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Rocco Ritchie is an artist to be reckoned with.

It would be easy to rush to call Rocco Ritchie a “nepo baby” and dismiss his artistic success as being down to his famous parents. Of course, any help in an industry riddled with nepotism and driven by who you know can be an advantage. However, I am the first to say that Rocco is a huge talent with an original voice — if there is such a thing — and that originality is precisely why he is taking the art world by storm.

Rocco Ritchie is gaining recognition not because of who his parents are, but because of who he is becoming. In an industry often suspicious of famous surnames, he has quietly and confidently carved out a space that feels earned rather than inherited. Far from the caricature of a “nepo baby,” he has demonstrated discipline, originality, and a genuine commitment to craft that has surprised critics and collectors alike.

The label of nepotism is an easy one to reach for. As the son of global icon Madonna and filmmaker Guy Ritchie, Rocco grew up surrounded by creativity, privilege, and cultural capital. Yet what is striking about his artistic rise is how deliberately he stepped away from the spotlight that might have guaranteed instant attention. For years, he worked under a pseudonym, allowing his art to speak before his name did. That decision alone signals intent: Ritchie wanted critique, not cushioning.

His work does not rely on imitation or celebrity gimmickry. While many emerging artists fall into the trap of echoing fashionable trends or overtly referencing their influences, Ritchie resists this. Too often, artists with minimal talent but strong PR and marketing skills are sold to naïve buyers on the strength of a story rather than substance. The work may look good on a wall, but when it comes time to resell, the narrative unravels. Ritchie’s art does not rely on hype; it stands on its

own.

His work feels personal and idiosyncratic, and my hunch is that it will one day sell at serious auction houses. His paintings often explore mood, texture, and form with a restraint that belies his youth. There is confidence in his mark-making and composition, but also vulnerability — an understanding that art is as much about questioning as it is about declaring.

What sets Ritchie apart is that his work resists easy categorisation. There are echoes of classic portraiture, abstract expressionism, and urban grit, yet these elements are filtered through a distinctly contemporary lens. His use of layered surfaces and muted palettes gives the impression of images emerging from memory rather than being presented as finished statements. This refusal to over-explain is refreshing in an age of overexposure.

Equally compelling is Ritchie’s personal evolution. Over recent years, he has grown into a strikingly handsome and self-assured man, yet without the performative bravado often associated with celebrity offspring. There is a quietness to his public presence — a sense that he is more comfortable in the studio than on the red carpet. This grounded demeanour enhances his credibility as an artist committed to longevity rather than instant fame. He does not overtly reference other artists in his work, though there may be subtle echoes of the Mexican greats Frida Kahlo and Diego Rivera — favourites of his mother — woven quietly into his visual language.

Public fascination has also been reignited by rare and genuinely touching moments of unity between his parents. Seeing Madonna and Guy Ritchie together in public for the first time in years, supporting their son, struck a chord. In an era where celebrity family dynamics are often reduced to spectacle, their shared pride felt sincere. It underscored that Rocco’s journey has not been about rebellion or reaction, but about reconciliation — between heritage and independence, privilege and purpose.

It would be naïve to deny the influence of Madonna’s deep love of art. A lifelong collector with a formidable eye, she has immersed herself in fine art, from classical masters to cutting-edge contemporary works. Growing up around such visual literacy undoubtedly shaped Rocco’s sensibilities. But influence is not imitation. Rather than copying his mother’s tastes, Ritchie appears to have absorbed an understanding of art as dialogue — between past and present, self and society.

What makes his rise feel so timely is that audiences are craving authenticity. Collectors and critics alike are increasingly weary of hype without substance. Ritchie’s work rewards slow looking. It invites interpretation without dictating meaning. This approach has helped him build genuine momentum, with exhibitions that attract attention not because of scandal or surname, but because viewers are curious to see what he will do next.

Rocco Ritchie’s emergence reminds us that legacy does not have to be a burden. It can be a foundation — one that still requires effort, risk, and humility to build upon. He is not storming the art world with noise, but with nuance. And in today’s cultural climate, that quiet confidence may be the most radical statement of all.

END

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Steven’s Viewz A Christmas Message wishing for Empathy in 2026.

As we approach the end of another eventful year and step into the promise of 2026, I want to begin by wishing every one of you a very Happy Christmas. Whether you celebrate the season quietly, joyfully, or somewhere in between, I hope the coming weeks bring you warmth, connection, and moments of genuine peace. Christmas is a time of reflection as much as celebration, and for me, looking back over 2025 brings both change and gratitude.

One of the biggest changes this year was saying farewell—though never goodbye—to my gorgeous friend and co-founder of 2ShadesAdishiri Chengappa. Many of you will know her as the bright, compassionate, and fiercely driven woman who helped bring this magazine to life. Adishiri has returned to India to study counselling, and I have absolutely no doubt she will become a brilliant one. Her heart, her empathy, and her ability to really listen to people make her an extraordinary human being, and those are precisely the qualities that will make her excel in her new profession.

Although Adishiri is stepping down from the magazine to focus on her studies, she remains a lifelong friend—both to 2Shades and to me personally. Our bond is permanent, and her contribution to the magazine will always be part of its foundations. Behind the scenes, we are now in discussions with a new partner who will join the 2Shades family and help carry the torch forward.

For those of you who may be newer readers, let me say this clearly: 2Shades has never been “just” an LGBTQ+ magazine. From day one, we envisioned a vibrant, inclusive space—a place for everyone. A magazine that is joyful yet unafraid; stylish yet unfiltered; a platform for voices that deserve to be heard. We speak our minds, we cover subjects that others shy away from, and we stand firmly by our philosophy that representation and honesty matter.

Over the years, we’ve covered everything from fashion, art, and entertainment to some of the most difficult and deeply important topics affecting people today. We have reported on male rape, mental health, identity, domestic violence, addiction, grief, and more. The world is multifaceted, and so are the people in it; 2Shades aims to reflect that complexity.

A huge part of what makes this magazine special is our remarkable team of columnists. Our Agony Aunt, Heidi Gammon, continues to grow in popularity, offering advice with wit, warmth, and plain-spoken honesty. Dr Anna Kennedy OBE brings vital insight, advocacy, and compassion through her work in autism awareness and support. Our beauty expert Clare McSweeney adds glamour, empowerment, and the kind of practical advice that boosts confidence. And this year we welcomed Richard Andrews, who’s new “Money Matters” column is already proving invaluable to readers navigating finances during turbulent times.

Clare 2Shades columnist with Aston Avery she is on Gateway every month .

All of them are thriving on social media, and their readership continues to soar—a testament to the authenticity and relevance they bring.

What makes all of this even more remarkable is that the magazine still has no sponsors. I work entirely for free, as do many involved. And we do it because we believe in 2Shades, in its purpose, and in the community surrounding it. But as we look ahead to the future—and to the possibility of expanding globally—sponsors and advertisers will eventually be essential. If you’ve enjoyed the work we’ve done, if the magazine has informed, entertained, or supported you in any way, then please help us grow by spreading the word. Share the link, recommend us, tell people who we are and what we stand for. That simple act makes a world of difference.

And speaking of difference: there is something else I’d like to ask this Christmas.

If you feel moved to show appreciation for the magazine’s work this year, please consider donating to Anna Kennedy Online, a charity that means an incredible amount to me personally. Not only is Anna a dear friend, but I am honoured to have been a patron of her autism charity for nearly twelve years—something I remain immensely proud of. The work AKO does is life-changing for autistic children, adults, and families across the UK. If you would like to donate, the details are below; even the smallest contribution helps.

Dr Anna Kennedy OBE with me.

Looking ahead, my biggest hope is that 2026 will be the year 2Shadesbecomes a global success. A huge portion of our readership already comes from the United States and Australia, which shows that our message resonates far beyond the UK. We speak to universal experiences—identity, struggle, connection, joy, and truth. These things transcend borders.

And that brings me to my wish for 2026, a simple yet powerful one:
More empathy. More understanding. More respect.

We live in an increasingly polarised world, where disagreement is seen as a personal attack and differing opinions are met with hostility rather than curiosity. One of the wisest things I heard this year came from Peter Tatchell at the screening of “Legendary Children: All of Them Queer.” He said:

“By going into other places and organisations and being your authentic self, making a positive difference, people will start to change their views.”

That stayed with me, because it reminds us that real progress rarely comes from shouting or fighting—it comes from presence, compassion, and consistency.

Yet too often, respect is missing from the smallest everyday interactions. I’ll give you an example. I have not eaten red meat or pork for 49 years. It’s part of who I am. I don’t need to explain why; it doesn’t need to be debated. Yet more times than I can count, I’ve sat down to a meal only to be told, “Oh, just scrape it off,” as if my boundary were an inconvenience rather than something worthy of respect.

It’s such a small thing, but small things matter. Empathy shows itself in the details. Most people, of course, are thoughtful and considerate—but we all know others who refuse to see beyond their own beliefs. They hold strong opinions on everything yet become instantly outraged if you question theirs. They expect understanding but rarely offer it in return.

And then there are those who appear addicted to drama—who cannot be content unless they are creating conflict or turning an event into something about them. Rather than bringing joy, talent, or positive energy to a gathering, they bring chaos. It is, in my opinion, a kind of addiction in itself. A hunger for attention that stifles empathy and dims the light for everyone else. As such addiction is an illness and I have empathy there. However when an illness is contagious or has a knock on effect on your mental health you need to walk away in the end.

Imagine how different the world could be if empathy were something we practised as naturally as breathing. If instead of reacting, we paused. Instead of judging, we listened. Instead of assuming, we asked.
If 2026 could bring even a fraction more understanding into everyday life, what a transformation we would see.

So as we wrap presents, raise glasses, and welcome the new year, my message is this:
Celebrate with kindness. Speak with honesty. Live authentically. Respect differences—not just the ones that are easy, but the ones that challenge you. And above all, look for ways to make someone else’s world a little better.

To every reader, supporter, contributor, and friend of 2Shades: thank you for being part of this journey. Here’s to a beautiful Christmas, a hopeful New Year, and a 2026 filled with courage, connection, and compassion.

With love and gratitude,
Steven

PLEASE DONATE BELOW .

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Dr Anna Kennedy OBE Column

Anna Kennedy here, wishing all 2Shades readers a Happy Holiday, a wonderful Christmas, and a brilliant start to 2026.

As we head into one of the most magical—and often most demanding—times of the year for families of autistic children and adults, it’s important to remember that the festive season can bring unique challenges. While Christmas is filled with lights, music, gatherings, and excitement, these same elements can also create sensory overload, anxiety, and feelings of being overwhelmed. With a little planning, understanding, and flexibility, it’s possible to create a festive period that feels joyful, calm, and inclusive for everyone.

Here are my top seven tips to help ensure the Christmas season goes smoothly for autistic children and adults, as well as their family and friends:

Keep routines where possible.
Routines offer predictability and comfort, especially during a time of year when everything else seems to change. Try to keep familiar daily patterns in place — this can include mealtimes, bedtimes, and regular activities. Even small, consistent moments can help anchor the day and reduce stress. My son Angelo thrives on routine and planning, as things can become quite overwhelming for him.

Create a quiet, safe space.
Christmas often means a busier house, louder environments, and extra stimulation. Setting up a quiet area in the home — such as a bedroom, a corner of the living room, or a cosy den — can allow someone to step away and regroup when needed. You know your child or adult best, so place comforting, familiar items such as soft blankets, favourite toys, calming music, or noise-cancelling headphones.

Prepare for changes in advance.
Many autistic people feel more comfortable when they know what to expect. Talk through upcoming events such as school plays, family visits, or trips to busy shops. Visual schedules, countdown calendars, or simple checklists can all help. This preparation reduces anxiety and provides a sense of control.

Introduce decorations gradually.
The sudden arrival of bright lights, strong scents, and sparkly decorations can be overwhelming. Instead of transforming the house overnight, add decorations slowly over several days. This gentle approach allows the sensory environment to shift at a manageable pace and gives everyone time to adjust. This really helps my son, as changes in familiar surroundings can be upsetting for him.

Be mindful of sensory overload.
Christmas comes with many sensory triggers, such as flashing lights, loud music, unfamiliar foods, and busy gatherings. Think about the sensory needs of your loved one and tailor celebrations accordingly. You might dim lights, lower music volume, offer familiar snacks, or plan shorter visits. It’s all about creating comfort, not pressure.

Manage expectations.
Not everyone wants a busy, noisy Christmas — as I know well with my own family — and that’s absolutely okay. Traditions may need to be adapted. Smaller gatherings, shorter activities, or celebrating at home rather than travelling may be more suitable. Focus on what feels right for your family rather than what is expected.

Allow time for rest and recovery.
Even enjoyable events can be draining. Build in downtime before and after activities. Gentle routines, quiet mornings, or restful evenings can help everyone recharge and enjoy the season more fully.

And don’t forget to allow time for yourself as parents and carers. Take five minutes whenever you can to recharge your batteries — I know it’s not always easy.

I’m really excited that in 2026 we have so much happening at Anna Kennedy Online. We’re kicking off the year with the fantastic, award-winning author Samantha Lee’s book launch on 28th February at the Firepit Gallery, with all profits from the night being donated to the charity. It will also be the 15th year of Autism’s Got Talent. Plus, booking for our gala ball — the Autism Hero Awards in May — is now open. Then there is the Autism & Art Show in July, and so much more.

My head is spinning just thinking about it with excitement! Sending positive vibes, and see you all next year!

Please make a donation to Anna kenned on line for Christmas. https://www.paypal.com/donate/?hosted_button_id=RKNE6GRMHJUP2

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Denise Welch is the ultimate hun, LGBTQ+ queen, and rightful heir to the 2025 Christmas Number One crown with Slayyy Bells.

If there is one woman capable of shaking up the Christmas charts, unseating the usual pop titans, and bringing pure chaotic joy to the holiday season, it’s Denise Welch. With Slayyy Bells, she hasn’t just released a festive single — she’s unleashed a cultural moment. A glittery, high-camp, tongue-in-cheek masterpiece that captures everything the British public secretly craves at Christmas: humour, heart, a bit of mischief, and a full-throttle, unapologetic “hun energy.”

Denise has long been adored for her honesty, her warmth, and her refusal to take herself too seriously. That’s why the LGBTQ+ community has embraced her with open arms. She doesn’t perform camp — she embodies it. Whether it’s fiery daytime TV realness, chaotic comic timing, or her glamorous, self-deprecating sparkle, Denise is the kind of icon who walks into a room and immediately becomes everyone’s mum, best friend, and backstage confidante. She is the definition of a British hun: fierce, funny, fabulous, and fearlessly herself.

Slayyy Bells captures that spirit perfectly. It’s a sugary cocktail of festive beats, wink-wink lyrics, and nightclub-ready chaos — the kind of song that would make even the Grinch put on a sequinned jumpsuit. In a chart landscape dominated by perfectly polished megastars like Taylor Swift, Dua Lipa, or Ed Sheeran, Denise offers something the others can’t: pure personality. She’s not trying to be slick, she’s trying to be fun — and that’s exactly what people cling to at Christmas.

Let’s be honest: the UK loves an underdog, and Denise is the ultimate comeback queen. She’s lived a life, she’s told her story, and she has emerged with more charisma than half the industry put together. When she releases a Christmas single, it isn’t just music — it’s a movement. It’s the collective national desire for something joyful, camp, inclusive, and proudly silly.

The LGBTQ+ community in particular knows a gay icon when it sees one. Denise is outspoken, loyal, emotionally open, and effortlessly dramatic. She’s relatable yet glamorous; chaotic yet wise; messy yet magnificent. She’s the woman who will cry with you, dance with you, and drag you out to karaoke at 2 a.m. — the Patron Saint of Huns.

This is why Slayyy Bells deserves to beat the global juggernauts. Christmas Number One shouldn’t always go to the most streamed, the most marketed, or the most algorithmically optimised. Sometimes it should go to the artist who brings the most joy. The one who makes people laugh, sing, and feel part of something bigger.

Denise Welch is that artist. She’s the people’s diva, the hun-in-chief, the LGBTQ+ fairy godmother of festive chaos — and Slayyy Bells is the anthem worthy of her crown.

This Christmas, let’s make history. Let’s give the Number One to the woman who would celebrate it harder than anyone else: Queen Denise Welch.

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Dr Anna Kennedy OBE Inspires at the Hampton Hub Counselling and Coaching Group


2Shades Heidi Gammon and Dr Anna Kennedy OBE with Steven Smith at the Hampton Hub

Heidi Gammon presents Dr Anna Kennedy OBE.

The Hampton Hub was buzzing with energy on Friday 20th November as esteemed autism ambassador Dr Anna Kennedy OBE took to the stage as the special guest speaker for the Counselling and Coaching Group. The event was proudly hosted by Heidi Gammon2Shades Magazine columnist and Gateway Radio agony aunt, who introduced Dr Kennedy to an enthusiastic and engaged audience.

Dr Kennedy, one of the UK’s most recognised voices in autism advocacy, immediately captivated the room with her warmth, humour, and honesty. She shared her remarkable journey: from a determined mother fighting for the right support for her two autistic sons, Patrick and Angelo, to becoming a national campaigner, charity founder, and distinguished OBE recipient for her services to autism.

Her story began with what she described as “a battle fought with love and necessity.” With limited educational options available for her boys, she took matters into her own hands—eventually helping establish specialist provision and launching her highly influential charity, Anna Kennedy Online, which now supports thousands of autistic individuals and their families across the UK and beyond.

The audience listened intently as she spoke about the evolution of her work, including the hugely popular Autism Hero Awards, which celebrate outstanding individuals who make a positive difference within the autism community. She also discussed her long-running digital platform, Anna Kennedy Online, which provides education, advocacy, and outreach.

A highlight of the evening was her reflection on appearing on ITV’s Lorraine, where she was honoured as a finalist for Woman of the Year—a moment she described as both surreal and deeply meaningful.

The event also shone a spotlight on important collaborative projects. Dr Kennedy spoke about Born Anxious, the anti-bullying campaign that raises awareness of the struggles many autistic children and adults face. As part of the session, the group viewed a touching dance performance video by Freya Prince, whose emotional and expressive choreography moved the room.

Adding festive cheer, former Autism’s Got Talent performer Ty Williams delighted the audience via video with a heartfelt rendition of “Driving Home for Christmas,” receiving warm applause from attendees.

There was also a special appearance by Steven Smith, a former celebrity hairdresser turned author and presenter, who is one of the patrons of Anna Kennedy Online. He shared his personal story of becoming part of the charity’s growing family and spoke passionately about the power of creativity and community in supporting individuals on the autism spectrum. He also highlighted the creation of Autism and Art, an inclusive exhibition held at the Firepit Gallery in London that celebrates neurodiverse artists and their unique perspectives.

The Hampton Hub Counselling and Coaching Group, led by Heidi Gammon and her dedicated team, provided a warm and supportive atmosphere, bringing together people from all walks of life who share a commitment to understanding, compassion, and positive action.

Attendees left energised and inspired, with many commenting on the emotional resonance and practical insight Dr Kennedy brought to the conversation. Her message was clear: with determination, community, and unwavering belief, real change is possible.

The event not only highlighted the vital work being done across the UK for autistic individuals, but also showcased the power of storytelling, advocacy, and human connection.

For more information on the organisations and initiatives mentioned, visit:

• Anna Kennedy Online: https://annakennedyonline.com
• Born Anxious: https://bornanxious.co.uk
• The Firepit Gallery: https://www.firepit.art
• Hampton Hub: https://www.hamptonhubclub.com
• Counselling For You (Heidi Gammon): https://www.counselling-foryou.co.uk/about-us

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Money Matters with Richard Andrews

Richard Antony coach .


Money Matters at Christmas

With Richard Andrews

  • 2Shades introduces Richard Andrews new column ” Money Matters ” He’s not a financial adviser — but with more than a decade in banking, years of coaching executives, and hands-on experience running his own business, Richard Andrews knows a thing or two about money. As households prepare for one of the most expensive seasons of the year, Richard shares his no-nonsense advice on spending smart, avoiding debt, and keeping Christmas joyful without breaking the bank.

“Finance expert is very kind… but let’s clarify that first!”

Q: Richard, you’ve been described as a finance expert. Is that fair?
A: “‘Finance expert’ is very kind, but I’m not a financial adviser. I did spend over ten years working for a high street bank, including as a business manager supporting small businesses. Today, I run my own company and coach executives and individuals to help them achieve the outcomes they want. All of that gives me plenty of real-world insight to share with your audience.”


The Cost of Christmas

Q: Why is Christmas such an important time to talk about money?
A: “Because we spend a lot of it. The average UK household will spend around £1,626 on Christmas this year. That includes £350 on food and drink and £181 on presents. But the biggest spend comes from the hidden extras — entertainment, wrapping paper, cards, batteries — all those little things that add up fast. If you’re not careful, the consequences can follow you well into January.”

Teaching children about the value of this is important even at Christmas .

Rule Number One: Don’t Spend What You Don’t Have

Q: What’s your core message for managing Christmas spending?
A: “Don’t spend money you can’t afford. I’m not suggesting a gloomy, ‘bah humbug’ Christmas — just decide what you can realistically spend and stick to it. Overspending without a plan leads straight to a miserable January.”


The Credit Card Trap

Q: Many people rely on credit cards at Christmas. What’s the danger?
A: “Most of us use them, but the issue is that people often add £250–£500 to their debt at Christmas. That £250 gadget can become £500+ once interest kicks in if you’re not paying it off quickly. Some instalment services like Klarna can help if you can afford them — but remember, they’re not free money.”


Black Friday: Bargain or Illusion?

Q: Are Black Friday deals worth it?
A: “Often they’re not. Some retailers raise prices beforehand to make the ‘discounts’ look dramatic. The best thing you can do is track the prices of items you genuinely want. Don’t fall for impulse buys — that’s dead money.”


Cost of Living vs Christmas Spirit

Q: In a cost-of-living crisis, how can people avoid overspending?
A: “Plan and budget. The UK will throw away almost £450 million worth of food over Christmas. Don’t get into debt buying food you’re going to bin. Freeze leftovers, plan meals properly, and remember that the real gift is time with loved ones. Debt in January is the fastest way to ruin the joy of Christmas.”


Managing Children’s Expectations

Q: How should parents handle kids’ wish-lists?
A: “Kids are smart and constantly targeted by influencers. Be honest, don’t promise what you can’t deliver, and don’t go into debt to keep up with the Joneses — that’s a race you can never win. Set realistic budgets, talk openly, and consider refurbished or discounted-return tech. ‘New to them’ is just as good.”


Short-Term Loans: A Firm No

Q: Are short-term loans ever a good idea during the holidays?
A: “Never. A £500 loan over six months can cost you £640 or more. These loans spiral quickly and trap people in a cycle of borrowing. No Christmas is worth that risk.”


Planning Ahead for Christmas 2026

Q: What’s the best strategy for next year?
A: “Start in January. Put aside whatever you can each month into a savings account. Christmas Club schemes can help, but make sure you’re not stuck with a single retailer. Buy gifts throughout the year if you spot a good deal and remember that adults don’t need expensive presents — thoughtful tokens count.”


The Real Gift

Q: Any final advice for a calmer Christmas?
A: “Christmas is stressful enough without money worries. Don’t add pressure you don’t need. Focus on an affordable, joyful Christmas with the people you love — because that is the true gift.”


Connect with Richard

You can find him on LinkedIn, or email him at:
RichardAndrewsCoaching@gmail.com

https://www.linkedin.com/in/richardbandrews/

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Heidi is back, and she’s here to help you get through and enjoy the holiday period.

Heidi is back, and she’s here to help you get through and enjoy the holiday period.Hear her on Gateway Radio on the Aston Avery Show and on YouTube.Please write to her at 2Shades: spman@btinternet.com if you have a problem.Heidi can only answer so many, but she will try her best. Heidi is back, and she’s here to help you get through and enjoy the holiday period.spman@btinternet.com if you have a problem.Heidi can only answer so many, but she will try her best.

https://www.counselling-foryou.co.uk/about-us#:~:text=To%20accommodate%20the%20varied%20needs,face%2C%20zoom%20or%20telephone%20sessions.&text=Heidi%20Gammon%20is%20a%20qualified,and%20Psychodynamic%20theories%20and%20CBT.

Dear Heidi
Hope you are well. My son is coming with his girlfriend for Christmas. She is a lovely girl, but she’s not really my kind of person — though she makes my son happy. Lunch is going to be a problem: she is vegan and we are all meat eaters. Making it worse, she talks about animal cruelty while we’re eating. Now my son has decided he’s vegan too. I will make a nut roast and vegetables for them, but is it acceptable to tell them I don’t want to hear about animals and cruelty while we eat?
Diana, Uxbridge

Heidi replies:
You’re being considerate by preparing vegan options, and it’s perfectly reasonable to set boundaries at the table. Explain kindly that you respect their choices, but mealtimes need to stay pleasant for everyone. A gentle, “Let’s save the debate for later,” is enough. Mutual respect works both ways. Maybe try having a coffee with her before Christmas, go over the menu, and then explain your boundaries so it doesn’t become a big issue on the day.

Dear Heidi
My boyfriend and I like to party and occasionally take drugs. I feel it’s under control on my end — high days and low days, that kind of thing — but I am a traditionalist when it comes to Christmas. He wants to invite two friends over and seems more interested in getting drugs in for after lunch than the food or the day itself. What can I do? I want a white Christmas — not that kind of white one.
Mike, Bournemouth

Heidi replies:
You deserve a Christmas that feels safe and joyful. Tell your boyfriend clearly that you want a drug-free day and that you aren’t comfortable hosting a gathering that revolves around substances. If he can’t respect that boundary, it’s a sign something needs addressing in the relationship — and perhaps in your habits as a couple. A peaceful Christmas requires mutual respect. Any regular drug use is not only illegal but a sign of addiction; once it’s in your life, it has a habit of resurfacing.

Dear Heidi
Can you please help me? My mother is a total control freak and she runs Christmas like a military operation. This year I want to go to my friends’ in Cornwall. I am 19, at college, and have a part-time job. How do I break the news? I hinted at the idea and she brushed it off. How do I tell her?
Malcolm, Newcastle

Heidi replies:
You’re an adult now, and part of growing up is making your own plans. Be direct, calm and kind: “Mum, I love Christmas here, but this year I’m spending it with friends.” She may protest, but stick to your decision. Set the boundary with respect, not guilt, and give her time to adjust. The sooner you tell her, the better — and be aware she may not stop being controlling, so learning to stand firm now will help.

Dear Heidi
Please help. We are going to my fiancé’s for Christmas. His mum is nice, but his dad is awful — he constantly makes crude comments and flirts with me when no one is looking. What can I do? Do I tell my fiancé or just put up with it since we don’t go that often?
Tiffany, Leeds

Heidi replies:
You should not put up with inappropriate behaviour, no matter how infrequent the visits. Tell your fiancé privately and calmly what has been happening. He needs to know, and the two of you can decide together how to handle it — whether that’s him speaking to his father or setting clearer boundaries. You deserve to feel safe and respected.

Dear Heidi
I am going home for Christmas. This summer I came out at university. My parents are religious and it is going to be a shock to them. Should I go down sooner to tell them? I don’t want to ruin Christmas.
Paul, Cardiff

Heidi replies:
If you feel emotionally ready, telling them before Christmas may ease some of the pressure on the day itself. It gives them time to process without the intensity and expectations of the holiday. Choose a calm moment, be honest, and remember: their reaction is about their adjustment, not your worth. You deserve to be loved and accepted as you are.

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Morley Opera School Presents: Opera Scenes: CONSEQUENCESJohnny Harris Theatre Studio, Morley College London – Waterloo Centre December 11–13, 2025

By Steven Smith. https://www.morleycollege.ac.uk/event/morley-opera-school-presents-opera-scenes-consequences/

This December, Morley Opera School invites audiences to an evening of passion, wit, and reflection with Opera Scenes: CONSEQUENCES, a vivid exploration of human choices and their inevitable aftermath. Under the expert direction of William Kerley and musical direction by Panaretos Kyriatzidis, this production offers a captivating journey through some of opera’s most powerful and emotionally charged moments. With Nicholas Bosworth at the piano and Conor Costelloe crafting evocative lighting design, the performance promises to be both musically and visually enthralling.

The program brings together a diverse range of works, from the Classical elegance of Gluck and Mozart to the modern intensity of Britten and Poulenc. Each scene has been carefully chosen to highlight the theme of consequences—how human decisions, driven by love, pride, fear, or faith, shape the fates of individuals and societies alike.

The evening opens with Gluck’s Paride ed Elena, a lyrical portrayal of the mythic lovers whose choices ignite the Trojan War. Through Gluck’s graceful yet emotionally charged score, the audience witnesses how desire can lead to destiny’s most devastating turns. The theme of secrecy and consequence continues in Domenico Cimarosa’s Il Matrimonio Segreto(The Secret Marriage), where comic misunderstandings and clandestine vows lead to both hilarity and heartbreak. Cimarosa’s sparkling ensemble writing and elegant wit remind us that even the most humorous situations often conceal real emotional stakes.

From there, the performance moves to Mozart’s Idomeneo, a masterwork of the Classical era that delves into the tension between duty and compassion. When the Cretan king must sacrifice his own son to appease the gods, Mozart’s music swells with moral anguish and divine intervention—a striking depiction of how promises made in desperation can lead to unbearable consequences.

The evening then shifts to the haunting world of Benjamin Britten’s The Rape of Lucretia, a twentieth-century chamber opera that reimagines an ancient Roman tragedy. Britten’s sparse, evocative score and stark moral commentary confront audiences with questions of innocence, violation, and redemption. It is one of the evening’s most profound explorations of consequence—where an individual act of violence reverberates through history.

Finally, the performance concludes with scenes from Francis Poulenc’s Les Dialogues des Carmélites, a deeply moving account of faith, fear, and courage during the French Revolution. In this extraordinary work, a community of nuns faces execution for their beliefs, and each character must decide how to confront mortality with dignity. Poulenc’s luminous harmonies and spiritual depth offer a fitting conclusion to a night that examines the human condition in all its complexity.

Opera Scenes: CONSEQUENCES is more than a showcase of operatic talent—it is a reflection on the moral and emotional choices that define us. Presented by the students of Morley Opera School, it demonstrates the artistry, discipline, and dramatic insight cultivated within this renowned institution. Among its talented performers is Jadwiga, a classically trained singer and music graduate who offers private singing lessons in classical, opera, and musical theatre styles https://www.morleycollege.ac.uk/event/morley-opera-school-presents-opera-scenes-consequences/

Performances take place on Thursday, December 11 at 7:30 PMFriday, December 12 at 7:30 PM, and Saturday, December 13 at 2:00 PM at the Johnny Harris Theatre Studio, Morley College London, 61 Westminster Bridge Road, SE1 7HT. Tickets are priced at £10.00 (plus booking fee £11.55 online).

An evening of beauty, reflection, and emotional truth, Opera Scenes: CONSEQUENCES is an essential event for opera lovers and newcomers alike—a reminder that every choice, whether divine or human, carries its echo.

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Columns Culture Health and Fitness Lifestyle People

Let’s Include All Men – Men’s Mental Health Month 11.11.25

By Guest Writer Manchester based award winning artist and my friend  Loveartpix.

November is Men’s Mental Health Month, and as usual, I want to move beyond the usual catchphrases like ‘Talking Helps‘ as it’s far more complex than that. The question I keep returning to (because it’s personal) is this: does our generic, neurotypical framing of “men’s mental health “leave too many men like me behind?

https://loveartpix.co.uk portrait award winning artist Loveartpix

Campaigns, days, and months do matter – they reduce stigma by getting the much needed conversations going and remind us to check in on friends. But what is their impact if suicide rates are still just as high, and some of the men at greatest risk (neurodivergent men) are largely left out of the conversation?

We rarely say this plainly: autistic people face a much higher risk of suicide than non‑autistic people. A large Swedish population study found that autistic adults, especially those without intellectual disability, were around nine times more likely to die by suicide than their non‑autistic peers (Hirvikoski et al., 2016). 

Autistic adults without intellectual disabilities are, on average, more likely than non‑autistic peers to experience mental health conditions such as anxiety and depression. Factors that contribute include chronic camouflaging/masking, sensory overload, social mismatch and stigma, late or missed diagnosis, and barriers to tailored support.

In clinical samples, the picture is even starker: two‑thirds of autistic adults report lifetime suicidal ideation, and about one‑third report suicide plans or attempts (Cassidy et al., 2014). If the risk is this high, why isn’t this part of the headline of our November conversations?

And what about the many who are undiagnosed – men whose autistic traits are missed or misread due to lack of awareness? How many die by suicide after years of the wrong treatment, the wrong framework, or a string of mental‑health labels that never addressed neurodivergent needs in the first place? We don’t track this well enough to know – this, for me, is very worrying.

https://www.jsbainphoto.com/?fbclid=PAZXh0bgNhZW0CMTEAc3J0YwZhcHBfaWQMMjU2MjgxMDQwNTU4AAGn2BRZtQtTMUoE1U-M-wzDJNmWMc00xMXpFZCO7zsh-5Xl65S2ePHo_654k38_aem_CkdO2H_o2p3DNnlzJiEZnA

I’m not speaking in theory. For more than two decades, I repeated the same words over and over, and the responses I received didn’t fit their box – so it was a continuous battle creating more mental health issues.

Look Dez, you’ve taken every combination of medication we can offer you. What else do you want us to do?” – words you don’t want to hear from the psychiatrist in charge of your mental health and well being!

Even after my diagnosis, I’m basically begging for support in any way possible, but they still don’t have an answer. Right now, no services are willing to accept my case. That isn’t a lack of “talking.”It’s a system that doesn’t understand or accommodate neurodivergent needs.

Talk to someone.” “Pick up the phone.” “Open up.” These messages are well‑meant—and sometimes they help. But they assume a neurotypical nervous system. When distress is driven by sensory overload, alexithymia (difficulty identifying and describing feelings), shutdown, or the aftermath of masking, being asked to “speak up” on a phone call, or in fluorescent‑lit rooms, with vague questions, can be not only ineffective but also actively dysregulating and even traumatic.

Personally, I often communicate better in text when I go into meltdown (and after), I need time to process, and rely on concrete, direct language and clear communication. Standard CBT delivered at a pace, full of metaphors and homework that assumes neurotypical cognition, doesn’t work unless it’s really adapted. Yet adapted therapy is patchy across the UK, and post‑diagnostic support for adults remains weak at best – if it exists at all! I’ve learned this the hard way: I’ve been “talking” for years. What’s missing isn’t the willingness to speak – it’s services that listen but don’t know how to respond to neurodivergent communication without pathologising it.

Diagnostic waiting lists have exploded. There are now well over one hundred thousand people in England awaiting autism assessments, with many waiting far longer than the 13‑week standard – often 12–24 months or more. Adult ADHD pathways are similarly overloaded. Late diagnosis isn’t just an administrative delay; it can mean decades of inappropriate treatment plans, missed adjustments at school and work, and a build‑up of trauma from being told to “try harder” in systems not built for your brain. Each missed or delayed diagnosis is a missed opportunity for prevention – especially when we know suicidality is elevated in autistic populations.

89% of autistic adults in the UK aged 40-59 are undiagnosed – Kings College London (2025)

This is why the generic approach to “men’s mental health” feels inadequate to me. Awareness months aren’t wrong – they are just incomplete. We can’t keep telling men to “open up” while offering only neurotypical doorways.

Here’s a truth I wish we’d say out loud: it’s a huge barrier when men are already “talking,” but the system still can’t understand what they’re saying. I’ve used the same words for more than twenty years. The approaches offered back haven’t matched my needs – and I am not a unique case! Even after my diagnosis, when I articulate my needs clearly, services have no adapted pathway, no training, or no remit that fits. At this moment, I’m not being accepted by any service. That isn’t impartial; it’s exclusion by design.

Neurodiversity, complex trauma, and racialised stress each demand deep, specific knowledge. Very few clinicians are experts across all three. That’s not a criticism of individuals; it’s a system‑design problem. Our pathways remain separated: autism/adhd/dyslexia over here, trauma/cptsd over there, “men’s mental health” somewhere in a campaign toolkit. Meanwhile, men sit on waiting lists, collecting labels, and learn to mask harder. Many still struggle to speak openly – especially when their experiences don’t match neat, neurotypical scripts of sadness, worry, and recovery.

Campaigns must reflect the facts: men are not all the same, and neither are their minds – neurotypical and neurodivergent. Put neurodivergent men on the list and on the panels. Highlight that autistic burnout is not laziness; that ADHD‑related rejection sensitivity can look like despair; that shutdowns and meltdowns are not misbehaviour. And tell men this clearly: if standard tools haven’t worked, maybe it’s the tool and not you

And let’s make the suicide data visible, not buried in academic journals. If autistic men face a dramatically higher risk, surely that belongs on the first slide, the first poster, and the first funding line?

We should admit where the evidence base is thin and choose humility. Research is (hopefully) accelerating, but we’re years from fully understanding these intersections. Until then, ‘specialists’ need to listen more to lived experience – with an open mind, and not through the generalised, stereotypical lens that turns nuance into “non‑compliance.” Ask what helps. Believe the answers. Adapt!

https://loveartpix.co.uk

None of this diminishes the value of awareness months; it actually refocuses them. If we want November’s messages to be more than posters and hashtags, we have to build services that fit all men, not the imaginary neurotypical everymanThe stakes are life and deathA system designed around the most complex needs will serve everyone better.

‘I have personally reached out to some well-known men’s mental health services and asked how they handle neurodivergent individuals, and I have been met with half-hearted replies and almost snubbed to my face’ – an all too common response in my experience. 

Acceptance has been central to how I navigate life now – there isn’t any help out there at the moment, as the research simply isn’t there. Acceptance hasn’t removed the struggle, but it has reframed it for me. I have been ‘speaking up’ for years. I don’t need another generic neurotypical catchphrase. I need services that recognise what I’m saying – and are ready and able to respond with understanding, compassion and a willingness to make reasonable adjustments

Sources for the statistics mentioned:

– Hirvikoski, T. et al. (2016). Premature mortality in autism spectrum disorder. A population‑based study in Sweden. Findings include markedly elevated suicide mortality, especially among autistic adults without intellectual disability.

– Cassidy, S. et al. (2014). Suicidal ideation and suicide plans or attempts in adults with Asperger’s syndrome attending a specialist clinic. Reports 66% lifetime suicidal ideation and 35% plans/attempts.

https://loveartpix.co.uk

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Columns Lifestyle People

Join 2Shades Magazine — An Exciting Opportunity to Shape a Bright, Inclusive Future

Are you passionate about creativity, positivity, and representation? Would you like to be part of an uplifting magazine that celebrates diversity and individuality? Then this could be the opportunity for you.

I’m Steven Smith, Editor of 2Shades Magazine — a vibrant, happy LGBTQ+ publication where everyone is welcome. 2Shades is about joy, self-expression, and living life in full colour. We share stories that inspire, entertain, and connect people from every shade of the spectrum.

At the moment, the magazine is run independently and with heart. It doesn’t yet generate profit, and I’m not taking a salary for my writing or editorial work. But what we do have is potential, readership, and passion — a growing audience who believe in what 2Shades stands for: positivity, equality, and creative freedom.

Now, with my current partner stepping down who we loved and can not thank enough , The incredible Adishia chengappa,is going into full time eduction . I’m looking for a new collaborator or investor to join me on this journey.


🌈 Why Join 2Shades?

  • Be part of something meaningful. 2Shades isn’t just a magazine — it’s a community celebrating LGBTQ+ life, art, culture, and individuality.
  • Low entry, high potential. For £1,000, you can buy into the magazine and become my creative and business partner.
  • Help shape the next chapter. From editorial direction and digital strategy to sponsorship, advertising, and partnerships — your ideas will directly influence how we grow.
  • Your voice matters. Whether you’re a writer, marketer, designer, PR professional, or creative entrepreneur, this is a rare chance to make a real impact.
  • Build towards profit together. As the magazine grows through advertising, sponsorships, collaborations, and events, so does your stake and reward.

🌟 What I’m Looking For

  • Someone who believes in the message of inclusion and positivity — LGBTQ+ and allies alike.
  • Someone excited by independent media and the creative world.
  • A person who’s proactive, imaginative, and ready to build something with heart.
  • Ideally someone who can bring either creative skills, marketing ideas, or business insight — but most importantly, enthusiasm.

💬 Next Steps

If this sounds like you, let’s talk. I’ll share more about our readership, digital presence, plans for the year ahead, and how we can shape this partnership together.

Your £1,000 investment secures you a share in 2Shades, a say in editorial direction, and the chance to be part of something growing, inclusive, and joyfully unique.

Let’s make 2Shades not just a magazine — but a movement that celebrates difference and spreads happiness.

With warmth,
Steven Smith
Editor, 2Shades Magazine
🌐 2shadesmagazine.com

e-mail spman@btinternet.com

07969106222