. With a record-breaking number of nominations submitted, the atmosphere in the room was filled with admiration for the remarkable individuals, families and organisations recognised in this year’s awards.
Gathered around the table was a distinguished panel of celebrity judges and supporters of Anna Kennedy Online. Among them were ‘Allo ‘Allo! star and newly announced patron of the charity Vicki Michelle;mbe . award-winning author Samantha Lee Howe; GB News presenter and journalist Nana Akua; award-winning artist and ambassador Dez LoveArtPix; and charity patron, author and presenter Steven Smith. Each judge brought not only their professional experience but also a genuine passion for championing the autism community.
Overseeing proceedings was the founder of the charity, Dr Anna Kennedy OBE, alongside executive Lisa Robins. Anna, who has dedicated her life to supporting autistic individuals and their families, expressed her pride at the overwhelming response this year. She admitted she was relieved not to be judging herself, given the exceptionally high standard and deeply moving nature of the nominations.
Dr Anna Kennedy OBE wth Anna Kennedy on line executive Lisa Robins
The Autism Hero Awards recognise achievements across a wide spectrum of categories, from education and community leadership to creative arts, personal achievement and business excellence. Awards such as Young Person of the Year, Parent or Carer of the Year, Lifetime Achievement and the People’s Autism Hero Award highlight the strength, resilience and dedication that runs through the autism community.
The Animal–Human Bond Award will be judged separately by presenter and author Wendy Turner Webster, model and presenter Victoria Featherstone Pearce, and author Tess Eagle Swan.
Judging on the way .
For Vicki Michelle, recently announced as a patron of Anna Kennedy Online, the judging process proved deeply emotional. She described the experience as overwhelming in the most positive way, emphasising that while only one winner can be chosen in each category, every nominee deserves recognition. The stories shared in the submissions were filled with courage, determination and unconditional love.
Pattons Vicki Michelle and Steven Smith .
Samantha Lee Howe travelled from Yorkshire to take part, marking her fourth year as a judge. A long-time supporter of the charity, she spoke warmly about her commitment to Anna Kennedy Online and her willingness to travel any distance to support the cause. For Dez LoveArtPix, who journeyed from Manchester for his first year on the panel, the day was both humbling and a privilege.
As discussions concluded and final decisions were made, one feeling united everyone in the room: anticipation. The winners will be revealed at the Autism Hero Awards ceremony on 9th May 2026, an evening that promises to celebrate not only achievement but community, advocacy and hope.
If the judging day was anything to go by, this year’s ceremony will be one of the most inspiring yet.
On a rain-soaked Friday night, I took the walk from London Bridge to see what everyone had been talking about: The Arzner — London’s only dedicated LGBTQ+ cinema, tucked away in Bermondsey. The heavens had opened, and by the time I arrived, soaked and slightly windswept, ducking beneath its glowing sign felt like a small act of salvation.
Stepping inside, it became immediately clear that this is no ordinary picture house. The Arzner feels less like a traditional cinema and more like a long-awaited living room for queer film lovers — and, I should add, for anyone who simply loves great cinema. This is not an exclusive “gay bubble”; it is a welcoming, inclusive cultural space.
The low lighting, rich red tones, Everything here feels thoughtfully designed. And before you even enter the screening room, let me tell you: the bar is outstanding. From beautifully crafted cocktails to quality wines and excellent non-alcoholic options, it is easily five-star. Arrive early, or even pop in just for a drink — you won’t regret it.
Named after Dorothy Arzner, the trailblazing Hollywood director who forged a remarkable career as an openly gay woman during the studio era, the cinema wears its heritage proudly yet lightly. Portraits of queer cultural icons line the walls, drinks are passed across the bar, and familiar faces greet one another. Arriving alone, yet never feeling lonely, is one of the evening’s first quiet triumphs.
The venue occupies the former site of Kino Bermondsey, but any sense of corporate uniformity has been replaced by a carefully curated personality. Its programming is unapologetically queer, spanning restored classics, contemporary independent releases, international features, and short-film showcases that amplify emerging LGBTQ+ voices.
On this particular Friday, I had been invited by my friend Amy Rose, an artist and one of the organisers of the London Fetish Film Festival. Now, before anyone gets their knickers in a twist, fetish cinema has grown significantly over recent decades, and this well-established three-day festival is now in its seventh year. The eclectic crowd alone demonstrated just how diverse and fascinating the scene has become.
The first film I saw, The Visitor (2024), featured stunning cinematography and a memorable soundtrack. Imagine Federico Fellini meeting an early, less camp version of John Waters — complete with what may be the worst wig in cinematic history. Even Divine might have fainted. The screening was followed by a lively Q&A with director Bruce LaBruce.
On Sunday, the programme shifted to documentaries, which proved genuinely eye-opening. For anyone interested in sexuality, identity, and the human mind, these films are well worth exploring. The performers and contributors certainly went the extra mile.
What truly distinguishes The Arzner is its atmosphere. The buzz is friendly and eclectic. Mainstream cinemas can often feel anonymous, even indifferent, but here the staff introduce films with genuine enthusiasm, sharing details about upcoming themed nights and community events.
Regular special screenings, Q&As, and curated seasons ensure that the cinema is not a passing novelty, but an evolving cultural hub. Conversations continue long after the credits roll, with patrons lingering over drinks to debate performances and recommend future screenings. The line between audience and community beautifully blurs.
Technically, the cinema delivers on every level: crisp projection, balanced sound, and comfortable seating that rival any arthouse venue in the capital. Yet it is the emotional resonance that lingers most. Watching queer stories unfold in a room filled largely with LGBTQ+ viewers shifts the energy entirely. Applause feels communal rather than polite, and moments of silence carry collective meaning.
As I eventually stepped back into the rain — still wondering if it would ever end — I couldn’t help smiling at the thought of Noah popping in for “just one cocktail” before watching Brat, the Charlie XCX film, and joking about building an ark by closing time.
Spending time at The Arzner felt like a privilege. It is not merely London’s only LGBTQ+ cinema; it is a statement of permanence and pride in a city where queer spaces have too often been lost to redevelopment. By offering a year-round home for queer film, it provides something far more enduring than novelty.
It offers visibility, celebration, and the simple, radical pleasure of seeing one’s community centred on screen.
And I, for one, am very much looking forward to going back. ps there even a pop up greeting from Stephen Fry to kick your night off ,
It is not often that my expectations are blown completely out of the water. I attend enough launches, private views and glittering gatherings to think I’ve seen it all. But when one of my favourite artists offered to transform my rather ordinary jacket into a luminous, wearable work of art, I genuinely could not wait.
The artist in question, Piluca, is nothing short of an explosion of style, colour and expressive beauty. Her work has always carried an emotional charge — bold, fearless and deeply personal — so the idea of that same energy being transferred onto clothing felt thrilling.
On the day my jacket arrived, it did not simply emerge from its garment bag — it flew. Butterflies in radiant, molten hues seemed to lift from the fabric itself. The colours shimmered; they danced. What had once been a safe, neutral piece hanging quietly in my wardrobe was now something entirely different: unapologetic, vibrant and uniquely mine.
I debuted it at the Firepit Art Gallery, and the reaction was immediate. Conversations stopped mid-sentence. There was an audible gasp — the kind that cannot be choreographed or faked. People did not just glance; they stared. And then they smiled. In a world saturated with fast fashion and predictable trends, this jacket felt alive. It was not simply worn — it was experienced.
Many artists attempt to translate their canvases into clothing lines, and some do so very successfully. Yet too often the result feels commercial, diluted or mass-produced. With Piluca, there is no dilution. She paints her soul. What makes her wearable pieces so compelling is that they are not reproductions or prints — they are one-offs. Each jacket is individually hand-painted, making every commission entirely unique. You are not buying fashion; you are investing in a singular artwork that happens to move with you.
Of course, I had practical concerns. “What if it rains?” I asked, imagining colour running dramatically down my sleeves. Piluca reassured me that the materials and finishing processes mean the jacket can be worn in all weather conditions and even professionally cleaned. This was not delicate theatre costume — it was durable, living art designed for real life.
The following evening, I wore it to a party. I barely made it through the door. Guests stopped me repeatedly to ask where it was from, who had created it, and how they could commission one of their own. It became a conversation starter, a connector, a declaration. The jacket did what great art always does — it sparked emotion.
In an era where personal style can sometimes feel algorithm-driven and predictable, becoming a walking piece of art feels quietly revolutionary. With Piluca, fashion is not about blending in. It is about standing tall, telling your story, and wearing your individuality with pride.
Among the many remarkable talents emerging from Britain’s vibrant and ever-evolving music scene, there are rare artists who make you stop, listen, and instantly want to know more. Those moments are special. They are the moments when you sense that something extraordinary is unfolding.
Recently, I had one of those momentswith MEEK, the Brixton-born singer who is quietly, and confidently, carving out her own space in pop music. One listen to her debut single, Fabulous, and I found myself putting down my latte and leaning in closer, eager to discover the voice behind the sound.
Fabulous, taken from her debut EP, is more than just an introduction—it is a statement of intent. From the very first notes, MEEK announces herself as an artist who understands exactly who she is and what she wants to express. Her voice is clear, confident, and emotionally resonant, drawing listeners in with effortless charm. There is a richness to her tone that feels both contemporary and timeless, blending modern pop sensibilities with classic showmanship.
Beyond her vocal talent, MEEK possesses something far rarer: presence. She commands attention without trying too hard. There is humour in her delivery, intelligence in her lyrics, and a distinctive style that makes her impossible to ignore. Watching her perform, you don’t simply hear a song—you experience a personality. Every gesture, expression, and note feels intentional, crafted to connect with her audience.
It would be easy to label her “the British Lady Gaga,” and while there are certainly echoes of boldness, theatricality, and fearless self-expression, such a comparison is ultimately limiting. MEEK is not following in anyone’s footsteps. She has developed her own musical identity—one that blends pop, performance, and personality into something refreshingly original. Her songs feel deeply personal yet universally relatable, celebrating individuality while inviting everyone along for the journey.
What also stands out is her natural ability to create joy. Her music is uplifting without being shallow, playful without losing depth. Fabulous is not just an anthem of confidence; it is a reminder that embracing who you are can be both powerful and fun. In an industry often driven by trends and formulas, MEEK’s authenticity feels like a breath of fresh air.
Crucially, she embodies the qualities of a modern pop icon: inclusivity, self-belief, creativity, and courage. She speaks to a generation that values honesty and representation, and she does so with glamour, wit, and heart. It is no surprise that many already see her as a potential LGBTQ+ icon in the making.
With her talent, charisma, and clear artistic vision, MEEK is not just another promising newcomer—she is an artist with global potential. If Fabulous is any indication of what lies ahead, this is only the beginning of a remarkable journey. The world should pay attention. A star is rising, and her name is MEEK.
The Harley Street Skin Clinic is proud to sponsor the Personal Achievement Award at the 2026 Autism Hero Awards in London on 9 May, celebrating individuals who have shown exceptional courage, determination, and resilience in the face of adversity.
For decades, Harley Street has been synonymous with excellence in medicine, and the Harley Street Skin Clinic has remained firmly at the forefront of this tradition. Combining world-class medical expertise with compassionate, patient-centred care, the clinic continues to set the benchmark in both aesthetic and medical treatment.
At the heart of this commitment is Dr Aamer Khan, who is widely recognised not only for his clinical expertise but also for his dedication to supporting autistic individuals and their families. Through thoughtful research, practical treatment approaches, and genuine empathy, Dr Khan helps people navigate everyday challenges with confidence, dignity, and understanding.
The clinic’s outstanding reputation has been built on trust, precision, and an unwavering focus on patient wellbeing. By blending a rich medical heritage with the latest technological advancements, Harley Street Skin ensures that every client receives the highest standard of care, from consultation to aftercare.
Co-founder Lesley Reynolds and Managing Director Sophie Cooper are equally admired, not only for their professional achievements but for their deeply empathetic approach to charity and community engagement. Their support for the autistic community extends far beyond the clinic walls and into their everyday lives, reflecting a genuine commitment to making a meaningful difference.
Through its sponsorship of the Autism Hero Awards, Harley Street Skin has become a proud champion of Anna Kennedy Online, the leading autism charity founded by Dr Anna Kennedy OBE. Speaking about the partnership, Dr Kennedy said:“To have the Harley Street Skin Clinic as a sponsor is truly wonderful.
Their approach to autism research and understanding is inspiring, and I am excited to work closely with them.”Since 2004, Dr Aamer Khan and Lesley Reynolds have worked tirelessly to build Harley Street Skin into a trusted name in cosmetic and medical excellence. With a family legacy in medicine spanning four generations, their dedication has earned the clinic an enviable reputation and a high-profile client base.
Their journey was even showcased on Sky Television in the acclaimed series Stitch Me, Lift Me, Tuck Me.Today, the clinic continues to flourish under Sophie Cooper’s leadership, bringing fresh vision and energy while preserving its family-run values.
Offering a comprehensive range of surgical and non-surgical treatments—from advanced body sculpting and cosmetic contouring to breast enhancement and anti-ageing procedures—Harley Street Skin remains committed to excellence at every level.Through innovation, compassion, and community spirit, the Harley Street Skin Clinic stands proudly alongside the Autism Hero Awards, honouring personal achievement and helping to build a more inclusive, understanding society.
“God Save the Queen of Fashion: Vivienne Westwood”
Back in London after several years in Los Angeles, my dear friend, the late journalist Lester Middlehurst, could not wait to take me out on the London party scene. It was all a little overwhelming on our first outing — the launch of Naomi Campbell’s first album.
As we pushed through the excitable crowd onto the red carpet, Lester whispered, “You’re not actually invited. I only have one invite — we’ll just blag you in.” In true Lester style, blag me in he did, leaving my face as red as the carpet and my hands shaking. Blagging is not my forte, and I stood there clutching my glass of champagne, feeling far less confident than I looked.
It felt like I was the only person among the assembled celebrity guests I had never heard of.
My nerves were soon eased when a lovely woman with a soft Yorkshire accent asked, “How are you tonight? You look great.” It was none other than the wonderful and grounded Vivienne Westwood.
Unlike many of the politely named “meerkats” I encountered over the years — people constantly looking over your shoulder to see if someone more important had arrived — Vivienne was genuinely interested. When I told her I’d owned a pair of her bondage trousers at just seventeen, she laughed and listened. Several people tried to interrupt us, and she politely told them she was talking to me.
That first London social event is one I will never forget, thanks to Vivienne.
With her down-to-earth, no-nonsense charm, she didn’t just change fashion — she changed how we saw designers. Outrageous, camp, fun, and fearless, she was arguably the woman we all wished could be our friend.
In my teens, I once took my mum for a treat day out to King’s Road when I was sixteen. We sat opposite the famous shop Sex, run by Vivienne and Malcolm McLaren. My mum was not ready for the vibe. Spotting what she thought was a giant tampon in the window, she let out a small scream — and that was the end of our day out.
Whether telling Kate Moss that she’d fancy her if she were gay, challenging older generations with “We don’t accept your values,” promoting the Green Party, stripping for PETA, or mocking then–Prime Minister Margaret Thatcher on the cover of Tatler, Vivienne was never afraid to stand on the front line.
Her origins lay in slogan T-shirts. With Malcolm, she designed provocative clothing that led to prosecution under the 1959 Obscene Publications Act. They responded by rebranding the shop, and later opening Seditionaries. Around the same time, the Sex Pistols — managed by Malcolm — released God Save the Queen, a chart-topper banned by the BBC.
Punk was born, and Vivienne led it.
Long before “fifty shades” became fashionable, she brought taboo, fetish, and fantasy into mainstream culture. She inspired artists like Madonna and helped people express themselves boldly through clothing.
Despite her anti-establishment views, she became one of the world’s top designers. She won Fashion Designer of the Year in 1990 and 1991 from the British Fashion Council. She received an OBE from Queen Elizabeth II in 1992 and was made a Dame in 2006.
In 1992, she introduced wedding gowns into her collections. One of her designs famously appeared in Sex and the City, when Mr Big gifts Carrie her dress.
It shocked many when her death was announced in December 2022 — and that this ageless woman was 81. She passed away peacefully, surrounded by family, in Clapham, South London.
Many people enter this world hoping to leave their mark. The soft-spoken Yorkshire girl left her mark on everyone she met — and an indelible stamp on global fashion.
The Pam Barbie — she doesn’t age. Ask her a question and she’ll never reply with a simple yes or no. Instead, she’ll tell you she won’t get in the gutter with you, then rant about something else entirely. She never apologises. Comes with her own pen and your search history. Say the word Trump to her and she’ll squeak and get most… animated. Extra lashes not included. 💄
Do not forget two more in the set
ICE ICE BABY BARBIE
Throw myself on the cross for Trump Press Barbie
WARNING NOT SUITABLE FOR PEOPLE WITH COMMON SCENSE , OR WHO UNDERSTAND EMPATHY OR ARE PART OF GROUP THAT DOES NOT BOW DOWN TO TRUMP.
Give Me a Break: Why Jim Ratcliffe Shouldn’t Have to Apologise for Speaking His Mind
Give me a break. Jim Ratcliffe should never have been asked to apologise simply for saying what he thinks. You may not agree with him — and that’s perfectly fine — but he is entitled to express his views. That is how debate works. Someone speaks, others respond, and through discussion we decide where we stand. Silencing people helps no one.
The Monaco-based Manchester United co-owner has faced anger from politicians and football fans over words branded “disgraceful.” But really, what he did is what many of us do when we are frustrated: he spoke honestly. He didn’t dress his feelings up in polite clichés or empty phrases. He said what he meant.
Most of us are experts in polite dishonesty. “With all due respect” often means “I completely disagree with you. or F—U ” “That was pleasant” usually means “that was awful.” And “I’m sorry if you were offended” is perhaps the most passive-aggressive phrase of all. Anyone with a bit of intelligence knows it isn’t a real apology — it’s a way of avoiding responsibility while appearing polite.
We have become obsessed with forcing public figures into rehearsed apologies. They are expected to grovel, backtrack, and apologise for having opinions. Often, these apologies are meaningless. They are written by advisers, polished by PR teams, and delivered with no genuine feeling behind them.
We should be careful not to turn into a country where people are afraid to speak openly. Suppressing opinions does not make racism, homophobia, or prejudice disappear. It simply pushes those views into the shadows, where they cannot be challenged or confronted. Open discussion, however uncomfortable, is far healthier than silence.
If someone chooses to apologise on their own terms, that is their right. But forcing an apology achieves nothing. Once people have spoken, we know who they are and what they believe. Then it is up to the rest of us to agree, disagree, challenge, or ignore them.
Free speech is not about comfort. It is about honesty. And we should defend it — even when we don’t like what is being said.
Take your mind of Andy . Mandy . Epstein a Trump came too . Beast Games is Great Viewing .
Thank God for the Winter Olympics and the latest instalment of Bridgerton. At times like this, they are exactly what we need — a welcome distraction from the endless cycle of headlines Andy, Mandy, Epstein, and Trump came too . Sadly, it’s not a children’s cartoon we can simply switch off and forget. This is real life, and sometimes it feels overwhelming.
Let’s not even go there with the innuendo. Some stories are so grim and uncomfortable that they leave you wishing for a remote control that could pause the world for a while. Instead, we scroll, we sigh, and we carry on, trying to protect our sanity as best we can.
That is why entertainment matters more than people realise. It isn’t shallow or pointless. It is a form of escape, a mental breather. Whether it’s athletes pushing themselves to the limit on icy slopes or glamorous characters sweeping through Regency ballrooms, these moments remind us that there is still beauty, talent, and creativity in the world.
And if you are looking for something fun and completely absorbing, look no further than Amazon Prime’s Beast Games. It is fast-paced, dramatic, and unapologetically entertaining. The challenges are outrageous, the stakes are high, and it is impossible not to get drawn in. It is the kind of programme that makes you forget your phone, your worries, and even the news for an hour or two.
Sometimes, switching off is not avoidance — it is survival. We cannot live in a constant state of outrage and anxiety. We need sport, drama, laughter, and even a bit of escapist nonsense to balance things out.
So yes, thank God for the Winter Olympics, Bridgerton, and shows like Beast Games. In a noisy, reedless world, they offer us something precious: a moment of peace.
An amazing Super Bowl half time show with Bad Bunny and lady Ga Ga
For just over thirteen unforgettable minutes, Bad Bunny showed the world what America can be at its very best.
In an era too often dominated by division, fear and noise, the Puerto Rico–born megastar delivered something rare and precious: a performance rooted in empathy, diversity, unity and love. It was a reminder that kindness still matters. That culture still connects us. And that music, when created with honesty and heart, has the power to heal.
Watching his Super Bowl performance, I felt goosebumps ripple through me. It was one of those rare moments that catches you off guard — when entertainment quietly becomes something deeper. Tears welled in my eyes, not just because of the spectacle, but because of what it represented. When Bad Bunny, born Benito Antonio Martínez Ocasio, later handed his Grammy trophy to a young boy, it symbolised everything he stands for: generosity, humility, hope, and the belief that success means very little if you do not lift others with you.
Only a week before that performance, he had achieved another historic milestone, winning multiple Grammys and securing Album of the Year for a Spanish-language record — the first time in the ceremony’s history. It was far more than a personal triumph. It was a cultural moment. It declared, loudly and clearly, that Spanish-speaking artists, stories and voices belong at the very centre of global culture.
A Voice for Millions
Bad Bunny represents more than music. He represents identity.
Over 50 million Americans speak Spanish, and many millions more around the world share that language. For decades, their stories were often pushed to the margins. Today, through artists like Bad Bunny, those voices are finally being heard — not as niche or alternative, but as mainstream, powerful and essential.
What makes his music so extraordinary is that you do not even need to understand every word to feel its impact. I have sat in operas sung in German and Italian and been deeply moved without speaking either language. Music, at its best, transcends translation. It lives in rhythm, tone, emotion and feeling.
Bad Bunny’s songs do exactly that. They make you want to dance. They make you want to smile. They make you want to belong. They invite everyone into the room — regardless of age, background or nationality — and say, “You are welcome here.”
That sense of inclusion is no accident. It is the foundation of his work.
More Than a Performer
What truly sets Bad Bunny apart is not just his talent, but his courage.
He has consistently challenged stereotypes around masculinity, fashion and identity. He wears nail polish. He experiments with clothing. He speaks openly about mental health. He advocates for LGBTQ+ rights. He stands up for his community when injustice strikes. And he does so without preaching, without arrogance and without apology.
In doing so, he has become a role model for millions who may never have seen themselves reflected in mainstream culture before. Young men who felt pressured to hide their softness. Young people who felt different. Young artists who wondered if there was space for their voice.
Bad Bunny proves that there is.
And that authenticity is not weakness — it is strength.
A Night of Healing
His Super Bowl performance was not just entertainment. It was a tonic for the soul.
At a time when many Americans — and people across the world — are grappling with uncertainty, financial pressure, social division and emotional fatigue, the show offered something desperately needed: joy.
It reminded us what it feels like to be united by a shared moment. To laugh, cheer, sing and dance together. To forget our worries, even briefly, and simply exist in celebration.
That is the true power of culture. It builds bridges where politics builds walls.
truly beautiful as love came together Lady Ga Ga , Ricky Martin and Bad Bunny ,
Standing Among Legends
Bad Bunny was not alone in delivering that message.
Lady Gaga’s performance of Hold My Hand was another beacon of light — a moving tribute that honoured courage, compassion and resilience. Her voice carried both strength and vulnerability, reminding us that patriotism is not about shouting the loudest, but about caring the deepest.
I was lucky enough to see Lady Gaga when she was just starting out, performing at Wilton Manors’ Bill’s Filling Station. Even then, she had that unmistakable spark — that sense of destiny. Watching her now, on one of the biggest stages in the world, is proof that talent paired with integrity can take you anywhere.
Meanwhile, Ricky Martin joined Bad Bunny for a beautiful rendition of Lo Que Le Pasó a Hawaii. It was emotional, elegant and deeply symbolic — a meeting of generations, cultures and histories. Two Puerto Rican artists, united on a global stage, honouring their roots while embracing the future.
It was breathtaking.
A New Definition of Success
For years, success in the music industry was defined narrowly: English-language hits, a traditional image, predictable branding. Bad Bunny has shattered that formula.
He sings in Spanish. He blends reggaeton, trap, pop and Latin rhythms. He refuses to be boxed in. He puts his community first. And he remains grounded, despite global fame.
That is why people love him.
Not because he is perfect, but because he is real.
He celebrates his culture without excluding others. He embraces fame without losing humility. He challenges norms without seeking attention. And he gives back without seeking praise.
In a world obsessed with image, he offers substance.
Love Over Hate
Perhaps the most powerful message of all was the simplest: love wins over hate.
At a time when headlines are filled with anger and conflict, Bad Bunny’s presence said something different. It said that diversity is strength. That kindness is power. That unity is possible.
His performance was not political in the traditional sense. It was something better. It was human.
It reminded us that beneath labels and borders, we are all moved by rhythm, melody, emotion and story. We all want to feel seen. We all want to belong. We all want to hope.
And for thirteen extraordinary minutes, Bad Bunny gave us exactly that.
A Moment We Needed
Looking back, it truly was one of the finest Super Bowl halftime shows in history — not just for its production, but for its heart.
It was a celebration of heritage. A statement of inclusion. A masterclass in artistry. And a powerful reminder of why music matters.
Bad Bunny did not just perform.
He connected. He inspired. He healed.
And in doing so, he showed the world that greatness is not measured by charts or trophies alone, but by the lives you touch along the way.
In uncertain times, he gave us certainty. In divided times, he gave us unity. In weary times, he gave us joy.
And that is why the world has fallen in love with Bad Bunny.
Dolly Dolittle’s Wildlife Adventure is coming to Billericay this April in celebration of World Autism Awareness Day, bringing together acclaimed Animal Wildlife Presenter Nicki Rodriguez at Living Things in support of Anna Kennedy Online.
The special family-friendly event will take place on Thursday, 2nd April, from 12:00pm to 2:30pm at The Beauvoir Arms, Downham Road, Downham, Billericay, CM11 1QH.
The main show will begin at 12:30pm and will be followed by a buffet for guests included in the price .
Meet a friendly snake .
Organised to mark World Autism Awareness Day, the event aims to raise awareness and vital funds for Anna Kennedy Online, a leading UK charity dedicated to supporting autistic individuals and their families through advocacy, education, and community programmes. Dolly Dolittle’s Wildlife Adventure offers children and adults a unique opportunity to engage safely with a range of fascinating animals, including meerkats, snakes, tarantulas, and flying sugar gliders. Delivered in a fully supervised and educational environment, the experience encourages respect for wildlife while inspiring curiosity and learning.
The expert team at Living Things are nationally recognised for their high standards of animal care and are regularly trusted by television and film productions for their professionalism and specialist knowledge. Every animal featured in the show is carefully looked after, ensuring both their wellbeing and a positive experience for visitors. Nicky Rodriguez is also energetic and her engaging performances have delighted audiences across the UK. Having entertained royalty, celebrities, and thousands of children, Nicki is known for creating inclusive, welcoming events that combine entertainment with education.
All proceeds from the event will support the ongoing work of Anna Kennedy Online, helping to improve understanding, access to services, and quality of life for autistic people and their families. Guests will also have the opportunity to meet Dr Anna Kennedy OBE, founder of the charity, following the event. After the wildlife presentation, attendees will enjoy a buffet at the award-winning Beauvoir Arms, providing a relaxed and friendly space for families to connect, share experiences, and reflect on a memorable afternoon. Dolly Dolittle’s Wildlife Adventure promises to be an inspiring celebration of community, learning, and inclusion, offering fun for all ages while supporting an important cause. The event aims to leave families with lasting memories and a deeper appreciation for both wildlife and the autism community. https://www.eventbrite.com/e/1982671122700?aff=oddtdtcreator
In the ever-evolving landscape of British entertainment, certain personalities burst onto the scene with such warmth and authenticity that audiences instantly connect with them. One such figure is Joe Marler, whose transition from sporting hero to television favourite has been nothing short of remarkable. From rugby pitches to reality TV, and now into the world of podcasting, Marler has carved out a unique space — and his talk show, Will See You Now, is fast becoming one of the most talked-about formats in modern media.
For many viewers, Joe truly captured hearts during his appearance on The Traitors. By the end of the series, it was almost impossible not to develop something akin to a “man crush” on him. He emerged as everyone’s favourite dad, big brother, and loyal mate rolled into one — approachable, funny, and refreshingly honest.
What made Joe stand out was not just his gameplay, but his no-nonsense approach to life. He didn’t pretend to be someone he wasn’t. His humour was natural, his reactions genuine, and his emotional intelligence quietly impressive. In a show built on deception and suspicion, Joe’s openness felt like a breath of fresh air.
When the dramatic finale arrived and Joe was eliminated just short of victory, many viewers felt he had been unfairly “robbed.” Social media lit up with disappointment, with fans lamenting the loss of one of the show’s most likeable contestants. Yet, in typical Joe fashion, he handled defeat with grace and good humour — proving once again why audiences admired him so deeply.
Thankfully, The Traitors was far from the end of Joe’s television journey. Instead, it marked the beginning of something even more personal: his own talk show and podcast, Joe Marler Will See You Now.
Available on YouTube and podcast platforms, the show takes an unconventional and delightfully playful approach to interviews. Set up as a kind of “clinic,” Joe positions himself — tongue firmly in cheek — as an unqualified therapist, ready to examine the minds, stories, and quirks of his guests. the “Clinic”: Joe is joined by his faithful assistant, Jake, as they host sessions featuring awkward small talk and probing questions.With Janet coordinating who we never see.
But make no mistake: behind the humour lies genuine insight. Joe has an uncanny ability to make people feel relaxed, safe, and willing to open up. He doesn’t interrogate; he converses. He listens. He reacts. And in doing so, he creates moments of real connection that traditional interview formats often fail to capture.
One of the most celebrated episodes to date features Stephen Fry, a guest whose presence alone elevates any conversation. In this standout instalment, viewers are treated to a rare blend of wit, wisdom, and vulnerability. Hillarous moment when he pretends to be Joe and message the Traitors whatsapp group as him asking if he should open and “Only fans page “
Johnathan Ross replys sure and do forget to include a free microscope for members. Others were more encouraging
The episode sees Fry reflecting on creativity, mental health, fame, and identity, while Joe responds not as a distant host but as an engaged, curious human being. Their chemistry is effortless — at times deeply moving, at others laugh-out-loud funny. It is a masterclass in how thoughtful conversation can still thrive in the digital age.
For many fans, the Stephen Fry episode confirmed that Will See You Now is more than just a celebrity chat show. It is a space for meaningful dialogue — where humour and heart sit side by side.
Other episodes have featured comedians, athletes, entertainers, and public figures, each bringing their own stories and struggles to the table. Whether discussing career highs, personal setbacks, or unexpected life lessons, Joe guides every conversation with empathy and authenticity.
What makes the show truly compelling is Joe himself. He never hides behind a polished persona. He is honest about his own doubts, his mistakes, and his journey. That openness invites guests — and viewers — to be open too.
In an age where many celebrity interviews feel rehearsed and formulaic, Will See You Now feels refreshingly real. It’s unpredictable, warm, occasionally chaotic, and always engaging. You never quite know where the conversation will go — and that’s exactly the point.
Joe Marler’s evolution from rugby star to beloved broadcaster has been organic and heartfelt. He hasn’t chased fame; he’s simply followed curiosity and stayed true to himself. And audiences have followed willingly.
With standout episodes like the one featuring Stephen Fry, and a growing list of fascinating guests, Joe Marler Will See You Now is quickly establishing itself as a must-watch series. It’s the talk show everyone wants to be on — and increasingly, one everyone wants to watch.
In a world hungry for authenticity, Joe Marler is delivering it, one conversation at a time. Lets have it a main stream show as it is funny orginal and what we need right now .
2Shades Magazine 