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Let’s Include All Men – Men’s Mental Health Month 11.11.25

By Guest Writer Manchester based award winning artist and my friend  Loveartpix.

November is Men’s Mental Health Month, and as usual, I want to move beyond the usual catchphrases like ‘Talking Helps‘ as it’s far more complex than that. The question I keep returning to (because it’s personal) is this: does our generic, neurotypical framing of “men’s mental health “leave too many men like me behind?

https://loveartpix.co.uk portrait award winning artist Loveartpix

Campaigns, days, and months do matter – they reduce stigma by getting the much needed conversations going and remind us to check in on friends. But what is their impact if suicide rates are still just as high, and some of the men at greatest risk (neurodivergent men) are largely left out of the conversation?

We rarely say this plainly: autistic people face a much higher risk of suicide than non‑autistic people. A large Swedish population study found that autistic adults, especially those without intellectual disability, were around nine times more likely to die by suicide than their non‑autistic peers (Hirvikoski et al., 2016). 

Autistic adults without intellectual disabilities are, on average, more likely than non‑autistic peers to experience mental health conditions such as anxiety and depression. Factors that contribute include chronic camouflaging/masking, sensory overload, social mismatch and stigma, late or missed diagnosis, and barriers to tailored support.

In clinical samples, the picture is even starker: two‑thirds of autistic adults report lifetime suicidal ideation, and about one‑third report suicide plans or attempts (Cassidy et al., 2014). If the risk is this high, why isn’t this part of the headline of our November conversations?

And what about the many who are undiagnosed – men whose autistic traits are missed or misread due to lack of awareness? How many die by suicide after years of the wrong treatment, the wrong framework, or a string of mental‑health labels that never addressed neurodivergent needs in the first place? We don’t track this well enough to know – this, for me, is very worrying.

https://www.jsbainphoto.com/?fbclid=PAZXh0bgNhZW0CMTEAc3J0YwZhcHBfaWQMMjU2MjgxMDQwNTU4AAGn2BRZtQtTMUoE1U-M-wzDJNmWMc00xMXpFZCO7zsh-5Xl65S2ePHo_654k38_aem_CkdO2H_o2p3DNnlzJiEZnA

I’m not speaking in theory. For more than two decades, I repeated the same words over and over, and the responses I received didn’t fit their box – so it was a continuous battle creating more mental health issues.

Look Dez, you’ve taken every combination of medication we can offer you. What else do you want us to do?” – words you don’t want to hear from the psychiatrist in charge of your mental health and well being!

Even after my diagnosis, I’m basically begging for support in any way possible, but they still don’t have an answer. Right now, no services are willing to accept my case. That isn’t a lack of “talking.”It’s a system that doesn’t understand or accommodate neurodivergent needs.

Talk to someone.” “Pick up the phone.” “Open up.” These messages are well‑meant—and sometimes they help. But they assume a neurotypical nervous system. When distress is driven by sensory overload, alexithymia (difficulty identifying and describing feelings), shutdown, or the aftermath of masking, being asked to “speak up” on a phone call, or in fluorescent‑lit rooms, with vague questions, can be not only ineffective but also actively dysregulating and even traumatic.

Personally, I often communicate better in text when I go into meltdown (and after), I need time to process, and rely on concrete, direct language and clear communication. Standard CBT delivered at a pace, full of metaphors and homework that assumes neurotypical cognition, doesn’t work unless it’s really adapted. Yet adapted therapy is patchy across the UK, and post‑diagnostic support for adults remains weak at best – if it exists at all! I’ve learned this the hard way: I’ve been “talking” for years. What’s missing isn’t the willingness to speak – it’s services that listen but don’t know how to respond to neurodivergent communication without pathologising it.

Diagnostic waiting lists have exploded. There are now well over one hundred thousand people in England awaiting autism assessments, with many waiting far longer than the 13‑week standard – often 12–24 months or more. Adult ADHD pathways are similarly overloaded. Late diagnosis isn’t just an administrative delay; it can mean decades of inappropriate treatment plans, missed adjustments at school and work, and a build‑up of trauma from being told to “try harder” in systems not built for your brain. Each missed or delayed diagnosis is a missed opportunity for prevention – especially when we know suicidality is elevated in autistic populations.

89% of autistic adults in the UK aged 40-59 are undiagnosed – Kings College London (2025)

This is why the generic approach to “men’s mental health” feels inadequate to me. Awareness months aren’t wrong – they are just incomplete. We can’t keep telling men to “open up” while offering only neurotypical doorways.

Here’s a truth I wish we’d say out loud: it’s a huge barrier when men are already “talking,” but the system still can’t understand what they’re saying. I’ve used the same words for more than twenty years. The approaches offered back haven’t matched my needs – and I am not a unique case! Even after my diagnosis, when I articulate my needs clearly, services have no adapted pathway, no training, or no remit that fits. At this moment, I’m not being accepted by any service. That isn’t impartial; it’s exclusion by design.

Neurodiversity, complex trauma, and racialised stress each demand deep, specific knowledge. Very few clinicians are experts across all three. That’s not a criticism of individuals; it’s a system‑design problem. Our pathways remain separated: autism/adhd/dyslexia over here, trauma/cptsd over there, “men’s mental health” somewhere in a campaign toolkit. Meanwhile, men sit on waiting lists, collecting labels, and learn to mask harder. Many still struggle to speak openly – especially when their experiences don’t match neat, neurotypical scripts of sadness, worry, and recovery.

Campaigns must reflect the facts: men are not all the same, and neither are their minds – neurotypical and neurodivergent. Put neurodivergent men on the list and on the panels. Highlight that autistic burnout is not laziness; that ADHD‑related rejection sensitivity can look like despair; that shutdowns and meltdowns are not misbehaviour. And tell men this clearly: if standard tools haven’t worked, maybe it’s the tool and not you

And let’s make the suicide data visible, not buried in academic journals. If autistic men face a dramatically higher risk, surely that belongs on the first slide, the first poster, and the first funding line?

We should admit where the evidence base is thin and choose humility. Research is (hopefully) accelerating, but we’re years from fully understanding these intersections. Until then, ‘specialists’ need to listen more to lived experience – with an open mind, and not through the generalised, stereotypical lens that turns nuance into “non‑compliance.” Ask what helps. Believe the answers. Adapt!

https://loveartpix.co.uk

None of this diminishes the value of awareness months; it actually refocuses them. If we want November’s messages to be more than posters and hashtags, we have to build services that fit all men, not the imaginary neurotypical everymanThe stakes are life and deathA system designed around the most complex needs will serve everyone better.

‘I have personally reached out to some well-known men’s mental health services and asked how they handle neurodivergent individuals, and I have been met with half-hearted replies and almost snubbed to my face’ – an all too common response in my experience. 

Acceptance has been central to how I navigate life now – there isn’t any help out there at the moment, as the research simply isn’t there. Acceptance hasn’t removed the struggle, but it has reframed it for me. I have been ‘speaking up’ for years. I don’t need another generic neurotypical catchphrase. I need services that recognise what I’m saying – and are ready and able to respond with understanding, compassion and a willingness to make reasonable adjustments

Sources for the statistics mentioned:

– Hirvikoski, T. et al. (2016). Premature mortality in autism spectrum disorder. A population‑based study in Sweden. Findings include markedly elevated suicide mortality, especially among autistic adults without intellectual disability.

– Cassidy, S. et al. (2014). Suicidal ideation and suicide plans or attempts in adults with Asperger’s syndrome attending a specialist clinic. Reports 66% lifetime suicidal ideation and 35% plans/attempts.

https://loveartpix.co.uk

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Columns Culture Lifestyle

Lubaina Himid: Britain’s Bold Vision for the Venice Biennale 2026

By Steven Smith.

When news broke that Lubaina Himid RA, CBE would represent Britain at the 2026 Venice Biennale, the art world let out a collective cheer. At 72, the pioneering British artist—born in Zanzibar, based in Preston—has earned a place among the most influential voices of her generation. Her work, a dazzling blend of history, storytelling, and social critique, has long challenged the narratives that dominate Western culture, shining a light on the contributions of Black figures who have too often been overlooked.

Himid is no stranger to breaking ground. In the 1980s and 1990s, she curated trailblazing exhibitions like Five Black Women (1983) at London’s Africa Centre and The Thin Black Line (1985) at the ICA, putting Black female artists firmly on the map at a time when mainstream galleries barely noticed. Her daring vision earned her the Turner Prize in 2017, and a CBE followed in 2018, honours that recognise not just her artistry but her remarkable influence on the British cultural landscape.

And yet, Himid remains delightfully down-to-earth. On hearing of her Biennale invitation, she laughed, “with both disbelief and pleasure,” before reflecting on the opportunity:

“It is such a great honour and at the same time a brilliant and exciting opportunity to make something particularly special, which resonates with multiple audiences, communicates with complex histories, and looks to a more collaborative future.”

The Path to Venice

Being chosen to represent Britain in Venice is no small feat. The British Council, which manages the UK’s pavilion, conducts a rigorous selection process. Artists are nominated and assessed by curators, critics, and cultural institutions from across the country. Their proposals are scrutinised for artistic excellence, innovation, and international significance—a combination that signals not just mastery of craft, but an ability to spark conversation on a global stage. The final decision rests with the Pavilion Commissioner and the Visual Arts Advisory Group.

It’s a recognition that places an artist at the very pinnacle of contemporary British art, transforming their career and showcasing their vision to a global audience. For Himid, whose work thrives on dialogue, this platform offers a chance to create a profound, immersive experience in Venice’s historic spaces.

Reimagining the British Pavilion

Himid is renowned for pushing the boundaries of painting, sculpture, and installation, fusing textures, narratives, and sound to construct spaces that feel alive, vivid, and socially urgent. Emma Dexter, Director of Visual Arts and the British Council Collection, describes Himid’s approach as “a radical optimism combined with incisive social critique,” noting that her exhibition will transform the Pavilion into a journey of discovery.

For Venice 2026, Himid’s work promises to be both playful and profound, intimate yet expansive—a conversation across centuries and continents, a reminder that history is never neutral, and that art can illuminate the stories we have forgotten.

From her early curatorial triumphs to her recent global recognition, Lubaina Himid has always worked at the intersection of history, identity, and imagination. Venice will be the latest—and most spectacular—stage for her audacious vision, a moment that promises to resonate far beyond the gilded canals and crowded pavilions of Italy’s floating city.

In 2026, the British Pavilion will not just exhibit art—it will tell a story, vibrant and urgent, through the eyes of one of Britain’s most brilliant and fearless artists.

https://www.tate.org.uk/whats-on/tate-modern/lubaina-himid

https://www.royalacademy.org.uk/art-artists/name/lubaina-himid-ra-elect

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Culture Lifestyle People Uncategorized

Firepit Art Gallery and Studios CIC: Launching Our First Grant-Funded Project – FIREPIT FEELS

We’re thrilled to share some fantastic news — Firepit Art Gallery and Studios CIC has received our very first grant as a Community Interest Company! Thanks to the Greenwich Healthier Communities Fund, we’re able to bring an inspiring new initiative to life: FIREPIT FEELS.

This milestone marks an exciting step forward in our mission to make creativity accessible, inclusive, and nurturing for everyone. With the support of this grant, we’re launching a pilot programme of free and pay-what-you-can workshopsdesigned to foster creative health and wellbeing within our local community.

About FIREPIT FEELS

FIREPIT FEELS is a culturally-rooted series of workshops taking place in Greenwich Peninsula, created to support and uplift individuals from Global Majority, LGBTQIA+, and Neurodiverse communities, particularly those from disadvantaged backgrounds. Our aim is to offer a welcoming, affirming space where creativity, culture, and connection come together to enhance emotional and mental wellbeing.

We warmly invite you to take part in any — or all — of our upcoming sessions:

  • November 12th, 7–9pm – 🎨 Inhabiting Uncertainty on the Canvas — Painting Workshop
  • November 23rd, 1–3pm – 🧘‍♀️ Unfold: Movement & Meaning — Yoga & Journalling
  • December 14th, 1–3pm – 🧵 Chinese Knotting Jewellery & Mindfulness
  • January 8th, 7–9pm – ✏️ Our Art Circle — Drawing Workshop
  • January 22nd, 7–9pm – 📚 Queer Narrative — Collaging and Storytelling
  • January 31st, 1–3pm – 🌿 Creative Connections — Meditation & Sustainable Crafting

You can find more details and book your place for any of the sessions

Designed with Care and Accessibility in Mind

Every aspect of FIREPIT FEELS has been developed collaboratively, with guidance from an Accessibility Consultantand a Psychotherapist, ensuring that the programme is inclusive, neurodiversity-affirming, and trauma-informed.

Each session is relaxed and supportive. We’ll provide sensory aids for those who find them helpful, and a dedicated welfare support guide will be on hand to make sure everyone feels safe, comfortable, and welcome throughout.

About Firepit Art Gallery and Studios CIC

Located in the heart of Greenwich PeninsulaFirepit Art Gallery and Studios CIC is a community-led art hub that celebrates creativity in all its forms. Our mission is to make the arts accessible, inclusive, and sustainable by hosting co-created workshops, exhibitions, and events that reflect the diverse voices of our community.

Run by local artists, we believe in the power of art to connect people, spark dialogue, and support wellbeing. Whether you’re a seasoned creative or a complete beginner, Firepit is your space to explore, express, and belong.

To stay updated on our events, projects, and exhibitions, 

Together, let’s make Firepit Feels a space where creativity truly heals, connects, and inspires.

https://www.firepit.art

https://www.firepit.art/newsletter

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Columns Lifestyle People

Join 2Shades Magazine — An Exciting Opportunity to Shape a Bright, Inclusive Future

Are you passionate about creativity, positivity, and representation? Would you like to be part of an uplifting magazine that celebrates diversity and individuality? Then this could be the opportunity for you.

I’m Steven Smith, Editor of 2Shades Magazine — a vibrant, happy LGBTQ+ publication where everyone is welcome. 2Shades is about joy, self-expression, and living life in full colour. We share stories that inspire, entertain, and connect people from every shade of the spectrum.

At the moment, the magazine is run independently and with heart. It doesn’t yet generate profit, and I’m not taking a salary for my writing or editorial work. But what we do have is potential, readership, and passion — a growing audience who believe in what 2Shades stands for: positivity, equality, and creative freedom.

Now, with my current partner stepping down who we loved and can not thank enough , The incredible Adishia chengappa,is going into full time eduction . I’m looking for a new collaborator or investor to join me on this journey.


🌈 Why Join 2Shades?

  • Be part of something meaningful. 2Shades isn’t just a magazine — it’s a community celebrating LGBTQ+ life, art, culture, and individuality.
  • Low entry, high potential. For £1,000, you can buy into the magazine and become my creative and business partner.
  • Help shape the next chapter. From editorial direction and digital strategy to sponsorship, advertising, and partnerships — your ideas will directly influence how we grow.
  • Your voice matters. Whether you’re a writer, marketer, designer, PR professional, or creative entrepreneur, this is a rare chance to make a real impact.
  • Build towards profit together. As the magazine grows through advertising, sponsorships, collaborations, and events, so does your stake and reward.

🌟 What I’m Looking For

  • Someone who believes in the message of inclusion and positivity — LGBTQ+ and allies alike.
  • Someone excited by independent media and the creative world.
  • A person who’s proactive, imaginative, and ready to build something with heart.
  • Ideally someone who can bring either creative skills, marketing ideas, or business insight — but most importantly, enthusiasm.

💬 Next Steps

If this sounds like you, let’s talk. I’ll share more about our readership, digital presence, plans for the year ahead, and how we can shape this partnership together.

Your £1,000 investment secures you a share in 2Shades, a say in editorial direction, and the chance to be part of something growing, inclusive, and joyfully unique.

Let’s make 2Shades not just a magazine — but a movement that celebrates difference and spreads happiness.

With warmth,
Steven Smith
Editor, 2Shades Magazine
🌐 2shadesmagazine.com

e-mail spman@btinternet.com

07969106222

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Columns Lifestyle People

🎄 Mama Xmas: The Joyful, Wild World of Piluca Artist

https://www.pilucaworld.com/public

“I absolutely love Christmas,” says artist and designer Piluca Camino Alcón, her voice bright with the kind of infectious joy that instantly fills the room. “They used to call me Mama Xmas because I go all out. I host a big dinner on the 24th—that’s when we celebrate in Spain—and my doors are open to anyone who wants to join, especially those who might not have someone to spend it with.” For Piluca, the season is more than decorations or gifts. “I cook like a woman possessed,” she laughs. “Meats, seafood, you name it, it’s a proper bacanal! For me, Christmas is about people, laughter, music, and those real beautiful moments that make life worth living. My dinners are never those forced family affairs where everyone pretends to like each other. Mine are full of joy, dancing and love. It’s a celebration of life itself.”

This joyous, unfiltered energy seems to define everything about her. When asked if she’s been naughty or nice this year, Piluca laughs so hard she nearly spills her coffee. “This year I’ve been both gloriously naughty and impressively nice. I shattered expectations, ignored my own rulebook, and gave full permission to my wild inner freedom. I devoured all the cookies, then hit the gym like a warrior. Balance, darling—that’s the real art!” That combination of chaos and control, wildness and discipline, runs through both her personality and her work. Born in Madrid, she first came to London on holiday with her mother-in-law and fell in love with Brixton.

“The moment I stepped into Brixton in 1996, I fell in love. The energy, the cultural and ethnic mix, the unapologetic vibrancy—it was electric. There was this raw, unfiltered love for music and the arts, a non-judgmental openness in its people, and a market bursting with flavours, colours and life. It felt like home instantly.” She has stayed ever since, building a life and career rooted in that creative spirit. “I didn’t choose to become an artist,” she says simply. “I was born one. I have created for as long as I can remember. Being an artist is not a choice but a necessity. My ultimate aim is to connect, elicit a response and inspire through my practice.”

She has certainly done that. A published illustrator, sculptor, fashion designer and community organiser, Piluca was a finalist in the arts category for the WinTrade International Awards in 2018. During lockdown she threw herself into animation projects while developing her own fashion line. “Art is how I breathe,” she says. “My life and my creativity are so deeply intertwined that separating them would be impossible. Art is my voice, my refuge, and my power.” She speaks about her upbringing with disarming honesty. “My past shaped every part of me, and art became both my shield and my weapon. It has always been my therapy, my way of making sense of the world.” When she laughs, it’s the laughter of someone who has survived, rebuilt, and decided to celebrate it all anyway. Even under the mistletoe, she admits, there are no plans or rules. “Mistletoe’s kissing? Depends who’s standing under it first,” she grins. “I don’t plan these things. I improvise.”

That sense of improvisation seems to fuel her approach to both art and life. Her inspirations span from Spanish masters like Picasso, Dalí and Velázquez to contemporary icons such as Sarah Lucas, Judy Chicago and Yayoi Kusama. She’s also deeply influenced by the raw, expressive energy of street art. “It’s rebellious, emotional, connected to the real world. That’s what I love.” Yet, despite her international sensibility, she remains deeply rooted in Brixton. “London suits me fine,” she says. “I just dream of a bigger studio one day—warehouse big!”

“My dream for the year ahead is to keep evolving—becoming stronger, fitter, sharper. To keep inspiring my kids, pushing myself, and making the most of every moment.”

Family means everything to her. She has two sons, Carlos and Malachi, and both have inherited her creative fire. “Carlos reached Grade 8 on piano, and Malachi’s preparing for his Grade 5. They’re different but equally artistic. Carlos is grounded and business-minded, while Malachi is a free spirit, completely immersed in creativity, untouched by brands or status. At six, he said he wanted to be an artist, just like I did at his age.” Her eyes soften when she speaks about them. “What I teach them both is this: creativity is what sets us apart from the animal kingdom. It’s the ability to turn imagination into something tangible—to create what didn’t exist before. Life itself is art, and art gives life its meaning.”

Earlier this year, she travelled to Chicago to collaborate with acclaimed photographer Sandro Miller on his project I Am Beautiful, exploring inner beauty and self-love. “It was surreal,” she says. “Meeting him, his wife, his team—it felt like meeting someone from my tribe, someone who has used art as both shield and weapon. It was cathartic. I grew. I can’t wait to go back.” When asked what she wants most for 2026, her answer is immediate. “To keep being granted the strength, madness and magic to make things happen.”

As the conversation turns back to Christmas, Piluca’s eyes sparkle. “Christmas is the perfect metaphor for life,” she says. “It’s messy, loud, emotional—and if you open your heart to it, it’s beautiful. I don’t care about presents; I care about presence.” You can picture her back in Brixton, fairy lights strung from every corner, music playing, food piled high, her friends and family laughing and dancing around her. “That’s Christmas to me,” she says, smiling. “A celebration of life itself.”

https://www.pilucaworld.com/public

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Columns Lifestyle People Poetry

Book Review: Naughty but Neurodiverse – An Aspie’s Road to Magic by Angus Baskerville

By David Nailer for 2Shades Magazine

Grit, grace, and a touch of glittering illusion — that’s what defines Angus Baskerville’s extraordinary memoir, Naughty but Neurodiverse – An Aspie’s Road to Magic. It’s a book that doesn’t just tell a story; it invites you into the world of a young man who found light in the places most would have given up hope.

Bullied. Excluded. Expelled from three schools. For many, that might have been the end of the story. But for Angus, it was the beginning of something far more powerful. Diagnosed with autism and ADHD at fifteen, he finally had an explanation for the whirlwind he had lived with all his life. Yet it wasn’t until discovering magic at seventeen that everything changed.

Magic gave him more than a skill — it gave him purpose, structure, and a way to communicate in a world that often misunderstood him. His journey from isolation to inspiration unfolds with raw honesty and a quiet kind of triumph that lingers long after you turn the last page.

It’s impossible not to feel moved by his transformation. The pivotal moment comes when Angus performs at Autism’s Got Talent, the groundbreaking showcase created by Anna Kennedy OBE. Stepping into that spotlight, Angus wasn’t just performing tricks — he was reclaiming his identity. That night became the launchpad for a remarkable career that would take him from misunderstood teen to award-winning magicianMagic Circle member, and autism advocate.

Today, Angus Baskerville performs across the UK, dazzling audiences with performances that weave illusion and insight. He leads corporate workshops, runs school magic clubs, and continues to champion autism awareness with the charity Anna Kennedy Online. Through it all, his message remains beautifully simple — being different is not a flaw to fix, but a gift to embrace.

Naughty but Neurodiverse is an emotional, uplifting, and often funny read that captures the resilience of the human spirit. Baskerville writes with warmth and disarming honesty, sharing moments of confusion, humour, and triumph. His story gives readers — whether autistic, parents, teachers, or simply curious souls — a new lens through which to see neurodiversity: one filled with creativity, courage, and heart.

This isn’t just a memoir; it’s a manifesto for understanding and acceptance. Angus reminds us that the real magic lies not in illusion, but in authenticity — in daring to be unapologetically yourself in a world that often tells you to hide your light.

In a time when inclusion is still learning to find its true meaning, Angus Baskerville stands out as a shining example of what can happen when passion meets purpose.

A heartwarming, inspiring, and utterly magical read — one that deserves a standing ovation.


Where to Buy:
Naughty but Neurodiverse – An Aspie’s Road to Magic is available now on Amazon UK.

Angus says:

“If even one person reads this and feels seen, understood, or inspired — then it’s all been worth it.”

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Columns Health and Fitness Lifestyle People Uncategorized

2Shades Magazine Supports the Women’s Vegan Club

Glamour, compassion, and a touch of Shoreditch sparkle at 45 London
By Steven Smith https://www.veganwomensclub.com/pricing

The Gorgeous Victoria Featherstone Pearce , with the glamours Karin Ridgers and Juliet Gellatley

Founder And Director
@
Viva!

Glitz and glamour poured into Shoreditch on a rain-soaked Saturday night as 2Shades Magazine joined the celebration for the official launch of the Women’s Vegan Club at the ultra-chic 45 London Despite the downpour, nothing could dampen the excitement as guests in sequins, faux fur, and high spirits gathered to raise a glass — or rather, a coconut-rimmed cocktail — to compassion, community, and cruelty-free living.

The gorgeous Victoria Featherstone Pearce with 2shades Steven Smith at the launch of The Woman’s Vegan club

The event wasn’t just for women — men were warmly welcomed too — but it was very much a celebration of female empowerment and ethical entrepreneurship. The room shimmered with warmth and laughter as founders, patrons, and supporters mingled over divine canapés and cocktails, united by one shared passion: veganism.

In a world where being vegan can still attract raised eyebrows or outright discrimination — whether in the workplace, at the dinner table, or even in friendships — the Women’s Vegan Club has created a space where compassion is something to be proud of. This is a club about inclusion, not exclusion, and about supporting each other in living authentically and kindly.

Cake by Freya Cox

And what a line-up of women at its helm. Three of my favourite ladies are involved — one as an ambassador and two as co-founders — each an inspiring powerhouse in her own right.

Model, vegan activist, and lifelong animal rights advocate Victoria Featherstone Pearce is the embodiment of grace and grit. Best known for her tireless campaigning and for co-owning K-9 Angels, a charity dedicated to rescuing and rehabilitating dogs worldwide, Victoria has been a compassionate force for change in the animal welfare movement. As a VegfestUK blogger and campaigner for both PETA and Animal Aid, she has fronted numerous awareness initiatives encouraging a kinder lifestyle. A devoted mum to her seven rescue dogs, Victoria’s dream is to one day open her own animal sanctuary — a place where every creature has a home and a second chance. Her work reflects a lifetime of dedication to animal welfare and her belief that kindness should be the foundation of everything we do.

The other visionary behind the Women’s Vegan Club is Karin Ridgers, an award-winning entrepreneur, broadcaster, and vegan advocate of more than 30 years. Karin is the founder of MAD-Promotions PR and the creative force behind VeggieVision TV, an online platform championing vegan businesses and ethical living. Her energy is infectious, her passion unshakable. Karin has long been recognised for her dynamic public speaking and unwavering support for cruelty-free campaigns. Through her work, she continues to inspire and connect people across generations, proving that compassion and confidence go hand in hand. When Karin took the stage later that evening, her speech was electric — part rally cry, part love letter to the movement. Her words reminded us that veganism isn’t a passing trend, but a moral choice and a lifestyle built on empathy. As I watched her speak, I couldn’t help thinking she should be in Parliament — we need voices like hers there.

Representing the club as its ambassador is Wendy Turner Webster, a beloved British television presenter and producer best known for hosting the long-running UK show Pet Rescue. An award-winning animal rights campaigner, Wendy has dedicated much of her life to championing the ethical treatment of animals, both on-screen and behind the scenes. Her work spans decades of advocacy — from campaigning for cruelty-free beauty to promoting vegan living through her media appearances. Her passion is as genuine as her warmth, making her a perfect fit for a club that’s about real change, not just polished image.

Now, full disclosure — I’m not entirely vegan… yet. One of my best friends in Dubai is, and when I stay with her, I become a temporary convert. And I have to admit, I love it. So, as someone who flits between plant-based and pescatarian, I was fascinated to see how this night would blend style and ethics.

Vegan Bound when visiting my friend who is vegan I join in and love it , Marieanne Nason and me , https://www.veganwomensclub.com/pricing

From the moment I arrived, it was clear this was no ordinary launch. Guests were greeted with a warming vegan ginger and rum cocktail — the perfect remedy for a chilly London evening. The canapés were works of art: the standout being a delicate broccoli and black garlic bite that I’m still thinking about days later. The atmosphere was buzzing yet intimate. The crowd was a lively mix of media personalities, campaigners, and creatives — the kind of people who make you believe that small changes can truly change the world.

The Great British Bake off Freya Cox

Victoria’s speech was heartfelt and deeply moving. I’ve known her since our days moving in the same media circles, and what has always struck me about her is her honesty and kindness. Hearing her speak about her personal journey into veganism — the challenges, the triumphs, and the quiet conviction behind her choices — left more than a few misty eyes in the room. Then came Karin’s rousing address — part Emmeline Pankhurst, part stand-up charm — reminding everyone that activism can be elegant, and leadership can be laced with humour. https://www.veganwomensclub.com/pricing

Guests listening to some of the exciting things the vegan club offers https://www.veganwomensclub.com/pricing

And then came a surprise highlight: an impromptu speech by Great British Bake Off’s own Freya Cox. Funny, humble, and full of life, Freya had the audience roaring with laughter — and soon queueing eagerly for a slice of the vegan cake she had created especially for the night. In true showbiz fashion, the cake even matched Victoria’s gown — a dazzling touch of edible couture. Imagine the jam roly-poly of your schooldays, only reinvented as a masterpiece of modern vegan patisserie.

Dr Anna Kennedy OBE with founder of the Woman’s vegan club Victoria . https://www.veganwomensclub.com/pricing

But it wasn’t all “let’s hear it for the girls.” Victoria’s dashing husband, Stephen Pearce, added his own twist to the evening’s delights by introducing his line of vegan honey — made not from bees, but from pine needles. The taste was rich, aromatic, and unexpectedly moreish. As Dr Anna Kennedy OBE declared while snapping up a pot, “Just wonderful!” (Watch this space for more on that.) Stephen also unveiled a range of mouth-watering vegan cheeses that had even the most sceptical guests going back for seconds

The party carried on late into the evening, the room shimmering with the glow of good company and shared purpose. People danced, laughed, swapped numbers, and made plans for collaborations and causes. What united everyone there wasn’t just veganism — it was the belief that kindness, creativity, and community can coexist beautifully.

Sat not cheese ,

There was even an amazing musical moment with Annette Wardell who flew in from Italy for the occasion https://www.instagram.com/annette.wardell23?igsh=czlwZmw0Zmo1bWRp

Annette Wardell seduces the crowd with her magical voice .

By the end of the night, it was clear that the Women’s Vegan Club isn’t just a social group — it’s a movement. A space where women can support one another, promote sustainable change, and still look absolutely fabulous while doing it. As I left, rain still falling softly on the cobbles of Shoreditch, I couldn’t help but smile. Compassion has never looked so glamorous.

Follow the Women’s Vegan Club https://www.veganwomensclub.com Steven’s  Note: 2Shades Magazine celebrates women who lead with purpose, style, and heart — those who use their voice to make the world a kinder, brighter, and more inclusive place

The event was sponsored by https://www.instagram.com/damapreziosaofficial?igsh=aG52OGJiZjZ2cTg%3D

https://www.veganwomensclub.com/pricing

https://www.45london.com/?fbclid=PAZXh0bgNhZW0CMTEAAaeRPPTAg7mOvfdw3lEQxM7z_T-78zjP5MeS0zcGZurzxUS5zaokx8J_YSU0gg_aem_rovDbJ8yfRVY7viMbXNUTw

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Riot Women — BBC’s Surprising Triumph of Grit, Wit and Pure Heart

4stars xxxxx



Riot Women — BBC’s Surprising Triumph of Grit, Wit and Pure Heart

There are times when you arrive home after a long day, craving nothing more profound than a cosy half-hour of television fluff — something light, comforting, and easy to disappear into. On the surface, Riot Women looks like exactly that: a vibrant title card, bold artwork, and a show pitched squarely at those who love a dash of spectacle. It would be very easy to hit play expecting a breezy, perhaps even camp, comedy-drama and settle back with a cup of tea.

But Riot Women is not that show. Not remotely.

If you only watch the first ten minutes, you could be forgiven for thinking you’ve been misled. The opening is stark, intense, and packed with enough emotional punch to make even the most resilient viewer mutter, “Oh no… this is going to be depressing,” and reach for the remote.

Yet turning it off would be a terrible mistake.

Because Riot Women quickly reveals itself to be television gold — unexpected, daring, and absolutely bursting with life.

At the centre of this explosive drama-comedy hybrid are the phenomenal Rosalie Craig and Joanna Scanlan, leading an ensemble cast that delivers performances of a calibre you rarely find in mainstream television. Between them, they light up the screen with such power and honesty you can’t look away. Rosalie Craig, especially, is a revelation. Known for her formidable stage presence in musical theatre, she brings the full breadth of her talent to this role: vocally electrifying and dramatically fearless, she swings from raw vulnerability to razor-sharp humour with impossible ease. It’s the kind of performance awards are invented for — at the very least, she deserves a BAFTA nomination.

Joanna Scanlan matches her beat for beat, offering a portrayal that is quietly astonishing — subtle, grounded, and capable of landing an entire emotional narrative with one look. Together, they create a dynamic that makes the story feel not just relevant but necessary.

Of course, no great television series exists without a masterful hand guiding it from the page. Here, that hand belongs to Sally Wainwright, one of Britain’s most exceptional screenwriters. Her voice is unmistakable: sharp, deeply empathetic, and rooted in the lived truths of women who refuse to be sidelined. Wainwright balances humour and heartbreak like a tightrope walker, proving again — as she did with Happy Valley and Last Tango in Halifax — that she knows exactly how to capture complicated, flawed, brilliant female characters. And then there’s Tamsin Greig, whose incomparable screen presence adds yet another layer of brilliance. Whether she’s delivering a deadpan line or revealing quiet vulnerability beneath stoic armour, Greig commands attention every moment she’s on screen. She becomes one of the show’s beating hearts — a character you’re compelled to follow, even in her silences.

What truly distinguishes Riot Women is its emotional honesty. The series dives into the frustrations, absurdities, and injustices faced by women whose lives haven’t gone according to plan — yet it refuses to let despair take the lead. Just when the narrative feels like it’s sinking into darkness, the humour kicks in. And not just comic relief for the sake of it — we’re talking whip-smart, laugh-out-loud writing delivered with perfect timing.

The absurdity is part of the point. Life can be relentless — but it can also be ridiculous.

The tone may zigzag, but that unpredictability is what makes the experience so exhilarating. One moment you’re laughing; the next you’re wiping away tears; then suddenly you’re cheering these women on as they find their voices and reclaim their stories. It’s a celebration of community, resilience, and rebellion — the quiet kind and the loud kind.

Yes, it can be camp — gloriously so — but never cheaply. The humour always comes from a place of truth. And through the satire, the show provides a sharp commentary on how society treats women who dare to age, to feel, to be imperfect, or to speak up.

The writing is confident and bold, unafraid of pushing boundaries. Each episode leaves you with a question — and a burning curiosity for what comes next. It is a story about what happens when ordinary women decide they’re done being polite and invisible. When they realise they have power. When they riot — not violently, but vocally, musically, and emotionally.

To call Riot Women a gem feels too small. It’s a series that arrives disguised as a guilty pleasure but reveals itself to be a gutsy, heartfelt, and beautifully crafted piece of British drama. It’s television that matters — without losing its sense of fun.

So if you begin watching and feel the instinct to switch over: don’t. Give it time. Let it breathe. Stick with the journey.

Because what you find is something rare: a show that reminds you we are all allowed to feel broken — and also allowed to dance, shout, laugh, and reclaim joy, whatever age we are.

Riot Women is bold. It’s brilliant. And it’s absolutely worth your time.

https://www.bbc.co.uk/iplayer/episodes/m002hd7x/riot-women

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Frieze London 2025 — Substance Over Spectacle

https://www.frieze.com/fairs/frieze-london Chloe Chiasson Down In Saba

Frieze

Frieze London 2025.PHOTO: LINDA NYLIND. COURTESY OF FRIEZE

By Steven Smith

“This was Frieze in its most mature form — calm, confident, and beautifully human.”

This October, Regent’s Park once again became the beating heart of contemporary culture, as London’s premier art fair returned with a noticeably more reflective air. Gone were the flashing lights and social-media gimmicks that once dominated the scene — in their place, a quiet confidence and an emphasis on meaning over market value. Frieze London 2025 proved that the true allure of art lies not in the roar of spectacle, but in surprise, sincerity, and the occasional whisper that lingers long after the tents come down.

A Quieter Kind of Dazzle

Each autumn, the white tents of Frieze rise like a sleek temporary city, drawing curators, collectors, and celebrities who glide between installations and champagne bars. But this year, something had shifted. The fair felt calmer — less about performance, more about purpose.

The tone was set from the outset. New entrance pavilions — elegant aluminium structures created by A Studio Between using 75 per cent recycled metal — signalled sustainability rather than status. It was a small yet telling gesture: Frieze has grown up.

Inside, the fair’s redesigned layout provided space to breathe. Instead of the crowding and visual overload of previous years, this edition privileged air, light, and contemplation. And what stood out most was originality. You weren’t left thinking “Hirst homage” or “Bacon knock-off” — though artistic lineage was there — the work felt boldly its own.

“It’s still dazzling, but with a steadier gaze.”

A Fair with Focus

Otobong Nkanga, Cadence-While We Wait and Watch, (2025).PHOTO: © OTOBONG NKANGA, COURTESY LISSON GALLERY

Frieze remains vast — more than 280 galleries across Frieze London and Frieze Masters — yet this year’s coherence was striking. Focus, the section dedicated to younger galleries, became its emotional anchor. Thirty-plus exhibitors explored climate, identity, displacement, and belonging with genuine urgency rather than opportunistic messaging.

One standout installation — a delicate shelter of reclaimed textiles and timber — spoke quietly yet powerfully of “home”. No gimmicks. Just humanity.

Even the major galleries opted for subtlety. Gagosian, Hauser & Wirth, and White Cube resisted spectacle in favour of introspection: small, thoughtful works that drew viewers in rather than overwhelming them.

“Frieze 2025 is a fair about stories, not stunts.”

The Market Mood

Frieze is both cultural pilgrimage and high-stakes shop floor — and the cooling market was impossible to ignore. Economic uncertainty has made collectors judicious, especially in Britain. Yet the fair thrived precisely because it did not mask reality.

Dealers confessed that sales were careful but consistent. Relationships mattered more than rapid-fire transactions. There was less frenzy, more trust — and with it, a sense of optimism that art still carries weight when times feel lean.

Art with Intention

What defined Frieze this year wasn’t a single blockbuster piece — but a collective tone of intentionality. Works spoke across booths about survival, memory, fragility, and the search for place.

Even architecture joined the conversation. Those aluminium pavilions — modest in shine yet rich in idea — mirrored the fair’s shift: modernism stepping into mindfulness.

Once known for glamour and provocation, Frieze has found its inner voice. No longer chasing viral moments, it invited something rarer: genuine attention.

“If previous years shouted, this one spoke — and everyone listened.”

Naudline Pierre, Bathers, (2025). PHOTO: COURTESY OF NAUDLINE PIERRE AND JAMES COHAN

Moments of Stillness

Frieze 2025 balanced buzz with calm. The chatter of negotiations coexisted with long, quiet looks. Visitors paused not because works were famous — but because they were interesting.

Climate anxiety, migration and belonging were recurring ideas, but handled with nuance rather than sloganising. There was vulnerability — a powerful antidote in a world polished to a shine.

Where It Wobbles

A fair this size still overwhelms. After several hours, even the sharpest eye risks softening into what insiders call “booth blur”. And while sustainability was championed, the contradiction of air-freighted masterpieces inside temporary architecture remains unresolved.

Yet for Frieze, these were growing pains — not failings.

“After three hours, the brain begins to flatten everything into booth blur — but somehow, this year, the art fought back.”

London’s Moment

Amid market turbulence, Frieze reaffirmed London’s role as the art world’s soulful heart. Where Basel can feel clinical and New York transactional, London offers intellect tempered with humour — grit paired with grace.

A temporary city in a timeless park: that is its poetry.

https://www.frieze.com/fairs/frieze-london

In the End

Frieze London 2025 was the grown-up edition — less showmanship, more sincerity. It favoured ideas over Instagram, meaning over money. It reminded us that great art doesn’t always demand attention. Sometimes it waits. Sometimes it whispers. And sometimes, if you pause long enough, it tells you exactly what you needed to hear.

“This was Frieze in its most mature form — calm, confident, and beautifully human.”

https://www.frieze.com/fairs/frieze-london

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Blessings at the Riverside Studios


⭐⭐⭐⭐⭐ Review: Blessings at Riverside Studios https://riversidestudios.co.uk/see-and-do/blessings-177622/

Blessings at Riverside Studios is a richly atmospheric and deeply human exploration of family, faith, and the moral turbulence of the 1960s. Directed with sensitivity and intelligence, the play captures a pivotal moment in British social history — a decade when traditional values clashed with the new freedoms of a changing world. It’s a thoughtful, gripping production brought vividly to life by a stellar cast, led by Gary Webster and an extraordinary debut performance by Freddie Webster.

Freddie Webster.

Set against a backdrop of shifting class structures and cultural awakening, Blessings weaves its story around a working-class family grappling with the personal consequences of societal change. The writing is sharp and heartfelt, with themes of loyalty, pride, and redemption pulsing beneath every exchange. The set design immediately evokes the texture of the 1960s — all formica kitchens, nicotine-stained wallpaper, and muted optimism — drawing the audience into a world both familiar and fading.

Rising Star Freddie Webster

At the centre of it all is Gary Webster, whose commanding presence anchors the production. Best known for his iconic turns in Minder and EastEnders, Webster once again proves he is one of the UK’s most underrated actors. His performance here is layered and magnetic: a man torn between old loyalties and the unrelenting push of modern life. He brings a bruised dignity to the role — a quiet strength mixed with a sense of defeat that feels heartbreakingly authentic. In a just world, this performance would cement his reputation as one of Britain’s finest stage actors.

Underestimated Gary Webster

Equally striking is the breakout performance of Freddie Webster, making his professional stage debut after studying at Mountview Drama School. It’s rare to see such poise, nuance, and emotional truth in a first-timer. Freddie delivers a performance that is at once raw and refined, capturing the restless energy of youth alongside the vulnerability of someone desperate to find their place in a world that doesn’t quite make sense. His natural stage presence and impeccable timing mark him as a talent to watch — a future star in the making. The chemistry between father and son, both on stage and in spirit, is palpable and moving, adding an extra layer of resonance to the drama.

Hannah Traylen, as Frances, deserves special mention. She brings warmth, wit, and quiet steel to a role that could easily have been overshadowed in lesser hands. Traylen’s Frances is a woman of her time but also ahead of it — sharp-tongued yet tender, pragmatic yet passionate. It’s a beautifully judged performance suggesting that Traylen is another rising talent with a bright future

Gary Webster and Hannah Traylen .

The supporting cast contribute solidly, creating a believable ensemble that breathes life into every corner of the story. The pacing of the piece, while deliberate, allows each emotional beat to land fully. If there is a minor quibble, it’s that the play runs a little long without an interval — at times, one finds oneself wishing for a short pause to absorb the emotional intensity before diving back in. Yet, in truth, this is a small price to pay for the richness of the experience. The continuous flow also has its advantages: it keeps the audience immersed, never breaking the spell the actors have so carefully woven.

Technically, Blessings is beautifully realised. Lighting and sound design work in quiet harmony to evoke both nostalgia and unease. The director’s attention to period detail ensures that nothing feels contrived; instead, every moment feels lived-in and real. The dialogue crackles with authenticity, alternating between humour and heartbreak in a way that mirrors real life.

Ultimately, Blessings is a triumph — a play that reminds us why live theatre matters. It challenges, it moves, and it connects. It holds a mirror up to a time not so long ago, showing us how the struggles of the past still echo in the present. Gary Webster delivers a masterclass in restrained power,

The result is an evening of theatre that feels both timeless and immediate — .

https://riversidestudios.co.uk/see-and-do/blessings-177622/